Adorno, Theodor W.Dunsby, JonathanPerrey, Beate 2005 7
Agawu, KofiAnalyzing Music under the New Musicological RegimeJournal of Musicology 15 1997 297
Agawu, KofiMusic Analysis versus Musical HermeneuticsAmerican Journal of Semiotics 13 1996 9
Agawu, KofiSchubert’s Sexuality: A Prescription for Analysis19th-Century Music 17 1993 79
Agawu, KofiStructural ‘Highpoints’ in Schumann’s Music Analysis 3 1984 159
Agawu, KofiTheory and Practice in the Analysis of the Nineteenth-Century Music Analysis 11 1992 3
Almén, ByronA Theory of Musical NarrativeIndiana University Press 2006
Anon“Am I a Genius?”The Critic 8 1887 120
AnonManliness in MusicThe Musical Times and Singing Class Circular 30 1889 460
Anonreview of Henry Heathcote Statham, The Musical Times and Singing Class Circular 33 1892 44
Bass, Richardreview of David Kopp, Music Theory Online 10 2004
Bauer, MoritzDie Lieder Franz SchubertsLeipzigBreitkopf & H??rtel 1915
David, BeachHarmony and Linear Progression in Schubert’s MusicJournal of Music Theory 38 1994 1
Beach, DavidModal Mixture and Schubert’s Harmonic PracticeJournal of Music Theory 42 1998 73
Beach, DavidSchubert’s Experiments with Sonata Form: Formal-Tonal Design versus Underlying StructureMusic Theory Spectrum 15 1993 1
Bent, IanMusical Analysis in the Nineteenth Century, : Hermeneutic ApproachesCambridge University Press 1994
Blume, JürgenAnalyse als Beispiel musiktheoretischer Probleme: Auf der Suche nach der angemessenen Beschreibung chromatischer Harmonik in romantischer MusikMusiktheorie 4 1989 37
Böhm, RichardSymbolik und Rhetorik im Liedschaffen von Franz SchubertViennaB??hlau 2006
Bretherton, David 2008
Brown, MatthewExplaining Tonality: Schenkerian Theory and BeyondRochester, NYRochester University Press 2005
Brown, Maurice J. E.Schubert: A Critical BiographyNew YorkSt. Martin???s Press 1966
Brown, Maurice J. E.Schubert’s DreamMonthly Musical Record 83 1953 39
Brown, Maurice J. E.The New Grove SchubertNew YorkMacmillan Publishers 1982
Buch, EstebanAdorno’s ‘Schubert’: From the Critique of the Garden Gnome to the Defense of Atonalism19th-Century Music 29 2005 25
Burkhart, CharlesDepartures from the Norm in Two Songs from Schumann???s Siegel, HediSchenker StudiesCambridge University Press 1990 146
Burnham, ScottBeethoven HeroPrinceton University Press 1995
Burnham, ScottSchubert and the Sound of MemoryMusical Quarterly 84 2000 655
Burstein, L. PoundieDevil’s Castles and Schubert’s Strange Tonic AllusionsTheory and Practice 27 2002 69
Burstein, Poundie L.Lyricism, Structure, and Gender in Schubert’s G Major String QuartetMusical Quarterly 81 1997 51
Byrne, LorraineSchubert’s Goethe SettingsAldershotAshgate Publishing, Ltd 2003
Capell, RichardSchubert’s SongsLondonE. Beun 1928
Caplin, WilliamClassical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and BeethovenOxford University Press 1998
Chusid, MartinSchubert’s Overture for String Quintet and Cherubini’s Overture to Journal of the American Musicological Society 15 1962 78
Clark, SuzannahBeethoven and Rossini in the Reception of SchubertMathew, NicholasWalton, BenjaminThe Age of Beethoven and RossiniCambridge University Press
Clark, SuzannahOn the Imagination of Tone in Schubert???s (D473), (D523), and (D564)Gollin, EdwardRehding, AlexanderThe Oxford Handbook of Neo-Riemannian Music TheoriesOxford University Press 2011
