References
Albinson, A. Cassandra. “The Construction of Desire, Lawrence’s Portraits of Women.” In Thomas Lawrence: Regency Power & Brilliance, edited by Albinson, A. Cassandra, Funnell, Peter, and Peltz, Lucy, 27–54. New Haven, CT: Yale University Press, 2011.
Albinson, A. Cassandra. “New Ambition: Experimentation and Innovation in Portraiture Practice.” In Thomas Lawrence: Regency Power & Brilliance, edited by Albinson, A. Cassandra, Funnell, Peter, and Peltz, Lucy, 189–216. New Haven, CT: Yale University Press, 2011.
Albinson, A. Cassandra, Funnell, Peter, and Peltz, Lucy, eds. Thomas Lawrence: Regency Power & Brilliance. New Haven, CT: Yale University Press, 2011.
Asleson, Robyn, ed. Notorious Muse: The Actress in British Art and Culture, 1776–1812. New Haven, CT: Yale University Press, 2003.
Asleson, Robyn, ed. A Passion for Performance: Sarah Siddons and Her Portraitists. Los Angeles, CA: J. Paul Getty Museum, 1999.
Baiesi, Serena. “The Influence of the Italian Improvvisatrici on British Romantic Women Writers: Letitia Elizabeth Landon’s Response.” In British Romanticism and Italian Literature, edited by Bandiera, Laura and Saglia, Diego, 181–91. Amsterdam: Rodopi, 2005.
Barchas, Janine. “Reporting on What Jane Saw 2.0: Female Celebrity and Sensationalism in Boydell’s Shakespeare Gallery.” ABO: Interactive Journal for Women in the Arts, 1640–1830 5, no. 1 (2015): 1–26.
Batchelor, Jennie, and Larkin, Alison. Jane Austen Embroidery: Regency Patterns Reimagined for Modern Stitchers. Mineola, NY: Dover, 2020.
Baum, Kelly, Bayer, Andrea, and Wagstaff, Sheena, eds. Unfinished: Thoughts Left Visible. New York: Metropolitan Museum of Art, 2016.
Baumgärtel, Bettina, ed. Angelica Kauffman. Munich: Hirmer, 2020.
Berry, Mary. The Fashionable Friends: A Comedy in Five Acts. As Performed by Their Majesties Servants at the Theatre Royale, Drury Lane. 2nd ed. London: J. Ridgeway, 1802.
Breashears, Caroline. “Desperately Seeking Mary Anne Clarke: Scandal, Suppression, and Problems in Attribution.” Script & Print 36, no. 1 (2012): 5–26.
Brylowe, Thora. “Angelica Kauffman and the Sister Arts.” In The Edinburgh Companion to Romanticism and the Arts, edited by McCue, Maureen and Thomas, Sophie, 391–407. Edinburgh: Edinburgh University Press, 2022.
Dashkova, Ekaterina R. The Memoirs of Princess Dashkova. Translated and edited by Fitzlyon, Kyril. Durham, NC: Duke University Press, 1995.
Davidson, Hillary. Dress in the Age of Jane Austen: Regency Fashion. New Haven, CT: Yale University Press, 2019.
Doran, Susan, ed. Elizabeth and Mary: Royal Cousins, Rival Queens. London: British Library, 2021.
Dryden, John. Tyrannick Love, or The Royal Martyr: A Tragedy. London: H. Herringman, 1670.
Elfenbein, Andrew. “Lesbian Aestheticism on the Eighteenth-Century Stage.” Eighteenth-Century Life 25, no 1 (2001): 1–16.
Engel, Laura. Austen, Actresses, and Accessories: Much Ado about Muffs. London: Palgrave Macmillan, 2015.
Engel, Laura. Fashioning Celebrity: Eighteenth-Century British Actresses and Strategies for Image-Making. Columbus: Ohio State University Press, 2011.
Engel, Laura. “The Muff Affair: Fashioning Celebrity in the Portraits of Late-Eighteenth-Century British Actresses.” Fashion Theory 13, no. 3 (2009): 279–98.
Engel, Laura. “Stage Beauties: Actresses and Celebrity Culture in the Long Eighteenth Century.” Literature Compass 13, no. 12 (2016): 749–61.
Engel, Laura. Women, Performance, and the Material of Memory: The Archival Tourist, 1780–1915. London: Palgrave Macmillan, 2019.
Fraser, Flora. The Unruly Queen: The Life of Queen Caroline. Berkeley: University of California Press, 1997.
Freeman, Lisa A. “Mourning the ‘Dignity of the Siddonian Form.’” Eighteenth-Century Fiction 27, nos. 3–4 (2015): 597–629.
Freeman, Lisa A. “On the Art of Dramatic Probability: Elizabeth Inchbald’s Remarks for the British Theatre.” Theatre Survey 62, no. 2 (2021): 163–81.
