Rossini and Post-Napoleonic Europe

Warren Roberts

doi:10.1017/9781782046363

- Get access
  
  Check if you have access via personal or institutional login
  
  Log in Register
Cited by 4
Cited by
- 4
Crossref Citations

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

2016. Publications Received. Journal of the American Musicological Society, Vol. 69, Issue. 1, p. 288.

CrossRef

Google Scholar

2016. Other Books Received. The American Historical Review, Vol. 121, Issue. 1, p. 358.

CrossRef

Google Scholar

Levchenko, Illia Kotliar, Oleksandra and Demchuk, Stefaniia 2019. Idea of common good (el bien general) in the series of etchings “The Disasters of War” (“Los Desastres de la Guerra”) by Francisco Goya (based on the Bohdan and Varvara Khanenko Museum of Art funds). Text and Image: Essential Problems in Art History, p. 50.

CrossRef

Google Scholar

Tristano, Richard M 2023. Bel canto among the barricades: Rossini, his music, and history. Forum Italicum: A Journal of Italian Studies, Vol. 57, Issue. 1, p. 33.

CrossRef

Google Scholar

Warren Roberts

Publisher:: Boydell & Brewer
Online publication date:: June 2021
Print publication year:: 2015
Online ISBN:: 9781782046363
DOI:: https://doi.org/10.1017/9781782046363

Series:: Eastman Studies in Music
Subjects:: Music, Music: General Interest

Export citation

Information

Contents

Metrics

This book examines Rossini within the context of his own time, one of Napoleonic domination of Italy, restoration of the Bourbon monarchy in Naples in 1815, and the 1830 Revolution in Paris. Using thetechniques of the historian, and reading librettos as texts, the author analyzes the five operas treated in detail in the book (Il barbiere di Siviglia, Cenerentola, La gazza ladra, Matilde di Shabran, and Il viaggio a Reims) as responses, each in its own way, to the history that the composer experienced. Roberts shows that Rossini made probing commentaries on politics and religion in a time of reaction and revolution, and that the composer was well-informed on post-Napoleonic politics. Rossini's comic writing served very serious purposes, exposing the problems and complications of an age that he observed with striking clarity.

Warren Roberts is Professor Emeritus of History at the University at Albany, SUNY, and has published extensively on eighteenth-century French culture.

- Aa Reduce text
- Aa Enlarge text

View selected items
Save to my bookmarks
Export citations
Download PDF (zip)
Save to Kindle
Save to Dropbox
Save to Google Drive
Save content to
To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to .

To save content items to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Please be advised that item(s) you selected are not available.
You are about to save
Your Kindle email address

Please provide your Kindle email.

@free.kindle.com @kindle.com (service fees apply)

By using this service, you agree that you will only keep content for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services

Metrics

Total number of HTML views: 0

Total number of PDF views: 0 *

Loading metrics...

Total views: 0 *

Loading metrics...

* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

Usage data cannot currently be displayed.

Rossini and Post-Napoleonic Europe

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

Book description

Refine List

Actions for selected content:

Contents

Frontmatter
pp i-iv

Contents
pp v-vi

Acknowledgments
pp vii-viii

Introduction
pp 1-5

1 - Setting the Stage: Opera Buffa and Comedy of Manners in an Age of Democratic Revolution
pp 6-32

2 - Rossini, Mozart, Paisiello, and the Barber of Seville
pp 33-62

3 - Jane Austen, Goya, Rossini, and the Post-Napoleonic Age: La Cenerentola
pp 63-94

4 - Rossini, Beethoven, and Rescue Opera: Fidelio and La gazza ladra
pp 95-123

5 - Rossini, Ferretti, Matilde di Shabran, and the Revolution of 1820–21
pp 124-151

6 - Stendhal and Rossini in Paris: Il viaggio a Reims, Le Comte Ory, and the July Revolution
pp 152-193

Conclusion: Thinking about Rossini
pp 194-204

Notes
pp 205-218

Bibliography
pp 219-228

Index
pp 229-233

Metrics

Full text views

Book summary page views

Rossini and Post-Napoleonic Europe

Book description

Refine List

Actions for selected content:

Save Search

Contents

Metrics

Full text views

Book summary page views