Clark, SuzannahSchenker’s Mysterious Five19th-Century Music 23 1999 84
Clark, SuzannahSchubert, Theory, AnalysisMusic Analysis 21 2002 209
Clark, SuzannahTerzverwandschaft in der ‘Unvollendeten’ von Schubert und der ‘Waldstein-Sonate’ von Beethoven: Kennzeichen des 19. Jahrhunderts und theoretisches ProblemSchubert durch die Brille 20 1998 123
Cohn, RichardAs Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert19th-Century Music 22 1999 213
Cohn, RichardComment & Chronicle19th-Century Music 23 2000 301
Cohn, RichardMaximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic ProgressionsMusic Analysis 15 1996 9
Cohn, RichardNeo-Riemannian Operations, Parsimonious Trichords, and their RepresentationsJournal of Music Theory 41 1997 1
Cohn, RichardUncanny Resemblances: Tonal Signification in the Freudian AgeJournal of the American Musicological Society 57 2004 285
Coleridge, Arthur DukeThe Life of Franz SchubertLondonLongmans, Green and Co 1869
Cone, Edward T.Schubert???s Promissory Note: An Exercise in Musical HermeneuticsFrisch, WalterSchubert: Critical and Analytical StudiesLincoln and LondonUniversity of Nebraska Press 1986 13
Coren, DanielAmbiguity in Schubert’s RecapitulationsMusical Quarterly 60 1974 568
Cube, Felix-Eberhard vonThe Book of the Musical Artwork: An Interpretation of the Musical Theories of Heinrich SchenkerNeumeyer, DavidBoyd, George R.Harris, ScottLewiston, NYEdwin Mellen Press 1988
Dahlhaus, CarlBeethovens ???Neuer Weg,???Jahrbuch des Staatlichen Instituts für Musikforschung Preußischer KulturbesitzBerlin 1975 46
Dahlhaus, CarlDie Sonatenform bei Schubert: Der erste Satz des G-dur Quartetts D887Musica 32 1978 125
Dahlhaus, CarlFranz Schubert und das ???Zeitalter Beethovens und Rossinis,???Aderhold, WernerDürr, WaltherLitschauer, WalburgaFranz Schubert: Jahre der Krise, 1818–1823KasselB??renreiter 1985 22
Dahlhaus, CarlNineteenth-Century MusicBradford Robinson, J.Berkeley and Los AngelesUniversity of California Press 1989
Dahlhaus, CarlSonata Form in Schubert: The First Movement of the G-Major String Quartet, op. 161 (D. 887)Reinhard, ThiloFrisch, WalterSchubert: Critical and Analytical StudiesLincoln and LondonUniversity of Nebraska Press 1986 1
Daverio, John‘One More Beautiful Memory of Schubert’: Schumann’s Critique of the Impromptus, D. 935Musical Quarterly 84 2000 604
Daverio, JohnRobert Schumann: Herald of a “New Poetic Age”Oxford University Press 1997
Daverio, JohnThe in Brahms’s Journal of the American Musicological Society 46 1993 84
Denny, ThomasDirectional Tonality in Schubert???s LiederWolfgang Partsch, ErichFranz Schubert–Der Forschrittliche? Analysen–Perspektiven–FaktenTutzingHans Schneider 1989 37
Deutsch, Otto ErichSchubert: A Documentary BiographyBlom, EricLondonJ. M. Dent 1946
Deutsch, Otto ErichSchubert: Memoirs by His FriendsLey, RosamondNowell, JohnLondonAdam & Charles Black 1958
Dittrich, Marie-AgnesHarmonik und Sprachvertonung in Schuberts LiedernHamburgKarl Dieter Wagner 1991
Doyle, Sir Arthur ConanThe Complete Sherlock HolmesFreeman, KyleNew YorkBarnes and Noble Classics 2003
Duncan, EdmondstouneSchubertLondonJ. M. Dent 1921
