Alto, Giovanni. “Stammbuch.” BAV Chig. G. IV. 111–14 (vols. 1–4).Google Scholar

Drawings and manuscripts related to S. Maria in Mentorella. Nos. 65008; 65009; 65012; 65015; 65021; 65022; 65024; 65031, ACRS.Google Scholar

Fabretti, Raffaele. Manuscript dated April 3, 1672, indexed as “Censura di R. Fab. e Marco Polo sop.a. il Latio di P. Kircher.” BAV Chig. N III 82, fols. 154–67.Google Scholar

Lauro, Giacomo. “Album.” BSR.Google Scholar

Ligorio, Pirro. “Antichità Romane.” Archivio di Stato, Turin. (Complete photocopy at the Warburg Institute, London).Google Scholar

Ligorio, Pirro. “Descrizione della superba e magnificentissima Villa Tiburtina Hadriana di Ms. Pyrro Ligorio.…” BAV Cod. Barb. 5219.Google Scholar

Ligorio, Pirro. “Le Antichità di Pirro Ligorio.” BAV, Cod. Ottobon., pt. 2, 3364–81, vols. 1–28.Google Scholar

Ligorio, Pirro. “Libro XIII & Libro XIIII dell'antichità di Pyrrho Ligorio.” BAV Cod. Barb. 5085.Google Scholar

Ligorio, Pirro. “Trattato delle antichità di Tivoli e della Villa Adriana fatto da Pirro Ligorio.” BAV Cod. Barb. 4849.Google Scholar

Kircher's correspondence at APUG, NA.555 – NA. 568. Also available through the Athanasius Kircher correspondence Project at Stanford University: web.stanford.edu/group/kircher/cgi-bin/site.Google Scholar

Agostini, Antonio. Dialoghi intorno alle medaglie, inscrittione et altre antichità. Translated by Sada, Diagoni Ottaviano. Rome, 1592.Google Scholar

Albertino, Francesco. Opusculum de Mirabilibus Novae & Veteris Urbis Romae. Rome: Jacobo Mazzocchi, 1510.Google Scholar

Alciato, Andrea. Diverse imprese. Translated by Marquale, Giovanni. Lyons: Guillaume Rouille, 1551.Google Scholar

Alciato, Andrea. Emblemata. Lyons: Guillaume Rouille, 1548.Google Scholar

Alciato, Andrea. Emblemata. Translated by Mignault, Claude. Paris: Jean Richier, 1584.Google Scholar

Alciato, Andrea. Emblemata. Facsimile of the 1550 Lyons edition. Translated by Knott, Betty I. with an introduction by Manning, John. Aldershot: Scolar Press, 1996.Google Scholar

Alciato, Andrea. Il Libro degli emblemi: secondo le edizioni del 1531 e del 1534. Translated by Gabriele, Mino. Milan: Adelphi Edizioni, 2009.Google Scholar

Alciato, Andrea. Liber Emblematum. Translated by Held, Jeremias. Frankfurt: Georg Raben and Simon Hüters, 1567.Google Scholar

Alciato, Andrea. The Latin Emblems and Emblems in Translation. Edited by Daly, Peter M. and Callahan, Virginia W.. 2 vols. Toronto: Toronto University Press, 1985.Google Scholar

Alessandri, Alessandro. Dies Geniales. Rome: Jacobo Mazzocchi, 1522.Google Scholar

Augustine, , City of God. Translated by Bettenson, Henry. London: Penguin Classics, 1984.Google Scholar

Baldinucci, Filippo. The Life of Bernini. 1682. Translated by Enggass, Catherine. Philadelphia: Pennsylvania State University Press, 1966.Google Scholar

Bayam, André. Memoriae Rerum Gestarum. Rome: Zannettum, 1617.Google Scholar

Bayam, André. Panegyricus sine Verbis de S. Philippi Nerii Laudibus. Urbeveteri (Rome): Rainaldi Ruuli, 1629.Google Scholar

Bernini, Domenico. Vita del Cavalier Gio. Lorenzo Bernino. Rome: Rocco Bernabò, 1713.Google Scholar

Bocchi, Achille. Symbolicarum Quaestionum de Universo Genere. Bologna: Societas typographiae Bononiensis, 1574.Google Scholar

Boyle, Robert. The Works of the Honourable Robert Boyle, 6 vols. London: J. & F. Rivington, 1772.Google Scholar

Cicero, . De Officiis. Translated by Miller, Walter. Loeb Classical Library. London: William Heineman, 1913.Google Scholar

Colle, Flaminio Primo da, and Franceschini, Camillo. Le cose maravigliose dell'alma città di Roma. Rome: Luigi Zannetti, 1600.Google Scholar

Contile, Luca. Ragionamento sopra la proprietà delle imprese. Pavia: Bartoli, 1574.Google Scholar

Covarrubias y Orozco, Sebastián. Emblemas Morales. Facsimile of the 1610 edition. Menston: Scolar Press, 1973.Google Scholar

Del Rè, Antonio. Dell' antichità Tiburtine. Rome: Giacomo Mascardi, 1611.Google Scholar

Donati, Alessandro. Roma Vetus ac Recens Utriusque Aedificiis ad Eruditam Cognitionem Expositis. Rome: Manelphi Manelphij, 1639.Google Scholar

Du Choul, Guillaume. Discorso della religione antica de Romani. Translated by Symeoni, Gabriele. Lyons: Guillaume Rouille, 1558.Google Scholar

Du Choul, Guillaume. Discours sur la castrémetation et discipline militaire des Romains…Des bains & antiques exercitations Grecques & Romains. Lyons: Guillaume Rouille, 1555.Google Scholar

[Dupéac, Stefano]. Le antiche rovine di Roma nei disegni di Du Pérac. With an introduction by Wittkower, Rudolf. Facsimile of the so-called Codex Du Pérac. 2nd ed. Cinisello Balsamo: Silvana Editoriale, 1990 (1960).Google Scholar

Effigies, Insignia, Nomina, Cognomina, Dignitates, et Patriae Eminen.m et Rev.rum DD. S.R.E. Card.um a S.D.N. Alexandro P.P. VII. Creator[um] Die 29 Aprilis 1658 et Publicator[um] Una cum Alijs quinque Posterioribus in Ord.e Creatis die 5. Aprilis 1660. Rome: Giacomo di Rossi, 1660.Google Scholar

Fauno, Lucio. Antichità della città di Roma. Venice: Michele Tramezzino, 1548.Google Scholar

Felini, Pietro Martire. Trattato nuovo delle cose maravigliose dell'alma città di Roma. Rome: Bartolomeo Zanetti, 1610.Google Scholar

Felini, Pietro Martire. Trattato nuovo delle cose maravigliose dell'alma città di Roma. Rome: Andrea Fei, 1625.Google Scholar

Filarete, [Antonio Averlino]. Trattato di architettura. Edited by Finoli, Anna Maria and Grassi, Liliana. 2 vols. Milan: Edizione Il Polifilo, 1972.Google Scholar

Fischer von Erlach, Johann Bernhard. Entwurff einer historischen Architectur. 2nd ed. Leipzig, 1725.CrossRefGoogle Scholar

Franceschini, Giovanni Battista. Le cose maravigliose dell'alma città di Roma. Rome: Giacomo Mascardi, 1615.Google Scholar

Franzini, Federico. Descrittione di Roma antica e moderna. Rome: Andrea Fei, 1643.Google Scholar

Franzini, Girolamo. Le cose maravigliose dell'alma città di Roma. With contribution by Parisio, Prospero. Rome: Gio. Antonio Franzini, & heirs of Girolamo Franzini, 1600.Google Scholar

Fulvio, Andrea. L'antichità di Roma. Venice: Girolamo Franzini, 1588.Google Scholar

Gamucci, M. Bernardo. Libri quattro dell'antichità della città di Roma. Venice: Giovanni Varisco, 1565.Google Scholar

Giustiniani, Michele. De vescovi e de governatori di Tivoli libri due. Rome: Filippo Maria Mancini, 1665.Google Scholar

Goethe, Johann Wolfgang. Italian Journey. Translated and with an introducton by Auden, W. H. and Mayer, Elizabeth. London: Penguin Classics: 1970.Google Scholar

Horace, . Odes and Epodes. Edited and translated by Rudd, Niall. Cambridge: Cambridge University Press, 2004.Google Scholar

Junius, Hadrianus. Emblemata 1565. Edited by Horden, J.. Menston: Scholar Press, 1972.Google Scholar

Kircher, Athanasius. Arca Noë. Amsterdam: Johannes Jansson van Waesberge, 1675.Google Scholar

Kircher, Athanasius. Ars Magna Lucis et Umbrae. Rome: Lodovico Grignani, 1646.Google Scholar

Kircher, Athanasius. China Monumentis quà Sacris quà Profanis, nec Non Variis Naturae & Artis Spectaculis, Aliarumque Rerum Momorabilium Argumentis Illustrata. Amsterdam: Johannes Jansson van Waesberge and Elizaeus Weyerstraet, 1667.Google Scholar

Kircher, Athanasius. Fasciculus Epistolarum. Edited by Langenmantel, Hieronymus. A.. Augsburg, 1684.Google Scholar

Kircher, Athanasius. Historia Eustachio-Mariana. Rome: Varesij, 1665.Google Scholar

Kircher, Athanasius. Latium. Id est, Nova & Parallela Latii tum Veteris tum Novi Descriptio. Amsterdam: Johannes Jansson van Waesberge and the heirs of Elizaeus Weyerstraet, 1671.Google Scholar

Kircher, Athanasius. Musurgia Universalis, sive, Ars Magna Consoni et Dissoni. 2 vols. Rome: The heirs of Francesco Corbelletti, 1650.Google Scholar

Kircher, Athanasius. Oedipus Aegyptiacus. 3 vols. Rome: Vitale Mascardi, 1652–55.Google Scholar

Kircher, Athanasius [Imbroll, Salvatore, Scavenius, Peter]. Specula Melitensis Encyclica, hoc est, Syntagma Novum Instrumentorum Physico-Mathematicorum. Naples: Roncagliolo, 1638.Google Scholar

