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28 - Cuba’s Poetic Imaginary (1959–1989)

from Part IV - The Revolution’s Literary-Cultural Initiatives and Their Early Discontents

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Vicky Unruh
Affiliation:
University of Kansas
Jacqueline Loss
Affiliation:
University of Connecticut
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Summary

This chapter examines the elaborate poetics set forth by Cuban poets on and off the island in the first three decades after the Cuban Revolution. Using the concept of “dramas of institutionalization,” the chapter traces the (sometimes extremely) divergent esthetic attitudes and geographical and political positioning by poets such as Roberto Fernández Retamar, Heberto Padilla, Eliana Rivero, Jesús Cos Causse, Gustavo Pérez Firmat, Soleida Ríos, Lourdes Gil, Reina María Rodríguez, Angel Escobar, Ramón Fernández-Larrea, and Rolando Prats, among others. The accounts and analyses of Cuba’s voluminous poetic production elucidate its uses of colloquialism, interdisciplinarity, and linguistic confluence, among many other strategies.

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Publisher: Cambridge University Press
Print publication year: 2024

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References

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