Dürr, Walther???Ausweichungen ohne Sinn, Ordnung und Zweck??? ??? Zu Tonart und Tonalit??t bei SchubertWolfgang Partsch, ErichFranz Schubert–Der Forschrittliche? Analysen–Perspektiven–FaktenTutzingHans Schneider 1989 73
Dürr, WalterEntwurf – Ausarbeitung – Revision: Zur Arbeitsweise Schuberts am Beispiel des Liedes (D. 713)Die Musikforschung 44 1991 221
Dürr, WaltherSchubert and Johann Michael Vogl: A Reappraisal19th-Century Music 3 1979 126
Everett, WalterDeep-Level Portrayals of Directed and Misdirected Motions in Nineteenth-Century Lyric SongJournal of Music Theory 48 2004 25
Everett, Walter TrippGrief in : A Schenkerian PerspectiveMusic Analysis 9 1990 157
Federhofer, HellmutTerz- und Quintverwandtschaft in der Harmonik Schuberts: Eine ReplikSchubert durch die Brille 21 1998 157
Federhofer, HelmutTerzverwandte Akkorde und ihre Funktion in der Harmonik Franz SchubertsBrusatti, OttoSchubert-Kongress Wien 1978GrazAkademische Druck- und Verlagsanstalt 1979 61
Ferguson, Donald N.A History of Musical ThoughtNew YorkF. S. Crofts & Co 1935
Fieldman, HaliSchubert’s and Sonata Form’s New WayJournal of Musicological Research 21 2002 99
Fieldman, Hali 1996
Finck, Henry TheophilusChopin and Other Musical EssaysNew YorkC. Scribner???s Sons 1889
Fink, Gottfried WilhelmDer neumusikalische Lehrjammer, oder Beleuchtung der Schrift: Die alte Musiklehre im Streit mit unserer ZeitLeipzigMayer and Wigand 1842
Finney, Theodore M.A History of MusicNew YorkHarcourt, Brace and Company 1935
Fisk, CharlesComment & Chronicle19th-Century Music 23 2000 301
Fisk, CharlesReturning Cycles: Contexts for the Interpretation of Schubert’s Impromptus and Last SonatasBerkeley and Los AngelesUniversity of California Press 2001
Fisk, CharlesSchubert Recollects Himself: The Piano Sonata in C Minor, D. 958Musical Quarterly 84 2000 635
Fisk, CharlesWhat Schubert???s Last Sonata Might HoldRobinson, JeneferMusic and MeaningIthaca, NY: Cornell University Press 1997 179
Flothuis, MariusSchubert Revises SchubertBadura-Skoda, EvaBranscombe, PeterSchubert Studies: Problems of Style and ChronologyCambridge University Press 1982 61
Ford, Walter A. J.SongEncyclopedia Britannica: A Dictionary of Arts, Sciences, Literature and General InformationNew YorkEncyclopaedia Britannica Company 1911 400
Forster, E. M.Howards EndNew YorkAlfred A. Knopf 1921
Frisch, WalterSchubert???s (D. 162): Transformation of the Frisch, WalterSchubert: Critical and Analytical StudiesLincoln and LondonUniversity of Nebraska Press 1986 175
Frisch, Walter‘You Must Remember This’: Memory and Structure in Schubert’s String Quartet in G major, D. 887Musical Quarterly 84 2000 582
Gal, HansFranz Schubert and the Essence of MelodyLondonVictor Gollancz Ltd 1974
Georgiades, Thrasybulos G.Schubert: Musik und LyrikGöttingenVandenhoeck and Ruprecht 1967
Gerlich, Thomas: Ein ‘romantisches Detail’ bei Schubert wiedererwogenPerspektiven 1 2001 197
Gibbs, Christopher H.???Poor Schubert???: Images and Legends of the ComposerGibbs, Christopher H.The Cambridge Companion to SchubertCambridge University Press 1997 36
Gibbs, Christopher H.The Life of SchubertCambridge University Press 2000
Gilman, LawrenceMusic of the Month: Songs of a Rustic AngelNorth American Review 213 1921 844
Gingerich, JohnRemembrance and Consciousness in Schubert’s C-Major String Quintet, D.956Musical Quarterly 84 2000 619
