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Illustrative bibliography

Published online by Cambridge University Press:  05 June 2012

David Morley
David Morley
Affiliation:
University of Warwick
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The Cambridge Introduction to Creative Writing , pp. 258 - 263
Publisher: Cambridge University Press
Print publication year: 2007

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References

Abbott, H. Porter, The Cambridge Introduction to Narrative, Cambridge: Cambridge University Press, 2002.
Abrioux, Yves, Ian Hamilton Finlay: A Visual Primer, London: Reaktion Books, 1994.
Addonizio, Kim and Laux, Dorianne, The Poet's Companion, New York: Norton, 1997.
Allen, Walter, Writers on Writing, London: Dent, 1948.
Alvarez, Al, The Writer's Voice, London: Bloomsbury, 2005.
Amis, Martin, Experience, London: Vintage, 2001.
Anderson, Linda (ed.), Creative Writing: A Workbook with Readings, London: Routledge, 2006.
Apollinaire, Guillaume, Caligrammes, Berkeley: University of California Press, 1991.
Attridge, Derek, Poetic Rhythm: An Introduction, Cambridge: Cambridge University Press, 1995.
Atwood, Margaret, interview BBC 4, bbc.co.uk/bbcfour/audiointerviews/profilepages/atwood, November 1996.
Atwood, Margaret, Negotiating with the Dead: A Writer on Writing, Cambridge: Cambridge University Press, 2002.
Barry, Elaine (ed.), Robert Frost on Writing, New Brunswick: Rutgers University Press, 1973.
Beard, Richard, X20, London: Flamingo, 1996.
Behn, Robin and Twichell, Chase (eds), The Practice of Poetry: Writing Exercises from Poets who Teach, New York: HarperResource, 1992.
Bell, Julia and Magrs, Paul, The Creative Writing Coursebook, London: Macmillan, 2001.
Bell, Madison Smartt, Narrative Design: A Writer's Guide to Structure, New York: Norton, 1997.
Bernays, Anne and Painter, Pamela, What If? Writing Exercises for Fiction Writers, New York: Quill, 1991.
Berry, Cicely, Your Voice and How to Use It, London: Virgin Books, 2003.
Bishop, Elizabeth, The Complete Poems, New York: The Noonday Press, 1979.
Blake, Carole, From Pitch to Publication, Basingstoke: Macmillan, 1999.
Blegvad, Peter, The Book of Leviathan, London: Sort Of Books, 2000.
Bloom, Harold, The Anxiety of Influence, 2nd edition, Oxford: Oxford University Press, 1997.
Bloom, Harold, How to Read and Why, London: Fourth Estate, 2000.
Bly, Carol, Beyond the Writers' Workshop, New York: Anchor, 2001.
Boden, Margaret A., The Creative Mind: Myths and Mechanisms, London: Routledge, 2004.
Boisseau, Michelle and Wallace, Robert, Writing Poems, 6th edition, New York: Longman Pearson, 2004.
Booker, Christopher, The Seven Basic Plots, London: Continuum, 2004.
Bradbury, Malcolm (ed.), The Penguin Book of Modern British Short Stories, London: Penguin Books, 1988.
Brande, Dorothea, Becoming a Writer, New York: Harcourt and Brace, 1934; reprint New York: Tarcher Penguin, 1981.
Brook, Peter, The Empty Space, Harmondsworth: Penguin, 1990.
Brower, Reuben, Mirror on Mirror: Translation Imitation Parody, Cambridge, MA: Harvard University Press, 1975.
Brown, Clare and Paterson, Don (eds), Don't Ask Me What I Mean: Poets in Their Own Words, London: Picador, 2003.
Browne, Renni and King, Dave, Self-Editing for Fiction Writers: How to Edit Yourself into Print, New York: HarperResource, 2004.
Burke, Sean (ed.), Authorship: From Plato to the Postmodern, Edinburgh: Edinburgh University Press, 1995.
Burnshaw, Stanley, The Poem Itself, Harmondsworth: Penguin, 1960.
Burroway, Janet, Writing Fiction, New York: Longman, 2003.