Kircher, Athanasius. Tariffa Kircheriana. Rome: Nicolai Angeli Tianssi, 1679.Google Scholar

Kircher, Athanasius. Turris Babel, sive Archontologia. Amsterdam: Johannes Jansson van Waesberge, 1679.Google Scholar

Labacco, Antonio. Libro d'Antonio Labacco appartenente a l'architettura nel qual si figurano alcune notabili antiquita di Roma. Rome: In casa nostra, 1557.Google Scholar

Labacco, Antonio. Libro d'Antonio Labacco appartenente a l'architettura nel qual si figurano alcune notabili antiquita di Roma. Rome: In casa nostra, 1559.Google Scholar

Labacco, Antonio. Libro d'Antonio Labacco appartenente a l'architettura nel qual si figurano alcune notabili antiquita di Roma. Venice: Girolamo Porro, 1576.Google Scholar

Lafréry, Antonio et al. Speculum Romanae Magnificentiae. BAV Barberini. X. I. 13 (A-B); BAV Cicognara XII. 3886; BAV Cicognara XII. 541; BAV Riserva S. 7; BAV Riserva S. 6; Stampe VI, vols. 1–3.Google Scholar

Lauro, Giacomo. Antiquae Urbis Splendor hoc est Praecipua Eiusdem Templa, Amphitheatra, Theatra, Circi Naumachiae, Arcus Triumphales, Mausolea aliaque Sumptuosiora Aedificia Pompae item Triumphalis et Colossaea rum Imaginum Descriptio. Rome: Giacomo Mascardi, 1615 (and onward). See below for a chronology of consulted copies.Google Scholar

Lauro, Giacomo. Meraviglie della Roma antica. Facsimile of the copy kept at BNC 18. 2. C. 13 (see below). Comments by Falcucci, Cristina, with an introduction by Cametti, Cecilia. Rome: Dino Audino Editore, 1996.Google Scholar

Lauro, Giacomo. Splendore dell'antica Roma nel quale si rappresenta i principali tempij, teatri, anfiteatri, cerchi, naumachie, archi trionfali, curie, basiliche, ordine de’ trionfi, dignità civili, e militari, nomi di tutti quelli che hanno trionfato, sacrificio militare, colonne bellica, rostrata, e milliaria con i piú segnalati giardini degli antichi romani, & altre cose notabili, con i fatti e imprese di quelli à quali sono stati eretti, e dedicati. Rome: Andrea Fei, 1625 (and onward). See below for a chronology of consulted copies.Google Scholar

Ligorio, Pirro. Libro dell'antica città di Tivoli e di alcune famose ville (Edizione Nazionale delle Opere di Pirro Ligorio). Edited and with an introduction by Ten, Alessandra. Rome: De Luca Editori d'Arte, 2005. Part of the series Libri delle antichità, edited by Maria Luisa Madonna. Torino, Archivio di Stato di Torino, Codici ligoriani 19–30 bis.Google Scholar

Ligorio, Pirro. Libro di M. Pyrrho Ligori napolitano, delle antichità di Roma, nel quale si tratta de' circi, theatri, & anfitheatri, con le Paradosse del medesimo auttore quai confutano la commune opinione sopra varii luoghi della città di Roma. Venice: Michele Tramezzino, 1553.Google Scholar

Lipsius, Justus., De Amphitheatro Liber. In quo Forma Ipsa Loci Expressa & Ratio Spectandi. Lyons, 1584.Google Scholar

Loyola, , Ignatius of. “Spiritual Excercises.” In Saint Ignatius of Loyola: Personal Writings. Edited and translated by Mutiz, Joseph and Endean, Philip. London: Penguin Classics 1996.Google Scholar

Maggi, Giovanni. Aedificiorum et Ruinarum Romæ ex Antiquis atque Hodiernis Monimentis, and Illustrium Urbis Romæ Aedificiorum et Ruinarum Monimenta, 2 vols., Rome 1618.Google Scholar

Marcucci, Giacomo Crulli. Grandezze della città di Roma antiche & moderne. Rome: Giacomo Mascardi, 1625.Google Scholar

Marliano, Bartolomeo. Antiquae Romae Topographia. Rome: Antonio Blado, 1534.Google Scholar

Marliano, Bartolomeo. L'antichità di Roma. Translated by Barbarasa, Ercole. Rome: Antonio Blado, 1548.Google Scholar

Marliano, Bartolomeo. Le antichità di Roma. Translated by Barbarasa, Ercole. Rome: Andrea Fei, 1622.Google Scholar

Marliano, Bartolomeo. Topographia Antiquae Romae. Lyons: Sebastian Gryphe, 1534.Google Scholar

Marliano, Bartolomeo. Urbis Romae Topographia. Rome: Valerio and Aloisio Dorico, 1544.Google Scholar

Marliano, Bartolomeo. Urbis Romae Topographia. Venice: Girolamo Franzini, 1588.Google Scholar

Marliano, Bartolomeo, et al. Descrizione di Roma antica. Rome: Libreria di Michel´Angelo e Pier Vincenzo Rossi à Pasquino, all´Insegna della Salamandra, 1697.Google Scholar

Marzi, Francesco. Historia ampliata di Tivoli. Rome: Filippo Maria Mancini, 1665.Google Scholar

Marzi, Francesco. Historia Tiburtina. Rome: Francesco Felice Mancini, 1653.Google Scholar

Nibby, Antonio. Analisi storico-topografico-antiquaria della carta de' dintorni di Roma. 3 vols. Rome: Tipografia delle Belle Arti, 1837.Google Scholar

Panciroli, Guido. Raccolta breve d'alcune cose più segnalate c'hebbero gli antichi, e d'alcune altre trovate dai moderni. Venice: Bernardo Giunti, Gio. Battista Ciotti, & Compagni, 1612.Google Scholar

Panvinio, Onofrio. De Triumpho Commentarius. Venice: Michele Tramezzino, 1571.Google Scholar

Peiresc, Nicolas Claude Fabri. Lettres à Cassiano Dal Pozzo (1626–1637). Edited by Lhote, Jean-François and Joyal, Danielle. Clermont-Ferrand: Éditions ADOSA, 1989.Google Scholar

Pliny the Elder, Natural History. Translated by Healy, John F.. London: Penguin Classics, 2004.Google Scholar

Poussin, Nicolas. Lettres de Poussin. Edited by Colombier, Pierre Du. Paris: Cité de Livres, 1921.Google Scholar

Ripa, Cesare. Iconologia. 1603. Reprint edited by Buscaroli, Piero. Milan: Tea Arte, 1992.Google Scholar

Serlio, Sebastiano. Sebastiano Serlio on Architecture. Translated and with an introduction by Hart, Vaughan and Hicks, Peter, 2 vols. New Haven: Yale University Press, 1996 (vol. 1) and 2001 (vol. 2).Google Scholar

Serlio, Sebastiano. Il terzo libro di Sebastiano Serlio Bolognese, nel qual si figurano, e descrivono le antiquita di Roma, e le altre che sono in Italia, e fuori d'Italia. Venice: Francesco Marcolini, 1540.Google Scholar

Solinari, Santi. Le cose maravigliose dell'alma città di Roma. Venice: Girolamo Franzini, 1588.Google Scholar

Solinari, Santi. Le cose maravigliose dell'alma città di Roma. Venice: Girolamo Franzini, 1594.Google Scholar

Suarès, Joseph Maria. Praenestes Antiquae Libri Duo. Rome, 1655.Google Scholar

Suetonius, . The Twelve Caesars. Translated by Graves, Robert. London: Penguin Books, 2003.Google Scholar

Theatrum Statuum Regiae Celsitudinis Sabaudiae Ducis, Pedemontii Principis, Cypri Regi. Vol. 1. Amsterdam: Heirs of Johannes Blaeu, 1682.Google Scholar

Totti, Pompilio. Ritratto di Roma antica. Rome: Andrea Fei, 1627.Google Scholar

Totti, Pompilio. Ritratto di Roma antica. Rome: Francesco Moneta, 1645.Google Scholar

Villalpando, Juan Bautista. Juan Bautista Villalpando's “Ezechielem Explanationes”: A Sixteenth-century Architectural Text. Translated by Morrison, Tessa. Lewiston, NY: Mellen, 2009.Google Scholar

Vitae Caesarum. With contributions by Suetonius, Dion Cassius, Spartianus, Aelius, Capitolinus, Iulius et al. Annotated by Erasmus of Rotterdam. Basel: Froben, 1546.Google Scholar

Vitruvius, . Di Lucio Vitruvio Pollione De Architectura Libri Dece. Translated and commented by Cesariano, Cesare. Como, 1521.Google Scholar

Vitruvius, . I dieci libri dell'architettura. Translated and commented by Barbaro, Daniele. 1567. Facsimile of the first edition, with an introduction by Carunchio, Tancredi. Rome: Bardi editore, 1999.Google Scholar

Vitruvius, . M. Vitruvius per Locondum Solito Castigatior. Edited by Giocondo, Fra. Venice 1511.Google Scholar

Vitruvius, . M. Vitruvii Pollionis De Architectura Libri Decem. Edited by Philandrier, Guillaume. Strasbourg, 1550.Google Scholar

Vitruvius, , Ten Books of Architecture. Translated by Rowland, Ingrid D.. Illustrated and commented by Howe, Thomas Noble. Cambridge: Cambridge University Press, 1999.Google Scholar

Xenophon, . Memorabilia. Translated by Marchant, E. C., revised by Henderson, Jeffrey. Loeb Classical Library. Cambridge, MA: Harvard University Press, 2013.Google Scholar

Zappi, Giovanni Maria. Annali e memorie di Tivoli. Written in the 1570s and printed in Studie e fonti per la storia della regione tiburtina, edited by Pacifici, Vincenzo, vol. 1. Tivoli: Chicca, 1920.Google Scholar

Zuccaro, Federico. L'idea de' pittori, scultori et architetti. Facsimile of Turin 1607 edition. In Scritti d'arte di Federico Zuccaro, edited by Heikamp, Detlef. Florence: Olschki Editore, 1961.Google Scholar

