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Appendix B - Chronological Chart of Punctuation References

Published online by Cambridge University Press:  10 March 2023

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Summary

Sources

  • 1. Quintilian, Education of an Orator; trans. John Selby Watson, 2:239–40 [9.4.122–125].

  • 2. Gioseffo Zarlino, Le istitutioni harmoniche, Part 3, 211–12; trans. Marco and Palisca, 124–25.

  • 3. Thomas Morley, A Plaine and Easie Introduction to Practicall Musicke, 178.

  • 4. Charles Butler, The Principles of Musik in Singing and Setting, 97.

  • 5. Christopher Simpson, A Compendium of Practical Musick, 141.

  • 6. Thomas Mace, Musick's Monument, 109–10, 130.

  • 7. Anonymous, A Treatise of Stops, Points, or Pauses, 3–5.

  • 8. Friedrich Erhardt Niedt, Musicalischer Handleitung, Part 3, 51; trans. adapted from Poulin and Taylor, 266–67.

  • 9. Johann Beer, Musikalische Diskourse, 142–43.

  • 10. François Couperin, Preface to Pièces de clavecin: Troisième livre.

  • 11. Johann Leonhard Frisch, Bödikers Grund-Sätze ; in Stefan Höchli, Zur Geschichte der Interpunktion im Deutschen, 172–73.

  • 12. Johann Joseph Fux, Gradus ad parnassum, 277–78; trans. from Lester, Between Modes and Keys, 206–9.

  • 13. Georg Philipp Telemann, Preface to Fortsetzung des Harmonischen Gottesdienstes; trans. adapted from Swack, vi–vii.

  • 14. Michel Blavet, Preface to Sonate, Op. 2, no. 2, “La Vibray” pour flûte traversière et basse continue.

  • 15. Claude Buffier, A French Grammar on a New Plan, 149–50.

  • 16. Girolamo Gigli, Regole per la Toscana Favella, 219; trans. provided by Alessandra Campana.

  • 17. Johann Mattheson, Der vollkommene Capellmeister, 182–91; trans. adapted from Harriss, 383–90.

  • 18. Lorenz Mizler, Neu eröffnete musikalische Bibliothek, 2:246–47; Meinrad Spiess, Tractatus musicus compositorio-practicus, 131–32. Mizler quotes and summarizes Mattheson extensively. Spiess quotes Mizler almost verbatim, excluding the quote included under the comma column.

  • 19. John Mason, An Essay on Elocution, or, Pronunciation, 21–23.

  • 20. Johann Joachim Quantz, Versuch einer Anweisung die Flöte traversiere zu spielen, 74, 104–5; trans. adapted from Reilly, 88, 122.

  • 21. Johann Christoph Gottsched, Kern der Deutschen Sprachkunst aus der ausfürlichen Sprachkunst, 34–37.

  • 22. Leopold Mozart, Versuch einer gründlichen Violinschule, 33, 107–8; trans. adapted from Knocker, 36, 101.

  • 23. Robert Lowth, A Short Introduction to English Grammar, 158.

  • 24. Friedrich Wilhelm Marpurg, Kritische Briefe über die Tonkunst, 2:309.

  • 25. Georg Simon Löhlein, Clavier-Schule, 178; trans. adapted from Wilson, 7.

  • 26. Denis Diderot and Jean le Rond d’Alembert, Encyclopédie, ou Dictionnaire raisonné, s.v. “Ponctuation,” 13:15–16.

  • 27. Chares Henri Blainville, Histoire générale, critique et philologique de la musique, 157.

  • 28. Jean-Jacques Rousseau, Dictionnaire de musique, s.v. “Ponctuer.” The entry to punctuate does not appear in the 1779 English translation by Waring.

Type
Chapter
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The Art of Musical Phrasing in the Eighteenth Century
Punctuating the Classical 'Period'
, pp. 260 - 278
Publisher: Boydell & Brewer
Print publication year: 2008

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