Abelove, Henry, Barale, Michele Aina, and Halperin, David M., eds. The Lesbian and Gay Studies Reader. New York: Routledge, 1993.
Abrams, M. H.The Mirror and the Lamp: Romantic Theory and the Critical Tradition. New York: Oxford University Press, 1953.
Adams, Hazard, and Searle, Leroy, eds. Critical Theory Since 1965. Tallahassee: Florida State University Press, 1986.
Adorno, Theodor, and Horkheimer, Max. Dialect of Enlightenment. Translated by Cumming, John. London: Verso, 1979.
Adorno, Theodor. Negative Dialects. Translated by Ashton, E. B.. New York: Seabury Press, 1973.
Ahmad, Aijaz. In Theory: Classes, Nations, Literatures. London: Verso, 1992.
Althusser, Louis. Lenin and Philosophy, and Other Essays. Translated by Brewster, Ben. New York: Monthly Review Press, 1972.
Altieri, Charles. Enlarging the Temple: New Directions in American Poetry during the 1960s. Lewisburg, Pa.: Bucknell University Press, 1979.
Altieri, Charles. Self and Sensibility in Contemporary American Poetry. Cambridge University Press, 1984.
Arato, Andrew, and Gebhardt, Elke, eds. The Essential Frankfurt School Reader. New York: Continuum, 1982.
Ashbery, John. Reported Sightings: Art Chronicles, 1957–1987, ed. Bergman, David. Cambridge, Mass.: Harvard University Press, 1991.
Austin, J. L.How to Do Things With Words. Cambridge, Mass.: Harvard University Press, 1962.
Baker, Peter. Obdurate Brilliance: Exteriority and the Modern Long Poem. Gainesville: University of Florida Press, 1991.
Bakhtin, Mikhail. The Dialogic Imagination: Four Essays, ed. Holquist, Michael. Translated by Emerson, Caryl and Holquist, Michael. Austin: University of Texas Press, 1981.
Barthes, Roland. Mythologies. Selected and translated by Lavers, Annette. New York: Hill & Wang, 1972.
Barthes, Roland. Writing Degree Zero. Translated by Lavers, Annette and Smith, Colin. New York: Hill & Wang, 1968.
Bartlett, Lee. Talking Poetry: Conversations in the Workshop with Contemporary Poets. Albuquerque: University of New Mexico Press, 1986.
Bawer, Bruce. The Middle Generation: The Lives and Poetry of Delmore Schwartz, Randall Jarrell, John Berryman, and Robert Lowell. Hamden, Conn.: Archon Books, 1986.
Beach, Christopher. ABC of Influence: Ezra Pound and the Remaking of American Poetic Tradition. Berkeley and Los Angeles: University of California Press, 1992.
Belsey, Catherine. Critical Practice. London: Methuen, 1980.
Benjamin, Walter. Illuminations, ed. Arendt, Hannah. Translated by Zohn, Harry. New York: Schocken Books, 1969.
Bennett, Tony. Formalism and Marxism. London: Methuen, 1979.
Bercovitch, Sacvan. The American Jeremiad. Madison: University of Wisconsin Press, 1978.
Bercovitch, Sacvan. The Rites of Assent: Transformations in the Symbolic Construction of America. New York: Routledge, 1993.
Bernstein, Charles. A Poetics. Cambridge, Mass.: Harvard University Press, 1992.
Bernstein, Charles. Content’s Dream: Essays, 1975–1984. Los Angeles: Sun and Moon Press, 1986.
Berryman, John. The Freedom of the Poet. New York: Farrar, Straus, & Giroux, 1976.
Bhabha, Homi. The Location of Culture. London: Routledge, 1994.
Birkerts, Sven. The Electric Life: Essays on Modern Poetry. New York: William Morrow, 1989.
Bloom, Harold. A Map of Misreading. New York: Oxford University Press, 1975.
Bloom, Harold. The Anxiety of Influence: A Theory of Poetry. New York: Oxford University Press, 1973.
Bly, Robert. American Poetry: Wildness and Domesticity. New York: Harper & Row, 1990.
Bly, Robert. Talking All Morning. Ann Arbor: University of Michigan Press, 1980.
Booth, Wayne C.Critical Understanding: The Powers and Limits of Pluralism. Chicago: University of Chicago Press, 1979.