Acidni Luchinat, Cristina. Taddeo e Federico Zuccari: Fratelli pittori del Cinquecento, II. Milan: Jandi Sapi Editori, 1999.Google Scholar

Ackermann, James. The Reinvention of Architectural Drawing 1250–1550. Otley: Sir John Soane's Museum, 1998.Google Scholar

Adorni, Bruno. Jacopo Barozzi da Vignola. Milan: Skira, 2008.Google Scholar

Allen, Stanley. “Piranesi's ‘Campo Marzio’: An Experimental Design.” Assemblage 10 (1989): 70–109.CrossRefGoogle Scholar

Arnold, Dana. “Facts or Fragments? Visual Histories in the Age of Mechanical Reproduction.” In Arnold and Bending, Tracing Architecture, 30–38.Google Scholar

Arnold, Dana, and Bending, Stephen, eds. Tracing Architecture: The Aesthetics of Antiquarianism. Bodmin: Wiley-Blackwell, 2003.Google Scholar

Ashby, Thomas. “The Bodleian MS. of Pirro Ligorio.” Journal of Roman Studies 9 (1919): 170–201.CrossRefGoogle Scholar

Ashby, Thomas. Il libro d'Antonio Labacco appartenente all'architettura. Florence, 1914.Google Scholar

Ashby, Thomas. “Lievin Cruyl e le sue vedute di Roma (1664–1670).” Atti della Pontificia Accademia Romana di Archeologia. Serie III. Memorie 1, pt. 1 (1923): 221–29.Google Scholar

Ashby, Thomas. Note sulle varie guide di Roma che contengono xilografie di Girolamo Franzini. Rome, 1923.Google Scholar

Ashby, Thomas. “Un incisore antiquario del Seicento.” Pts. 1–3. La Bibliofilia 28 (1926–27): 361–73, 453–60; 29 (1927–28): 356–69; 31 (1929): 105–22.Google Scholar

Bal, Mieke. Quoting Caravaggio: Contemporary Art, Preposterous History. Chicago: University of Chicago Press, 1999.Google Scholar

Baldwin, Martha. “Kircher's Magnetic Investigations.” In Stolzenberg, The Great Art of Knowing, 27–36.Google Scholar

Baldwin, Martha. “Matters Medical.” In Stolzenberg, The Great Art of Knowing, 85–92.Google Scholar

Baldwin, Martha. “Reverie in Time of Plague: Kircher and the Plague Epidemic of 1656.” In Findlen, Athanasius Kircher, 63–77.Google Scholar

Bava, Anna Maria. “Le collezione di oggetti preziosi.” In Romano, le collezioni di Carlo Emanuele, 265–32.Google Scholar

Beinlich, Horst. “Kircher und Ägypten: Information aus zweiter Hand: Tito Livio Burattini.” In Beinlich, Vollrath, and Wittstadt, Spurensuche, 57–72.Google Scholar

Beinlich, Horst, Daxelmüller, Christoph, Vollrath, Hans-Joachim, and Wittstadt, Klaus, eds. Magie des Wissens: Athansius Kircher, 1602–1680: Universalgelehrter, Sammler, Visionär. Dettelbach: Verlag J. H. Röll, 2002.Google Scholar

Beinlich, Horst, Vollrath, Hans-Joachim, and Wittstadt, Klaus. Spurensuche: Wege zu Athanasius Kircher. Dettelbach: Verlag J. H. Röll, 2002.Google Scholar

Bellini, Federico. “La statica delle cupole borrominiane: Suggestioni dall'antichità e tecniche moderne.” In Frommel and Sladek, Francesco Borromini, 390–405.Google Scholar

Benjamin, Walter. The Origin of German Tragic Drama. Translated by Osborne, John. London: Verso, 1998 (1963).Google Scholar

Benjamin, Walter. “Theses on the Philosophy of History.” In Illuminations: Essays and Reflections. Edited with an introduction by Arendt, Hannah. Translated by Zohn, Harry. London: Pimlico, 1999 (1970).Google Scholar

Bjurström, Per, and Magnusson, Börje. Italian Drawings: Umbria, Rome, Naples. Vol. 6, Drawings in Swedish Public Collections. Stockholm: Nationalmuseum, 1998.Google Scholar

Blair MacDougall, Elisabeth. “A Circus, a Wild Man and a Dragon: Family History and the Villa Mattei.” Journal of the Society of Architectural Historians 42 (1983): 121–30.Google Scholar

Blunt, Anthony. Artistic Theory in Italy 1450–1600. Oxford: Oxford University Press, 1994 (1962).Google Scholar

Borsi, Franco, et al., eds. Giovanni Antonio Dosio: Roma Antica e i disegni di architettura agli Uffizi. Rome: Officina, 1976.Google Scholar

Bortolozzi, Anna. “Two Oxenstierna in Rome: Sightseeing, Public Performances and Artistic Education.” In Eliasson and Rota, City of the Soul, 31–41.Google Scholar

Bösel, Richard, and Frommel, Christoph Lutipold, eds. Borromini e l'universo barocco. 2nd ed. Milan: Electa, 2000.Google Scholar

Bowen, Karen L., and Imhof, Dirk. “18,257 Impressions from a Plate.” Print Quarterly 22, no. 3 (2005): 265–79.Google Scholar

Braider, Christopher. Baroque Self-Invention and Historical Truth: Hercules at the Crossroads. Bodmin: Ashgate, 2004.Google Scholar

Brauen, Fred. “Athanasius Kircher (1602–1680).” Journal of the History of Ideas 43, no. 1 (1982): 129–34.CrossRefGoogle Scholar

Bryan, Michael. Dictionary of Painters and Engravers, edited by Armstrong, Walter and Graves, Robert Edmund. London: George Bell and Sons, 1889.Google Scholar

Buci-Glucsmann, Christine. Baroque Reason: The Aesthetics of Modernity, translated by Camiller, Patrick. London: Sage Publications, 1994.Google Scholar

Burns, Howard. “Pirro Ligorio's Reconstruction of Ancient Rome: The Anteiqvae Vrbis Imago of 1561.” In Gaston, Pirro Ligorio, 19–92.Google Scholar

Bury, Michael. “Infringing Privileges and Copying in Rome, c. 1600.” Print Quarterly 22, no. 2 (2005): 133–38.Google Scholar

Bury, Michael. The Print in Italy 1550–1620. London: British Museum Press, 2001.Google Scholar

Callmer, Christian. “Svenska studenter i Rom på 1600-talet: En studie i Giovanni Altos stambok.” Nordisk tidskrift för bok- og biblioteksväsen 69 (1982): 71–79.Google Scholar

Campanelli, Daniela. “Le arti negli Annales.” In De Maio, Baronio e l'arte, 387–407.Google Scholar

Campbell, Ian. Ancient Roman Topography and Architecture, 3 vols. With contributions by Nesselrath, Arnold, Röll, Johannes, Fairbairn, Lynda, and Hemsoll, David. The Paper Museum of Cassiano dal Pozzo, series A, pt. 9. London: Royal Collection in association with Harvey Miller Publishers, 2004.Google Scholar

Campbell, Ian. “Pirro Ligorio and the Temples of Rome on Coins.” In Gaston, Pirro Ligorio, 93–120.Google Scholar

Caron, Antoine. ‘“Ut prosint aliis’ Jacques-Auguste de Thou e sa bibliothèque.’” In Histoire des bibliothèques françaises, vol. 2, edited by Fouché, Pascal, 117–57. Paris: Promodis, 2008 (1989).Google Scholar

Carpo, Mario. Architecture in the Age of Printing: Orality, Writing, Typography, and Printed Images in the History of Architectural Theory. Cambridge, MA: MIT Press, 2001.Google Scholar

Casciato, Maristella, Ianniello, Maria Grazia, and Vitale, Maria, eds. Enciclopedismo in Roma barocca: Athanasius Kircher e il museo del Collegio Romano tra wunderkammer e museo scientifico. Venice: Marsilio Editori, 1986.Google Scholar

Cascioli, Giuseppe. Memorie storico-critiche del Santuario di Nostra Signora di Mentorella. Rome: “La Vera Roma,” 1901.Google Scholar

Catelli Isola, Maria. Immagini da Tiziano: stampe dal sec. XVI al sec. XIX dalle collezioni del Gabinetto Nazionale delle Stampe. Rome: De Luca, 1976. Exhibition catalog.Google Scholar

Castelnuovo, Enrico, ed. La Reggia di Venaria e i Savoia: arte, magnificenza e storia di una corte europea. Turin: Umberto Allemandi & Co, 2007.Google Scholar

Cerutti Fusco, Annarosa, and Villani, Marcello. Pietro da Cortona Architetto. Rome: Gangemi, 2002.Google Scholar

Clark, Stuart. Vanities of the Eye: Vision in Early Modern European Culture. Oxford: Oxford University Press, 2007.Google Scholar

Clarke, Georgia. Roman House – Renaissance Palaces: Inventing Antiquity in Fifteenth-Century Italy. Cambridge: Cambridge University Press, 2003.Google Scholar

Coffin, David. R. “Pirro Ligorio on the Nobility of the Arts.” Journal of the Warburg and Courtauld Institutes 27 (1964): 191–211.CrossRefGoogle Scholar

Coffin, David R., Pirro Ligorio: The Renaissance Artist, Architect, and Antiquarian. University Park: Pennsylvania State University Press, 2004.Google Scholar

Coffin, David. R. The Villa d'Este at Tivoli. Princeton: Princeton University Press, 1960.Google Scholar

Coffin, David. R. The Villa in the Life of Renaissance Rome. Princeton: Princeton University Press, 1979.Google Scholar

Coliva, Anna, and Schütze, Sebastian. Bernini scultore: La nascita del Barocco in Casa Borghese. Rome: Edizione De Luca, 1998.Google Scholar

Collins, John Joseph. Daniel: With an Introduction to Apocalyptic Literature. Grand Rapids, MI: William B. Eerdmans Publishing Company, 1984.Google Scholar

