Modern African literature was produced in the crucible of colonialism. What this means, among other things, is that the men and women who founded the tradition of what we now call modern African writing, both in European and indigenous languages, were, without exception, products of the institutions that colonialism had introduced and developed in the continent, especially in the period beginning with the Berlin Conference of 1884–85 and decolonization in the late 1950s and early 1960s. African literature had, of course, been produced outside the institutions of colonialism: the existence of oral literature in all African languages and precolonial writing in Arabic, Amharic, Swahili, and other African languages is ample evidence of a thriving literary tradition in precolonial Africa. But what is now considered to be the heart of literary scholarship on the continent could not have acquired its current identity or function if the traumatic encounter between Africa and Europe had not taken place. Not only were the founders of modern African literature colonial subjects, but colonialism was also to be the most important and enduring theme in their works. From the eighteenth century onwards, the colonial situation shaped what it meant to be an African writer, shaped the language of African writing, and overdetermined the culture of letters in Africa.