Girton, IrenePromises Fulfilled: Neighbour Notes in Some Late Works of SchubertHascher, XavierLe style instrumental de Schubert: sources, analyse, évolutionParisSorbonne 2007 93
Gorer, RichardCecil GrayMusic Review 12 1951 307
Gramit, DavidConstructing a Victorian Schubert: Music, Biography, and Cultural Values19th-Century Music 17 1993 65
Gray, CecilCarlo Gesualdo: Prince of Venosa, Musician and MurdererLondonKegan Paul, Trench, Trubner 1926
Gray, CecilThe History of MusicLondon and New YorkKegan Paul, Trench, Trubner, & Co. Ltd 1928
Greene, David B.Schubert’s ‘Winterreise’: A Study in the Aesthetics of Mixed MediaJournal of Aesthetics and Art Criticism 29 1970 181
Grove, GeorgeBeethoven, Schubert, MendelssohnBlum, EricLondonMacmillan 1951
Grove, GeorgeSchubertGrove’s Dictionary of Music and MusiciansFuller Maitland, J. A.LondonMacmillan 1908 280
Hadow, W. H.The Oxford History of Music, : The Viennese PeriodOxfordClarendon Press 1904
Hascher, XavierSchubert: La forme sonate et son évolutionNew YorkPeter Lang 1996
Hass, HermannÜber die Bedeutung der Harmonik in den Liedern Franz Schuberts: Zugleich ein Beitrag zur Methodik der harmonischen AnalyseBonnH. Bouvier 1957
Heinichen, Johann DavidNeu erfundene und gründliche AnweisungHamburgBenjamin Schiller 1711
Hepokoski, JamesDarcy, WarrenElements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century SonataOxford University Press 2006
Hilmar, ErnstJestremski, MargretSchubert-LexikonGraz, AustriaAkademische Druck- u. Verlagsanstalt 1997
Hinrichsen, Hans-JoachimDie Sonatenform im Spätwerk Franz SchubertsArchiv für Musikwissenschaft 45 1988 16
Hinrichsen, Hans-JoachimUntersuchungen zur Entwicklung der Sonatenform in der Instrumentalmusik Franz SchubertsTutzingHans Schneider 1994
Hirsch, Marjorie WingSchubert’s Dramatic LiederCambridge University Press 1993
Hutchings, ArthurSchubertLondonJ. M. Dent 1945
Hutchings, ArthurSchubertLondonJ. M. Dent 1973
Hyde, Martha M.Neoclassic and Anachronistic Impulses in Twentieth-Century MusicMusic Theory Spectrum 18 1996 200
Hyer, BrianReimag(in)ing RiemannJournal of Music Theory 39 1995 101
Hyer, BrianTonalityChristensen, ThomasCambridge History of Music TheoryCambridge University Press 2002 726
Jensen, Claudia R.A Theoretical Work of Late Seventeenth-Century Muscovy: Nikolai Diletskii’s and the Earliest Circle of FifthsJournal of the American Musicological Society 45 1992 305
Kerman, JosephA Romantic Detail in Schubert???s Frisch, WalterSchubert: Critical and Analytical StudiesLincoln and LondonUniversity of Nebraska Press 1986 48
Kerman, JosephHow We Got into Analysis, and How to Get OutCritical Inquiry 7 1980 311
Kerman, JosephThe State of Academic Music CriticismPrice, KingsleyOn Criticizing Music: Five Philosophical PerspectivesBaltimoreJohns Hopkins University Press 1981 38
Kerman, JosephWrite All These Down: Essays on MusicBerkeley and Los AngelesUniversity of California Press 1994
Kessler, DeborahMotive and Motivation in Schubert???s Three-Key ExpositionsPoundie Burstein, L.Gagné, DavidStructure and Meaning in Tonal Music: Festschrift in Honor of Carl SchachterHillsdale, NYPendragon Press 2006 259
Kinderman, WilliamSchubert???s Tragic PerspectiveFrisch, WalterSchubert: Critical and Analytical StudiesLincoln and LondonUniversity of Nebraska Press 1986 65