Booth, Wayne C.The Rhetoric of Fiction. Chicago: University of Chicago Press, 1961.
Boyers, Robert, ed. Contemporary Poetry in America: Essays and Interviews. New York: Schocken Books, 1974.
Breslin, James E. B.From Modern to Contemporary: American Poetry, 1945–1965. Chicago: University of Chicago Press, 1984.
Breslin, Paul. The Psycho-political Muse: American Poetry Since the Fifties. Chicago: University of Chicago Press, 1987.
Brooks, Cleanth, and Warren, Robert Penn. Understanding Poetry: An Anthology for College Students. New York: Henry Holt & Company, 1938.
Brooks, Cleanth. The Well Wrought Urn. New York: Reynal & Hitchcock, 1947.
Burke, Kenneth. A Rhetoric of Motives. New York: Prentice-Hall, 1950.
Burke, Kenneth. The Philosophy of Literary Form: Studies in Symbolic Action. New York: Vintage Books, 1957.
Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge, 1990.
Byers, Thomas B.What I Cannot Say: Self, Word, and World in Whitman, Stevens, and Merwin. Urbana: University of Illinois Press, 1989.
Carby, Hazel V.Reconstructing Womanhood: The Emergence of the Afro-American Woman Novelist. New York: Oxford University Press, 1987.
Chawla, Louise. In the First Country of Places: Nature, Poetry, and Childhood Memory. Albany, N.Y: SUNY Press, 1994.
Clark, Tom. The Poetry Beat: Reviewing the Eighties. Ann Arbor: University of Michigan Press, 1990.
Conte, Joseph M.Unending Design: The Forms of Postmodern Poetry. Ithaca, N.Y: Cornell University Press, 1991.
Creeley, Robert. The Collected Essays. Berkeley and Los Angeles: University of California Press, 1989.
Culler, Jonathan. Structuralist Poetics: Structuralism, Linguistics, and the Study of Literature. Ithaca, N.Y: Cornell University Press, 1975.
Damon, Maria. The Dark End of the Street: Margins in American Vanguard Poetry. Minneapolis: University of Minnesota Press, 1993.
Davidson, Michael. The San Francisco Renaissance: Poetics and Community at Mid-Century. Cambridge University Press, 1989.
Davison, Peter. One of the Dangerous Trades: Essays on the Work and Workings of Poetry. Ann Arbor: University of Michigan Press, 1991.
De Lauretis, Teresa, ed. Feminist Studies, Critical Studies. Bloomington: Indiana University Press, 1986.
de Man, Paul. Allegories of Reading: Figural Language in Rousseau, Nietzsche, Rilke, and Proust. New Haven, Conn.: Yale University Press, 1979.
de Man, Paul. Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism. Minneapolis: University of Minnesota Press, 1983.
de Saussure, Ferdinand. Courses in General Linguistics, ed. Bally, Charles and Sechehaye, Albert in collaboration with Reidlinger, Albert. Translated by Baskin, Wade. New York: McGraw-Hill, 1959.
Derrida, Jacques. Dissemination. Translated by Johnson, Barbara. Chicago: University of Chicago Press, 1981.
Derrida, Jacques. Of Grammatology. Translated by Spivak, Gayatri Chakravorty. Baltimore: Johns Hopkins University Press, 1976.
Derrida, Jacques. Spurs: Nietzsche’s Styles. Translated by Harlow, Barbara. Chicago: University of Chicago Press, 1979.
Derrida, Jacques. Writing and Difference. Translated by Bass, Alan. Chicago: University of Chicago Press, 1978.
Dickey, James. Babel to Byzantium: Poets and Poetry Now. New York: Farrar, Straus, & Giroux, 1968.
Diehl, Joanne Feit. Women Poets and the American Sublime. Bloomington: Indiana University Press, 1990.
Dodd, Wayne. Toward the End of the Century: Essays into Poetry. Iowa City: University of Iowa Press, 1992.
Douglas, Ann. The Feminization of American Culture. New York: Knopf, 1977.
Duncan, Robert. Fictive Certainties: Essays. New York: New Directions, 1985.
Eagleton, Terry. Literary Theory: An Introduction. London: Basil Blackwell, 1983.
Elder, John. Imagining the Earth: Poetry and the Vision of Nature. Urbana: University of Illinois Press, 1985.
