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5 - William Dean Howells's ‘Altrurian’ Aesthetic in the Modern Marketplace

Published online by Cambridge University Press:  12 September 2012

Frank Christianson
Affiliation:
Brigham Young University
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Summary

The love of mankind, no doubt, needs to be particularized in order to have any power over life and action. Just as there can be no true friendship except towards this or that individual, so there can be no true public spirit which is not localized in some way. The man whose desire to serve his kind is not centred primarily in some home, radiating from it to a commune, a municipality, and a nation, presumably has no effectual desire to serve his kind at all.

T. H. Green, Lectures on the Principles of Political Obligation (1883)

‘Sympathy – common feeling – … can spring only from like experiences, like hopes, like fears. And money cannot buy these.’

William Dean Howells, Annie Kilburn (1889)

Philanthropy in the Economic Novel

The comparative dimension to this study argues that the rigorous satirical treatment philanthropy undergoes in late Victorian fiction, here represented by George Eliot's novels, has a purgative value. Eliot renovates philanthropy by distinguishing between legitimate and illegitimate forms of giving. She thus infuses philanthropy with critical substance, while American realism does not invest philanthropy with the same level of authority. Why might this be so? The arc of William Dean Howells's career suggests that the limits of altruism as a social ethic also mark the limits of American realism as a mode of literary representation. Like the works by Dickens, Hawthorne, and Eliot, Howells's fiction connects philanthropy to a theory of representation.

Type
Chapter
Information
Philanthropy in British and American Fiction
Dickens Hawthorne Eliot and Howells
, pp. 171 - 193
Publisher: Edinburgh University Press
Print publication year: 2007

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