Kinderman, WilliamWandering Archetypes in Schubert’s Instrumental Music19th-Century Music 21 1997 208
Kivy, PeterThe Possessor and the Possessed: Handel, Mozart, Beethoven, and the Idea of Musical GeniusNew Haven and LondonYale University Press 2001
Kopp, DavidChromatic Transformations in Nineteenth-Century MusicCambridge University Press 2002
Kramer, LawrenceFranz Schubert: Sexuality, Subjectivity, SongCambridge University Press 1998
Kramer, LawrenceMusic as Cultural Practice, 1800–1900Berkeley and Los AngelesUniversity of California Press 1990
Kramer, LawrenceOdradek Analysis: Reflections on Musical OntologyMusic Analysis 23 2004 287
Kramer, LawrenceThe Schubert Lied: Romantic Form and Romantic ConsciousnessFrisch, WalterSchubert: Critical and Analytical StudiesLincoln and LondonUniversity of Nebraska Press 1986 200
Kramer, RichardDistant Cycles: Schubert and the Conceiving of SongChicago University Press 1994
Kramer, RichardThe Hedgehog: Of Fragments Finished and Unfinished19th-Century Music 21 1997 134
Krebs, HaraldAlternatives to Monotonality in Early Nineteenth-Century MusicJournal of Music Theory 25 1981 1
Krebs, HaraldMusic Theory Spectrum 25 2003 388
Krebs, HaraldSome Early Examples of Tonal Pairing: Schubert???s ???Meeres Stille??? and ???Der Wanderer???Kinderman, WilliamKrebs, HaraldThe Second Practice of Nineteenth-Century TonalityLincoln and LondonUniversity of Nebraska Press 1996 17
Krebs, HaraldThe Background Level in Some Tonally Deviating Works of Franz SchubertIn Theory Only 8 1985 5
Krebs, Harald 1980
Krebs, HaraldTonart und Text in Schuberts Liedern mit abweichenden SchlüssenArchiv für Musikwissenschaft 47 1990 264
Krebs, HaraldWandern und Heimkehr: Zentrifugale und Zentripetale Tendenzen in Schuberts Frühen LiedernMusiktheorie 13 1998 111
Kreissle von Hellborn, HeinrichFranz SchubertViennaCarl Gerold???s Sohn 1865
Kreissle von Hellborn, HeinrichFranz Schubert: Eine biographische SkizzeViennaL. C. Zamarski and C. Dittmarsch 1861
Krones, Hartmut‘Ein Accumulat aller musikalischen Modulationen und Ausweichungen ohne Sinn, Ordnung und Zweck’: Zu Schuberts ‘schauerlichen’ Werken der Jahre 1817–28Österreichische Musikzeitschrift 52 1997 32
Laitz, StevenThe Submediant Complex: Its Musical and Poetic Roles in Schubert’s SongsTheory and Practice 21 1996 123
Laufer, Edward“Revised Sketch of Mozart, K. 545/I and Commentary,” appendix to Gordon Sly, “Schubert’s Innovations in Sonata Form: Compositional Logic and Structural Interpretation,”Journal of Music Theory 45 2001 144
Lek, Robbert van derZum Verhältnis von Text und Harmonik in Schuberts ‘Daß sie hier gewesen,’Archiv für Musikwissenschaft 53 1996 124
Lendvai, ErnöBéla Bartók: An Analysis of His MusicLondonKahn & Averill 1971
Lerdahl, FredTonal Pitch SpaceOxford University Press 2001
Lewin, DavidA Formal Theory of Generalized Tonal FunctionsJournal of Music Theory 26 1982 41
Lewin, David: Image and Background in a Schubert Song19th-Century Music 6 1982 47
Lewin, DavidGeneralized Musical Intervals and TransformationsNew HavenYale University Press 1987
Macdonald, HughSchubert’s Volcanic TemperMusical Times 119 1978 949
Mak, Su YinSchubert’s Sonata Forms and the Poetics of the LyricJournal of Musicology 23 2006 263
