Skip to main content Accessibility help
×
Hostname: page-component-5c6d5d7d68-wp2c8 Total loading time: 0 Render date: 2024-08-31T03:06:05.258Z Has data issue: false hasContentIssue false

Part IV - The Revolution’s Literary-Cultural Initiatives and Their Early Discontents

Published online by Cambridge University Press:  aN Invalid Date NaN

Vicky Unruh
Affiliation:
University of Kansas
Jacqueline Loss
Affiliation:
University of Connecticut
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2024

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Barnet, Miguel. La fuente viva. Letras Cubanas, 1983.Google Scholar
Beverley, John. Testimonio: On the Politics of Truth. U of Minnesota P, 2004.Google Scholar
El brigadista. Directed by Octavio Cortázar, ICAIC, 1977.Google Scholar
Campuzano, Luisa. “Cuba 1961: Los textos de las alfabetizadoras: Conflictos de género, clase y canon.Unión, vol. 9, no. 26, Jan.–Mar. 1997, pp. 5257.Google Scholar
Castro, Fidel. Palabras a los intelectuales. Arte y Literatura, 2021.Google Scholar
Craft, Linda J. Novels of Testimony and Resistance in Central America. UP of Florida, 1997.Google Scholar
Fagen, Richard R. The Transformation of Political Culture in Cuba. Stanford UP, 1969.Google Scholar
Fernández Retamar, Roberto. “Caliban: Notes towards a Discussion of Culture in Our America.” Translated by Lynn Garafola, David Arthur McMurray, and Robert Márquez, The Massachusetts Review, vol. 15, no. 1/2, 1974, pp. 772.Google Scholar
Ferrer Pérez, Raúl. “Alfabetización.” La Poesía Toda, 22 Dec. 2017, https://lapoesiatoda.wordpress.com/2017/12/22/alfabetizacion-de-raul-ferrer-perez/.Google Scholar
Fornet, Ambrosio. “El discurso testimonial: Voces y portavoces.Contracorriente, vol. 3, no. 7, Jan.–Mar. 1997, pp. 417.Google Scholar
González de Cascorro, Raúl. “El género testimonio en Cuba.Unión, vol. 4, Dec. 1978, pp.7389.Google Scholar
Kapcia, Antoni M. Changes and Developments in Cuban Literature Since the 1959 Revolution. 1979. University College London, PhD thesis.Google Scholar
Kuramaswami, Par. “Cultural Policy and Cultural Politics in Revolutionary Cuba: Re-Reading the Palabras a los Intelectuales (Words to the Intellectuals).Bulletin of Latin American Research, vol. 28, no. 4, 2009, pp. 527541.CrossRefGoogle Scholar
MacDonald, Theodore H. Making a New People: Education in Revolutionary Cuba. New Star Books, 1985.Google Scholar
Martínez Heredia, Fernando. “Pensamiento social y política de la revolución.Fernando Martínez Heredia: Pensar en tiempo de revolución: Antología esencial, edited by Sánchez Quiróz, Magdiel, CLACSO, 2018, pp. 7396.CrossRefGoogle Scholar
Memorias del subdesarrollo. Directed by Tomás Gutiérrez Alea, ICAIC, 1968.Google Scholar
Ochando Aymerich, Carmen. La memoria en el espejo: Aproximación a la escritura testimonial. Anthropos, 1998.Google Scholar
Orta Ruiz, Jesús. “Entrevista a puro verso.” Interview with Iraida Calzadilla Rodríguez, Cuba Periodistas, Sept. 2021, https://www.cubaperiodistas.cu/index.php/2021/09/entrevista-a-puro-verso/.Google Scholar
Otero, Lisandro, “Cuando se abrieron las ventanas a la imaginación.La Gaceta de Cuba, vol. 14, no. 4, July–Aug. 2001, pp. 5255.Google Scholar
Puebla, Carlos. “Son de la alfabetización.” Cancioneros.com, https://www.cancioneros.com/nc/23844/0/son-de-la-alfabetizacion-carlos-puebla.Google Scholar
Saborit, Eduardo. “Marcha de la alfabetización.” 1961. EcuRed, https://www.ecured.cu/Marcha_de_la_alfabetizaci%C3%B3n.Google Scholar
Serra, Ana. The New Man in Cuba: Culture and Identity in the Revolution. UP of Florida, 2007.Google Scholar
Subercaseaux, Bernard. Narrativa de la joven Cuba: Antologia. Nascimento, 1971.Google Scholar
Uxó González, Carlos. The Detective Fiction of Leonardo Padura Fuentes. Manchester Metropolitan U, 2006.Google Scholar
Wilkinson, Stephen. Detective Fiction in Cuban Society and Culture. Peter Lang, 2006.CrossRefGoogle Scholar
Yúdice, George. “Testimonio and Postmodernism.Latin American Perspectives, vol. 18, no. 3, 1991, pp. 1531.CrossRefGoogle Scholar