Funnell, Peter. “Lawrence among Men: Friends, Patrons and the Male Portrait.” In Thomas Lawrence: Regency Power & Brilliance, edited by Albinson, A. Cassandra, Funnell, Peter, and Peltz, Lucy, 1–26. New Haven, CT: Yale University Press, 2011.
Gross, Jonathan David. The Life of Anne Damer: Portrait of a Regency Artist. Lanham, MD: Lexington Books, 2013.
Grosvenor, Bendor. Bright Souls: The Forgotten Story of Britain’s First Female Artists. London: Lyon & Turnbull, 2019.
Hall, Kim F. Things of Darkness: Economies of Race and Gender in Early Modern England. Ithaca, NY: Cornell University Press, 1995.
Hunting, Penelope. My Dearest Heart: The Artist Mary Beale (1633–1699). London: Unicorn, 2019.
Hyde, Melissa, and Milam, Jennifer, eds. Women, Art, and the Politics of Identity in Eighteenth-Century Europe. Aldershot, VT: Ashgate, 2003.
Joyce, Kristin, and Addison, Shellei. Pearls: Ornament and Obsession. London: Thames & Hudson, 1992.
Kunz, George Frederick, and Hugh Stevenson, Charles. The Book of the Pearl: The History, Art, Science, and Industry of the Queen of Gems. 1908. New York: Dover, 1993.
MacLeod, Catharine, and Alexander, Julia Marciari, eds. Painted Ladies: Women at the Court of Charles II. New Haven, CT: Yale Center for British Art, 2001.
MacLeod, Catharine, and Julia, Marciari Alexander. “The ‘Windsor Beauties’ and the Beauties Series in Restoration England.” In Politics, Transgression, and Representation at the Court of Charles II, edited by Julia Alexander, Marciari and MacLeod, Catharine, 81–122. New Haven, CT: Yale Center for British Art, 2007.
Marciari Alexander, Julia, and MacLeod, Catharine, eds. Politics, Transgression, and Representation at the Court of Charles II. New Haven: Yale Center for British Art, 2007.
McCreery, Cindy. The Satirical Gaze: Prints of Women in Late Eighteenth-Century England. Oxford: Clarendon, 2004.
McGirr, Elaine. “Nell Gwyn’s Breasts and Colley Cibber’s Shirts: Celebrity Actors and Their Famous ‘Parts.’” In Intimacy and Celebrity in Eighteenth-Century Literary Culture: Public Interiors, edited by Jones, Emrys and Joule, Victoria, 13–34. London: Palgrave Macmillan, 2018.
McGirr, Elaine. “Touching Scenes: Austen, Intimacy, and Staging Lovers’ Vows.” In Jane Austen, Sex, and Romance: Engaging with Desire in the Novels and Beyond, edited by Nachumi, Nora and Oppenheim, Stephanie, 164–72. Rochester, NY: University of Rochester Press, 2022.
McPherson, Heather. Art and Celebrity in the Age of Reynolds and Siddons. University Park: Pennsylvania State University Press, 2017.
Mudge, Bradford. “‘Enchanting Witchery’: Sir Joshua Reynolds’s Portrait of Kitty Fisher As Cleopatra.” Eighteenth-Century Life 40, no. 1 (2016): 32–58.
Mudge, Bradford. “Gazing Games: Portraits and Satire in Rowlandson’s Connoisseurs.” Eighteenth-Century Studies 55, no. 2 (2022): 163–89.
Noble, Percy. Anne Seymour Damer: A Woman of Art and Fashion, 1748–1828. London: Kegan Paul, Trench, Trübner & Company, 1908.
Nussbaum, Felicity. Rival Queens: Actresses, Performance, and the Eighteenth- Century British Theater. Philadelphia: University of Pennsylvania Press, 2011.
Ockman, Carol, et al. Sarah Bernhardt: The Art of High Drama. New Haven, CT: Yale University Press, 2005.
Perry, Gill. Spectacular Flirtations: Viewing the Actress in British Art and Theater, 1768–1820. London: Paul Mellon Centre, 2008.
Perry, Gill, Roach, Joseph, and West, Shearer. The First Actresses: Nell Gwyn to Sarah Siddons. Ann Arbor: University of Michigan Press, 2011.
Phillips, Chelsea. Carrying All before Her: Celebrity Pregnancy and the London Stage, 1689–1800. Newark: University of Delaware Press, 2022.
Pointon, Marcia. Brilliant Effects: A Cultural History of Gem Stones and Jewellery. New Haven, CT: Yale University Press, 2009.
Porter, Linda. Mistresses: Sex and Scandal at the Court of Charles II. New York: Pan Macmillan, 2021.
Rauser, Amelia. The Age of Undress: Art, Fashion, and the Classical Ideal in the 1790s. New Haven, CT: Yale University Press, 2020.