Malin, YonatanMetric Displacement Dissonance and Romantic Longing in the German LiedMusic Analysis 25 2006 251
Marston, NicholasAnalysing Variations: The Finale of Beethoven’s String Quartet op. 74Music Analysis 8 1989 303
Marston, NicholasSchubert’s HomecomingJournal of the Royal Musical Association 125 2000 248
Marx, A. B.Musical Form in the Age of Beethoven: Selected Writings on Theory and MethodBurnham, Scott G.Cambridge University Press 1997
Mason, Daniel GregoryMasters in Music: Volume IVBostonBates and Guild Co 1904
Mason, Daniel GregoryThe Romantic ComposersNew York and LondonMacmillan 1906
Mathews, William S. B.How to Understand MusicPhiladelphiaTheodore Presser 1888
Mattheson, JohannKleine General-Bass-SchuleHamburgJohann Christoph Kissner 1735
Mayer, AndreasDer psychoanalytische SchubertSchubert durch die Brille 9 1992 7
McClary, SusanConstructions of Subjectivity in Schubert???s MusicBrett, PhilipWood, ElizabethThomas, Gary C.Queering the Pitch: The New Gay and Lesbian MusicologyNew YorkRoutledge 1994 205
McClary, SusanConventional Wisdom: The Content of Musical FormBerkeley and Los AngelesUniversity of California Press 2000
McClary, SusanFeminine Endings: Music, Gender, and SexualityUniversity of Minnesota Press 1991
Gay/Lesbian Study Group Newsletter 2 1991 8
McClary, SusanMusic and Sexuality: On the Steblin/Solomon Debate19th-Century Music 17 1993 83
McKay, Elizabeth NormanFranz Schubert: A BiographyOxfordClarendon Press 1996
McKinney, Howard D.Anderson, W. R.Music in History: The Evolution of an ArtNew YorkAmerican Book Company 1940
Messing, ScottSchubert in the European Imagination: The Romantic and Victorian ErasNew YorkUniversity of Rochester Press 2006
Montgomery, DavidFranz Schubert???s Music in Performance: A Brief History of People, Events, and IssuesGibbs, Christopher H.The Cambridge Companion to SchubertCambridge University Press 1997 270
Muxfeldt, KristinaSchubert???s Songs: The Transformation of a GenreGibbs, Christopher H.The Cambridge Companion to SchubertCambridge University Press 1997 121
Nature: International Journal of Science 26 1882
Newbould, BrianSchubert: The Music and the ManBerkeley and Los AngelesUniversity of California Press 1997
Newcomb, AnthonyStructure and Expression in a Schubert Song: Auf dem Flusse Frisch, WalterSchubert: Critical and Analytical StudiesLincoln and LondonUniversity of Nebraska Press 1986
Noeske, NinaSchubert, das Erhabene und die letzte Sonate D. 960 – oder: Die Frage nach dem SubjektSchubert: Perspektiven 7 2007 22
Parry, HubertSummary of the History and Development of Mediæval and Modern European MusicLondon: Novello and Company 1904
Parry, HubertThe Evolution of the Art of MusicLondon: Kegan Paul, Trench, Trubner, & Co. Ltd 1897
Perry, JeffreyThe Wanderer’s Many Returns: Schubert’s Variations ReconsideredJournal of Musicology 19 2002 374
Pesic, PeterSchubert’s Dream19th-Century Music 23 1999 136
Porter, Ernest G.Schubert’s Song TechniqueLondonDennis Dobson 1961
Reed, JohnSchubertLondonThe Master Musicians 1987
Reed, JohnThe Schubert Song CompanionManchesterMandolin 1997
Roden, TimothyWright, CraigSimms, BryanAnthology for Music in Western CivilizationBostonSchirmer Cengage Learning 2010
Rosen, CharlesFrontiers of Meaning: Three Informal Lectures on MusicNew YorkHill and Wang 1994
