The Introduction explains why the early modern history play needs to be reappraised through an examination of publishers and the publication process. It opens by considering the problems of author-centric approaches that tend to discuss Shakespeare’s English histories to the exclusion of other plays, dramatists, and agents of production. It shows how ideas of ‘history’ and performed ‘histories’ were defined, debated, and interpreted during the period. This evidence demands an approach to the history play that is alert to the participation of different individuals in constructing the genre. The second half of the Introduction directs attention towards the transmission of plays from stage to page and proposes that publication agents have actively controlled and shaped the printed history play through two interlinked agendas, which feature throughout the book: strategies of selection (seen through print contexts) and strategies of presentation (seen through print paratexts). Finally, the Introduction considers the origins of these print strategies in non-commercial and pre-playhouse drama and offers a short case study on the Inns of Court play Gorboduc.