Faas, Ekbert, ed. Towards a New American Poetics: Essays and Interviews. Santa Barbara, Calif.: Black Sparrow, 1978.
Feidelson, Charles. Symbolism and American Literature. Chicago: University of Chicago Press, 1953.
Felperin, Howard. Beyond Deconstruction: The Uses and Abuses of Literary Theory. New York: Oxford University Press, 1985.
Fetterley, Judith. The Resisting Reader. Bloomington: Indiana University Press, 1978.
Fiedler, Leslie. An End to Innocence: Essays on Culture and Politics. Boston: Beacon Press, 1955.
Fiedler, Leslie. Love and Death in the American Novel. New York: Stein & Day, 1960.
Finkelstein, Norman. The Utopian Moment in Contemporary American Poetry. Lewisburg, Pa.: Bucknell University Press, 1993.
Fish, Stanley. Doing What Comes Naturally. Durham, N.C.: Duke University Press, 1989.
Fish, Stanley. Is There a Text in This Class?: The Authority of Interpretive Communities. Cambridge, Mass.: Harvard University Press, 1980.
Foucault, Michel. Discipline and Punish: The Birth of the Prison. Translated by Sheridan, Alan. New York: Pantheon, 1977.
Foucault, Michel. Power/Knowledge: Selected Interviews and Other Writings, 1972–1977. Edited and translated by Gordon, Colin. New York: Pantheon Books, 1980.
Foucault, Michel. The History of Sexuality, vol. 1. Translated by Hurley, Robert. New York: Pantheon, 1978.
Fraser, Nancy. Unruly Practices: Power, Discourse, and Gender in Contemporary Theory. Minneapolis: University of Minnesota Press, 1989.
Fredman, Stephen. Poet’s Prose: The Crisis in American Verse. Cambridge University Press, 1983.
Frye, Northrop. Anatomy of Criticism: Four Essays. Princeton, N.J.: Princeton University Press, 1957.
Frye, Northrop. Fables of Identity: Studies in Poetic Mythology. New York: Harcourt, Brace & World, 1963.
Fuss, Diana. Essentially Speaking: Feminism, Nature and Difference. New York: Routledge, 1989.
Gates, Henry Louis Jr. The Signifying Monkey: A Theory of African-American Literary Criticism. New York: Oxford University Press, 1989.
Gates, Henry Louis Jr. ed. Reading Black, Reading Feminist: A Critical Anthology. New York: Meridian, 1990.
Gilbert, Roger. Walks in the World: Representation and Experience in Modern American Poetry. Princeton, N.J.: Princeton University Press, 1991.
Gilbert, Sandra, and Gubar, Susan. The Madwoman in the Attic. New Haven, Conn.: Yale University Press, 1979.
Gotera, Vince. Radical Visions: Poetry by Vietnam Veterans. Athens: University of Georgia Press, 1994.
Greenblatt, Stephen, and Gunn, Giles, eds. Redrawing the Boundaries: The Transformation of English and American Literary Studies. New York: Modern Language Association, 1992.
Greenblatt, Stephen. Learning to Curse: Essays in Early Modern Culture. New York: Routledge, 1990.
Greenblatt, Stephen. Renaissance Self-Fashioning: From More to Shakespeare. Chicago: University of Chicago Press, 1980.
Groden, Michael, and Kreiswirth, Martin, eds. The Johns Hopkins Guide to Literary Theory and Criticism. Baltimore: Johns Hopkins University Press, 1994.
Grossberg, Lawrence, Nelson, Cary, and Treichler, Paula, eds. Cultural Studies. New York: Routledge, 1992.
Grossman, Allen, with Halliday, Mark. The Sighted Singer: Two Works on Poetry for Readers and Writers. Baltimore: Johns Hopkins University Press, 1992.
Gunn, Thom. Shelf Life: Essays, Memoirs, and an Interview. Ann Arbor: University of Michigan Press, 1993.
Gunn, Thom. The Occasions of Poetry: Essays in Criticism and Autobiography, ed. Wilmer, Clive. San Francisco: North Point, 1985.
Hall, Donald. Goatfoot, Milktongue, Twinbird: Interviews, Essays, and Notes on Poetry, 1970–1976. Ann Arbor: University of Michigan Press, 1978.
