Book contents
- The Cambridge Handbook of Intercultural Communication
- Cambridge Handbooks in Language and Linguistics
- The Cambridge Handbook of Intercultural Communication
- Copyright page
- Contents
- Figures
- Tables
- Contributors
- Acknowledgements
- Introduction
- Part I Introducing Intercultural Communication
- Part II Theoretical Approaches
- Part III Methods
- Part IV Application
- 22 Intercultural Communication in the Context of the Hypermobility of the School Population in and out of Europe
- 23 Culture and Management
- 24 Language and Othering in Contemporary Europe
- 25 Black British Writing
- 26 Cultural Encounters in Contemporary Latin American Cinema
- 27 Religion and Intercultural Communication
- 28 Irish–English Cultural Encounters in the Diaspora
- 29 Intercultural Dimensions in Academic Mobility
- Part V Assessment
- Index
- References
26 - Cultural Encounters in Contemporary Latin American Cinema
Intersections of Transnationality
from Part IV - Application
Published online by Cambridge University Press: 18 February 2020
By
Book contents
- The Cambridge Handbook of Intercultural Communication
- Cambridge Handbooks in Language and Linguistics
- The Cambridge Handbook of Intercultural Communication
- Copyright page
- Contents
- Figures
- Tables
- Contributors
- Acknowledgements
- Introduction
- Part I Introducing Intercultural Communication
- Part II Theoretical Approaches
- Part III Methods
- Part IV Application
- 22 Intercultural Communication in the Context of the Hypermobility of the School Population in and out of Europe
- 23 Culture and Management
- 24 Language and Othering in Contemporary Europe
- 25 Black British Writing
- 26 Cultural Encounters in Contemporary Latin American Cinema
- 27 Religion and Intercultural Communication
- 28 Irish–English Cultural Encounters in the Diaspora
- 29 Intercultural Dimensions in Academic Mobility
- Part V Assessment
- Index
- References
Summary
Sarah Barrow’s chapter explores several examples from contemporary Latin American cinema as case studies to address some of the terms and issues that are raised by the notion of transnational cinematographic (dis)connections, and to capitalize on the productive intersection of ideas and debates that have begun to emerge in this area. Analyses of important films from Chile, Mexico and Peru that have crossed borders from many logistical and conceptual perspectives, are deployed to highlight some of the many ways that we might better understand the way that film culture explores, highlights, disrupts and interrogates notions of intercultural communication.
- Type
- Chapter
- Information
- The Cambridge Handbook of Intercultural Communication , pp. 432 - 445Publisher: Cambridge University PressPrint publication year: 2020
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