Works Cited

Agramonte, Arturo, and Castillo, Luciano. Cronología del cine cubano. Vols 1–3, Ediciones ICAIC, 2011, 2012, 2013.Google Scholar
Las aventuras de Juan Quin Quin. Directed by Julio García Espinosa, ICAIC, 1967.Google Scholar
Benamou, Catherine. “Notes Towards a Memography of Latin American Women’s Cinema.Symposium vol. 48, no. 4, 1995, pp. 257269.Google Scholar
Chadwick, Whitney, and de Courtivron., Isabelle Significant Others: Creativity and Intimate Partnership. Thames and Hudson, 1993.Google Scholar
Chanan, Michael. The Cuban Image: Cinema and Cultural Politics in Cuba. British Film Institute, 1985.Google Scholar
El cine y la vida: Nelson Rodríguez y Humberto Solás. Directed by Manuel Iglesias, Cinema Underground, ICAIC, 1995.Google Scholar
De cierta manera. Directed by Sara Gómez, ICAIC, 1974, 1977.Google Scholar
Del Valle Casals, Sandra. “Sara Gómez: Lecciones de y para la Revolución.Con la mirada inquieta: Lecturas posibles sobre género y cine cubano, edited by Diéguez, Danae C., Cuba Posible, 2017, pp. 1523.Google Scholar
Derby, Lauren. “Beyond Fugitive Speech: Rumor and Affect in Caribbean History.Small Axe, vol. 18, no. 2, 2014, pp. 123140.CrossRefGoogle Scholar
D’Lugo, Marvin, López, Ana M., and Podalsky, Laura, editors. The Routledge Companion to Latin American Cinema. Routledge, 2018.Google Scholar
Fajardo-Hill, Cecilia, and Giunta, Andrea. “Introduction.” Radical Women: Latin American Art, 1960–1985, edited by Fajardo-Hill, Cecilia and Giunta, Andrea, Del Monico Books, Prestel, 2017, pp. 1719.Google Scholar
Gaines, Jane M. Pink Slipped: What Happened to Women in the Silent Film Industries? U of Illinois P, 2018.CrossRefGoogle Scholar
García Borrero, Juan Antonio. “Confiscated Utopia (from the Gravity of Dreams to the Lightness of Realism).” Translated by Laura Podalsky, Studies in Hispanic Cinemas, vol. 9, no. 2, 2012, pp. 121136.CrossRefGoogle Scholar
García Borrero, Juan Antonio . “Nicolás Guillén Landrián: El fantasma del café.Guillén Landrián o el desconcierto fílmico, edited by Ramos, Julio and Robbins, Dylon, Almenara, 2019, pp. 3746.Google Scholar
Garcia Espinosa, Julio. “Por un cine imperfecto.Por un cine imperfecto. Colección Cine Rocinante, 1973, pp. 1132.Google Scholar
Gómez, Sara. Epilogue: “As Time Goes By, We Are Less of a Polite, Aesthetic, Static, Sexual, and Passive Object.” Interview with Marguerite Duras. Translated by Paul Kelley and Susan Lord, The Cinema of Sara Gómez: Reframing Revolution, edited by Susan, Lord, Cumaná, María Caridad, and Fowler Calzada, Víctor, Indiana UP, 2021, pp. 395402.Google Scholar
Gordon-Burroughs, Jessica. “The Pixelated Afterlife of the Cuban Cinematic Revolutionary Archive: Migrating Forms.Journal of Cinema and Media Studies, vol. 59, no. 2, 2020, pp. 2342.CrossRefGoogle Scholar
Granados, Daisy. “Academy’s Visual History Program Collection.” Interview by Luciano Castillo. Academy Foundation’s Oral History Projects Department, 1 Mar. 2016, https://pstlala.oscars.org/interview/daisy-granados/.Google Scholar
Gutiérrez Alea, Tomás. Dialéctica del espectador. Cuadernos de la Revista Unión, 1982.Google Scholar
Lord, Susan. Introduction: “New Women, Old Worlds.The Cinema of Sara Gómez: Reframing Revolution, edited by Lord, Susan, Cumaná, María Caridad, and Fowler Calzada, Víctor, Indiana UP, 2021, pp. 131.Google Scholar
Lord, Susan, Cumaná, María Caridad, and Fowler Calzada, Víctor, editors. The Cinema of Sara Gómez: Reframing Revolution. Indiana UP, 2021.Google Scholar
Madruga Hernández, Mayté. “Los no tan inútiles miedos de Mario Balmaseda.” Inter Press Service en Cuba, 21 May 2021, www.ipscuba.net/espacios/los-no-tan-inutiles-miedos-de-mario-balmaseda/.Google Scholar
Malitsky, Joshua. “Information and Education: Sara Gómez and Nonfiction Film Culture of the 1960s.The Cinema of Sara Gómez: Reframing Revolution, edited by Lord, Susan, Cumaná, María Caridad, and Fowler Calzada, Víctor, Indiana UP, 2021, pp. 270286.CrossRefGoogle Scholar
Martiatu, Inés María. “Sara es mucha Sara.” Interview by Lourdes Martínez-Echazábal, Afro-Hispanic Review, vol. 33, no. 1, 2014, pp. 181204.Google Scholar
Memorias del subdesarrollo. Directed by Tomás Gutiérrez Alea, ICAIC, 1968.Google Scholar
Mestman, Mariano. “Presentación.Las rupturas del 68 en el cine de América Latina: Contracultura, experimentación y política, edited by Mestman, Mariano, Ediciones Akal, 2016, pp. 761.Google Scholar
Newsreel 49. ICAIC, 1961.Google Scholar
Noriega, Chon A.Introduction.” Visible Nations: Latin American Cinema and Video, edited by Noriega, Chon A., U of Minnesota P, 2000, pp. xixxvi.Google Scholar
Now! Directed by Santiago Álvarez, ICAIC, 1965.Google Scholar
Padva, Gilad. “Introduction: What Is Queer about Nostalgia?Queer Nostalgia in Cinema and Pop Culture. Palgrave Macmillan, 2014, pp. 112.CrossRefGoogle Scholar
Paranaguá, Paulo Antonio. Le cinéma cubain. Editions du Centre Georges Pompidou, Cinéma Pluriel, 1990.Google Scholar
Paranaguá, Paulo Antonio. . “News from Havana: A Restructuring of the Cuban cinema.Framework, vol. 35, no. 91, 1988, pp. 88103.Google Scholar
Podalsky, Laura. “Unpacking Periodization.The Routledge Companion to Latin American Cinema, edited by D’Lugo, Marvin, López, Ana M., and Podalsky, Laura. Routledge, 2018, pp. 6274.Google Scholar
Por primera vez. Directed by Octavio Cortázar, ICAIC, 1967.Google Scholar
Ramos, Julio, and Robbins, Dylon. “Prologue.” Guillén Landrián o el desconcierto fílmico, edited by Ramos, Julio and Robbins, Dylon, Almenara, 2019, pp. 719.Google Scholar
Ramos, Julio, and Robbins, Dylon, editors. Guillén Landrián o el desconcierto fílmico. Almenara, 2019.Google Scholar
Reyes, Dean Luis.Exhumaciones de Nicolás Guillén Landrián.Guillén Landrián o el desconcierto fílmico, edited by Ramos, Julio and Robbins, Dylon, Almenara, 2019, pp. 4758.Google Scholar
Rich, B. Ruby. “An/Other View of New Latin American Cinema.New Latin American Cinema, Vol. 1: Theories, Practices, and Transcontinental Articulations, edited by Martin, Michael T., Wayne State UP, 1997, pp. 273297.Google Scholar
Rich, B. Ruby . Chick Flicks: Theories and Memories of the Feminist Film Movement. Duke UP, 1998.Google Scholar
Rich, B. Ruby . “Revolution, Sexuality, and the Paradox of Queer film in Cuba.New Queer Cinema: The Director’s Cut, Duke UP, 2020, pp. 159166.CrossRefGoogle Scholar
Rist, Peter. “Agit-Prop Cuban Style: Master Montagist Santiago Alvarez.Offscreen, vol. 11, no. 3, 2007, n.p.Google Scholar
Salut les cubains. Directed by Agnès Varda, Ciné-tamaris Société Nouvelle Pathé Cinéma, 1963.Google Scholar
Sánchez, Jorge Luis.Nicolás Guillén Landrián: En la historia del documental cubano.” Interview with Julio Ramos. Guillen Landrián o el desconcierto fílmico, edited by Ramos, Julio and Robbins, Dylon, Almenara, 2019, pp. 149162.Google Scholar
Schoonover, Karl, and Galt, Rosalind. “Introduction: Queer, World, Cinema.Queer Cinema in the World, Duke UP, 2016, pp. 134.Google Scholar
Schroeder Rodríguez, Paul. Tomás Gutiérrez Alea: The Dialectics of a Filmmaker. Routledge, 2002.Google Scholar
Smith, Paul Julian.The Language of Strawberry.Sight and Sound, vol. 4, no. 12, 1994, pp. 3134.Google Scholar
Stock, Ann Marie. On Location in Cuba: Street Filmmaking During Times of Transition. U of North Carolina P, 2009.CrossRefGoogle Scholar
Thomas, Susan. “Experimental Alternatives: Institutionalism, Avant-Gardism, and Popular Music at the Margins of the Cuban Revolution.Experimentalisms in Practice: Music Perspectives from Latin America, edited by Alonso-Minutti, Ana R., Herrera, Eduardo, and Madrid, Alejandro L., Oxford UP, 2018, pp. 4966.Google Scholar
Tire dié. Directed by Fernando Birri, Instituto de Cinematografía de la Universidad Nacional del Litoral, 1958.Google Scholar
West-Durán, Alan. “Sabor and Punctum: Music in Sara Gómez’s Films.The Cinema of Sara Gómez: Reframing Revolution, edited by Lord, Susan, Cumaná, María Caridad, and Fowler Calzada, Víctor, Indiana UP, 2021, pp. 328340.CrossRefGoogle Scholar