Hall, Donald. Poetry and Ambition: Essays, 1982–1988. Ann Arbor: University of Michigan Press, 1988.
Hall, Donald. Remembering Poets: Reminiscences and Opinions. New York: Harper & Row, 1978.
Harari, Josue V., ed. Textual Strategies: Perspectives in Post-Structuralist Criticism. Ithaca, N.Y: Cornell University Press, 1979.
Hartley, George. Textual Politics and the Language Poets. Bloomington: Indiana University Press, 1989.
Hartman, Geoffrey. Beyond Formalism: Literary Essays. New Haven, Conn.: Yale University Press, 1970.
Hass, Robert. Twentieth Century Pleasures: Prose on Poetry. New York: Ecco, 1984.
Heaney, Seamus. The Government of the Tongue: Selected Prose, 1978–1987. New York: Farrar, Straus, & Giroux, 1988.
Hebdige, Dick. Subculture: The Meaning of Style. London: Methuen, 1979.
Hecht, Anthony. Obbligati: Essays in Criticism. New York: Atheneum, 1986.
Hirsch, E. D.The Aims of Interpretation. Chicago: University of Chicago Press, 1976.
Hirsch, E. D.Validity in Interpretation. New Haven, Conn.: Yale University Press, 1967.
Holden, Jonathan. Style and Authenticity in Postmodern Poetry. Columbia: University of Missouri Press, 1986.
Hollander, John. Vision and Resonance: Two Senses of Poetic Form. New York: Oxford University Press, 1975.
Howard, Richard. Alone with America: Essays on the Art of Poetry in the United States Since 1950. New York: Atheneum, 1971.
Howe, Irving. Celebrations and Attacks: Thirty Years of Literary and Cultural Commentary. New York: Horizon Press, 1979.
Howe, Irving. Decline of the New. New York: Harcourt, Brace & World, 1970.
Hull, Gloria T., Scott, Patricia Bell, and Smith, Barbara, eds. All the Women are White, All the Blacks are Men, But Some of Us are Brave. Old Westbury, N.Y.: The Feminist Press, 1982.
Huyssen, Andreas. After the Great Divide: Modernism, Mass Culture, Postmodernism. Bloomington: Indiana University Press, 1986.
Hyman, Stanley Edgar. The Armed Vision: A Study in the Methods of Modern Literary Criticism. New York: Knopf, 1948.
Irigaray, Luce. This Sex Which is Not One. Translated by Porter, Catherine with Burke, Carolyn. Ithaca, N.Y.: Cornell University Press, 1985.
Iser, Wolfgang. The Act of Reading: A Theory of Aesthetic Response. Baltimore: Johns Hopkins University Press, 1978.
Jackson, Richard. The Dismantling of Time in Contemporary Poetry. Tuscaloosa: University of Alabama Press, 1988.
Jameson, Fredric. Postmodernism, or the Cultural Logic of Late Capitalism. Durham, N.C.: Duke University Press, 1991.
Jameson, Fredric. The Political Unconscious: Narrative as a Socially Symbolic Act. Ithaca, N.Y.: Cornell University Press, 1981.
Jardine, Alice, and Smith, Paul, eds. Men in Feminism. New York: Methuen, 1987.
Jarrell, Randall. A Sad Heart at the Supermarket: Essays and Fables. New York: Atheneum, 1962.
Jarrell, Randall. Poetry and the Age. New York: Knopf, 1953.
Jarrell, Randall. The Third Book of Criticism. New York: Farrar, Straus, & Giroux, 1969.
Johnson, Barbara. The Critical Difference: Essays in the Contemporary Rhetoric of Reading. Baltimore: Johns Hopkins University Press, 1985.
Kalaidjian, Walter. Languages of Liberation: The Social Text in Contemporary American Poetry. New York: Columbia University Press, 1989.
Kazin, Alfred. On Native Grounds: An Interpretation of Modern American Prose Literature. New York: Reynal & Hitchcock, 1942.
Keller, Lynn. Re-Making It New: Contemporary American Poetry and the Modernist Tradition. Cambridge University Press, 1987.
Kenner, Hugh. The Pound Era. Berkeley and Los Angeles: University of California Press, 1973.
Kermode, Frank. The Genesis of Secrecy: On the Interpretation of Narrative. Cambridge, Mass.: Harvard University Press, 1979.
