Book contents
- Frontmatter
- Contents
- Speeches
- Photographs
- Acknowledgements
- Introduction
- Chapter 1 To save a republic
- Chapter 2 Speech – the essence of democracy
- Chapter 3 Forum
- Chapter 4 Style
- Chapter 5 Emotion
- Chapter 6 Character
- Chapter 7 Evidence
- Chapter 8 Morality
- Chapter 9 Gettysburg
- Chapter 10 Speechwriter
- Conclusion: The ideal orator
- Appendix Common figures and terms
- Notes
- Index
Chapter 2 - Speech – the essence of democracy
Published online by Cambridge University Press: 05 October 2012
- Frontmatter
- Contents
- Speeches
- Photographs
- Acknowledgements
- Introduction
- Chapter 1 To save a republic
- Chapter 2 Speech – the essence of democracy
- Chapter 3 Forum
- Chapter 4 Style
- Chapter 5 Emotion
- Chapter 6 Character
- Chapter 7 Evidence
- Chapter 8 Morality
- Chapter 9 Gettysburg
- Chapter 10 Speechwriter
- Conclusion: The ideal orator
- Appendix Common figures and terms
- Notes
- Index
Summary
Here is a sentence Cicero would have recognised, written by the man whose murder he celebrated:
Veni, vidi, vici.
I came, I saw, I conquered.
It proves that three little words are sometimes enough to convey the most profound thoughts. (And that they can be so much more elegant in Latin.)
Read it aloud a few times and you will notice some patterns. Why does it sound so appealing? What attracts the ear? Why is it remembered when so many of the author's other sentences are not?
Consider:
each word starts with the same letter
each ends with the same letter
each has the same number of syllables
it has three clauses
if you rest the sentence on the apex of a triangle – between the i and d of vidi – it will balance
it says pretty much all you need to know – or all its author wants you to know – about what happened
it reflects well on the virtue of its subject.
- Type
- Chapter
- Information
- The Art of Great SpeechesAnd Why We Remember Them, pp. 35 - 59Publisher: Cambridge University PressPrint publication year: 2010