Conan, Michael. “Garden Displays of Majestic Will.” In Millon, The Triumph of the Baroque, 279–314.Google Scholar

Conley, Tom. “The Baroque Fold as Map and as Diagram.” In Hills, Rethinking the Baroque, 203–17.Google Scholar

Connors, Joseph. “Borromini's S. Ivo alla Sapienza: The Spiral.” Burlington Magazine 138 (1996): 668–82.Google Scholar

Connors, Joseph. “Cortona, Pietro da.” In Macmillan Encyclopedia of Architects, vol. 1, 455–66. New York: Free Press, 1982.Google Scholar

Connors, Joseph. Piranesi and the Campus Martius: The Missing Corso; Topography and Archaeology in Eighteenth-Century Rome. Milan: Jaca Book, 2011.Google Scholar

Connors, Joseph, and Jatta, Barbara. Vedute romane di Lievin Cruyl: paesaggio urbano sotto Alessandro VII. Rome: American Academy in Rome, 1989.Google Scholar

Consagra, Francesca. “De Rossi and Falda: A Successful Collaboration in the Print Industry of Seventeenth-Century Rome,” In The Craft of Art: Originality and Industry in the Italian Renaissance and Baroque Workshop, edited by Ladis, Andrew, 187–203. Athens, GA: University of Georgia Press, 1995.Google Scholar

Consagra, Francesca. “The De Rossi Family Print Publishing Shop: A Study in the History of the Print Industry in Seventeenth-Century Rome.” Ph.D. diss., John Hopkins University, 1993.Google Scholar

Cornaglia, Paolo. “1563–1798 tre secoli di architettura di corte: la città, gli architetti, la committenza, le residenze, i giardini.” In Castelnuovo, La Reggia di Venaria, 117–84.Google Scholar

Dal Mas, Mario. “Artifizi per una nuova spazialità nella facciata di Santa Maria della Pace.” In Frommel and Schütze, Pietro da Cortona, 324–32.Google Scholar

Daly, Peter M., ed. Andrea Alciato and the Emblem Tradition: Essays in the Honour of Virgina Woods Callahan. New York: AMS Press, 1989.Google Scholar

Davis, , Bruce, W. The Drawings of Ciro Ferri. New York: Garland, 1986.Google Scholar

Delatour, Jérôme. “Abeilles thunaniennes et barberines: les relations des savants francais avec les Barberini sous le pontificat d'Urbain VIII.” In Mochi Onori, Schütze, and Solinas, I Barberini, 155–80.Google Scholar

Deleuze, Gilles. The Fold: Leibniz and the Baroque. Translated by Conley, Tom. London: Continuum, 2003 (1988).Google Scholar

Del Pesco, Daniela. “Borromini e la Roma antica di Giacomo Lauro.” In Frommel and Sladek, Francesco Borromini, 284–96.Google Scholar

Del Pesco, Daniela. “Dai templi alle basiliche: le due Rome di Giacomo Lauro.” In Roma sancta: La città delle basiliche, edited by Fagiolo, Marcello and Madonna, Maria Luisa, 276–78. Rome: Gangemi Editore, 1985.Google Scholar

Del Pesco, Daniela. “Una Fonte per gli architetti del Barocco Romano: L'Antiquae Urbis Splendor di Giacomo Lauro.” In Studi di storia dell'arte in memoria di Mario Rotili 1, edited by Istituto di storia dell'arte dell'Università di Napoli, 413–36. Naples: Banca Sannitica, 1984.Google Scholar

De Maio, Romeo, et al. Baronio e l'arte: atti del convegno internazionale di studi, 10–13 ottobre 1984. Sora: Centro di studi soriani “Vincenzo Patriarca,” 1985.Google Scholar

Deswarte-Rosa, Sylvie. “Les gravures de monuments antiques d'Antonio Salamanca, à l'origine du Speculum Romanae Magnificentiae.” In Annali di Architettura 1, 47–62. Milan: Electa, 1989.Google Scholar

Dixon, , Susan, M. “The Source and Fortune of Piranesi's Archaeological Illustrations.” In Arnold and Bending, Tracing Architecture, 49–67.Google Scholar

Eck, Caroline. Classical Rhetoric and the Visual Arts in Early Modern Europe. Cambridge: Cambridge University Press, 2007.Google Scholar

Eco, Umberto. The Search for the Perfect Language. Oxford: Wiley-Blackwell, 1995.Google Scholar

Edwards, Catharine. Writing Rome: Textual Approaches to the City. Cambridge: Cambridge University Press, 1996.Google Scholar

Eeghen, Isabella Henriette, and de Lorme, Jean Louis. De Amsterdamse boekhandel 1680–1725. Vol. 4. Amsterdam: Stadsdrukkerij, 1967.CrossRefGoogle Scholar

Ehrle, Francesco. Roma prima di Sisto V: la pianta di Roma Du Pérac-Lafréry del 1577. Rome: Danesi, 1908.Google Scholar

Eisenstein, Elizabeth L. The Printing Press as an Agent of Change. Cambridge: Cambridge University Press, 2009 (1979).Google Scholar

Eliasson, Sabrina Norlander, and Rota, Stefano Fogelberg, eds. City of the Soul: The Literary Making of Rome. Stockholm: Svenska Institutet i Rom, 2015.Google Scholar

Evans, Harry B. Exploring the Kingdom of Saturn: Kircher's Latium and its Legacy. Ann Arbor: University of Michigan Press, 2012.CrossRefGoogle Scholar

Fagiolo, Marcello. Roma Antica. Cavallino di Lecce: Capone, 1991.Google Scholar

Fagiolo, Marcello. Vignola: l'architettura dei principi, Rome: Gangemi Editore, 2007.Google Scholar

Fagiolo dell'Arco, Maurizio. Pietro da Cortona e i cortonoschi: Gimignani, Romanelli, Baldi, il Borgognone, Ferri. Milan: Skira Editore, 2001.Google Scholar

Fairbairn, Lynda. Italian Renaissance Drawings from the Collection of Sir John Soane's Museum, 2 vols. London: Azimuth, 1998.Google Scholar

Ferrary, Jean-Louis, Onofrio Panvinio et les antiquités romaines. Rome: Ecole française de Rome, 1996.Google Scholar

Findlen, Paula, ed. Athanasius Kircher: The Last Man Who Knew Everything. New York: Routledge, 2004.CrossRefGoogle Scholar

Findlen, Paula. “Introduction: The Last Man Who Knew Everything…or Did He?: Athanasius Kircher, S. J. (1602–80) and His World.” In Findlen, Athanasius Kircher, 1–48.Google Scholar

Findlen, Paula. Possessing Nature: Museums, Collecting, and Scientific Culture in Early Modern Italy. Berkeley: University of California Press, 1994.Google Scholar

Findlen, Paula. “Science, History, and Erudtion: Athanasius Kircher's Museum at the Collegio Romano.” In Stolzenberg, The Great Art of Knowing, 17–26.Google Scholar

Findlen, Paula. “Scientific Spectacle in Baroque Rome: Athanasius Kircher and the Roman College Museum.” In Jesuit Science and the Republic of Letters, edited by Feingold, Mordechai, 225–84. Cambridge, MA: MIT Press, 2003.Google Scholar

Fletcher, John E. “Athanasius Kircher and Duke August of Brunswick-Lüneburg: A Chronicle of Friendship.” In Fletcher, Athanasius Kircher, 99–138.Google Scholar

Fletcher, John E. “Athanasius Kircher and His Correspondence.” In Fletcher, Athanasius Kircher, 139–78.Google Scholar

Fletcher, John E. “Athanasius Kircher and the Distribution of His Books.” The Library 23 (1969), 108–17.Google Scholar

Fletcher, John E. ed. Athanasius Kircher und seine Beziehungen zum gelehrten Europa seiner Zeit. Wiesbaden: Harrassowitz, 1988.Google Scholar

Fletcher, John E. “A Brief Survey of the Unpublished Correspondence of Ath. Kircher, S.J. (1602–1680).” Manuscriptia 13, no. 3 (1969), 150–60.Google Scholar

Fletcher, John E. “Kircher and Duke August of Wolfenbüttel: Museal Thoughts.” In Casciato, Ianniello, and Vitale, Enciclopedismo, 282–94.Google Scholar

Fletcher, John E. A Study of the Life and Works of Athanasius Kircher “Germanus Incredibilis”: With a Selection of his Unpublished Correspondence and an Annotated Translation of his Autobiography. Edited by Elizabeth Fletcher. Leiden: Brill, 2011.CrossRefGoogle Scholar

Frommel, Christoph Lutipold, and Schütze, Sebastian, eds. Pietro da Cortona: Atti del convegno internazionale, Roma-Firenze 12–15 Novembre 1997. Milan: Electa, 1998.Google Scholar

Frommel, Christoph Lutipold, and Sladek, Elisabeth, eds. Francesco Borromini: Atti del convegno internazionale, Roma 13–15 Gennaio 2000. Milan: Electa, 2000.Google Scholar

Frutaz, Amato Pietro. Le piante di Roma, 3 vols. Rome: Istituto di Studi Romani, 1962.Google Scholar

Fuhring, Peter, Marchesano, Louis, Mathis, Rémi, and Selbach, Vanessa, eds. A Kingdom of Images: French Prints in the Age of Louis XIV, 1660–1715. Los Angeles: Getty Research Institute, 2015.Google Scholar

Gaston, Robert. W., ed. Pirro Ligorio Artist and Antiquarian. Milan: Silvana Editoriale, 1988.Google Scholar

Gere, John A. “The Lawrence-Phillipps-Rosenbach ‘Zuccaro Album.’” Master Drawings 8, no. 2 (1970): 123–40.Google Scholar

Geymüller, Henry, Les Du Cerceau: leur vie et leur oeuvre d'après de nouvelles recherches. Paris: Jules Rouam, 1887.Google Scholar

Giuliani, Cairoli Fulvio. “Fortuna Primigenia ed Ercole Vincitore.” In Roma e l'antico nell'arte e nella cultura del Cinquecento, edited by Fagiolo, Marcello. Rome: Istituto della enciclopedia italiana, 1985.Google Scholar