Kermode, Frank. The Sense of an Ending: Studies in the Theory of Fiction. New York: Oxford University Press, 1967.
Kinnell, Galway. Walking Down the Stairs: Selections from Interviews. Ann Arbor: University of Michigan Press, 1978.
Kizer, Carolyn. Proses: On Poems and Poets. Port Townsend, Wash.: Copper Canyon, 1993.
Krieger, Murray. The New Apologists for Poetry. Minneapolis: University of Minnesota Press, 1956.
Kristeva, Julia. Desire in Language: A Semiotic Approach to Literature and Art, ed. Roudiez, Leon S.. Translated by Gora, Thomas, Jardine, Alice, and Roudiez, Leon S.. New York: Columbia University Press, 1980.
Kumin, Maxine. To Make a Prairie: Essays on Poets, Poetry, and Country Living. Ann Arbor: University of Michigan Press, 1979.
Kutzinski, Vera M.Against the American Grain: Myth and History in William Carlos Williams, Jay Wright, and Nicolás Guillén. Baltimore: John Hopkins University Press, 1987.
Lacan, Jacques. Ecrits: A Selection. Translated by Alan Sheridan. New York: Norton, 1977.
Lane, Michael, ed. Structuralism: A Reader. New York: Basic Books, 1970.
Lauter, Paul, and Kampf, Louis, eds. The Politics of Literature: Dissenting Essays on the Teaching of English. New York: Pantheon Books, 1972.
Lawall, Sarah N.Critics of Consciousness: The Existential Structures of Literature. Cambridge, Mass.: Harvard University Press, 1968.
Lensing, George, and Moran, Ronald. Four Poets and the Emotive Imagination: Robert Bly, James Wright, Louis Simpson, and William Stafford. Baton Rouge: Louisiana State University Press, 1976.
Lentricchia, Frank. After the New Criticism. Chicago: University of Chicago Press, 1980.
Lentricchia, Frank. Criticism and Social Change. Chicago: University of Chicago Press, 1983.
Levine, Philip. Don’t Ask. Ann Arbor: University of Michigan Press, 1981.
Levinson, Sanford, and Maillous, Steven, eds. Interpreting Law and Literature. Evanston, Ill.: Northwestern University Press, 1988.
Lewis, R. W. B.The American Adam: Innocence, Tragedy, and Tradition in the Nineteenth Century. Chicago: University of Chicago Press, 1955.
Libby, Anthony. Mythologies of Nothing: Mystical Death in American Poetry, 1940–1970. Urbana: University of Illinois Press, 1984.
Lieberman, Laurence. Unassigned Frequencies: American Poetry in Review, 1964–1977. Urbana: University of Illinois Press, 1977.
Lowell, Robert. Collected Prose, ed. Giroux, Robert. New York: Farrar, Straus, & Giroux, 1987.
Lukács, Gyorgy. The Meaning of Contemporary Realism. Translated by John, and Mander, Necke. London: Merlin Press, 1963.
Lyotard, Jean-François. The Post Modern Condition: A Report on Knowledge. Translated by Bennington, Geoff and Massumi, Brian. Minneapolis: University of Minnesota Press, 1984.
Mackey, Nathaniel. Discrepant Engagement: Dissonance, Cross-Culturality, and Experimental Writing. Cambridge University Press, 1993.
Mariani, Paul. A Usable Past: Essays on Modern and Contemporary Poetry. Amherst: University of Massachusetts Press, 1984.
Marx, Leo. The Machine in the Garden: Technology and the Pastoral Ideal in America. New York: Oxford University Press, 1964.
Matthiessen, F. O.American Renaissance. New York: Oxford University Press, 1941.
McClatchy, J. D.White Paper: On Contemporary American Poetry. New York: Columbia University Press, 1989.
McCorkle, James. The Still Performance: Writing, Self and Interconnection in Five Postmodern American Poets. Charlottesville: University of Virginia Press, 1989.
McDowell, Robert, ed. Poetry after Modernism. Brownsville, Ore.: Story Line Press, 1991.
McGann, Jerome J.A Critique of Modern Textual Criticism. Chicago: University of Chicago Press, 1983.
McHugh, Heather. Broken English: Poetry and Partiality. Hanover, N.H.: Wesleyan University Press, 1993.
Merrill, James. Recitative: Prose, ed. McClatchy, J. D.. San Francisco: North Point, 1986.