Works Cited

Armenteros Toledo, Marta B., and Díaz Acosta, Rolando, editors. 25 Aniversario: Movimiento de artistas aficionados. Biblioteca Nacional José Martí, 1985.Google Scholar
Carbonell, Walterio. Cómo surgió la cultura nacional. Yaka, 1961.Google Scholar
Casal, Lourdes. El caso Padilla: Literatura y revolución en Cuba. Universal, 1975.Google Scholar
Chanan, Michael. Cuban Cinema. U of Minnesota P, 2004.Google Scholar
Clealand, Danielle Pilar. The Power of Race in Cuba: Racial Ideology and Black Consciousness During the Revolution. Oxford UP, 2017.CrossRefGoogle Scholar
Cuban Poster Collection 1960–2000. University of California, Berkeley, and José Martí National Library of Cuba, https://calisphere.org/collections/5407/?rq=Aficionados.Google Scholar
Cuban Theater Digital Archive. Directed by Lillian Manzor, University of Miami Libraries and College of Arts and Sciences, 2011, https://ctda.library.miami.edu/.Google Scholar
Domínguez, Daylet. “Antiintelectualismo y género policial en la narrativa cubana de los 70.” Encuentro de la cultura cubana, no. 5354, Summer/Fall 2009, pp. 205213.Google Scholar
Fowler Calzada, Víctor, “Limones partidos.Cubista Magazine, no. 5, Summer 2006, https://rialta.org/wp-content/uploads/2021/04/8_Fowler_Limones-partidos.pdf.Google Scholar
Fusco, Coco. Dangerous Moves: Performance and Politics in Cuba. Tate, 2015.Google Scholar
González Hernández, Noelia. “Testimonio.” Cuban Theater Digital Archive, https://ctda.library.miami.edu/creator/10506.Google Scholar
Jiménez Enoa, Abraham. “Professions Do Not Belong to Those Who Study Them … But to Those Who Practice Them.” Interview by Ted Henken. No Country Magazine, 23 Aug. 2021, https://nocountrymagazine.com/abraham-jimenez-enoa-professions-do-not-belong-to-those-who-study-them-but-to-those-who-practice-them/.Google Scholar
Loss, Jacqueline. “Socialism with Bling: Aspiration, Decency, and Exclusivity in Contemporary Cuba.Journal of Latin American Cultural Studies, vol. 30, no. 2, 2021, pp. 291310.CrossRefGoogle Scholar
Manduley López, Humberto. Hierba mala: Una historia del rock en Cuba. La Luz, 2015.Google Scholar
Nehru, Meesha. “The Path to Becoming a Writer in Contemporary Cuba.Literary Culture in Cuba: Revolution, Nation-Building and the Book, by Kumaraswami, Par and Kapcia, Antoni, with Nehru, Meesha. Manchester UP, 2012, pp. 178193.Google Scholar
Otero, Lisandro, and Martínez Hinojosa, Francisco. Cultural Policy in Cuba, UNESCO, 1972, https://unesdoc.unesco.org/ark:/48223/pf0000001179.Google Scholar
Postone, Moishe. Time, Labor, and Social Domination: A Reinterpretation of Marx’s Critical Theory. Cambridge UP, 1993.CrossRefGoogle Scholar
Repertorio de teatro para el movimiento de aficionados. Dirección de Artistas Aficionados, Editorial Oriente, 1986.Google Scholar
Retrato de Teresa. Directed by Pastor Vega, ICAIC, 1979.Google Scholar
Rocha, Glauber. Cartas ao mundo. Edited by Bentes, Ivana, Companhia das Letras, 1997.Google Scholar
Salkey, Andrew. Havana Journal. Pelican, 1971.Google Scholar
Saruski, Jaime and Gerardo Mosquera. The Cultural Policy of Cuba. UNESCO, 1979, https://unesdoc.unesco.org/ark:/48223/pf0000032827.Google Scholar
Smorkaloff, Pamela María. Literatura y edición de libros: La cultura literaria y el proceso social en Cuba. Letras Cubanas, 1987.Google Scholar
“Talleres literarios: Folleto metodológico.” Consejo Nacional de Cultura, Dirección General de Literatura y Publicaciones, 1975.Google Scholar
Triana, Alexis. “El 349, Un decreto en torno a la circulación del arte.” Granma, 20 Nov. 2018, https://www.granma.cu/cultura/2018-11-29/el-349-un-decreto-en-torno-a-la-circulacion-del-arte-29-11-2018-22-11-31.Google Scholar
Unruh, Vicky. “Gender, the Culture of Work, and the Work of Culture: Exemplary Tales from Cuba.Brújula, vol. 4, no. 1, Dec. 2005, pp. 933.Google Scholar