Burroway, Janet, Imaginative Writing, 2nd edition, New York: Longman, 2006.
Calder, Nigel, The Magic Universe, Oxford: University Press, 2003.
Carver, Raymond, Fires, London: Picador, 1986.
Coe, Mandy and Sprackland, Jean, Our Thoughts are Bees: Working with Writers and Schools, Southport: Wordplay Press, 2005.
Connolly, Cyril, Enemies of Promise, London: Penguin, revised edition 1961.
Cox, Ailsa, Writing Short Stories, London: Routledge, 2005.
Curtis, Tony (ed.), As the Poet Said …, Dublin: Poetry Ireland, 1997.
Dawson, Paul, Creative Writing and the New Humanities, London: Routledge, 2005.
Dillard, Annie, The Writing Life, New York: HarperCollins, 1989.
Eshleman, Clayton, Companion Spider, Middletown: Wesleyan University Press, 2001.
Fenton, James, An Introduction to English Poetry, London: Penguin, 2002.
Ford, Richard (ed.), The Granta Book of the American Short Story, London: Granta, 1992.
Freed, Lynn, ‘Doing Time: My Years in the Creative Writing Gulag’, Harper's Magazine, July 2005, pp. 65–72.Google Scholar
Freedman, Diane and Frey, Olivia (eds), Autobiographical Writing Across the Disciplines, Durham: Duke, 2003.
Fuentes, Carlos, This I Believe, London: Bloomsbury, 2004.
Fussell, Paul, Poetic Meter and Poetic Form, New York: Random House, revised edition 1979.
Gardner, John, The Art of Fiction, New York: Vintage Books, 1983.
Gardner, John, On Becoming a Novelist, New York: HarperPerennial, 1985.
Gerard, Philip, Creative Nonfiction, Cincinnati: Story Press, 1996.
Gottschall, Jonathan and Wilson, David (eds), The Literary Animal, Illinois: Northwestern University Press, 2005.
Gutkind, Lee, The Art of Creative Nonfiction, New York: John Wiley & Sons, 1997.
Haffenden, John, Viewpoints: Poets in Conversation, London: Faber and Faber, 1981.
Hamilton, Ian, Robert Lowell: A Biography, London: Faber and Faber, 1982.
Harmon, William (ed.), Classic Writings on Poetry, New York: Columbia University Press, 2003.
Heaney, Seamus, Finders Keepers: Selected Prose 1971–2001, London: Faber and Faber, 2002.
Herbert, W. N. and Hollis, Matthew (eds.), Strong Words: Modern Poets on Modern Poetry, Newcastle: Bloodaxe Books, 2000.
Hershman, D. Jablow and Lieb, Julian, Manic Depression and Creativity, New York: Prometheus Books, 1998.
Hollander, John, The Gazer's Spirit, Chicago: University of Chicago Press, 1995.
Hollander, John, Rhyme's Reason, New Haven: Yale Nota Bene, 2001.
Holub, Miroslav, The Dimension of the Present Moment, London: Faber and Faber, 1990.
Hughes, Ted, Poetry in the Making, London: Faber and Faber, 1967.
Hughes, Ted, Winter Pollen, London: Faber and Faber, 1994.
Hughes, Ted, By Heart, London: Faber and Faber, 1997.
Hugo, Richard, The Triggering Town: Lectures and Essays on Poetry and Writing, New York: Norton, 1979.
Hunt, Celia, Therapeutic Dimensions of Autobiography in Creative Writing, London: Jessica Kingsley, 2000.
Hunt, Celia, ‘Assessing Personal Writing’, Auto/Biography 9 (1–2), 2001, pp. 89–94.Google Scholar
Hunt, Celia and Sampson, Fiona, Writing: Self and Reflexivity, London: Palgrave, 2006.
Jack, Ian (ed.), The Granta Book of Reportage, London: Granta, 2006.
Kennedy, X. J. and Gioia, Dana, An Introduction to Poetry, New York: Longman, 1998.
King, Stephen, On Writing, London: Hodder, 2000.
Kinzie, Mary, A Poet's Guide to Writing Poetry, Chicago: Chicago University Press, 1999.
