Book contents
- Frontmatter
- Contents
- Preface
- Acknowledgements
- Chapter 1 Introducing creative writing
- Chapter 2 Creative writing in the world
- Chapter 3 Challenges of creative writing
- Chapter 4 Composition and creative writing
- Chapter 5 Processes of creative writing
- Chapter 6 The practice of fiction
- Chapter 7 Creative nonfiction
- Chapter 8 Writing poetry
- Chapter 9 Performing writing
- Chapter 10 Writing in the community and academy
- Illustrative bibliography
- Index
Chapter 1 - Introducing creative writing
Published online by Cambridge University Press: 05 June 2012
- Frontmatter
- Contents
- Preface
- Acknowledgements
- Chapter 1 Introducing creative writing
- Chapter 2 Creative writing in the world
- Chapter 3 Challenges of creative writing
- Chapter 4 Composition and creative writing
- Chapter 5 Processes of creative writing
- Chapter 6 The practice of fiction
- Chapter 7 Creative nonfiction
- Chapter 8 Writing poetry
- Chapter 9 Performing writing
- Chapter 10 Writing in the community and academy
- Illustrative bibliography
- Index
Summary
If you wish to be brief, first prune away those devices that contribute to an elaborate style; let the entire theme be confined within narrow limits. Do not be concerned about verbs; rather, write down with the pen of the mind only the nouns … follow, as it were, the technique of the metalworker. Transfer the iron of the material, refined in the fire of the understanding, to the anvil of the study. Let the hammer of the intellect make it pliable; let repeated blows of the hammer fashion from the unformed mass the most suitable words. Let the bellows of the mind afterwards fuse those words, adding others to accompany them, fusing nouns with verbs, and verbs with nouns, to express the whole theme. The glory of a brief work consists in this: it says nothing either more or less than is fitting.
geoffrey de vinsauf, Poetria Nova or The New Poetics (c. 1210)An open space
Think of an empty page as open space. It possesses no dimension; human time makes no claim. Everything is possible, at this point endlessly possible. Anything can grow in it. Anybody, real or imaginary, can travel there, stay put, or move on. There is no constraint, except the honesty of the writer and the scope of imagination – qualities with which we are born and characteristics that we can develop. Writers are born and made.
- Type
- Chapter
- Information
- The Cambridge Introduction to Creative Writing , pp. 1 - 35Publisher: Cambridge University PressPrint publication year: 2007