Works Cited

Blanck, Olga de. Mi patria cubana. Ministerio de Educación, 1977.Google Scholar
Blum, Denise F. Cuban Youth and Revolutionary Values: Educating the New Socialist Citizen. U of Texas P, 2011.Google Scholar
Fernández, Raúl A. From Afro-Cuban Rhythms to Latin Jazz. U of California P, 2006.Google Scholar
Giro, Radamés. Música popular cubana. Editorial José Martí, 2007.Google Scholar
González González, José Pedro, and Reyes Velázquez, Raúl. “Desarrollo de la educación en Cuba después del año 1959.Entelequia: Revista Interdisciplinar, no. 10, 2009, pp. 87107.Google Scholar
Linares, María Teresa. La música y el pueblo. Pueblo y Educación, 1974.Google Scholar
Loynaz, Dulce María. Absolute Solitude: Selected Poems, Translated by James O’Connor, Archipelago, 2016.Google Scholar
Marquetti, Rosa. Chano Pozo: La vida (1915–1948). Oriente, 2018.Google Scholar
Moore, Kevin. “The Music of Ritmo Oriental.” Timba: Hogar de la música cubana en la red, 2007, https://www.timba.com/artist_pages/the-music-of-ritmo-oriental.Google Scholar
Moore, Robin D. Music and Revolution: Cultural Change in Socialist Cuba. U of California P, 2006.CrossRefGoogle Scholar
Ruiz, Magaly, and Castellón, Martha. “Olga de Blanck, Cuban Musician.Journal of the International Alliance for Women in Music, vol. 16, no. 1, 2010, pp. 2829.Google Scholar
Schultz, Rainer. “The Liberal Moment of the Revolution: Cuba’s Early Educational Reforms, 1959–1961.Cuban Studies, no. 49, 2020, pp. 215235.CrossRefGoogle Scholar
Vazquez, Alexandra T. Listening in Detail: Performances of Cuban Music. Duke UP, 2013.Google Scholar

Works Cited

Como haremos.Casa de las Américas, no. 1, 1960, p.3.Google Scholar
Esta revista … .Casa de las Américas, nos. 36–37, Africa en América, 1966, pp. 34.Google Scholar
Fernández Retamar, Roberto. “Ángel Rama y la Casa de las Américas.Casa de las Américas, no. 296–297, 2010, pp. 178196.Google Scholar
Fernández Retamar, Roberto. Treinta años de la Casa de las Américas.Revista Canadiense de Estudios Hispánicos, vol. 14, no. 2, 1990, pp. 370376.Google Scholar
Guevara, Ernesto Che. Pasajes de la guerra revolucionaria. Era, 1968.Google Scholar
Guevara, Ernesto Che. Reminiscences of the Cuban Revolutionary War. Translated by Victoria Ortiz, Monthly Review Press, 1968.Google Scholar
Loss, Jacqueline. Cosmopolitanisms and Latin America: Against the Destiny of Place. Palgrave, 2005.CrossRefGoogle Scholar
Mesquita Samara, Eni de. “Prólogo.Redes intelectuales en América Latina: Hacia la constitución de una comunidad intelectual, by Eduardo Devés Valdés, Instituto de Estudios Avanzados, Universidad Santiago de Chile, 2007, pp. 1721.Google Scholar
Otero, Lisandro. “Los años duros, de Jesús Díaz.” 45 revoluciones por minuto, https://www.45-rpm.net/sitio-antiguo/palante/jesusdiaz1.htm.Google Scholar
Pogolotti, Graziella. “Apuntes para el Che escritor.Casa de las Américas, no. 46, 1968, pp. 152154.Google Scholar
Principales leyes y disposiciones relacionadas con la cultura, las artes y la enseñanza artística. El Ministerio, 1982.Google Scholar
Quintero-Herencia, Juan Carlos. “Leer la Casa de las Américas hoy.” Rialta Magazine, 17 Oct. 2019, https://rialta.org/leer-la-casa-de-las-americas-hoy/.Google Scholar
Rama, Ángel. “Diez problemas para el novelista latinoamericano.Casa de las Américas, no. 26, 1964, pp. 343.Google Scholar
Stoll, David. Rigoberta Menchú and the Story of All Poor Guatemalans. Routledge, 2007.Google Scholar