Koch, Kenneth, Rose, Where Did You Get That Red?, New York: Vintage, 1990.
Koch, Kenneth, I Never Told Anybody: Teaching Poetry Writing to Old People, New York: Teachers and Writers Collaborative, 1997.
Koch, Kenneth, Wishes, Lies and Dreams: Teaching Children to Write Poetry, New York: HarperPerennial, 1999.
Koch, Kenneth, The Art of the Possible: Comics Mainly Without Pictures, New York: Soft Skull Press, 2004.
Koestler, Arthur, The Act of Creation, London: Picador, 1975.
Kundera, Milan, The Art of the Novel, New York: FirstHarperPerennial, 2000.
Lakoff, George and Johnson, Mark, Metaphors We Live By, Chicago: University of Chicago Press, 1980.
Lamott, Anne, Bird by Bird: Some Instructions on Writing and Life, New York: Anchor, 1995.
Ursula, Guin, Steering the Craft, Portland: Eighth Mountain Press, 1998.
Leahy, Anna (ed.), Power and Identity in the Creative Writing Classroom, Clevedon: Multilingual Matters, 2005.
Lennard, John, The Poetry Handbook, Oxford: Oxford University Press, 1996.
Lodge, David, The Art of Fiction, London: Penguin Books, 1992.
Lodge, David, The Practice of Writing, London: Penguin, 1997.
Logan, William, The Undiscovered Country: Poetry in the Age of Tin, New York: Columbia University Press, 2005.
Lopez, Barry, Arctic Dreams, New York: Scribner, 1986.
Lopez, Barry, About This Life, London: Harvill Press, 1999.
Lovejoy, Margot, Digital Currents: Art in the Electronic Age, London: Routledge, 2004.
MacCarthy, Fiona, Byron: Life and Legend, London: John Murray, 2002.
Mahon, Derek, Collected Poems, Loughcrew: Gallery Press, 1999.
Malcolm, Janet, The Journalist and the Murderer, London: Granta, 2004.
Mandelstam, Nadezhda, Hope Against Hope, London: Collins and Harvill Press, 1971.
Mandelstam, Osip, The Noise of Time: Selected Prose, trans. Clarence Brown, Evanston: Northwestern University Press, 2002.
Matthews, Harry and Brotchie, Alastair, OuLiPo Compendium, London: Atlas, 1998.
Mills, Paul, The Routledge Creative Writing Coursebook, London: Routledge, 2006.
Moore, Alan, Writing for Comics, Urbana: Avatar, 2005.
Moore, Marianne, Complete Poems, London: Faber and Faber, 1968.
Morley, David, The Gift: New Writing for the National Health Service, Exeter: Stride, 2002.
Murray, , Translations from the Natural World, Manchester: Carcanet Press, 2003.
Myers, D. G., The Elephants Teach: Creative Writing Since 1880, New Jersey: Prentice Hall, 1995.
Nabokov, Vladimir, Speak, Memory: An Autobiography Revisited, London: Penguin, 2000.
Novakovich, Josip, Fiction Writers Workshop, Cincinnati: Story Press, 1995.
Oates, Joyce Carol, The Faith of a Writer, New York: HarperCollins, 2004.
Oliver, Mary, A Poetry Handbook, San Diego: Harvest, 1994.
Olsen, Tillie, Silences, New York: The Feminist Press, 2003.
Ostrom, Hans, Bishop, Wendy and Haake, Katherine, Metro: Journeys in Writing Creatively, New York: Addison-Wesley, 2001.
Packard, William, The Art of Poetry Writing, New York: St Martin's Press, 1992.
Padgett, Ron, (ed.), Handbook of Poetic Forms, 2nd edition, New York: Teachers and Writers Collaborative, 2000.
Paterson, Don, The Eyes, London: Faber and Faber, 1999.
Paterson, Don, The Book of Shadows, London: Picador, 2004.
Perutz, Max, I Wish I'd Made You Angry Earlier, New York: Cold Spring Harbor Laboratory Press, 2003.
Pessoa, Fernando, Selected Poems, London: Penguin Books, 1974.
Pfenninger, Karl H. and Shubik, Valerie R. (eds), The Origins of Creativity, Oxford University Press, 2001.