Rosen, CharlesSchubert???s Inflections of Classical FormGibbs, Christopher H.The Cambridge Companion to SchubertCambridge University Press 1997 72
Rosen, CharlesSonata FormsNew YorkW. W. Norton 1988
Salzer, FelixDie Sonatenform bei Franz SchubertStudien zur Musikwissenschaft 15 1928 86
Schachter, CarlMotive and Text in Four Schubert SongsBeach, DavidAspects of Schenkerian TheoryNew HavenYale University Press 1983 61
Schenker, HeinrichDer freie SatzViennaUniversal Edition 1956
Schenker, Der Tonwille: Pamphlets in Witness of the Immutable Laws of Music, Offered to a New Generation of YouthDrabkin, WilliamOxford University Press 2004
Schenker, HeinrichDer Tonwille: Pamphlets in Witness of the Immutable Laws of Music, Offered to a New Generation of YouthDrabkin, WilliamOxford University Press 2005
Schenker, HeinrichFive Graphic Music AnalysesNew YorkDover 1969
Schenker, HeinrichFree CompositionOster, ErnstNew YorkLongman 1979
Schenker, HeinrichHarmonyBorgese, Elisabeth MannJonas, OswaldCambridge, MAMIT Press 1973
Schoenberg, ArnoldFundamentals of Musical CompositionStrang, GeraldStein, LeonardLondonFaber and Faber 1967
Schoenberg, ArnoldTheory of HarmonyCarter, Roy E.Berkeley and Los AngelesUniversity of California Press 1983
Schwarz, BorisTaw, Nicholas E.Mason, Daniel Gregory (ii)New Grove Dictionary of Music and MusiciansSadie, StanleyTyrell, JohnNew YorkMacmillan 2001 34
Shamgar, BethSchubert’s Classic Legacy: Some Thoughts on Exposition-Recap. FormJournal of Musicology 18 2001 150
Siciliano, Michael 2002
Siciliano, MichaelTwo Neo-Riemannian AnalysesCollege Music Symposium 45 2005 81
Sly, GordonSchubert’s Innovations in Sonata Form: Compositional Logic and Structural InterpretationJournal of Music Theory 45 2001 119
Smith, Charles J.Musical Form and Fundamental Structure: An Investigation of Schenker’s Music Analysis 15 1996 191
Snyder, JohnSchenker and the First Movement of Mozart’s Sonata K. 545: An Uninterrupted Sonata-Form Movement?Theory and Practice 16 1991 51
Solie, Ruth A.Journal of the American Musicological Society 48 1995 311
Solomon, MaynardFranz Schubert and the Peacocks of Benvenuto Cellini19th-Century Music 12 1989 193
Solomon, MaynardFranz Schubert’s ‘My Dream,’American Imago 38 1981 137
Spalding, Walter RaymondMusic: An Art and a LanguageBoston and New YorkArthur P. Schmidt Co 1920
Statham, Henry HeathcoteGrove’s Dictionary of MusicEdinburgh Review 153 1881 212
Statham, Henry HeathcoteMy Thoughts on Music and MusiciansLondonChapman and Hall 1892
Statham, Henry HeathcoteSchubert – Chopin – LisztEdinburgh Review 158 1883 475
Steblin, RitaSchubert durch das Kaleidoskop: Die Unsinnsgesellschaft und ihre illustren MitgliederÖsterreichische Musikzeitschrift 52 1997 52
Stein, DeborahHugo Wolf’s Lieder and Extensions of TonalityAnn ArborUMI 1985
Stein, DeborahSchubert’s : Motivic Parallelism and Motivic Transformation19th-Century Music 13 1989 145
Straus, Joseph N.Normalizing the Abnormal: Disability in Music and Music TheoryJournal of the American Musicological Society 59 2006 113
Taruskin, RichardChernomor to Kashchei: Harmonic Sorcery, or, Stravinsky’s ‘Angle’Journal of the American Musicological Society 38 1985 72
