Skip to main content Accessibility help
×
Hostname: page-component-68945f75b7-55759 Total loading time: 0 Render date: 2024-09-04T04:18:44.685Z Has data issue: false hasContentIssue false

3 - Atterberg

Published online by Cambridge University Press:  05 February 2013

Stephen Hastings
Affiliation:
Opera News and Musica
Get access

Summary

Fanal

“I männer över lag och rätt”

March 4, 1935: Stockholm

Unspecified orchestra, cond. Nils Grevillius

Naxos 8.110722

Act 3: Finale

January 29, 1934: Stockholm, Royal Opera House

Jussi Björling (Martin Skarp), Helga Görlin (Rosamund) Joel Berglund

(Jost), Gösta Bäckelin (Vassal), Leon Björker (Duke); Royal Swedish Opera

Chorus, Royal Court Orchestra, cond. Nils Grevillius

Bluebell ABCD 103

In the first decade of his operatic career Björling sang five contemporary Swedish theatrical works: Edvin Znieder's Bellman, Natanael Berg's Engelbrekt, Hilding Rosenberg's Resa till Amerika, Ture Rangström's Kronbruden, and Kurt Atterberg's Fanal. The last of these, a ballad-style drama based on an old Rhenish legend as retold by Heinrich Heine (Der Schelm von Bergen), proved popular with 1930s audiences: after the the world premiere in Stockholm on January 27, 1934, Björling performed it on twenty-two other occasions over the subsequent five seasons. Atterberg, who was forty-seven in 1934 and a well-established figure in Swedish musical life (active also as a critic and conductor), had set to music a German libretto by Ignaz Michael Welleminsky and Oscar Ritter. The world premiere, however, was given in Swedish, as were all operas in Stockholm at that time (although guest artists from abroad often sang their parts in the original language).

Type
Chapter
Information
The Bjorling Sound
A Recorded Legacy
, pp. 15 - 17
Publisher: Boydell & Brewer
Print publication year: 2012

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×