Works Cited

Alberto, Eliseo. Caracol Beach. Alfaguara, 1998.Google Scholar
Alberto, Eliseo . Caracol Beach. Translated by Grossman, Edith, Knopf, 2000.Google Scholar
Alberto, Eliseo . Esther en alguna parte. Alfaguara, 2016.Google Scholar
Alberto, Eliseo . La eternidad por fin comienza un lunes. Alfaguara, 2001.Google Scholar
Alberto, Eliseo . La fábula de José. Alfaguara, 1999.Google Scholar
Alberto, Eliseo . Informe contra mi mismo. Alfaguara, 2002.Google Scholar
Alberto, Eliseo . La novela de mi padre. Alfaguara 2017.Google Scholar
Alberto, Eliseo . El retablo del Conde Eros. Planeta, 2008.Google Scholar
Altamirano, Carlos. La invención de Nuestra América. Siglo XXI, 2021.Google Scholar
Benítez Rojo, Antonio. La isla que se repite. Caciopea, 1999.Google Scholar
Benítez Rojo, Antonio . El mar de las lentejas. Caciopea, 1999.Google Scholar
Benítez Rojo, Antonio . Mujer en traje de batalla. Alfaguara, 2001.Google Scholar
Benítez Rojo, Antonio . The Repeating Island: The Caribbean and the Postmodern Perspective. Translated by James Maraniss, Duke UP, 1992.Google Scholar
Benítez Rojo, Antonio . Sea of Lentils. Translated by James Marannis, U of Massachusetts P, 1990.Google Scholar
Benítez Rojo, Antonio . Woman in Battle Dress. Translated by Jessica Ernst Powell, City Lights, 2015.Google Scholar
Campos, Julieta. The Fear of Losing Eurydice. Translated by Leland H. Chambers, Dalkey Archive Press, 1979.Google Scholar
Campos, Julieta . La forza del destino. Alfaguara, 2004.Google Scholar
Campos, Julieta . El miedo de perder a Eurídice. Joaquín Mortiz, 1987.Google Scholar
Campos, Julieta . Obras reunidas. Fondo de Cultura Económica, 2 vols, 2005.Google Scholar
Campos, Julieta . She Has Reddish Hair and Her Name is Sabina. Translated by Leland H. Chambers, U of Georgia P, 1993.Google Scholar
Campos, Julieta . Tiene los cabellos rojizos y se llama Sabina. Joaquín Mortiz, 1974.Google Scholar
Díaz, Jesús. Las cuatro fugas de Manuel. Espasa, 2002.Google Scholar
Díaz, Jesús . Dime algo sobre Cuba. Espasa, 1998.Google Scholar
Díaz, Jesús . Las palabras perdidas. Destino, 1992.Google Scholar
Díaz, Jesús . Siberiana. Espasa, 2000.Google Scholar
Loureiro, Ángel, “Prólogo.El mar de las lentejas, by Antonio Benítez Rojo, Casiopea, 1999, pp. 719.Google Scholar
Ortíz, Fernando. El huracán: Su mitología y sus símbolos. Fondo de Cultura Económica, 1947.Google Scholar
Roig de Leuchsenring, Emilio. “La primera mujer médico en Cuba en 1819.” Médicos y medicina en Cuba: Historia, biografía, costumbrismo, Academia de Ciencias de Cuba, 1965, pp. 3149.Google Scholar
Rojas, Rafael. La polis literaria: El boom, la revolución y otras polémicas de la guerra fría. Taurus, 2018.Google Scholar
Rojas, Rafael . La vanguardia peregrina: El escritor cubano, la tradición y el exilio. Fondo de Cultural Económica, 2013.Google Scholar
Sarduy, Severo. Beach Birds. Translated by Suzanne Jill Levine and Carol Maier, Otis Books, Seismicity Editions, 2007.CrossRefGoogle Scholar
Sarduy, Severo . Cobra and Maitreya: Two Novels. Translated by Suzanne Jill Levine, Dalkey Archive Press, 2005.Google Scholar
Sarduy, Severo . Obra completa. Fondo de Cultura Económica, 2 vols, 1999.Google Scholar
Siskind, Mariano. Cosmopolitan Desires: Global Modernity and World Literature in Latin America. Northwestern UP, 2014.CrossRefGoogle Scholar
Tejera, Nivaria. El barranco. Gobierno de las Canarias, 1989.Google Scholar
Tejera, Nivaria . Espero la noche para soñarte, Revolución. Universal, 2002.Google Scholar
Tejera, Nivaria . The Ravine. Translated by Carol Maier, SUNY P, 2008.Google Scholar
Tejera, Nivaria . Sonámbulo del sol. Seix Barral, 1972.Google Scholar

