Skip to main content Accessibility help
×
Hostname: page-component-7479d7b7d-q6k6v Total loading time: 0 Render date: 2024-07-10T13:23:27.414Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

Kazimierz on the Vistula: Polish Literary Portrayals of the Shtetl

from PART I - THE SHTETL: MYTH AND REALITY

Eugenia Prokop-Janiec
Affiliation:
Polish literature at the Jagiellonian University in Kraków.
Antony Polonsky
Affiliation:
Brandeis University, Massachusetts
Get access

Summary

IN Polish literature the shtetl has been presented most frequently as a landscape: as the setting for events. It is less often perceived as a community, and more recently it appears as a form of east European Jewish culture.

This pattern can be seen in the literary history of Kazimierz nad Wisłą (Kuzmir). However, in the case of Kazimierz, there were some real and significant reasons for placing landscape at the forefront of representations of the town since it marked the unique character and attractiveness of Kazimierz. The ruins of historic buildings and the hilly landscape—culture and nature—were combined there in an integrated whole of exceptional beauty.

The authors of the entry for Kazimierz in a geographical dictionary of the Polish Kingdom published in 1882 describe the town as follows:

There are probably few towns in Poland that have such a number of curiosities within such a limited area. On the one hand, there are mountains covered with abundant vegetation; on the other, the Vistula flowing just at the foothills of the town. In the middle, the walls of the townhouses and abandoned ruins of old granaries emerge from among the trees. The high church roofs tower above them, while the castle stands even higher. And above the latter, a round, lonely watchtower stands on the highest mountain. All this makes this a landscape worth painting.

The town's picturesque quality and the strong relationship between history and nature found there made Kazimierz an ideal subject for romantic art. As far back as 1841 romantic historicism and a love of ruins began to dominate descriptions of the town. The landscape is presented as both fascinating and mysterious:

A strange sight met my eyes…. I was in the most romantic area…. I found myself among the walls … of an ancient city and it seemed to me that I had gone back to the fourteenth century, to the times of the Peasants’ King [Kazimierz the Great]…. The Gothic crumbling townhouses surrounding the marketplace and the gloomy edifices scattered in the mountains above the town stirred some strange feelings in the soul.

Type
Chapter
Information
Publisher: Liverpool University Press
Print publication year: 2004

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×