Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-9q27g Total loading time: 0 Render date: 2024-07-21T05:31:19.803Z Has data issue: false hasContentIssue false

10 - Art Serves the Government: How Symbiotic Is the Relationship between Art and the State?

Published online by Cambridge University Press:  23 January 2021

Get access

Summary

How the Veiled Purchase of a Mondrian Painting became the Center of Public Debate

In 1998 the Dutch National Bank bought a Mondrian painting for 36 million Euros and gave it to the Dutch people. Journalists found out that the purchase had been handled behind closed doors using intermediaries and that a special arrangement had been used because the deal had not been entirely legal. The ‘gift’ from the bank to the Dutch people came from public money; therefore, parliament should have been asked for permission to spend this money on the purchase of the painting. The elected representatives of the Dutch people must be able to decide what the Dutch are going to give themselves. The Prime Minister, who had known about the deal all along, admitted that he thought that parliament would have never consented to the deal. Therefore, a ‘minor’ disingenuous procedure and some concealment had been required. The intention of the government and the bank director had only been to do something ‘nice’ for the country.

While the gift was meant to be public, the deal had to remain veiled. When it finally became public, a row ensued and the public reacted particularly negatively. The people were not happy with the gift because they did not like Mondrian's painting.

Alex remembers that he and his friends had mixed feelings about the affair. They liked the painting very much, although they thought that it had cost far too much money. But that wasn't their main issue.

Alex's colleague Rosa had the most extreme opinion. ‘I like this Mondrian, but I could never accept it as a gift. The president of the bank is a thief; he gives away what is not his to give. He is more than just a petty criminal. This so-called gift comes from a theft worth – think of it – eighty million guilders. For that money a thousand visual artists could paint murals on public buildings for the rest of their lives.’ This is what Rosa does when she has paid work. Then Peter asked her: “How certain are you that those murals are what the people want?” And Rosa responded, “Of course they’d rather spend their money on bus trips to the Costa Brava, but at least their local board representatives like my murals.”

Type
Chapter
Information
Why Are Artists Poor?
The Exceptional Economy of the Arts
, pp. 232 - 258
Publisher: Amsterdam University Press
Print publication year: 2008

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×