Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Introduction
- 113 Robert Greene
- 114 Christopher Marlowe
- 115 Thomas Nashe
- 116 Thomas Kyd
- 117 Richard Tarlton
- 118 George Peele
- 119 John Lyly
- 120 Richard Burbage
- 121 John Heminges and Henry Condell
- 122 Edward Alleyn and Philip Henslowe
- 123 Nathan Field
- 124 William Kemp
- 125 Robert Johnson
- 126 Robert Armin
- 127 Ben Jonson
- 128 John Fletcher
- 129 Thomas Middleton
- 130 John Webster
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
119 - John Lyly
from Part XIII - Shakespeare’s Fellows
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Introduction
- 113 Robert Greene
- 114 Christopher Marlowe
- 115 Thomas Nashe
- 116 Thomas Kyd
- 117 Richard Tarlton
- 118 George Peele
- 119 John Lyly
- 120 Richard Burbage
- 121 John Heminges and Henry Condell
- 122 Edward Alleyn and Philip Henslowe
- 123 Nathan Field
- 124 William Kemp
- 125 Robert Johnson
- 126 Robert Armin
- 127 Ben Jonson
- 128 John Fletcher
- 129 Thomas Middleton
- 130 John Webster
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 914 - 919Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Feuillerat, Albert. Le Bureau des menus plaisirs, Office of the Revels, et la mise en scène à la cour d’Elisabeth. Louvain: A. Uystpruyst, 1910.Google Scholar
Feuillerat, Albert. John Lyly: Contribution à l’histoire de la Renaissance en Angleterre. New York: Russell and Russell, 1910.Google Scholar
Halpin, N. J. Oberon’s Vision in the “Midsummer Night’s Dream”: Illustrated by a Comparison with Lylie’s “Endymion.” London: The Shakespeare Society, 1843.Google Scholar
Hillebrand, Harold N. The Child Actors: A Study in Elizabethan Stage History. Urbana: U of Illinois P, 1926.Google Scholar
Hunter, G. K. John Lyly, the Humanist as Courtier. London: Routledge and Kegan Paul, 1962.Google Scholar
Hunter, G. K., and Bevington, David, eds. Campaspe and Sappho and Phao. Manchester: Manchester UP, 1991.Google Scholar
Hunter, G. K., and Bevington, David, Gallathea and Midas. Manchester: Manchester UP, 2000.Google Scholar
Pincombe, Michael. The Plays of John Lyly: Eros and Eliza. Manchester: Manchester UP, 1996.Google Scholar
Saccio, Peter. The Court Comedies of John Lyly: A Study in Allegorical Dramaturgy. Princeton: Princeton UP, 1969.CrossRefGoogle Scholar
Scragg, Leah, ed. Euphues, The Anatomy of Wit and Euphues and His England. Manchester: Manchester UP, 2003.Google Scholar
Further reading
Shapiro, Michael. Children of the Revels: The Boy Companies of Shakespeare’s Time and Their Plays. New York: Columbia UP, 1977.Google Scholar
Smith, Irvin. Shakespeare’s Blackfriars Playhouse: Its History and Its Design. New York: New York UP, 1964.Google Scholar
Wallace, Charles William. The Evolution of the English Drama up to Shakespeare. Schriften der Deutschen Shakespeare-Gesellschaft 4. Berlin: Georg Reimer, 1912.Google Scholar