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  • Cited by 4
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    • Publisher:
      Cambridge University Press
      Publication date:
      05 September 2013
      19 September 2013
      ISBN:
      9781139051804
      9781107008717
      DOI:
      https://doi.org/10.1017/CBO9781139051804
      Dimensions:
      (247 x 174 mm)
      Weight & Pages:
      0.71kg, 287 Pages
      Dimensions:
      Weight & Pages:
      • Subjects:
      Twentieth-Century and Contemporary Music, Music, Music Performance
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    Subjects:
    Twentieth-Century and Contemporary Music, Music, Music Performance
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    Book description

    The music of Gustav Mahler repeatedly engages with Romantic notions of redemption. This is expressed in a range of gestures and procedures, shifting between affirmative fulfilment and pessimistic negation. In this groundbreaking study, Stephen Downes explores the relationship of this aspect of Mahler's music to the output of Benjamin Britten, Kurt Weill and Hans Werner Henze. Their initial admiration was notably dissonant with the prevailing Zeitgeist – Britten in 1930s England, Weill in 1920s Germany and Henze in 1950s Germany and Italy. Downes argues that Mahler's music struck a profound chord with them because of the powerful manner in which it raises and intensifies dystopian and utopian complexes and probes the question of fulfilment or redemption, an ambition manifest in ambiguous tonal, temporal and formal processes. Comparisons of the ways in which this topic is evoked facilitate new interpretative insights into the music of these four major composers.

    Reviews

    '… a useful study.'

    Source: Gramophone

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