Giuliani, Cairoli Fulvio. Tibur: Pars prima. Vols. 1–3, Forma Italiae. Regio I. Rome: De Luca, 1966–70.Google Scholar

Godwin, Joscelyn. “Athanasius Kircher and the Occult.” In Fletcher, Athanasius Kircher, 17–36.Google Scholar

Godwin, Joscelyn. Athanasius Kircher: A Renaissance Man and the Quest for Lost Knowledge. London: Thames and Hudson, 1979.Google Scholar

Godwin, Joscelyn. Athanasius Kircher's Theatre of the World: His Life, Work, and the Search for Universal Knowledge. London: Thames and Hudson, 2009.Google Scholar

Goldman, Jean. “Aspects of Seicento Patronage: Cassiano dal Pozzo and the Amateur Tradition.” Ph.D. diss., University of Chicago, 1978.Google Scholar

Gori, Fabio. Viaggio pittorico-antiquario da Roma a Tivoli e Subiaco, sino alla famosa grotta di Collepardo. Rome: Belle Arti, 1855.Google Scholar

Gorman, Michael John. “Between the Demonic and the Miraculous: Athanasius Kircher and the Baroque Culture of Machines.” In Stolzenberg, The Great Art of Knowing, 59–70.Google Scholar

Gould, Cecil. Bernini in France: An Episode in Seventeenth-Century History. London: Weidenfeld and Nicolson, 1981.Google Scholar

Grafton, Anthony. “Kircher's Chronology.” In Findlen, Athanasius Kircher, 171–87.Google Scholar

Greene, Thomas M. The Light in Troy: Imitation and Discovery in Renaissance Poetry. New Haven: Yale University Press, 1982.Google Scholar

Griffiths, Antony. Prints and Printmaking: An Introduction to the History and Techniques. London: British Museum Press, 1996.Google Scholar

Griffiths, Paul J. “Secularity and the saeculum.” In Augustine's “City of God”: A Critical Guide, edited by Wetzel, James, 33–54. Cambridge: Cambridge University Press, 2012.Google Scholar

Griseri, Andreina. “Quei ‘benedetti Ligorii’ alla corte di Cristina di Francia.” In Volpi, Il libro dei disegni, 31–42.Google Scholar

Günther, Hubertus. “The Renaissance of Antiquity.” In Millon, The Renaissance, 259–306.Google Scholar

Harbison, Robert. The Built, the Unbuilt and the Unbuildable: In Pursuit of Architectural Meaning. London: Thames & Hudson, 1991.Google Scholar

Harbison, Robert. Reflections on Baroque. London: Reaktion Books, 2000.Google Scholar

Hartog, François. Regimes of Historicity: Presentism and Experiences of Time. Translated by Brown, Saskia. New York: Columbia University Press, 2015.Google Scholar

Haskell, Francis. Il Museo Cartaceo di Cassiano dal Pozzo: Cassiano naturalista. Quaderni puteani 1. Milan: Olivetti, 1989.Google Scholar

Haskell, Francis. Patrons and Painters: Art and Society in Baroque Italy. New York: Harper and Row, 1971 (1963).Google Scholar

Heikamp, Detlef. “Federico Zuccari a Firenze: 1575–1579, II, Federico a casa sua.” Paragone. Arte 18 (1967): 3–34.Google Scholar

Hemsoll, David. “The Temple of Fortuna Primigenia at Palestrina.” In Campbell, Ancient Roman Topography, 2, 687–89.Google Scholar

Henkel, Arthur, and Schöne, Albrecht. Emblemata: Handbuch zur Sinnbildkunst des XVI. und XVII. Jahrhunderts. Stuttgart: J. B. Metzlersche Buchhandlung, 1967.Google Scholar

Herklotz, Ingo. “Arnaldo Momigliano's ‘Ancient History and the Antiquarian’: A Critical Review.” In Miller, Momigliano and Antiquarianism, 127–53.CrossRefGoogle Scholar

Herklotz, Ingo. “Cassiano and the Christian Tradition.” In Jenkins, Cassiano dal Pozzo, 31–48.Google Scholar

Herklotz, Ingo. Cassiano Dal Pozzo und die Archäologie des 17. Jahrhunderts. Munich: Hirmer Verlag, 1999.Google Scholar

Herrmann-Fiore, Kristina. “Die Fresken Federico Zuccaris in seinem Römischen Künstlerhaus.” Römisches Jahrbuch für Kunstgeschichte 18 (1979): 35–112.Google Scholar

Hibbard, Howard. Carlo Maderno and Roman Architecture, 1580–1630. London: A. Zwemmer, 1971.Google Scholar

Hills, Helen, ed. Rethinking the Baroque. Farnham: Ashgate, 2011.Google Scholar

Howard, Deborah. “Sebastiano Serlio's Venetian Copyrights.” The Burlington Magazine 115 (1973): 512–16.Google Scholar

Huelsen, Christian. “Il Campidoglio e il Foro Romano nell' immaginazione degli artisti dal secolo XV al XIX.” Reprint from the periodical Conferenze e Prolusioni 5, n.d.Google Scholar

Huelsen, Christian. “Das Speculum Romanae Magnificentiae des Antonio Lafreri.” In Collectanea Variae Doctrinae Leoni S. Olschki, 121–70. Munich: J. Rosenthal, 1921.Google Scholar

Ivins, William M. Jr. Prints and Visual Communication. Cambridge, MA: MIT Press, 1982 (1953).Google Scholar

Jacks, Philip. The Antiquarian and the Myth of Antiquity: The Origins of Rome in Renaissance Thought. Cambridge: Cambridge University Press, 1993.Google Scholar

Jacks, Philip. “Baronius and the Antiquities of Rome.” In De Maio, Baronio e l'arte, 75–96.Google Scholar

Jenkins, Ian, ed. Cassiano dal Pozzo's Paper Museum, vol 1. Quaderni Puteani 2. Ivrea: Olivetti, 1992.Google Scholar

Johns, Adrian. The Nature of the Book: Print and Knowledge in the Making. Chicago: University of Chicago Press, 1998.CrossRefGoogle Scholar

Koselleck, Reinhart. Futures Past: On the Semantics of Historical Time. New York: Columbia University Press, 2004.Google Scholar

Krautheimer, Richard. “A Christian Triumph in 1597.” In Essays in the History of Art Presented to Rudolf Wittkower on his Sixty-fifth Birthday, edited by Fraser, Douglas, Hibbard, Howard, and Lewine, Milton J., 174–78. London: Phaidon Press, 1967.Google Scholar

Krieg, Paul M. “Hans Hoch / Giovanni Alto: Ein Schweizerischer Fremdenführer im Rom des 17. Jahrhunderts.” Römische Quartalschrift 48 (1953): 225–36.Google Scholar

Kruft, Hanno-Walter. Architectural Theory from Vitruvius to the Present. Translated by Taylor, Ronald, Callander, Elsie, and Wood, Antony. New York: Princeton Architectural Press, 1994.Google Scholar

Landau, David, and Parshall, Peter. The Renaissance Print 1470–1550. New Haven: Yale University Press, 1994.Google Scholar

Latour, Bruno. “Visualisation and Cognition: Drawing Things Together.” In Knowledge and Society: Studies in the Sociology of Culture Past and Present, edited by Kuklick, Henrika, 1–40. Greenwood, CT: Jai Press 6, 1986.Google Scholar

Laureys, Marc, and Schreurs, Anna. “Egio, Marliano, Ligorio, and the Forum Romanum in the 16th Century.” Humanistica Lovaniensia. Journal of Neo-Latin Studies 45 (1996): 385–405.Google Scholar

Lavin, Irving. Past-Present: Essays on Historicism in Art from Donatello to Picasso. Berkeley: University of California Press, 1993.Google Scholar

Leibold, Michael. “Kircher und China: Die China Illustrata als Dokument barocken Wissens.” In Beinlich, Daxelmüller, Vollrath, and Wittstadt, Magie des Wissens, 113–24.Google Scholar

Leicht, Pier Silverio Leicht. “L'editore veneziano Michele Tramezino ed i suoi privilegi.” In Miscellanea di scritti di bibliografia ed erudizione in memoria di Luigi Ferrari, edited by Revignas, Anna Saitta, 357–67. Florence: Olschki Editore, 1952.Google Scholar

Leuschner, Eckhard. “The Papal Printing Privilege.” Print Quarterly 15, no. 4 (1998): 359–70.Google Scholar

Leuschner, Eckhard, ed. Ein privilegiertes Medium und die Bildkulturens Europas: Deutsche, französische und niederländische Kupferstecher und Graphikverleger in Rom von 1590 bis 1630. Römische Studien der Bibliotheca Hertziana 32: Munich: Hirmer Verlag, 2012.Google Scholar

Lo Bianco, Anna, ed. Pietro da Cortona 1597–1669. Milan: Electa, 1997.Google Scholar

Lo Sardo, Eugenio, ed. Athanasius Kircher: Il Museo del Mondo. Rome: Edizioni De Luca, 2001.Google Scholar

Lo Sardo, Eugenio. “The Courtly Machines.” In Iconismi & Mirabilia da Athanasius Kircher, edited by Lo Sardo, Eugenio, 233–74. Rome: Edizioni dell'Elefante, 1999.Google Scholar

Lowenthal, David, The Past Is a Foreign Country. Cambridge: Cambridge University Press, 2006 (1985).Google Scholar

Lumbroso, Giacomo. Notizie sulla vita di Cassiano dal Pozzo. Turin: Paravia, 1875.Google Scholar

Madonna, Maria Luisa. “‘Septem mundi miracula’ come templi della virtù: Pirro Ligorio e l'interpretazione cinquecentesca delle meravigle del mondo.” Psicon: Rivista internazionale di architettura 7, no. 3 (1976): 25–63.Google Scholar

Maier, Jessica. Rome Measured and Imagined: Early Modern Maps of the Eternal City. Chicago: University of Chicago Press, 2015.CrossRefGoogle Scholar

