Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-5wvtr Total loading time: 0 Render date: 2024-07-20T09:24:19.927Z Has data issue: false hasContentIssue false

6 - Visual resources: from analogue to digital and beyond

from Part II - Materials and collection management

Published online by Cambridge University Press:  08 June 2018

Molly Schoen
Affiliation:
Visual Resources Curator at the Fashion Institute of Technology
Get access

Summary

Introduction

In a professional context, visual resources refers to the line of work that encompasses creating and managing collections of visual content. Working primarily with images, but also with video, virtual reality and other new media, visual resources professionals are involved heavily in digitization, cataloguing and preservation of these materials. In general, visual resources departments are found in academic institutions and museums, but they also exist in public and private libraries and archives. Some businesses may have visual resources units, often operating under a different name, such as digital asset management.

The study of art history relies heavily on image technologies (Kohl, 2012). Interaction with visual materials has also risen dramatically in the internet age. By staying on the cutting edge of technology, visual resource professionals can continue to provide targeted, meaningful advice to their patrons on finding, creating and using images effectively and ethically.

What are visual resources centres?

In the past, visual resources centres existed as slide libraries. Developments of photog - raphy and magic lantern slides in the 19th century enabled the study of art history as the discipline known today; without reproducible images, the study of art was limited. Art history degree programmes developed alongside early slide libraries, which included glass lantern slides and printed image collections for study.

By the 1950s, the development of 35mm slides provided a vast improvement over large, clunky lantern slides. Magic lantern projectors were susceptible to fires, but 35mm projectors ran safely and efficiently. The 35mm slides provided rich colour and were more portable. Slide libraries were necessary to house collections of images for the teaching of art history – everything from cave paintings to modern art (Kohl, 2012).

Towards the end of the 20th century, as the use of digital images increased, slide libraries underwent an immense transition. Slides gradually fell out of favour and today are rarely used for teaching. Visual resources centres shifted their efforts from creating slides to digitizing them. This continues to be an ongoing effort for many visual resource offices, having had hundreds of thousands of analogue images in their collections.

Type
Chapter
Information
Publisher: Facet
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×