Taruskin, RichardStravinsky and the Russian Traditions: A Biography of the Works throughBerkeley and Los AngelesUniversity of California Press 1996
Taruskin, RichardThe Oxford History of Western Music: The Nineteenth CenturyNew YorkOxford University Press 2005
Taylor, JohnThe Student’s Text-book of the Science of MusicLondonGeorge Philip and Son 1876
Temperley, NicholasSchubert and Beethoven’s Eight-Six ChordNineteenth-Century Music 5 1981 142
Thym, JürgenFehn, Ann C.Schubert???s Strategies in Setting Free VerseThym, JürgenOf Poetry and Song: Approaches to the Nineteenth-Century LiedRochester, NYUniversity of Rochester Press 2010 261
Tobin, RobertWarm Brothers: Queer Theory and the Age of GoethePhiladelphiaUniversity of Pennsylvania Press 2000
Tovey, Donald FrancisEssays in Musical Analysis, , SymphoniesLondonOxford University Press 1946
Tovey, Donald FrancisFranz Schubert (1797???1828)Foss, Hubert J.The Mainstream of Music and Other EssaysOxford University Press 1949 103
Tovey, Donald FrancisTonalityMusic and Letters 9 1928 341
Tovey, Donald FrancisTonality in SchubertFoss, Hubert J.The Mainstream of Music and Other EssaysOxford University Press 1949 134
Tymoczko, DmitriThe Geometry of Musical ChordsScience 313 2006 72
Tschense, AstridGoethe-Gedichte in Schuberts Vertonungen: Komposition als TextinterpretationHamburgvon Bockel 2004
Van Tassel, Eric‘Something Utterly New:’ Listening to Schubert LiederEarly Music 25 1997 702
Vogler, Abbé Georg JosephHandbuch zur Harmonielehre und für den GeneralbaßPragueK. Brath 1802
Wagner, RichardBeethovenDannreuther, EdwardLondonWilliam Reeves 1880
Walsh, William ShepardHandy-book of Literary CuriositiesPhiladelphiaJ. B. Lippincott Co 1892
Weber, GottfriedVersuch einer geordneten Theorie der Tonsetzkunst zum Selbstunterricht mit Anmerkungen für GelehrtereMainzB. Schott 1817
Webster, JamesMusic, Pathology, Sexuality, Beethoven, Schubert19th-Century Music 17 1993 89
Webster, JamesSchubert’s Sonata Form and Brahms’s First Maturity (I)19th-Century Music 2 1978 18
Webster, JamesSonata FormNew Grove Dictionary of Music and MusiciansSadie, StanleyTyrrell, JohnLondonMacmillan Publishers Ltd 2001 687
Wen, EricA Response to Gordon Sly and Edward Laufer: An Alternative Interpretation of the First Movement of Mozart’s K. 545Journal of Music Theory 46 2002 364
Wilberforce, EdwardSchubert: A Musical BiographyLondonWm. H. Allen & Co 1866
Winter, RobertThe Bifocal Close and the Evolution of the Viennese Classical StyleJournal of the American Musicological Society 42 1989 275
Wolff, ChristophThe String Quartets of Haydn, Mozart and Beethoven: Studies of the Autograph ManuscriptsCambridge, MAHarvard University Department of Music 1980
Wollenberg, SusanSchubert???s Poetic TransitionsHascher, XavierLe style instrumental de Schubert: sources, analyse, évolutionParisSorbonne 2007 261
Wollenberg, SusanSchubert???s TransitionsNewbould, BrianSchubert StudiesAshgateAldershot 1998 16
Woodford, PeggySchubertLondonOmnibus Press 1984
Youens, SusanFranz Schubert: The Prince of SongHallmark, RufusGerman Lieder in the Nineteenth CenturyNew YorkG. Schirmer 1996 31
Youens, SusanOf Dwarves, Perversion, and Patriotism: Schubert’s , D. 77119th-Century Music 21 1997 177
Youens, SusanRetracing a Winter’s Journey: Schubert’sIthaca, NYCornell University Press 1991