Maier, Jessica. “A ‘True Likeness’: The Renaissance City Portrait.” Renaissance Quarterly 65, no. 3 (2012): 711–52.CrossRefGoogle Scholar

Malaguzzi, Francesco. “Legature di pregio nelle biblioteche sabaude.” In Romano, Le collezioni di Carlo Emanuele, 375–406.Google Scholar

Malcolm, Noel. “Private and Public Knowledge: Kircher, Esotericism, and the Republic of Letters.” In Findlen, Athanasius Kircher, 297–308.Google Scholar

Mandowsky, Erna, and Mitchell, Charles. Pirro Ligorio's Roman Antiquities: The Drawings in MS. XIII. B. 7 in the National Library in Naples. London: Warburg Institute, University of London, 1963.Google Scholar

Manning, John. The Emblem. London: Reaktion Books, 2002.Google Scholar

Marii, G. “Il Santario della Mentorella e il P. A. Kircher.” Civiltà Cattolica 66, vol. 4 (1915): 692–703; 67, vol. 1 (1916): 168–70.Google Scholar

Martin, John Rupert. Baroque. London: A. Lane, 1977.Google Scholar

Masoero, Mariarosa, Mamino, Sergio, and Rosso, Claudio, eds. Politica e cultura nell'età di Carlo Emanuele I: Torino, Parigi, Madrid. Convegno internazionale di studi, Torino, 21–24 febbraio 1995. Turin: Olschki Editore, 1999.Google Scholar

Massabò, Isabella Ricci. “Note sulla conservazione nella capitale sabauda dei manoscritti di Pirro Ligrio e sulla loro alterna fortuna.” In Volpi, Il libro dei disegni, 45–58.Google Scholar

Mayer-Deutsch, Angela. “‘Quasi-Optical Palingenesis’: The Circulation of Portraits and the Image of Kircher.” In Findlen, Athanasius Kircher, 105–29.Google Scholar

McGinniss, Lawrence R. Catalogue of the Earl of Crawford's “Speculum Romanae Magnificentiae” Now in the Avery Architectural Library. New York: Columbia University, 1976.Google Scholar

McGowan, Margaret M. The Vision of Rome in Late Renaissance France. New Haven: Yale University Press, 2000.Google Scholar

McLuhan, Marshall. The Gutenberg Galaxy. Toronto: University of Toronto Press, 2006 (1962).Google Scholar

McLuhan, Marshall. Understanding Media: The Extensions of Man. Padstow: Blackwell Publishers, 2006 (1964).Google Scholar

Merz, Jörg Martin. “Das Fortuna-Heiligtum in Palestrina als Barberini-Villa.” Zeitschrift für Kunstgeschichte 56, no. 3 (1993): 409–50.CrossRefGoogle Scholar

Merz, Jörg Martin. Das Heiligtum der Fortuna in Palestrina und die Architektur der Neuzeit. Munich: Hirmer Verlag, 2001.Google Scholar

Merz, Jörg Martin. “Il cardinal Francesco Barberini mecenate di architettura.” In Mochi Onori, Schütze, and Solinas, I Barberini, 513–20.Google Scholar

Merz, Jörg Martin. Pietro da Cortona: Der Aufstieg zum führenden Maler im Barocken. Tübingen: Ernst Wasmuth Verlag, 1991.Google Scholar

Merz, Jörg Martin. Pietro da Cortona and Roman Baroque Architecture. New Haven: Yale University Press, 2008.Google Scholar

Miller, Peter N. “Copts and Scholars: Athanasius Kircher in Peiresc's Republic of Letters.” In Findlen, Athanasius Kircher, 133–48.Google Scholar

Miller, Peter N. “Introduction: Momigliano, Antiquarianism, and the Cultural Sciences.” In Miller, Momigliano and Antiquarianism, 3–65Google Scholar

Miller, Peter N., ed. Momigliano and Antiquarianism: Foundations of the Modern Cultural Sciences. Toronto: University of Toronto Press, 2007.CrossRefGoogle Scholar

Miller, Peter N. Peiresc's Europe: Learning and Virtue in the Seventeenth Century, New Haven: Yale University Press, 2000.Google Scholar

Miller, Peter N. Peiresc's Mediterranean World. Cambridge, MA: Harvard University Press, 2015.CrossRefGoogle Scholar

Miller, Peter N. “Writing Antiquarianism: Prolegomenon to a History.” In Miller and Louis, Antiquarianism, 27–57.Google Scholar

Miller, Peter N., and Louis, François, eds. Antiquarianism and Intellectual Life in Europe and China, 1500–1800. Ann Arbor: University of Michigan Press, 2012.CrossRefGoogle Scholar

Millon, Henry A., and Lampugnani, Vittorio Magnago, eds. The Renaissance from Brunelleschi to Michelangelo: The Representation of Architecture. London: Thames and Hudson, 1994.Google Scholar

Millon, Henry A., ed. The Triumph of the Baroque: Architecture in Europe 1600–1750. New York: Rizzoli, 1999.Google Scholar

Mirto, Alfonso. “Le lettere di Athanasius Kircher delle Biblioteca Nazionale Centrale di Firenze.” In Atti e memorie dell'Accademia Toscana di Scienze e Lettere La Colombaria 54, 127–65. Florence: Olschki Editore, 1989.Google Scholar

Mochi Onori, Lorenza, Schütze, Sebastian, and Solinas, Francesco, eds. I Barberini e la cultura europea del seicento. Rome: De Luca, 2007.Google Scholar

Momigliano, Arnaldo. “Ancient History and the Antiquarian.” Journal of the Warburg and Courtauld Institutes 13 (1950): 285–315.CrossRefGoogle Scholar

Montanari, Tomaso. Il Barocco. Turin: Einaudi Editore, 2012.Google Scholar

Moralee, Jason. “A Hill of Many Names: The Capitolium from Late Antiquity to the Middle Ages.” In From Site to Sight: The Transformation of Place in Art and Literature (Acta ad Archaeologiam et Artium Historiam Pertinentia 26, n. 2, 12), edited by Tschudi, Victor Plahte and Seim, Turid Karlsen, 47–70. Rome: Scienze e Lettere, 2013.Google Scholar

Möseneder, Karl. “Der römische Circus als Bild der Welt und des Lebens.” In Das antike Rom in Europa: Die Kaiserzeit und ihre Nachwirkungen, edited by Bungert, Hans, 207–66. Regensburg: Mittelbayerische Druckerei- und Verlagsgesellschaft, 1985.Google Scholar

Mundy, E. James. “Federico Zuccari's Invisible Architecture.” In Der Maler Federico Zuccari: Ein römischer Virtuoso von europäischem Ruhm, edited by Winner, Matthias, 27–41. Munich: Hirmer Verlag, 1999.Google Scholar

Mundy, E. James. Renaissance into Baroque: Italian Master Drawings by the Zuccari, 1550–1600. Cambridge: Cambridge University Press, 1989.Google Scholar

Nagel, Alexander, and Wood, Christopher S.. Anachronic Renaissance. New York: Zone Books, 2010.CrossRefGoogle Scholar

Nagel, Alexander. and Wood, Christopher S.. “Toward a New Model of Renaissance Anachronism.” Art Bulletin 87, no. 3 (2005): 403–15.Google Scholar

Negro, Angela. “Giacinto Gimignani.” In Lo Bianco, Pietro da Cortona, 199–212.Google Scholar

Nicolò, Anna. Il Carteggio di Cassiano dal Pozzo. Florence: Olschki Editore, 1991.Google Scholar

Noehles, Karl. La Chiesa di SS. Luca e Martina nell'opera di Pietro da Cortona. Rome: Rome University Press, 1970.Google Scholar

Nova, Alessandro. “Il ‘modello’ di Martino Longhi il Vecchio per la Facciata della Chiesa Nuova.” Röhmische Jahrbuch für Kunstgeschichte 23/24 (1988): 387–94.Google Scholar

Nummedal, , Tara, E. “Kircher's Subterranean World and the Dignity of the Geocosm.” In Stolzenberg, The Great Art of Knowing, 37–47.Google Scholar

O'Malley, John W., Bailey, Gauvin Alexander, Harris, Steven J., and Kennedy, T. Frank, eds. The Jesuits: Cultures, Sciences, and the Arts, 1540–1773 vol. 1. Toronto: University of Toronto Press, 2000.Google Scholar

O'Malley, John W., Bailey, Gauvin Alexander, Harris, Steven J., and Kennedy, T. Frank, eds. The Jesuits: Cultures, Sciences, and the Arts, 1540–1773 vol. 2. Toronto: University of Toronto Press, 2006.Google Scholar

Ost, Hans. “Studien zu Pietro da Cortonas Umbau von S. Maria della Pace.” Römisches Jahrbuch für Kunstgeschichte 13 (1971): 231–85.Google Scholar

Pagani, Valeria. “The Dispersal of Lafreri's Inheritance 1581–89,” pts. 1–3. Print Quarterly 25, no. 1 (2008): 3–23; 25, no. 2 (2008): 363–93; 28, no 2 (2011): 119–36.Google Scholar

Pagani, Valeria. “Inventari di rami Lafreri-Duchet, 1598–99.” In Leuschner, Ein privilegiertes Medium, 63–85.Google Scholar

Panofsky, Erwin. Idea: A Concept in Art Theory. Translated by Peake, Joseph J. S.. New York: Harper and Row, 1968 (1924).Google Scholar

Panofsky, Erwin. “What is Baroque?” In Three Essays on Style, edited by Lavin, Irving, 17–89. Cambridge, MA: MIT Press, 1995.Google Scholar

Parshall, Peter. “Antonio Lafreri's Speculum Romanae Magnificentiae.” Print Quarterly 23, no. 1 (2006): 3–28.Google Scholar

Parslow, Christopher Charles. Rediscovering Antiquity: Karl Weber and the Excavation of Herculaneum, Pompeii, and Stabiae. Cambridge: Cambridge University Press, 1995.Google Scholar

Pastino, Dino. La Nascita dell'idolatria: L'oriente religioso di Athanasius Kircher. Florence: La Nuova Italia Editrice, 1978.Google Scholar

