Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-fv566 Total loading time: 0 Render date: 2024-07-25T02:42:32.044Z Has data issue: false hasContentIssue false

Chapter 4 - Style

Published online by Cambridge University Press:  05 October 2012

Get access

Summary

Near the conclusion of his dramatic speech over Caesar's body, Shakespeare's Antony delivers these intriguing lines:

  1. I am no orator, as Brutus is;

  2. But, as you know me all, a plain blunt man,

  3. That love my friend…

Why such modesty and praise for the competition? You wouldn't want it from your surgeon mid-incision: ‘That other surgeon – the one your health fund wouldn't pay for – he's far more skilled than I am.’ Cicero knew:

Propeterea quod prudentia hominibus grata est, lingua suspecta.

The reason is that practical knowledge is pleasing to men, but a clever tongue is suspect.

Fine oratory, we fear, is a trick to overwhelm the listener's reason and camouflage poor logic and weak evidence. But it works. In fact, denying eloquence is part of the trick, and those who deny eloquence loudest are often those who employ it most effectively.

So just how ‘plain’ and ‘blunt’ was Antony’?

The earliest rhetoricians understood that the brain had its own ways of arranging speech to make it more appealing to the mind, tongue and ear – punctuation divided speech into clauses, sentences and paragraphs to separate out ideas and coordinate reading and breathing. They also realised that the way words were used and arranged in speech could alter their meaning and force. The genius of Aristotle, Cicero and Quintilian developed these insights into a system of technical classification that helps us understand why politicians speak the way they do. Some of their terms are still in common usage, such as euphemism, hyper- bole, climax, anticlimax, alliteration and sarcasm. But while we may no longer be taught any other of these classifications by name (as Shakespeare was), we are all familiar with their effects. It’s what we mean when we recognise that someone is speaking figuratively.

Type
Chapter
Information
The Art of Great Speeches
And Why We Remember Them
, pp. 90 - 123
Publisher: Cambridge University Press
Print publication year: 2010

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Style
  • Dennis Glover
  • Book: The Art of Great Speeches
  • Online publication: 05 October 2012
  • Chapter DOI: https://doi.org/10.1017/CBO9781139151412.006
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Style
  • Dennis Glover
  • Book: The Art of Great Speeches
  • Online publication: 05 October 2012
  • Chapter DOI: https://doi.org/10.1017/CBO9781139151412.006
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Style
  • Dennis Glover
  • Book: The Art of Great Speeches
  • Online publication: 05 October 2012
  • Chapter DOI: https://doi.org/10.1017/CBO9781139151412.006
Available formats
×