Phillips, Larry W. (ed.), Ernest Hemingway on Writing, New York: Scribner, 1984.
Plimpton, George (ed.), Women Writers at Work: The Paris Review Interviews, New York: Penguin Books, 1989.
Pope, Rob, Creativity: Theory, History, Practice, Abingdon: Routledge, 2005.
Pound, Ezra, The ABC of Reading, New York: New Directions, 1934, reissued 1960.
Preminger, Alex and Brogan, T., The New Princeton Encyclopedia of Poetry and Poetics, Princeton: Princeton University Press, 1993.
Pullman, Philip, ‘Introduction’ to Paradise Lost, Oxford: Oxford University Press, 2005.
Queneau, Raymond, Cent Mille Milliards de poèmes, Paris: Editions Gallimard, 1961.
Queneau, Raymond, Exercises in Style, Paris: Editions Gallimard, 1947.
Redmond, John, How to Write a Poem, Oxford: Blackwell, 2006.
Rodenburg, Patsy, The Right to Speak: Working with the Voice, London: Methuen, 1992.
Rodden, John (ed.), Conversations with Isabel Allende, trans. Virginia Invernizzi, Austin: University of Texas Press, 1999.
Said, Edward, On Late Style, London: Bloomsbury, 2006.
Sampson, Fiona (ed.), Creative Writing in Health and Social Care, London: Jessica Kingsley, 2004.
Sansom, Peter, Writing Poems, Newcastle: Bloodaxe Books, 1994.
Schaefer, Candace and Diamond, Rick, The Creative Writing Guide, New York: Addison-Wesley, 1998.
Schmidt, Michael, Lives of the Poets, London: Phoenix, 1999.
Scully, James (ed.), Modern Poets on Modern Poetry, London: Fontana, 1966.
Shapard, Robert and Thomas, James, Sudden Fiction International, New York: Norton, 1989.
Shapiro, Nancy and Padgett, Ron (eds), The Point: Where Teaching and Writing Intersect, New York: Teachers and Writers Collaborative, 1983.
Sheeler, Jessie, Little Sparta: The Garden of Ian Hamilton Finlay, London: Frances Lincoln, 2003.
Showalter, Elaine, Teaching Literature, Oxford: Blackwell, 2003.
Sinclair, John D. (trans.), The Divine Comedy, 3 vols, New York: Oxford University Press, 1961.
Smith, Frank, Writing and the Writer, London: Heinemann, 1982.
Spiegelman, Art, MAUS: A Survivor's Tale, New York: Random House, 1986.
Steegmuller, Francis, Cocteau: A Biography, Boston: Atlantic/Little Brown, 1970.
Steele, Timothy, All the Fun's in How You Say a Thing: An Explanation of Meter and Versification, Athens: Ohio University Press, 1999.
Stein, Sol, Stein on Writing, New York: St Martin's Press, 1995.
Strand, Mark and Boland, Eavan, The Making of a Poem: A Norton Anthology of Poetic Forms, New York: Norton, 2000.
Strunk, William and White, E. B., The Elements of Style, Massachusetts: Allyn and Bacon, 2000.
Szymborska, Wisława, People on a Bridge, trans. Adam Czerniawski, London: Forest, 1996.
Thomas, Edward, Collected Poems, Oxford: Oxford University Press, 1978.
Treglown, Jeremy, V. S. Pritchett: A Working Life, London: Chatto and Windus, 2004.
Turner, Mark, The Literary Mind, Oxford: Oxford University Press, 1996.
Wainwright, Jeffrey, Poetry: The Basics, London: Routledge, 2004.
Wilson, E. O., Consilience: The Unity of Knowledge, New York: Abacus, 2003.
Wolff, Tobias, Old School, London: Bloomsbury, 2005.
Wood, James, ‘The Last Word’, Guardian Review, 11 June 2005, p. 7.Google Scholar
Wright, C. D., Cooling Time, Washington: Copper Canyon Press, 2005.
Zinsser, William, On Writing Well, New York: Collins, 2005.
Abbott, H. Porter, The Cambridge Introduction to Narrative, Cambridge: Cambridge University Press, 2002.