Works Cited

Alemán, Lídice. “Género, raza y poesía cubana de los ochenta en Entre mundo y juguete de Soleida Ríos.Afro-Hispanic Review, vol. 33, no. 2, Fall 2014, pp. 921.Google Scholar
Alemany Bay, Carmen. “Nacion y memoria en la poesía cubana de la revolucion.Atenea, vol. 497, Spring 2008, pp. 2335.Google Scholar
Alfonso, María Isabel. Ediciones El Puente y los vacíos del canon literario cubano: Dinámicas culturales posrevolucionarias. U Veracruzana, 2016.CrossRefGoogle Scholar
Andrés, Cira. “La muerte del Ángel.Ángel Escobar: El escogido, edited by Rodríguez Santana, Efraín, Unión, 2001, pp. 91101.Google Scholar
Behar, Ruth, and Suárez, Lucía M, editors. The Portable Island: Cubans at Home in the World. Palgrave MacMillan, 2008.CrossRefGoogle Scholar
Bejel, Emilio. Gay Cuban Nation. U of Chicago P, 2001.Google Scholar
Benson, Devyn Spence, editor. Afrocubanas: History, Thought, and Cultural Practices. Rowman and Littlefield, 2020.Google Scholar
Cabezas Miranda, Jorge. “Odette Alonso y Carlos Alberto Aguilera: Dos voces ‘antagónicas’ de la última poesía cubana.Confluencia: Revista Hispanica de Cultura y Literatura, vol. 27, no. 1, Sept. 2011, pp 157170.Google Scholar
Cabezas Miranda, Jorge . Proyectos poéticos en Cuba (1959–2000): Algunos cambios formales y temáticos. U de Alicante, 2012.Google Scholar
Cabrera, Yoandy. “Delfín Prats: Poesía como negación y censura en Cuba.Lírica: Revista Sobre Poesía Ibérica e Iberoamericana, no. 6, 2014, pp. 115.Google Scholar
Casado Fernández, Ana. “Poéticas de la resistencia en la literatura carcelaria cubana posrevolucionaria.Asedios al caimán letrado: Literatura y poder en la Revolución Cubana, edited by Gallardo Saborido, Emilio J., Gómez-de-Tejada, Jesús, and Puñales-Alpízar, Damaris, Karolinum, 2018, pp. 3342.Google Scholar
Casal, Lourdes. “Conversation in a Train Station with an Old Man Who Speaks Spanish.” Translated by Gustavo Pérez Firmat, The Norton Anthology of Latino Literature, edited by Stavans, Ilan, Norton, 2011, pp. 11901191.Google Scholar
Casal, Lourdes . Palabras juntan revolución. Casa de las Américas, 1981.Google Scholar
Castro, Fidel. “Pamphlet Entitled Palabras a los Intelectuales (Words to Intellectuals), Havana, National Cultural Council, 1961.” Tr. Foreign Broadcast Information Service (FBIS), 30 June 1961, Castro Speech Database, Latin American Network Information Center, U of TX Libraries, lanic.utexas.edu/la/cb/cuba/castro.html.Google Scholar
Cos Causse, Jesús. Jesús Cos Causse: Poesías selectas. Edited by Branch, Jerome, Serie Malunga, Instituto Internacional de Literatura Iberoamericana, 2021.Google Scholar
Damerdji, Amina. “Commitment Trouble: Gender Performances and Poetic Dissent in the Cuban Revolution.Latin American Literary Review, vol. 45, no. 90, July 2018, pp. 4452.CrossRefGoogle Scholar
Davies, Catherine. “Literature by Women in the Spanish Antilles, 1800–1950.The Cambridge History of Latin American Women’s Literature, edited by Rodríguez, Ileana and Szurmuk, Mónica, Cambridge UP, 2016, pp. 181195.Google Scholar
Dopico Black, Georgina. “The Limits of Expression: Intellectual Freedom in Postrevolutionary Cuba.Cuban Studies, vol. 19, Jan. 1989, pp. 107142.Google Scholar
Fernández, Rocío. “La mala memoria: Heberto Padilla y la ruina de la historia.Estudios de Teoria Literaria, vol. 11, no. 24, Mar. 2022, pp. 90101.Google Scholar
Fernández Retamar, Roberto. “The Other.” Translated by Arnold Odio, New England Review and Bread Loaf Quarterly, vol. 7, no. 4, Summer 1985, p.521.Google Scholar
Fowler, Víctor. “El muro anterior a toda pérdida.Ángel Escobar: El escogido, edited by Rodríguez Santana, Efraín, Unión, 1973, pp. 109131.Google Scholar
García, María Cristina. Havana USA: Cuban Exiles and Cuban Americans in South Florida, 1959–1994. U of California P, 1996.CrossRefGoogle Scholar
Gil, Lourdes. “Cuban Writing in the United States.Concise Encyclopedia of Latin American Literature, edited by Smith, Verity, Routledge, 2000.Google Scholar
Goldman, Dara E. Out of Bounds: Islands and the Demarcation of Hispanic Caribbean Identity. Associated University Presses, 2008.Google Scholar
Goldman, Dara E. . “Out of Place: The Demarcation of Hispanic Caribbean Cultural Spaces in the Diaspora.Latino Studies, vol. 1, no. 3, Nov. 2003, pp. 403423.CrossRefGoogle Scholar
Herman, Rebecca. “An Army of Educators: Gender, Revolution and the Cuban Literacy Campaign of 1961.Gender & History, vol. 24, no. 1, Apr. 2012, pp. 93111.CrossRefGoogle Scholar
Hernández Salván, Marta. Minima Cuba: Heretical Poetics and Power in Post-Soviet Cuba. SUNY P, 2002.Google Scholar
Jusdanis, G.National Poetry.The Princeton Encyclopedia of Poetry and Poetics, edited by Greene, Roland et al., 4th ed., Princeton UP, 2012, pp. 915918.Google Scholar
Kapcia, Antoni. “Educational Revolution and Revolutionary Morality in Cuba: The ‘New Man’, Youth and the New ‘Battle of Ideas.’” Journal of Moral Education, vol. 34, no. 4, Dec. 2005, pp. 399412.CrossRefGoogle Scholar
Kumaraswami, Par, and Kapcia, Antoni. Literary Culture in Cuba: Revolution, Nation-Building, and the Book. Manchester UP, 2012.CrossRefGoogle Scholar
Lomas, Laura. “On the ‘Shock’ of Diaspora: Lourdes Casal’s Critical Interdisciplinarity and Intersectional Feminism.Cuban Studies, no. 46, 2019, pp. 1038.Google Scholar
López Lemus, Virgilio. “Salidas del coloquialismo en la década de 1970 en Cuba.Aula Lírica: Revista Sobre Poesía Ibérica e Iberoamericana, vol. 8, 2016, pp. 5159.Google Scholar
Miskulin, Sílvia Cezar. “La revolución cubana y el caso Padilla en las revistas Plural y Vuelta.Estudios: Centro de Estudios Avanzados, Universidad Nacional de Córdoba, no. 23, June 2010, pp. 217240.Google Scholar
Negrón-Muntaner, Frances, and Martínez-San Miguel, Yolanda. “In Search of Lourdes Casal’s ‘Ana Veldford.’” Social Text, vol. 25, no. 3 (92), 2007, pp. 5784.CrossRefGoogle Scholar
Oboler, Suzanne. Ethnic Labels, Latino Lives: Identity and the Politics of (Re)Presentation in the United States. U of Minnesota P, 1995.Google Scholar
Owen, S.Poetry.The Princeton Encyclopedia of Poetry and Poetics, edited by Greene, Roland et al., 4th ed., Princeton UP, 2012, pp. 10651068.Google Scholar
Rivero, Raúl. “Historia viva.Poesía sobre la tierra. UNEAC, 1973.Google Scholar
Sánchez Aguilera, Osmar. “Poesía en claro: Cuba, años 80 (Long play/variaciones).Revista del Ateneo Puertorriqueño, vol. 2, no. 5, 1992, pp. 6787.Google Scholar
Soto, Francisco. Reinaldo Arenas. Twayne, 1998.Google Scholar
Zurbano, Roberto. “Cruzando el parque: Hacia una política racial en Cuba.Humania del Sur, vol. 16, no. 31, July 2021, pp. 137170.Google Scholar

