Book contents
- Frontmatter
- Contents
- Acknowledgements
- List of Figures
- Glossary and Abbreviations
- 1 Introduction: Defining Experiences
- 2 Firing the Canon: Indonesian Art Canons as Myth and Masculine Ideal
- 3 Haunting in the Archipelago: Emiria Sunassa and Mia Bustam
- 4 Female Desire and the Monstrous-Feminine in the Works of IGAK Murniasih
- 5 Searching for the Feminine: Motherhood and Maternal Subjectivity
- 6 Performing Feminism/s: Performance Art and Politics in the Works of Kelompok PEREK and Arahmaiani
- 7 Conclusion
- Bibliography
- Index
- Frontmatter
- Contents
- Acknowledgements
- List of Figures
- Glossary and Abbreviations
- 1 Introduction: Defining Experiences
- 2 Firing the Canon: Indonesian Art Canons as Myth and Masculine Ideal
- 3 Haunting in the Archipelago: Emiria Sunassa and Mia Bustam
- 4 Female Desire and the Monstrous-Feminine in the Works of IGAK Murniasih
- 5 Searching for the Feminine: Motherhood and Maternal Subjectivity
- 6 Performing Feminism/s: Performance Art and Politics in the Works of Kelompok PEREK and Arahmaiani
- 7 Conclusion
- Bibliography
- Index
- Type
- Chapter
- Information
- Feminisms and Contemporary Art in IndonesiaDefining Experiences, pp. 209 - 222Publisher: Amsterdam University PressPrint publication year: 2017