Abrioux, Yves, Ian Hamilton Finlay: A Visual Primer, London: Reaktion Books, 1994.
Addonizio, Kim and Laux, Dorianne, The Poet's Companion, New York: Norton, 1997.
Allen, Walter, Writers on Writing, London: Dent, 1948.
Alvarez, Al, The Writer's Voice, London: Bloomsbury, 2005.
Amis, Martin, Experience, London: Vintage, 2001.
Anderson, Linda (ed.), Creative Writing: A Workbook with Readings, London: Routledge, 2006.
Apollinaire, Guillaume, Caligrammes, Berkeley: University of California Press, 1991.
Attridge, Derek, Poetic Rhythm: An Introduction, Cambridge: Cambridge University Press, 1995.
Atwood, Margaret, interview BBC 4, bbc.co.uk/bbcfour/audiointerviews/profilepages/atwood, November 1996.
Atwood, Margaret, Negotiating with the Dead: A Writer on Writing, Cambridge: Cambridge University Press, 2002.
Barry, Elaine (ed.), Robert Frost on Writing, New Brunswick: Rutgers University Press, 1973.
Beard, Richard, X20, London: Flamingo, 1996.
Behn, Robin and Twichell, Chase (eds), The Practice of Poetry: Writing Exercises from Poets who Teach, New York: HarperResource, 1992.
Bell, Julia and Magrs, Paul, The Creative Writing Coursebook, London: Macmillan, 2001.
Bell, Madison Smartt, Narrative Design: A Writer's Guide to Structure, New York: Norton, 1997.
Bernays, Anne and Painter, Pamela, What If? Writing Exercises for Fiction Writers, New York: Quill, 1991.
Berry, Cicely, Your Voice and How to Use It, London: Virgin Books, 2003.
Bishop, Elizabeth, The Complete Poems, New York: The Noonday Press, 1979.
Blake, Carole, From Pitch to Publication, Basingstoke: Macmillan, 1999.
Blegvad, Peter, The Book of Leviathan, London: Sort Of Books, 2000.
Bloom, Harold, The Anxiety of Influence, 2nd edition, Oxford: Oxford University Press, 1997.
Bloom, Harold, How to Read and Why, London: Fourth Estate, 2000.
Bly, Carol, Beyond the Writers' Workshop, New York: Anchor, 2001.
Boden, Margaret A., The Creative Mind: Myths and Mechanisms, London: Routledge, 2004.
Boisseau, Michelle and Wallace, Robert, Writing Poems, 6th edition, New York: Longman Pearson, 2004.
Booker, Christopher, The Seven Basic Plots, London: Continuum, 2004.
Bradbury, Malcolm (ed.), The Penguin Book of Modern British Short Stories, London: Penguin Books, 1988.
Brande, Dorothea, Becoming a Writer, New York: Harcourt and Brace, 1934; reprint New York: Tarcher Penguin, 1981.
Brook, Peter, The Empty Space, Harmondsworth: Penguin, 1990.
Brower, Reuben, Mirror on Mirror: Translation Imitation Parody, Cambridge, MA: Harvard University Press, 1975.
Brown, Clare and Paterson, Don (eds), Don't Ask Me What I Mean: Poets in Their Own Words, London: Picador, 2003.
Browne, Renni and King, Dave, Self-Editing for Fiction Writers: How to Edit Yourself into Print, New York: HarperResource, 2004.
Burke, Sean (ed.), Authorship: From Plato to the Postmodern, Edinburgh: Edinburgh University Press, 1995.
Burnshaw, Stanley, The Poem Itself, Harmondsworth: Penguin, 1960.
Burroway, Janet, Writing Fiction, New York: Longman, 2003.
Burroway, Janet, Imaginative Writing, 2nd edition, New York: Longman, 2006.
Calder, Nigel, The Magic Universe, Oxford: University Press, 2003.
Carver, Raymond, Fires, London: Picador, 1986.
Coe, Mandy and Sprackland, Jean, Our Thoughts are Bees: Working with Writers and Schools, Southport: Wordplay Press, 2005.
