Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-g7gxr Total loading time: 0 Render date: 2024-11-15T23:39:01.465Z Has data issue: false hasContentIssue false

Festivals as a Strategy for the Development of Theatre in Zimbabwe 1980–2010

Published online by Cambridge University Press:  05 May 2013

Robert Mshengu Kavanagh
Affiliation:
educated in Cape Town, Oxford, and Leeds
Martin Banham
Affiliation:
University of Leeds
James Gibbs
Affiliation:
University of the West of England
Femi Osofisan
Affiliation:
University of Ibadan
Get access

Summary

Because of Zimbabwe's recent history many might consider the development of theatre in that country and the role played by festivals in it to be a special case. However, it is possible that the question of festivals as a strategy for the development of theatre in the Zimbabwean context may suggest parallels to readers in other countries in Africa and elsewhere.

The well-known Zimbabwean playwright and authority on various aspects of arts and culture, Stephen Chifunyise, writes a weekly column in The Herald newspaper called ‘Theatre Corridors’. On 2 December, 2010, he wrote an article headlined ‘Festival showcases future dance stars’. He was referring to the Jikinya National Primary Schools Traditional Dance Competition. In the following week, he went on to discuss festivals in general in his column and provided a useful survey of those currently existing in Zimbabwe. There are four international festivals: the Harare International Festival of the Arts (HIFA), the Zimbabwe International Film Festival (ZIFF), the International Images of Women in Film Festival (IIFF) and the Buddyz Annual Festival of the Arts (BAFA), which is largely a regional festival founded in 2006 by the Patsimeredu Edutainment Trust, which brings together in Harare community-based theatre initiatives from all over the country and the Southern African region.

Type
Chapter
Information
Publisher: Boydell & Brewer
Print publication year: 2012

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×