Works Cited

Alvarez Borland, Isabel. Cuban American Literature of Exile: From Person to Persona, U of Virginia P, 1998.Google Scholar
Alvarez Borland, Isabel . Discontinuidad y ruptura en Guillermo Cabrera Infante. Hispamérica, 1982.Google Scholar
Alvarez Borland, Isabel . “Figures of Identity.Cuban American Literature and Art, edited by Alvarez Borland, Isabel and Bosch, Lynette, SUNY, 2009, pp.3147.Google Scholar
Alvarez Borland, Isabel . “Identidad cíclica de Tres tristes tigres.Revista Iberoamericana, vol. LVII, no. 154, 1991, pp. 215233.CrossRefGoogle Scholar
Alvarez Borland, Isabel . “Mapa dibujado por un espía: Crónica autobiográfica y poética de la memoria.La escritura metafinal de Guillermo Cabrera Infante, edited by Hammerschmidt, Claudia, INOLAS, 2017, pp. 221240.Google Scholar
Cabrera Infante, Guillermo. Arcadia todas las noches. Seix Barral, 1978.Google Scholar
Cabrera Infante, Guillermo . Así en la paz como en la guerra. Ediciones R, 1960.Google Scholar
Cabrera Infante, Guillermo . A Twentieth Century Job. Translated by Kenneth Hall and the author, Faber and Faber, 1991.Google Scholar
Cabrera Infante, Guillermo . “(C)lave Attemptor! A Chronology (After Laurence Sterne’s).World Literature Today, vol. 61, no. 4, 1987, pp. 513519.CrossRefGoogle Scholar
Cabrera Infante, Guillermo . Cuerpos divinos. Galaxia Gutenberg, 2010.Google Scholar
Cabrera Infante, Guillermo . Exorcismos de esti(l)o. Seix Barral, 1976.Google Scholar
Cabrera Infante, Guillermo . La Habana para un Infante difunto. Seix Barral, 1979.Google Scholar
Cabrera Infante, Guillermo . “Include Me Out.Requiem for the Boom-Premature: A Symposium, edited by Minc, Rose S. and Frankenthaler, Marilyn R., Montclair State College, 1980, pp. 920.Google Scholar
Cabrera Infante, Guillermo . Infante’s Inferno. Translated by Suzanne Jill Levine and the author, Harper and Row, 1984.Google Scholar
Cabrera Infante, Guillermo . Map Drawn by a Spy. Translated by Mark Fried, Penguin, 2017.Google Scholar
Cabrera Infante, Guillermo . Mapa dibujado por un espía. Galaxia Gutenberg, 2013.Google Scholar
Cabrera Infante, Guillermo . Mea Cuba. Plaza & Janés, 1992.Google Scholar
Cabrera Infante, Guillermo . Mea Cuba. Translated by Kenneth Hall and the author, Noonday Press, 1995.Google Scholar
Cabrera Infante, Guillermo . “Un mes lleno de Lunes.Lunes de Revolucion Literatura y cultura, edited by Luis, William, Verbum, 2003, pp. 137153.Google Scholar
Cabrera Infante, Guillermo . La ninfa inconstante. Galaxia Gutenberg, 2008.Google Scholar
Cabrera Infante, Guillermo . Un oficio del siglo veinte. Seix Barral, 1973.Google Scholar
Cabrera Infante, Guillermo . O. Seix Barral, 1975.Google Scholar
Cabrera Infante, Guillermo . Three Trapped Tigers. Translated by Donald Gardner, Suzanne Jill Levine, and the author, Avon Books, 1985.Google Scholar
Cabrera Infante, Guillermo . Tres tristes tigres. 2nd ed., Seix Barral, 1971.Google Scholar
Cabrera Infante, Guillermo . “Viaje verbal a La Habana, ¡Ah Vana!” Interview by Isabel Alvarez Borland, Hispamérica, vol. XI, no. 31, 1982, pp. 5168.Google Scholar
Cabrera Infante, Guillermo . View of Dawn in the Tropics. Translated by Suzanne Jill Levine and the author, Creative Arts, 1981.Google Scholar
Cabrera Infante, Guillermo . Vista del amanecer en el trópico. Plaza & Janés, 1984.Google Scholar
Cabrera Infante, Guillermo . Writes of Passage. Translated by John Brookesmith, Peggy Boyars, and the author, Faber and Faber, 1993.Google Scholar
Franqui, Carlos. Family Portrait with Fidel. Translated by Alfred MacAdam, Vintage Books, 1985.Google Scholar
García Ramos, Reinaldo. “Mapa para huir de una ciudad agonizante.Revista Conexos, vol. 8, Feb. 2014, https://conexos.org/2014/08/02/mapa-para-huir-de-una-ciudad-agonizante/.Google Scholar
Geisdorfer Feal, Rosemary. Novel Lives: The Fictional Autobiographies of Guillermo Cabrera Infante and Mario Vargas Llosa. U of North Carolina P, 1986.Google Scholar
Gómez, Miriam. Phone conversation, 17 Jan. 1922.Google Scholar
Granados, Omar. Re-escrituras: Literatura de la revolución cubana. 2012. Emory University, PhD dissertation.Google Scholar
Hall, Kenneth. Guillermo Cabrera Infante and the Cinema. Juan de la Cuesta, 1988.Google Scholar
Hammerschmidt, Claudia. “Mi genio es un enano llamado Walter Ego”: Estrategias de autoría en Guillermo Cabrera Infante. Iberoamericana, 2015.Google Scholar
Hammerschmidt, Claudia, editor. La escritura metafinal de Guillermo Cabrera Infante: Homenaje a su obra “casi completa.” INOLAS, 2017.Google Scholar
Ingram, Forrest L. Representative Short Story Cycles of the Twentieth Century. Mouton, 1971.CrossRefGoogle Scholar
Luis, William. “Exhuming Lunes de Revolución.CR: The New Centennial Review, vol. 2, no. 2, 2001, pp. 253283.CrossRefGoogle Scholar
Luis, William, editor. Lunes de Revolución: Literatura y cultura. Verbum, 2003.Google Scholar
Magnarelli, Sharon. “The Writerly in Tres tristes tigres.The Analysis of Hispanic Texts: Current Trends in Methodology, edited by Davis, Lisa E. and Taran, Isabel, Bilingual Press, 1976, pp.300320.Google Scholar
Mañach, Jorge. Indagación del choteo. Linkgua, 2009.Google Scholar
Merrim, Stephanie. “A Secret Idiom: The Grammar and Role of Language in Tres tristes tigres.Latin American Literary Review, vol. 16, no. 8, 1980, pp.96117.Google Scholar
Mirabal, Elizabeth, and Velasco, Carlos. Sobre los pasos del cronista: El quehacer intelectual de Guillermo Cabrera Infante en Cuba hasta 1965. Unión, 2010.Google Scholar
Nelson, Ardis. “Tres tristes tigres y el cine.Kentucky Romance Quarterly, vol. 29, no. 4, 1982, pp. 391404.CrossRefGoogle Scholar
Nelson, Ardis, editor. Guillermo Cabrera Infante: Assays, Essays, and Other Arts. Twayne, 1999.Google Scholar
Pérez, Louis A. On Becoming Cuban. UP North Carolina, 1999.Google Scholar
Rojas, Rafael. “El estilo contra la historia.Letras Libres, vol. 6, no. 69, 2004, pp. 4852.Google Scholar
Rojas, Rafael . “La viñeta y el retrato.La escritura metafinal de Guillermo Cabrera Infante, edited by Hammerschmidt, Claudia, INOLAS, 2017, pp.183203.Google Scholar
Rosa, Nicolás. “Cabrera Infante: Una patología del lenguaje.Crítica y significación. Galerna, 1970, pp. 175225.Google Scholar
Souza, Raymond D.The Cinematic Imagination.Guillermo Cabrera Infante: Assays, Essays, And Other Arts, edited by Nelson, Ardis, Twayne, 1999, pp.5565.Google Scholar
Souza, Raymond D. . Guillermo Cabrera Infante: Two Islands, Many Worlds. U Texas P, 1996.Google Scholar
Torres Fierro, Danubio. “Guillermo Cabrera Infante.Memoria Plural: Entrevistas a escritores latinoamericanos, Sudamericana, 1986, pp. 59105.Google Scholar