Connolly, Cyril, Enemies of Promise, London: Penguin, revised edition 1961.
Cox, Ailsa, Writing Short Stories, London: Routledge, 2005.
Curtis, Tony (ed.), As the Poet Said …, Dublin: Poetry Ireland, 1997.
Dawson, Paul, Creative Writing and the New Humanities, London: Routledge, 2005.
Dillard, Annie, The Writing Life, New York: HarperCollins, 1989.
Eshleman, Clayton, Companion Spider, Middletown: Wesleyan University Press, 2001.
Fenton, James, An Introduction to English Poetry, London: Penguin, 2002.
Ford, Richard (ed.), The Granta Book of the American Short Story, London: Granta, 1992.
Freed, Lynn, ‘Doing Time: My Years in the Creative Writing Gulag’, Harper's Magazine, July 2005, pp. 65–72.Google Scholar
Freedman, Diane and Frey, Olivia (eds), Autobiographical Writing Across the Disciplines, Durham: Duke, 2003.
Fuentes, Carlos, This I Believe, London: Bloomsbury, 2004.
Fussell, Paul, Poetic Meter and Poetic Form, New York: Random House, revised edition 1979.
Gardner, John, The Art of Fiction, New York: Vintage Books, 1983.
Gardner, John, On Becoming a Novelist, New York: HarperPerennial, 1985.
Gerard, Philip, Creative Nonfiction, Cincinnati: Story Press, 1996.
Gottschall, Jonathan and Wilson, David (eds), The Literary Animal, Illinois: Northwestern University Press, 2005.
Gutkind, Lee, The Art of Creative Nonfiction, New York: John Wiley & Sons, 1997.
Haffenden, John, Viewpoints: Poets in Conversation, London: Faber and Faber, 1981.
Hamilton, Ian, Robert Lowell: A Biography, London: Faber and Faber, 1982.
Harmon, William (ed.), Classic Writings on Poetry, New York: Columbia University Press, 2003.
Heaney, Seamus, Finders Keepers: Selected Prose 1971–2001, London: Faber and Faber, 2002.
Herbert, W. N. and Hollis, Matthew (eds.), Strong Words: Modern Poets on Modern Poetry, Newcastle: Bloodaxe Books, 2000.
Hershman, D. Jablow and Lieb, Julian, Manic Depression and Creativity, New York: Prometheus Books, 1998.
Hollander, John, The Gazer's Spirit, Chicago: University of Chicago Press, 1995.
Hollander, John, Rhyme's Reason, New Haven: Yale Nota Bene, 2001.
Holub, Miroslav, The Dimension of the Present Moment, London: Faber and Faber, 1990.
Hughes, Ted, Poetry in the Making, London: Faber and Faber, 1967.
Hughes, Ted, Winter Pollen, London: Faber and Faber, 1994.
Hughes, Ted, By Heart, London: Faber and Faber, 1997.
Hugo, Richard, The Triggering Town: Lectures and Essays on Poetry and Writing, New York: Norton, 1979.
Hunt, Celia, Therapeutic Dimensions of Autobiography in Creative Writing, London: Jessica Kingsley, 2000.
Hunt, Celia, ‘Assessing Personal Writing’, Auto/Biography 9 (1–2), 2001, pp. 89–94.Google Scholar
Hunt, Celia and Sampson, Fiona, Writing: Self and Reflexivity, London: Palgrave, 2006.
Jack, Ian (ed.), The Granta Book of Reportage, London: Granta, 2006.
Kennedy, X. J. and Gioia, Dana, An Introduction to Poetry, New York: Longman, 1998.
King, Stephen, On Writing, London: Hodder, 2000.
Kinzie, Mary, A Poet's Guide to Writing Poetry, Chicago: Chicago University Press, 1999.
Koch, Kenneth, Rose, Where Did You Get That Red?, New York: Vintage, 1990.
Koch, Kenneth, I Never Told Anybody: Teaching Poetry Writing to Old People, New York: Teachers and Writers Collaborative, 1997.
Koch, Kenneth, Wishes, Lies and Dreams: Teaching Children to Write Poetry, New York: HarperPerennial, 1999.
