Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-fv566 Total loading time: 0 Render date: 2024-07-20T21:26:54.975Z Has data issue: false hasContentIssue false

17 - Into the digital era

from Part Three - The digital era

Published online by Cambridge University Press:  05 February 2015

Andre Millard
Affiliation:
University of Alabama, Birmingham
Get access

Summary

In 1977, when the audio industry was celebrating the 100th anniversary of Edison's invention of the phonograph, a research project in Japan had already established the technology of the next hundred years of recorded sound. While the mature technology of analogue recording was being honored, an entirely new system of saving sound had been successfully developed in the laboratory. Digital recording brought improvements in reproduction which surpassed the advances of electric over acoustic technology. Digital recording brought about a whole new era in the history of recorded sound.

Digital transformation of sound was first attempted in the laboratories of the telephone companies in their never-ending quest to get more messages on their wires. Like the acoustic and electrical eras that preceded it, the digital era of sound recording was an application of technology devised to send telephone messages of electric speech. Turning the sounds of speech into numbers meant that more words could be crammed into a single cable and that the problem of crosstalk between messages was minimized. The binary codes of digital speech could also be easily transmitted.

The first method of electrical communication was in fact digital: Samuel Morse's method of opening and closing electrical circuits sent numbers (dots or dashes) rather than measurable physical quantities. It was Bell's invention of the telephone that established analogue communication and saving of sound; his device turned the varying pressure of sound waves on a diaphragm into currents of electricity which varied in direct relationship to the changes in pressure.

Analogue technology served the communications and recorded-sound industry well, but in the 1930s researchers in telephone laboratories began to examine digital methods of transmitting sound. Their experiments were based on pulse-coded modulation (PCM) of a continuous signal. This technique was based on the concept that a continuous signal could be reconstructed from isolated samples and that these samples could be approximated by discreet numbers. PCM was first outlined in a patent obtained by P. M. Rainey of Western Electric in 1926 and elaborated by A. H. Jeeves, another telephone engineer, in 1937.

Type
Chapter
Information
America on Record
A History of Recorded Sound
, pp. 346 - 366
Publisher: Cambridge University Press
Print publication year: 2005

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Into the digital era
  • Andre Millard, University of Alabama, Birmingham
  • Book: America on Record
  • Online publication: 05 February 2015
  • Chapter DOI: https://doi.org/10.1017/CBO9780511800566.021
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Into the digital era
  • Andre Millard, University of Alabama, Birmingham
  • Book: America on Record
  • Online publication: 05 February 2015
  • Chapter DOI: https://doi.org/10.1017/CBO9780511800566.021
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Into the digital era
  • Andre Millard, University of Alabama, Birmingham
  • Book: America on Record
  • Online publication: 05 February 2015
  • Chapter DOI: https://doi.org/10.1017/CBO9780511800566.021
Available formats
×