Works Cited

Arenas, Reinaldo. Antes que anochezca. Tusquets, 1992.Google Scholar
Arenas, Reinaldo . Before Night Falls: A Memoir. Translated by Dolores M. Koch, Penguin, 2020.Google Scholar
Arenas, Reinaldo . “Bestial Among the Flowers.A Hammock Beneath the Mangoes: Stories from Latin America, translated by Andrew Hurley, edited by Colchie, Thomas, Plume Books, 1992, pp. 321347.Google Scholar
Arenas, Reinaldo . El color del verano. Universal, 1991.Google Scholar
Arenas, Reinaldo . The Color of Summer. Translated by Andrew Hurley, Penguin, 2001.Google Scholar
Arenas, Reinaldo . Graveyard of the Angels. Translated by Alfred J. MacAdam, Avon, 1987.Google Scholar
Arenas, Reinaldo . Inferno: Poesía completa. Lumen, 2001.Google Scholar
Arenas, Reinaldo . La loma del Ángel. Mariel Press, 1987.Google Scholar
Arenas, Reinaldo . Termina el desfile. Seix Barral, 1981.Google Scholar
Arenas, Reinaldo . Viaje a La Habana: Novela en tres viajes. Mondadori España, 1990.Google Scholar
Before Night Falls. Directed by Julian Schnabel. Fine Line Features, 2000.Google Scholar
Bersani, Leo. Homos. Harvard UP, 1995.CrossRefGoogle Scholar
Molinero, Rita, and Izquierdo, Yolanda, editors. Reinaldo Arenas: La escritura como destino. Negra, 2023.Google Scholar
Ocasio, Rafael. Cuba’s Political and Sexual Outlaw: Reinaldo Arenas. UP of Florida, 2003.Google Scholar
Olivares, Jorge. Becoming Reinaldo Arenas: Family, Sexuality, and the Cuban Revolution. Duke UP, 2013.Google Scholar
Rozencvaig, Perla. Reinaldo Arenas: Narrativa de transgresion. Oasis, 1986.Google Scholar
Soto, Francisco. Reinaldo Arenas: The Pentagonia. UP of Florida, 1994.Google Scholar
Valero, Roberto. El desamparado humor de Reinaldo Arenas. U of Miami, North-South Center, 1991.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×