Koch, Kenneth, The Art of the Possible: Comics Mainly Without Pictures, New York: Soft Skull Press, 2004.
Koestler, Arthur, The Act of Creation, London: Picador, 1975.
Kundera, Milan, The Art of the Novel, New York: FirstHarperPerennial, 2000.
Lakoff, George and Johnson, Mark, Metaphors We Live By, Chicago: University of Chicago Press, 1980.
Lamott, Anne, Bird by Bird: Some Instructions on Writing and Life, New York: Anchor, 1995.
Ursula, Guin, Steering the Craft, Portland: Eighth Mountain Press, 1998.
Leahy, Anna (ed.), Power and Identity in the Creative Writing Classroom, Clevedon: Multilingual Matters, 2005.
Lennard, John, The Poetry Handbook, Oxford: Oxford University Press, 1996.
Lodge, David, The Art of Fiction, London: Penguin Books, 1992.
Lodge, David, The Practice of Writing, London: Penguin, 1997.
Logan, William, The Undiscovered Country: Poetry in the Age of Tin, New York: Columbia University Press, 2005.
Lopez, Barry, Arctic Dreams, New York: Scribner, 1986.
Lopez, Barry, About This Life, London: Harvill Press, 1999.
Lovejoy, Margot, Digital Currents: Art in the Electronic Age, London: Routledge, 2004.
MacCarthy, Fiona, Byron: Life and Legend, London: John Murray, 2002.
Mahon, Derek, Collected Poems, Loughcrew: Gallery Press, 1999.
Malcolm, Janet, The Journalist and the Murderer, London: Granta, 2004.
Mandelstam, Nadezhda, Hope Against Hope, London: Collins and Harvill Press, 1971.
Mandelstam, Osip, The Noise of Time: Selected Prose, trans. Clarence Brown, Evanston: Northwestern University Press, 2002.
Matthews, Harry and Brotchie, Alastair, OuLiPo Compendium, London: Atlas, 1998.
Mills, Paul, The Routledge Creative Writing Coursebook, London: Routledge, 2006.
Moore, Alan, Writing for Comics, Urbana: Avatar, 2005.
Moore, Marianne, Complete Poems, London: Faber and Faber, 1968.
Morley, David, The Gift: New Writing for the National Health Service, Exeter: Stride, 2002.
Murray, , Translations from the Natural World, Manchester: Carcanet Press, 2003.
Myers, D. G., The Elephants Teach: Creative Writing Since 1880, New Jersey: Prentice Hall, 1995.
Nabokov, Vladimir, Speak, Memory: An Autobiography Revisited, London: Penguin, 2000.
Novakovich, Josip, Fiction Writers Workshop, Cincinnati: Story Press, 1995.
Oates, Joyce Carol, The Faith of a Writer, New York: HarperCollins, 2004.
Oliver, Mary, A Poetry Handbook, San Diego: Harvest, 1994.
Olsen, Tillie, Silences, New York: The Feminist Press, 2003.
Ostrom, Hans, Bishop, Wendy and Haake, Katherine, Metro: Journeys in Writing Creatively, New York: Addison-Wesley, 2001.
Packard, William, The Art of Poetry Writing, New York: St Martin's Press, 1992.
Padgett, Ron, (ed.), Handbook of Poetic Forms, 2nd edition, New York: Teachers and Writers Collaborative, 2000.
Paterson, Don, The Eyes, London: Faber and Faber, 1999.
Paterson, Don, The Book of Shadows, London: Picador, 2004.
Perutz, Max, I Wish I'd Made You Angry Earlier, New York: Cold Spring Harbor Laboratory Press, 2003.
Pessoa, Fernando, Selected Poems, London: Penguin Books, 1974.
Pfenninger, Karl H. and Shubik, Valerie R. (eds), The Origins of Creativity, Oxford University Press, 2001.
Phillips, Larry W. (ed.), Ernest Hemingway on Writing, New York: Scribner, 1984.
Plimpton, George (ed.), Women Writers at Work: The Paris Review Interviews, New York: Penguin Books, 1989.
Pope, Rob, Creativity: Theory, History, Practice, Abingdon: Routledge, 2005.
