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8 - The Power of Song in Beach’s Orchestral Works

from Part II - Profiles of the Music

Published online by Cambridge University Press:  19 October 2023

By
Douglas W. Shadle
Edited by
E. Douglas Bomberger
E. Douglas Bomberger
Affiliation:
Elizabethtown College, Pennsylvania
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Summary

Song served as a primary generative force throughout Amy Beach’s prolific compositional career. Her three major pieces for orchestra alone-Bal Masqué (1893), the “Gaelic” Symphony (1896), and the Piano Concerto (1900)-are no exception. This chapter argues that Beach’s affinity for song not only shaped her approach to large-scale orchestral composition, but also facilitated positive responses to her works well beyond their premieres. Beach’s ultimate success with song-inspired orchestral composition reflected broader trends of the era overshadowed by experimental modernisms.

Keywords

songfolksongorchestral musicsymphonyconcertonational identityautobiographyAntonín Dvorák
Type
Chapter
Information
The Cambridge Companion to Amy Beach , pp. 154 - 179
Publisher: Cambridge University Press
Print publication year: 2023

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