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1 - Sacred Art: Who Has the Power to Define Art?

Published online by Cambridge University Press:  23 January 2021

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Summary

Feeling Uncomfortable About Art

Alex, who is both artist and economist, lives in a house with six adults and two children. They share a living room and eat dinner together. The other adults have above average educations and work in technical professions. Alex noticed that at home he usually behaves like an economist rather than an artist. That way they all speak the same language. When he begins to behave like an artist, his housemates feel less comfortable.

Once a week Alex picks little Judith, one of the children in the house, up from school and they spend the afternoon together. Sometimes they visit galleries or museums. Judith is four and still enjoys it. The other day her father, Eddy, confided to Alex that he is pleased that Alex is bringing some cultural education into Judith's life. She really can't expect to receive much cultural education from her parents, Eddy added apologetically.

Cultural Superiority versus Inferiority

Alex finds it hard to characterize his own art. People knowledgeable about art usually characterize his artwork as so-called contemporary or avantgarde. They add that his art reveals aspects of outsider art or ‘art brut’.1 Alex thinks that this puts him in a no-man’s-land where his work is respected in both avant-garde art and traditional circles. He exhibits in both areas. However, Alex soon discovered that these two areas in the arts do not carry the same weight in the art world.

Each year Alex exhibits his pastel drawings of ‘heads’ – as he calls them – in an annual portrait show. The portrait painters who exhibit in this show have one thing in common: they are not ashamed to reveal their traditional schooling. One day during the course of the show, Alex had to be an attendant. He had plenty of time to watch people. From earlier experience he already knew that the longer visitors remain in front of a particular artist's work the higher their appreciation of the work. Most of the people, however, pass right by his work without stopping, as if there's nothing to see. When he confronts them later, they usually apologize, even though they do not realize he is the artist.

Type
Chapter
Information
Why Are Artists Poor?
The Exceptional Economy of the Arts
, pp. 17 - 33
Publisher: Amsterdam University Press
Print publication year: 2008

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