Pastino, Dino. “Storia Sacra e Scrittura Sacra.” In Casciato, Ianniello, and Vitale, Enciclopedismo, 27–38.Google Scholar

Payne, Alina A. “Architects and Academies: Architectural Theories of Imitatio and the Literary Debates on Language and Style.” In Architecture and Language: Constructing Identity in European Architecture c. 1000–c. 1650, edited by Clarke, Georgia and Crossley, Paul, 118–33. Cambridge: Cambridge University Press, 2000.Google Scholar

Payne, Alina A. The Architectural Treatise in the Italian Renaissance: Architectural Invention, Ornament, and Literary Culture. Cambridge: Cambridge University Press, 1999.Google Scholar

Payne, Alina A. “Beyond Kunstwollen: Alois Riegl and the Baroque.” In Riegl, The Origins, 1–33.Google Scholar

Payne, Alina A. “On Sculptural Relief: Malerisch, the Autonomy of Artistic Media and the Beginnings of Baroque Studies.” In Hills, Rethinking the Baroque, 39–64.Google Scholar

Payne, Alina A. “Portable Ruins: The Pergamon Altar, Heinrich Wölfflin and German Art History at the Fin de Siècle.” RES: Anthropology and Aesthetics 53/54 (2008): 168–89.Google Scholar

Payne, Alina, Kuttner, Ann, and Smick, Rebekah, eds. Antiquity and its Interpreters. Cambridge: Cambridge University Press, 2000.Google Scholar

Pérez-Gómez, Alberto. “Juan Bautista Villalpando's Divine Model in Architectural Theory.” CHORA: Intervals in the Philosophy of Architecture 3 (1999): 125–56.Google Scholar

Perugino, Raynaldo. “Athanasius Kircher tra ‘architettura filosofica’ e ‘architettura delle meraviglie.’” In Casciato, Ianniello, and Vitale, Enciclopedismo, 195–209.Google Scholar

Perugino, Raynaldo. La memoria creativa: architettura ed arte tra rinascimento e illuminismo. Rome: Officina Edizioni, 1984.Google Scholar

Petrocchi, Giuseppe. Orazio, Tivoli e la Società di Augusto. Rome, 1958.Google Scholar

Pfeiffer, Heinrich. “Il concetto di simbolo nell’ ‘Obeliscus Alexandrinus.’” In Casciato, Ianniello, and Vitale, Enciclopedismo, 39–45.Google Scholar

Pisaniello, Carla. “Significato storico del patrimonio artistico negli Annales.” In De Maio, Baronio e l'arte, 361–69.Google Scholar

Pittoni, Leros, and Lautenberg, Gabrielle. Roma Felix: La città di Sisto V e Domenico Fontana. Rome: Vivani, 2002.Google Scholar

Ranaldi, Antonella. Pirro Ligorio e l'interpretazione delle ville antiche. Studi Ligoriani 3. Rome: Edizioni Quasar, 2001.Google Scholar

Reilly, Conor. Athanasius Kircher S. J.: Master of a Hundred Arts 1602–1680. Wiesbaden: Edizioni del Mondo, 1974.Google Scholar

Renzitti, Antonella. “La Calcografia: Il bulino e le tecniche d'incisione diretta.” In Le tecniche calcografiche d'incisone diretta: Bulino, Puntasecca, Maniera Nera, edited by Mariani, Ginevra, 9–22. Rome: De Luca Editori, 2003.Google Scholar

Richardson, Lawrence. “Honos et Virtus and the Sacra Via.” American Journal of Archaeology 82 (1978): 240–46.CrossRefGoogle Scholar

Rice, Louise. “Jesuit Thesis Prints and the Festive Academic Defence at the Collegio Romano.” In O'Malley, Bailey, Harris, and Kennedy, The Jesuits, I, 148–69.CrossRefGoogle Scholar

Rice, Louise. “Pietro da Cortona and the Roman Baroque Thesis Print.” In Frommel and Schütze, Pietro da Cortona, 189–200.Google Scholar

Riegl, Alois. The Origins of Baroque Art in Rome. Edited and translated by Hopkins, Andrew and Witte, Arnold. Los Angeles: Getty Research Institute, 2010.Google Scholar

Rietbergen, Peter. Power and Religion in Baroque Rome: Barberini Cultural Politics. Leiden: Brill, 2006.CrossRefGoogle Scholar

Rietbergen, Peter. “The Return of the Muses: Preliminary Remarks on the Theme: Image Building as Cultural Policy during the Barberini Pontificate, 1623–44.” In The Power of Imagery: Essays on Rome, Italy & Imagination, edited by van Kessel, Peter, 63–82. Rome: Aperion Editori, 1992.Google Scholar

Rivosecchi, Valerio. Esotismo in Roma barocca: studi sul Padre Kircher. Rome: Bulzoni, 1982.Google Scholar

Roccia, Rosanna, ed. Werner, Borra, Sclopis e altri: Vedute di Torino tra ‘600 à '700: L'antico fascino della capitale sabuada in un'antologia di stampe d'epoca. Rome: Dino Audino Editore, 1996.Google Scholar

Roggero, Costanza. “L'edificio: storia e architettura.” In Il Castello del Valentino, edited by Roggero, Costanza and Dameri, Annalisa, 9–21. Turin: Umberto Allemandi & Co.Google Scholar

Roggero, Costanza. “Luoghi di loisir ducale e di corte.” In Masoero, Mamino, and Rosso, Politica e cultura, 397–410.Google Scholar

Romano, Giovanni. “Artisti alla corte di Carlo Emanuele I: la costruzione di una nuova tradizione figurativa.” In Romano, Le collezioni di Carlo Emanuele, 13–62.Google Scholar

Romano, Giovanni, ed. Le collezioni di Carlo Emanuele I di Savoia. Turin: Cassa di Risparmio di Torino, 1995.Google Scholar

Rossetti, Sergio. Rome: A Bibliography from the Invention of Printing through 1899. Florence: Olschki Editore, 2000.Google Scholar

Rossi, Attilio. Santa Maria in Vulturella. Rome: E. Loescher, 1905.Google Scholar

Rowland, Ingrid D. The Ecstatic Journey: Athanasius Kircher in Baroque Rome. Chicago: University of Chicago Library, 2000.Google Scholar

Rowland, Ingrid D. “The Friendship of Alexander VII and Athanasius Kircher, 1637–1667.” In Proceedings of a Conference on Early Modern Rome, 1341–1667 held on May 13–15, 2010, in Rome, edited by Prebys, Portia, 669–78. Ferrara: Edisai, 2011.Google Scholar

Rowland, Ingrid D. From Pompeii: The Afterlife of a Roman Town. Cambridge MA: Harvard University Press, 2014.Google Scholar

Rowland, Ingrid D. “Raphael, Angelo Colocci, and the Genesis of the Architectural Orders.” Art Bulletin 76, no. 1 (1994): 81–104.CrossRefGoogle Scholar

Russell, Susan. “Pirro Ligorio, Cassiano dal Pozzo and the Republic of Letters.” Papers of the British School at Rome 75 (2007): 239–74.CrossRefGoogle Scholar

Salza, Eugenia Prina Ricotti. “Villa Adriana in Pirro Ligorio e Francesco Contini.” In Memorie (Accademia Nazionale dei Lincei, classe di scienze morali, storiche e filologiche) ser. 8, vol. 17 (1973).Google Scholar

San Juan, Rose Marie. Rome: A City out of Print. Minneapolis: University of Minnesota Press, 2001.Google Scholar

Santuario della Mentorella. Mentorella, 1981.Google Scholar

Saussy, Haun. “China Illustrata: The Universe in a Cup of Tea.” In Stolzenberg, The Great Art of Knowing, 105–14.Google Scholar

Scaffa, Caterina. “Frontespizi incisi per le tesi di laurea durante il XVII secolo.” Biblioteca e Società 21, no. 4 (2002): 10–16.Google Scholar

Schiffman, Zachary Sayre. The Birth of the Past. Baltimore: John Hopkins University Press, 2011.CrossRefGoogle Scholar

Schnapp, Alain. The Discovery of the Past: The Origins of Archaeology. Translated by Kinnes, Ian and Varndell, Gillian. London: British Museum Press, 1996.Google Scholar

Schreurs, Anna. Antikenbild und Kunstanschauungen des neapolitanischen Malers, Architekten und Antiquars Pirro Ligorio (1513–1583). Cologne: König, 2000.Google Scholar

Schürmann, Maike. “Athanasius Kircher und Latium.” In Beinlich, Daxelmüller, Vollrath, and Wittstadt, Magie des Wissens, 125–30.Google Scholar

Schwager, Kurt. “Hans Hoch der ‘Wurmschneider’: Ein ‘Cicerone’ im Schatten Cassiano dal Pozzos.” In Festschrift zum 65. Geburtstag von Professor Jürgen Paul, edited by Lupfer, Gilbert and Rudert, Konstanze, 255–78. Dresden: Hellerau-Verlag, 2000.Google Scholar

Scott, John Beldon. “Patronage and the Visual Encomium during the Pontificate of Urban VIII: The Ideal Palazzo Barberini in a Dedicatory Print.” Memoirs of the American Academy in Rome 15 (1995): 197–236.CrossRefGoogle Scholar

Seidl, Theodor. “Kircher und das Alte Testament.” In Beinlich, Daxelmüller, Vollrath, and Wittstadt, Magie des Wissens, 67–70.Google Scholar

Settis, Salvatore. The Future of the ‘Classical,’ translated by Cameron, Allan. Cambridge: Polity Press, 2006.Google Scholar

Siebert, Harald. Die grosse kosmologische Kontroverse: Rekonstruktionversuche anhand des Itinerarium exstaticum von Athanasius Kircher SJ (1602–1680). Munich: Franz Steiner Verlag, 2000.Google Scholar

Siebert, Harald. “Kircher and His Critics: Censorial Practice and Pragmatic Disregard in the Society of Jesus.” In Findlen, Athanasius Kircher, 79–104.Google Scholar

