Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-rkxrd Total loading time: 0 Render date: 2024-07-18T07:25:54.121Z Has data issue: false hasContentIssue false

1 - Beethoven's early training

from PART I - BEETHOVEN, HIS PLAYING, AND HIS INSTRUMENTS

Published online by Cambridge University Press:  06 July 2010

Get access

Summary

LUDWIG THE ELDER'S AND JOHANN'S PROFESSIONAL TRAINING

The story of music instruction within the Beethoven family is a story of a short but apparently consistent tradition. Ludwig van Beethoven the elder, Beethoven's grandfather, was born in 1712 in Flemish Mechelen as the son of a baker who also traded in various goods. When he was almost six, he was admitted to the choirboy school of the cathedral of St. Rombaut in his hometown, where he stayed until he was thirteen. At that point, in 1725, the cathedral's organist Antoine Colfs took over his education, for payment and the guarantee that “the student was to substitute at the organ at the master's discretion without recompense.” Colfs taught Ludwig to play the organ, to accompany, and to play figured bass. At the age of nineteen Ludwig can be found as a singer of the tenor (in the Gregorian sense) at St. Peters in Leuven, where he later became choir director. His subsequent career is one of a fully trained and capable musician.

As far as we can see, Ludwig the elder's musical education was traditional and goal-oriented; it seems to have been well organized and, above all, successful. The contract that informs us about the organ and basso continuo lessons naturally conveys nothing about their spirit or Colf's pedagogical approach, and little about the lessons' actual content. However, the circumstances suggest apprenticeship rather than artistry, tradition rather than novelty, and a blend of learning and professional practice.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2010

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×