Book contents
- Frontmatter
- Contents
- Acknowledgments
- Introduction
- 1 Setting the Stage: Opera Buffa and Comedy of Manners in an Age of Democratic Revolution
- 2 Rossini, Mozart, Paisiello, and the Barber of Seville
- 3 Jane Austen, Goya, Rossini, and the Post-Napoleonic Age: La Cenerentola
- 4 Rossini, Beethoven, and Rescue Opera: Fidelio and La gazza ladra
- 5 Rossini, Ferretti, Matilde di Shabran, and the Revolution of 1820–21
- 6 Stendhal and Rossini in Paris: Il viaggio a Reims, Le Comte Ory, and the July Revolution
- Conclusion: Thinking about Rossini
- Notes
- Bibliography
- Index
Book contents
- Frontmatter
- Contents
- Acknowledgments
- Introduction
- 1 Setting the Stage: Opera Buffa and Comedy of Manners in an Age of Democratic Revolution
- 2 Rossini, Mozart, Paisiello, and the Barber of Seville
- 3 Jane Austen, Goya, Rossini, and the Post-Napoleonic Age: La Cenerentola
- 4 Rossini, Beethoven, and Rescue Opera: Fidelio and La gazza ladra
- 5 Rossini, Ferretti, Matilde di Shabran, and the Revolution of 1820–21
- 6 Stendhal and Rossini in Paris: Il viaggio a Reims, Le Comte Ory, and the July Revolution
- Conclusion: Thinking about Rossini
- Notes
- Bibliography
- Index
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- Rossini and Post-Napoleonic Europe , pp. 229 - 233Publisher: Boydell & BrewerPrint publication year: 2015