Pound, Ezra, The ABC of Reading, New York: New Directions, 1934, reissued 1960.
Preminger, Alex and Brogan, T., The New Princeton Encyclopedia of Poetry and Poetics, Princeton: Princeton University Press, 1993.
Pullman, Philip, ‘Introduction’ to Paradise Lost, Oxford: Oxford University Press, 2005.
Queneau, Raymond, Cent Mille Milliards de poèmes, Paris: Editions Gallimard, 1961.
Queneau, Raymond, Exercises in Style, Paris: Editions Gallimard, 1947.
Redmond, John, How to Write a Poem, Oxford: Blackwell, 2006.
Rodenburg, Patsy, The Right to Speak: Working with the Voice, London: Methuen, 1992.
Rodden, John (ed.), Conversations with Isabel Allende, trans. Virginia Invernizzi, Austin: University of Texas Press, 1999.
Said, Edward, On Late Style, London: Bloomsbury, 2006.
Sampson, Fiona (ed.), Creative Writing in Health and Social Care, London: Jessica Kingsley, 2004.
Sansom, Peter, Writing Poems, Newcastle: Bloodaxe Books, 1994.
Schaefer, Candace and Diamond, Rick, The Creative Writing Guide, New York: Addison-Wesley, 1998.
Schmidt, Michael, Lives of the Poets, London: Phoenix, 1999.
Scully, James (ed.), Modern Poets on Modern Poetry, London: Fontana, 1966.
Shapard, Robert and Thomas, James, Sudden Fiction International, New York: Norton, 1989.
Shapiro, Nancy and Padgett, Ron (eds), The Point: Where Teaching and Writing Intersect, New York: Teachers and Writers Collaborative, 1983.
Sheeler, Jessie, Little Sparta: The Garden of Ian Hamilton Finlay, London: Frances Lincoln, 2003.
Showalter, Elaine, Teaching Literature, Oxford: Blackwell, 2003.
Sinclair, John D. (trans.), The Divine Comedy, 3 vols, New York: Oxford University Press, 1961.
Smith, Frank, Writing and the Writer, London: Heinemann, 1982.
Spiegelman, Art, MAUS: A Survivor's Tale, New York: Random House, 1986.
Steegmuller, Francis, Cocteau: A Biography, Boston: Atlantic/Little Brown, 1970.
Steele, Timothy, All the Fun's in How You Say a Thing: An Explanation of Meter and Versification, Athens: Ohio University Press, 1999.
Stein, Sol, Stein on Writing, New York: St Martin's Press, 1995.
Strand, Mark and Boland, Eavan, The Making of a Poem: A Norton Anthology of Poetic Forms, New York: Norton, 2000.
Strunk, William and White, E. B., The Elements of Style, Massachusetts: Allyn and Bacon, 2000.
Szymborska, Wisława, People on a Bridge, trans. Adam Czerniawski, London: Forest, 1996.
Thomas, Edward, Collected Poems, Oxford: Oxford University Press, 1978.
Treglown, Jeremy, V. S. Pritchett: A Working Life, London: Chatto and Windus, 2004.
Turner, Mark, The Literary Mind, Oxford: Oxford University Press, 1996.
Wainwright, Jeffrey, Poetry: The Basics, London: Routledge, 2004.
Wilson, E. O., Consilience: The Unity of Knowledge, New York: Abacus, 2003.
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  • Illustrative bibliography
  • David Morley, University of Warwick
  • Book: The Cambridge Introduction to Creative Writing
  • Online publication: 05 June 2012
  • Chapter DOI: https://doi.org/10.1017/CBO9780511803024.012
Available formats
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  • Illustrative bibliography
  • David Morley, University of Warwick
  • Book: The Cambridge Introduction to Creative Writing
  • Online publication: 05 June 2012
  • Chapter DOI: https://doi.org/10.1017/CBO9780511803024.012
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Illustrative bibliography
  • David Morley, University of Warwick
  • Book: The Cambridge Introduction to Creative Writing
  • Online publication: 05 June 2012
  • Chapter DOI: https://doi.org/10.1017/CBO9780511803024.012
Available formats
×