Sman, Gert Jan. “Print Publishing in Venice in the Second Half of the Sixteenth Century.” Print Quarterly 16, no. 3 (2000): 235–47.Google Scholar

Snickare, Mårten, ed. Tessin: Nicodemus Tessin the Younger: Royal Architect and Visionary. Stockholm: Nationalmuseum, 2002.Google Scholar

Stafford, Barbara Maria, and Terpak, Frances. Devices of Wonder: From the World in a Box to Images on a Screen. Los Angeles: Getty Research Institute, 2001.Google Scholar

Steinby, Eva Margareta, ed. Lexicon Topographicum Urbis Romae. 6 vols. Rome: Edizioni Quasar, 1993–2000.Google Scholar

Stenhouse, William. Ancient Inscriptions. The Paper Museum of Cassiano dal Pozzo, series A, pt. 7. London: Harvey Miller Publishers, 2002.Google Scholar

Stinger, , Charles, L. The Renaissance in Rome. Bloomington: Indiana University Press, 1998.Google Scholar

Stix, Alfred, and Fröhlich-Bum, L.. Der Zeichnungen der toskanischen, umbrischen und römischen Schülen. Beschreibender Catalog der Handzeichnungen in der graphischen Sammlung Albertina, vol 3. Vienna: Verlag von Anton Schroll & Co, 1932.Google Scholar

Stolzenberg, Daniel. “The Connoisseur of Magic.” In Stolzenberg, The Great Art of Knowing, 49–57.Google Scholar

Stolzenberg, Daniel. Egyptian Oedipus: Athanasius Kircher and the Secrets of Antiquity. Chicago: University of Chicago Press, 2013.CrossRefGoogle Scholar

Stolzenberg, Daniel, ed. The Great Art of Knowing: The Baroque Encyclopedia of Athanasius Kircher. Stanford: Stanford University Libraries, 2012.Google Scholar

Stolzenberg, Daniel. “Introduction: Inside the Baroque Encyclopedia.” In Stolzenberg, The Great Art of Knowing, 1–15.Google Scholar

Stolzenberg, Daniel. “Kircher among the Ruins: Esoteric Knowledge and Universal History.” In Stolzenberg, The Great Art of Knowing, 127–39.Google Scholar

Stolzenberg, Daniel. “Kircher's Egypt.” In Stolzenberg, The Great Art of Knowing, 115–25.Google Scholar

Sturgis, Russell. The Etchings of Piranesi. New York: Frederick Keppel & Co, 1900.Google Scholar

Tafuri, Manfredo. The Sphere and the Labyrinth: Avant-Gardes and Architecture from Piranesi to the 1970s, translated by d'Acierno, Pellegrino and Connolly, Robert. Cambridge, MA: MIT Press, 1987.Google Scholar

Ten, Alessandra. “Santuario d'Ercole Vincitore a Tivoli. Nuove acquisizioni.” Atti della Pontificia Accademia Romana di Archeologia. Rendiconti 71 (1999): 327–48.Google Scholar

Tschudi, Victor Plahte. “Ancient Rome in the Age of Copyright: The Privilegio and Printed Reconstructions.” In Recycling Rome (Acta ad Archaeologiam et Artium Historiam Pertinentia 25, n. s., 11), edited by Seim, Turid Karlsen and Prusac, Marina, 177–94. Rome: Scienze e Lettere, 2012.Google Scholar

Tschudi, Victor Plahte. “Athanasius Kircher and the Rhetoric of Reconstruction: Two Ancient Villas in Tivoli.” Can. Phil. diss., University of Oslo, 1999.Google Scholar

Tschudi, Victor Plahte. “Negotiating Time in Print.” In Place and Displacement: Exhibiting Architecture, edited by Arrhenius, Thordis, Lending, Mari, Miller, Wallis, and McGowan, Jérémie Michael, 171–81. Zürich: Lars Müller Publishers, 2014.Google Scholar

Tschudi, Victor Plahte. “Plaster Empires: Italo Gismondi's Model of Rome.” Journal of the Society of Architectural Historians 71, no. 3 (2012): 388–405.CrossRefGoogle Scholar

Tschudi, Victor Plahte. “Recollecting Prints: Remembrance and Reproduction in Goethe's Italian Journey.” In From Site to Sight: The Transformation of Place in Art and Literature (Acta ad archaeologiam et artium historiam pertinentia 26, n. s., 12), edited by Tschudi, Victor Plahte and Seim, Turid Karlsen, 139–64. Rome: Scienze e Lettere, 2013.Google Scholar

Tschudi, Victor Plahte. “Reprinting Rome: Giacomo Lauro and the Transformation of Antiquity.” Ph.D. diss., University of Oslo, 2007.Google Scholar

Urban, Günther. “Die Kirchenbaukunst des Quattrocento in Rom.” Römisches Jahrbuch für Kunstgeschichte 9–10 (1961–62): 73–287.Google Scholar

Vagenheim, Ginette. “Des inscriptions ligoriennes dans le Museo Cartaceo pour une étude de la tradition des dessins d'après l'antique.” In Jenkins, Cassiano dal Pozzo, 79–104.Google Scholar

Vannugli, Antonio. “Carlo Cesi.” In Lo Bianco, Pietro da Cortona, 257–64.Google Scholar

Varriano, John. Italian Baroque and Rococo Architecture. New York: Oxford University Press, 1986.Google Scholar

Vasori, Orietta. I monumenti antichi in Italia nei disegni degli Uffizi. Xenia Quaderni 1. Rome: De Luca, 1981.Google Scholar

Ventucci, Beatrice Palma., ed. Pirro Ligorio e le erme Tiburtine. Uomini illustri dell'antichità, I.1. Rome: Leonardo- De Luca, 1992.Google Scholar

Vollrath, Hans-Joachim. “Das Phantometrum Kircherianum – Athanasius Kircher's Messtich.” In Beinlich, Vollrath, and Wittstadt, Spurensuche, 119–36.Google Scholar

Volpi, Caterina, ed. Il libro dei disegni di Pirro Ligorio all'Archivio di Stato di Torino. Rome: Edizioni dell'Elefante, 1994.Google Scholar

Waddy, Patricia. Seventeenth-Century Roman Palaces: Use and the Art of the Plan. Cambridge, MA: MIT Press, 1990.Google Scholar

Walton, Guy. Louis XIV's Versailles. Chicago: University of Chicago Press, 1986.Google Scholar

Waźbiński, Zygmunt. La scuola fiorentina di Federico Zuccari. Florence: Verein zur Erhaltung des Kunsthistorischen Institutes, 1985.Google Scholar

Whitehouse, Helen. Ancient Mosaics and Wallpaintings. The Paper Museum of Cassiano dal Pozzo, series A, pt. 1. London: Harvey Miller Publishers, 2001.Google Scholar

Whitehouse, Helen. “Copies of Roman Paintings and Mosaics in the Paper Museum: Their Value as Archaeological Evidence.” In Jenkins, Cassiano dal Pozzo, 105–21.Google Scholar

Wilcox, Donald J. The Measure of Times Past: Pre-Newtonian Chronologies and the Rhetoric of Relative Time. Chicago: University of Chicago Press, 1987.Google Scholar

Wilding, Nick. “‘If You Have a Secret, Either Keep It, or Reveal It’: Cryptography and Universal Language.” In Stolzenberg, The Great Art of Knowing, 93–103.Google Scholar

Wilding, Nick. “Kircher's Correspondence.” In Stolzenberg, The Great Art of Knowing, 141–46.Google Scholar

Wilding, Nick. “Publishing the Polygraphy: Manuscript, Instrument, and Print in the Work of Athanasius Kircher.” In Findlen, Athanasius Kircher, 283–96.Google Scholar

Wilton-Ely, John. Piranesi as Architect and Designer. New Haven: Yale University Press, 1993.Google Scholar

Witcombe, Christopher L. C. E. Copyright in the Renaissance: Prints and the Privilegio in Sixteenth Century Venice and Rome. Leiden: Brill, 2004.CrossRefGoogle Scholar

Witcombe, Christopher L. C. E. Print Publishing in Sixteenth Century Rome: Growth and Expansion, Rivalry and Murder. London: Harvey Miller Publishers, 2008.Google Scholar

Wittkower, Rudolph. “Pietro da Cortona's Project for Reconstructing the Temple of Palestrina.” In Studies in the Italian Baroque, edited by Wittkower, Rudolph, 116–24. London: Thames and Hudson, 1975.Google Scholar

Wittmann, Richard. Architecture, Print Culture, and the Public Sphere in Eighteenth-Century France. New York: Routledge, 2007.Google Scholar

Wittman, Richard. “Monuments and Space as Allegory: Town Planning Proposals in Eighteenth-Century Paris.” In Thinking Allegory Otherwise, edited by Machosky, Brenda, 142–60. Stanford: Stanford University Press, 2010.Google Scholar

Wood, Christopher S. “The Credulity Problem.” In Miller and Louis, Antiquarianism, 149–79.Google Scholar

Wood, Christopher S. “Notation of Visual Information in the Earliest Archeological Scholarship.” Word & Image: A Journal of Verbal/Visual Enquiry 17 (2001): 94–118.CrossRefGoogle Scholar

Woodworth, W. J. “Piranesi: The Rembrandt of Architecture.” Brush and Pencil 5 (1902): 276–84.Google Scholar

Wölfflin, Heinrich. Renaissance and Baroque. Translated by Simon, Kathrin. London: Collins, 1984 (1888).Google Scholar

Yates, Frances A. The Art of Memory. London: Pimlico, 1997 (1966).Google Scholar

Yates, Frances A. Giordano Bruno and the Hermetic Tradition. London: Routledge and K. Paul, 1964.Google Scholar

Zerner, Henri. “Observations on Duperac and the Disegni de le Ruine di Roma e Come Anticamente Erono.” Art Bulletin 47, no. 4 (1965): 505–12.Google Scholar

Zorzi, Giangirgio, ed. I disegni delle antichità di Andrea Palladio. Venice: Neri Pozza, 1959.Google Scholar