INTRODUCTORY REMARKS.

We have now arrived at a branch of the art, not only requiring all the careful attention before enforced, but a considerable share of taste and talent; taste to form a true estimate of what will accord well with the nature of the work and add to the beauty of the binding; and talent to execute the colours and designs in the best manner. This department may be distinguished under two general heads—Colouring and Gilding. The remarks here made will equally apply to both; but a few separate observations on colours and leather, as applied in binding in the various departments of literature, will be proper in this place, reserving those on gilding till that subject is treated of.

The kind of leather and description of colouring must ever be dependent on the nature of the work, the wish of the employer, and the price allowed for the binding. For a small number of books, a variety of patterns will perhaps be the principal object sought, and elegance alone studied; but where a numerous collection of the treasures of literature is placed in the hands of the binder, it becomes a subject of consideration to produce the best possible effect, by presenting an appearance of different colours and leather, yet still displaying a general harmony throughout. No fixed rule can be laid down for the binder's guidance; but if he possess good taste, that cannot fail to be the best instructor.