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Chapter 23 - Post-production through to delivery

Published online by Cambridge University Press:  05 June 2012

Craig Collie
Affiliation:
Queensland University of Technology
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Summary

The final phase of the production cycle is post-production, where the material shot or gathered during the production phase is either polished, if shot as-live in studio or on OB, or shaped into a completed program. The latter has been increasingly the case over the last two decades, as the impact of digital technology within post-production has grown. Digital editing has opened up a range of new approaches to the craft and, as a result, triggered dramatic changes in editing styles.

Post-production involves expensive and sophisticated equipment, which might create the impression it is principally a technological phase, but it is not. It is as creative as any other phase of the production cycle. All the elements that have been gathered to tell the program's story are brought together in this phase, to construct a cohesive narrative progressing logically to an end point, or otherwise build through steps or segments that have a unity and generate some sort of enjoyment for the audience. The craft of getting that progression to flow smoothly and entertainingly is the craft of editing. It is the art of putting shots in order so that they make sense and tell a story.

The cost of the technology that carries out this craft has the capacity to seriously damage the program's budget, at a time when there are few offsets for the production to recover its position.

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Chapter
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Publisher: Cambridge University Press
Print publication year: 2007

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References

Browne, Steven E. 2002, Video Editing: A Postproduction Primer, 4th edn, Focal Press, Oxford.Google Scholar
Gillezeau, Marcus 2004, Hands On, Currency Press, Sydney, Chapter 6.Google Scholar
Zettl, Herbert 2006, Television Production Handbook, 9th edn, Thomson Wadsworth, Belmont, CA, chapters 13, 14.Google Scholar
Fairservice, Don 2001, Film Editing: History, Theory and Practice, Manchester University Press, Manchester.Google Scholar
Patmore, Chris 2003, The Complete Animation Course: the Principles, Practice and Techniques of Successful Animation, Thames & Hudson, London.Google Scholar
Caldwell, John Thornton, ‘Video editing’, The Museum of Broadcast Communications, available online at <www.museum.tv/archives>.
Browne, Steven E. 2002, Video Editing: A Postproduction Primer, 4th edn, Focal Press, Oxford.Google Scholar
Gillezeau, Marcus 2004, Hands On, Currency Press, Sydney, Chapter 6.Google Scholar
Zettl, Herbert 2006, Television Production Handbook, 9th edn, Thomson Wadsworth, Belmont, CA, chapters 13, 14.Google Scholar
Fairservice, Don 2001, Film Editing: History, Theory and Practice, Manchester University Press, Manchester.Google Scholar
Patmore, Chris 2003, The Complete Animation Course: the Principles, Practice and Techniques of Successful Animation, Thames & Hudson, London.Google Scholar
Caldwell, John Thornton, ‘Video editing’, The Museum of Broadcast Communications, available online at <www.museum.tv/archives>.

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