Book contents
- Frontmatter
- Contents
- Preface
- List of tables
- List of abbreviations and note on references
- Prologue. Gary Taylor finds a poem
- PART I DONALD FOSTER'S ‘SHAKESPEAREAN’ CONSTRUCT
- 1 ‘W. S.’ and the Elegye for William Peter
- 2 Parallels? Plagiarisms?
- 3 Vocabulary and diction
- 4 Grammar: ‘the Shakespearean “who”’
- 5 Prosody, punctuation, pause patterns
- 6 Rhetoric: ‘the Shakespearean “hendiadys”’
- 7 Statistics and inference
- 8 A poem ‘indistinguishable from Shakespeare’?
- PART II JOHN FORD'S ‘FUNERALL ELEGYE’
- Epilogue. The politics of attribution
- APPENDICES
- Notes
- Bibliography
- Index
8 - A poem ‘indistinguishable from Shakespeare’?
Published online by Cambridge University Press: 10 December 2009
- Frontmatter
- Contents
- Preface
- List of tables
- List of abbreviations and note on references
- Prologue. Gary Taylor finds a poem
- PART I DONALD FOSTER'S ‘SHAKESPEAREAN’ CONSTRUCT
- 1 ‘W. S.’ and the Elegye for William Peter
- 2 Parallels? Plagiarisms?
- 3 Vocabulary and diction
- 4 Grammar: ‘the Shakespearean “who”’
- 5 Prosody, punctuation, pause patterns
- 6 Rhetoric: ‘the Shakespearean “hendiadys”’
- 7 Statistics and inference
- 8 A poem ‘indistinguishable from Shakespeare’?
- PART II JOHN FORD'S ‘FUNERALL ELEGYE’
- Epilogue. The politics of attribution
- APPENDICES
- Notes
- Bibliography
- Index
Summary
In claiming that the Funerall Elegye ‘is formed from textual and linguistic fabric indistinguishable from that of canonical Shakespeare’ (1996a, p. 1082), Donald Foster never offered a reading of the whole poem, preferring to treat it as a group of linguistic elements, raw material for computational stylistics. Reduced to a bundle of snippets, deprived of context, he then compared it with bundles of other snippets, some from his specially selected corpus of funeral elegies, others from Shakespeare. Here, too, the contexts were eliminated, a favourable decision for his purposes, but unfavourable for a genuinely open-minded exploration of the extent to which the two writers were similar, or different. Fuller citations from the Shakespearian contexts would immediately bring out the differences between his work and the anonymous poet's, differences which are less visible with Foster's atomizing treatment of texts. In the same way, a sustained reading of the whole Elegye will reveal even more strikingly its dissimilarity from authentic works written by Shakespeare in the period 1609–13. In this chapter I shall offer a brief account of the poem as a whole, before investigating some aspects of its ‘linguistic fabric’ which show it to be the work of a different hand. The linguistic features which I select will be new to the discussion, having been overlooked by Foster.
genre and argument
The Funerall Elegye is, for the most part, a completely conventional poem of condolence.
- Type
- Chapter
- Information
- 'Counterfeiting' ShakespeareEvidence, Authorship and John Ford's Funerall Elegye, pp. 204 - 260Publisher: Cambridge University PressPrint publication year: 2002