Rauser, Amelia. Caricature Unmasked: Irony, Authenticity, and Individualism in Eighteenth-Century English Prints. Newark: University of Delaware Press, 2008.
Rauser, Amelia. “Living Statues and Neoclassical Dress in Late Eighteenth-Century Naples.” Art History 38, no. 3 (2015): 462–87.
Ribeiro, Aileen. Dress and Morality. New York: Bloomsbury, 2003.
Roach, Joseph. It. Ann Arbor: University of Michigan Press, 2007.
Roman, Cynthia. “The Art of Lady Diana Beauclerk: Horace Walpole and Female Genius.” In Horace Walpole’s Strawberry Hill, edited by Snodin, Michael, 155–70. New Haven, CT: Yale University Press, 2009.
Rosenfeld, Sybil. Temples of Thespis: Some Private Theatres and Theatricals in England and Wales, 1700–1820. London: Society for Theatre Research, 1978.
Rosenthal, Angela. Angelica Kauffman: Art and Sensibility. London: Paul Mellon Centre, 2006.
Rosenthal, Laura J. Ways of the World: Theater and Cosmopolitanism in the Restoration and Beyond. Ithaca, NY: Cornell University Press, 2020.
Roworth, Wendy Wassyng, ed. Angelica Kauffman: A Continental Artist in Georgian England. London: Reaktion Books, 1992.
Schmid, Susanne. “Mary Berry’s Fashionable Friends on Stage (1801).” The Wordsworth Circle 43, no. 3 (2012): 172–7.
Schneider, Rebecca. Performing Remains: Art and War in Times of Theatrical Reenactment. London: Routledge, 2011.
Sharpe, Kevin. “‘Thy Longing Country’s Darling and Desire’: Aesthetics, Sex, and Politics in the England of Charles II.” In Politics, Transgression, and Representation at the Court of Charles II, edited by Alexander, Julia Marciari and MacLeod, Catharine, 1–32. New Haven, CT: Yale Center for British Art, 2007.
Shen, Fiona Lindsay. Pearls: Nature’s Perfect Gem. London: Reaktion Books, 2022.
Sherriff, Mary D. “Pour l’histoire des femmes artistes: Historiographie, politique et théorie (For a History of Women Artists: Historiography, Politics, and Theory).” Perspective 1 (2017): 91–112.
Simon, Robin “‘Strong Impressions of Their Art’: Zoffany and the Theatre.” In Johan Zoffany RA: Society Observed, edited by Postle, Martin, 50–73. New Haven, CT: Yale Center for British Art, Royal Academy of Arts, 2011.
Spies-Gans, Paris A. A Revolution on Canvas: The Rise of Women Artists in Britain and France, 1760–1830. London: Paul Mellon Centre, 2022.
Strobel, Heidi A. The Artistic Matronage of Queen Charlotte (1744–1818): How a Queen Promoted Both Art and Female Artists in English Society. Lewiston, NY: Edwin Mellen, 2011.
Sunday, Skyler. “Rendering Documentary Portraiture: An Interrogation of Archival Discourse through a Critical Exploration of Nineteenth-Century Stage Actress Charlotte Cushman’s Material Memory.” Unpublished master’s thesis, Duquesne University, 2022.
Taylor, David Francis. The Politics of Parody: A Literary History of Caricature, 1760–1830. New Haven, CT: Yale University Press, 2018.
Tomalin, Claire. Mrs Jordan’s Profession: The Story of a Great Actress and a Future King. New York: Knopf, 1995.
Tuite, Clara. “Comedy, Too Fatal Emblem: Anne Damer and Occult Theatricality.” Eighteenth-Century Fiction 27, nos. 3–4 (2015): 557–96.
Turner, Katherine. “Daphne du Maurier’s Mary Anne: Rewriting the Regency Romance As Feminist History.” University of Toronto Quarterly 86, no. 4 (2017): 54–77.
Vickery, Amanda. “Branding Angelica: Reputation Management in Late Eighteenth-Century England.” Journal for Eighteenth-Century Studies 43, no. 1 (2020): 3–24.
Walpole, Horace. Anecdotes of Painting in England. 1786. London: Alexander Murray, 1871.
Warsh, Molly A. American Baroque: Pearls and the Nature of Empire, 1492–1700. Chapel Hill: University of North Carolina Press, 2018.
Webb, Richard. Mrs D: The Life of Anne Damer (1748–1828). Redditch, Worcestershire: Brewin Books, 2013.
West, Shearer. The Image of the Actor: Verbal and Visual Representation in the Age of Garrick and Kemble. New York: St. Martin’s Press, 1991.
Winn, James Anderson. Queen Anne: Patroness of Arts. Oxford: Oxford University Press, 2014.