Book contents
- Frontmatter
- Contents
- List of Illustrations
- Foreword
- Preface
- Acknowledgments
- Introduction: Tribute to Charles-Marie Widor
- Part One Studies, Early Performances, and Aristide Cavaillé-Coll (1844–69)
- Part Two La Belle Époque: The Franco-Prussian War to The Great War (1870–1914)
- Part Three The Great War and Important Initiatives (1914–37)
- Appendix 1 Birth record of Charles-Marie Widor, 1844
- Appendix 2 Widor’s Diplôme de Bachelier ès Lettres, 1863
- Appendix 3 Widor’s letter of appreciation to Jacques Lemmens, 1863
- Appendix 4 Brussels Ducal Palace organ specification, 1861
- Appendix 5 Widor’s certificate for Chevalier de l’Ordre du Christ, 1866
- Appendix 6 “To Budapest,” 1893
- Appendix 7 Widor’s travels to Russia and his 1903 passport
- Appendix 8 Widor’s list of his works in 1894
- Appendix 9 The Paris Conservatory organs, 1872
- Appendix 10 Chronique [Widor’s appeal for an organ hall at the Paris Conservatory, 1895]
- Appendix 11 Widor’s certificate for the Académie Royale, Brussels, 1908
- Appendix 12 “Debussy & Rodin,” 1927
- Appendix 13 The American Conservatory organ, Fontainebleau, 1925
- Appendix 14 Letters concerning the Trocadéro organ restoration, 1926
- Notes
- Bibliography
- Index
- Eastman Studies in Music
30 - Widor’s residences and some neighbors
Published online by Cambridge University Press: 09 May 2024
- Frontmatter
- Contents
- List of Illustrations
- Foreword
- Preface
- Acknowledgments
- Introduction: Tribute to Charles-Marie Widor
- Part One Studies, Early Performances, and Aristide Cavaillé-Coll (1844–69)
- Part Two La Belle Époque: The Franco-Prussian War to The Great War (1870–1914)
- Part Three The Great War and Important Initiatives (1914–37)
- Appendix 1 Birth record of Charles-Marie Widor, 1844
- Appendix 2 Widor’s Diplôme de Bachelier ès Lettres, 1863
- Appendix 3 Widor’s letter of appreciation to Jacques Lemmens, 1863
- Appendix 4 Brussels Ducal Palace organ specification, 1861
- Appendix 5 Widor’s certificate for Chevalier de l’Ordre du Christ, 1866
- Appendix 6 “To Budapest,” 1893
- Appendix 7 Widor’s travels to Russia and his 1903 passport
- Appendix 8 Widor’s list of his works in 1894
- Appendix 9 The Paris Conservatory organs, 1872
- Appendix 10 Chronique [Widor’s appeal for an organ hall at the Paris Conservatory, 1895]
- Appendix 11 Widor’s certificate for the Académie Royale, Brussels, 1908
- Appendix 12 “Debussy & Rodin,” 1927
- Appendix 13 The American Conservatory organ, Fontainebleau, 1925
- Appendix 14 Letters concerning the Trocadéro organ restoration, 1926
- Notes
- Bibliography
- Index
- Eastman Studies in Music
Summary
When I was appointed organ professor at the Conservatory, I had to leave my residence at [8] rue Garancière and move to the ground floor of [3] rue de l’Abbaye, where I enjoyed a vast living room that was quite suitable to the installation of a grand orgue. Later, the parish priest of Saint-Germaindes-Prés bought the palace and set up an asylum for old women. At his insistence, Eugène Guillaume and I had to give up the place. But we still deeply regret that this historic building had this fate because its architecture has suffered from it, and, since then, even a dispensary was set up there, whereas it would have been interesting to make it a museum.
The Hôtel de Chimay where the Comtesse Elisabeth de Greffuhle was born is inhabited by Mlle de Caraman-Chimay, daughter of the Duke of Caraman-Chimay. Joseph Fouché lived in a house, now demolished, that was part of the group of buildings of the … and the offices of the police headquarters located on the ground floor with a small garden at 7 rue des Saints-Peres where I lived. This garden was connected to the offices. As for the executive at the time, he was in the house of the publisher Garnier. My former house, 7 rue des Saints-Pères, is set back from the street, with a courtyard in front. Under this courtyard is the beginning of an underground passage that connects the two houses, where orders were transmitted under ground.
The beautiful actress Cécile Sorel lived on the quai in the building next to the Hôtel de Bugeaud. It can be said that Sorel has become an important personality. She already had many admirers at that time, including one of our colleagues, the great American architect Whitney Warren, and this is perhaps the reason for many of his stays in Paris. François-Léopold Flameng, Théodore Reinach, Whitney Warren, Gabriele d’Annunzio, etc. were often invited to the beautiful second-floor residence where she lived. Sorel often came to my house with her friends during the war, and she never failed to bring Robert de Ségur, whom she has since married. A curious detail, Sorel was born in the impasse du Maine where Cavaillé-Coll had long had his private villa, as did Antoine Bourdelle.
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- Autobiographical Recollections of Charles-Marie Widor , pp. 61 - 62Publisher: Boydell & BrewerPrint publication year: 2024