Skip to main content Accessibility help
×
Hostname: page-component-7bb8b95d7b-2h6rp Total loading time: 0 Render date: 2024-09-09T20:27:11.752Z Has data issue: false hasContentIssue false

George Frideric Handel (1685–1759)

Published online by Cambridge University Press:  29 May 2021

Edited by
Get access

Summary

G. F. Handel, Opus 6

Monumentality and bidding: words

neither yours nor mine, but like his music.

Stalwart and tender by turns, the fugues

and larghettos, staid, bürgerlich,

up to the wide gaunt leaps of invention.

Repetition of theme a reaffirming,

like figures in harmony with their right consorts,

with the world also, broadly understood;

each of itself a treatise of civil power,

every phrase instinct with deliberation

both upon power and towards civility.

At the rehearsing always I think of you

and fancy: with what concordance I

would thus steadily regret and regard her,

though to speak truth you are ever in my mind;

such is eros, such philia, their composure

these arias, predetermined, of our choice.

GEOFFREY HILL

Writing Rinaldo

‘Yes, Mr Hill. An opera in two weeks.’

He is twenty. The librettists hate the haste.

He chops cantatas, scours Venetian scores.

How Handel would have worshipped cut and paste.

Yet it is there, as water trickles through

small fingers in the troughs of a great sea.

Sorrow for all he lost, or never found.

The piled-up plates. The icy bed, still empty.

No, you must live with these, the music says,

although the groves of wandering flutes give joy

to girls, the passing ‘prentice and the Prince.

Work! Leave your money to the coachman's boy.

‘Yes, Mr Hill. I scored for fireworks.’

Lit faces cheer, although his critics rage

at painted waves. They mourn – as I do, too –

that promised horses never reached the stage.

Magician! Living sparrows twitter trees

beside castrati. No, I do not know.

His trumpets flare.The Saracens take flight.

The Siren rises from the undertow.

Already a young whale in music's sea,

he will return, with his own company,

huge dinners. His accounts are never wrong.

Breathless, he hums the slim girl's misery.

Lashed to himself, he scrawls the Siren's song.

ALISON BRACKENBURY

Epigram on the Feuds between Handel and Bononcini

Some say, compar’d to Bononcini

That Mynheer Handel's but a ninny;

Others aver, that he to Handel

Is scarcely fit to hold a candle.

Strange all this difference should be

’Twixt Tweedle-dum and Tweedle-dee!

JOHN BYROM

Type
Chapter
Information
Accompanied Voices
Poets on Composers: From Thomas Tallis to Arvo Pärt
, pp. 26 - 27
Publisher: Boydell & Brewer
Print publication year: 2015

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×