Mersmann, James F.Out of the Vietnam Vortex: A Study of Poets and Poetry against the War. Lawrence: University of Kansas Press, 1974.
Michaels, Walter Benn. The Gold Standard and the Logic of Naturalism. Berkeley and Los Angeles: University of California Press, 1987.
Miller, J. Hillis. Poets of Reality: Six Twentieth Century Writers. Cambridge, Mass.: Belknap Press of Harvard University Press, 1965.
Millet, Kate. Sexual Politics. New York: Avon, 1970.
Mills, Ralph J. Jr.. Cry of the Human: Essays on Contemporary American Poetry. Urbana: University of Illinois, 1975.
Mitchell, Juliet. Psychoanalysis and Feminism. New York: Vintage, 1974.
Moi, Toril. Sexual/Textual Politics: Feminist Literary Theory. London: Methuen, 1985.
Molesworth, Charles. The Fierce Embrace: A Study of Contemporary American Poetry. Columbia: University of Missouri Press, 1979.
Montefiore, Jan. Feminism and Poetry: Language, Experience, Identity in Women’s Writing. London: Pandora, 1987.
Nelson, Cary. Our Last First Poets: Vision and History in Contemporary American Poetry. Urbana: University of Illinois Press, 1981.
Nemerov, Howard. Figures of Thought: Speculations on the Meaning of Poetry and Other Essays. Boston: David R. Godine, 1978.
Nemerov, Howard. New and Selected Essays. Carbondale: Southern Illinois University Press, 1985.
Nemerov, Howard. ed. Poets on Poetry. New York: Basic Books, 1966.
Norris, Christopher. Deconstruction: Theory and Practice. London: Methuen, 1982.
Ohmann, Richard. English in America: A Radical View of the Profession. New York: Oxford University Press, 1976.
Olson, Charles. Human Universe and Other Essays, ed. Allen, Donald. San Francisco: Auerhahn Society, 1965.
Ostroff, Anthony, ed. The Contemporary Poet as Artist and Critic: Eight Symposia. Boston: Little, Brown, 1964.
Parker, Hershel. Flawed Texts and Verbal Icons: Literary Authority in American Fiction. Evanston, Ill.: Northwestern University Press, 1984.
Parkinson, Thomas. Poets, Poems, Movements. Ann Arbor: UMI Research Press, 1987.
Paul, Sherman. Hewing to Experience: Essays and Reviews on Recent American Poetry and Poetics, Nature and Culture. Iowa City: University of Iowa Press, 1989.
Paul, Sherman. The Lost America of Love: Rereading Robert Creeley, Edward Dorn, and Robert Duncan. Baton Rouge: Louisiana State University Press, 1981.
Perloff, Marjorie. Radical Artifice: Writing Poetry in the Age of Media. Chicago: University of Chicago Press, 1991.
Perloff, Marjorie. The Dance of the Intellect: Studies in the Poetry of the Pound Tradition. Cambridge University Press, 1985.
Perloff, Marjorie. The Poetics of Indeterminacy: Rimbaud to Cage. Princeton, N.J.: Princeton University Press, 1981.
Pinsky, Robert. Poetry and the World. New York: Ecco, 1988.
Pinsky, Robert. The Situation of Poetry: Contemporary Poetry and Its Traditions. Princeton, N.J.: Princeton University Press, 1976.
Poirier, Richard. Poetry and Pragmatism. Cambridge, Mass.: Harvard University Press, 1992.
Poirier, Richard. The Renewal of Literature: Emersonian Reflections. New Haven, Conn.: Yale University Press, 1987.
Pratt, Mary Louise. Imperial Eyes: Travel Writing and Transculturation. New York: Routledge, 1992.
Rahv, Philip. The Myth and the Powerhouse. New York: Farrar, Straus, & Giroux, 1965.
Ransom, John Crowe. The New Criticism. Norfolk, Conn.: New Directions, 1941.
Reichert, John. Making Sense of Literature. Chicago: University of Chicago Press, 1977.
Reinfeld, Linda. Language Poetry: Writing as Rescue. Baton Rouge: Louisiana State University Press, 1992.
Reising, Russell. The Unusable Past: Theory and the Study of American Literature. New York: Methuen, 1986.
Rexroth, Kenneth. American Poetry in the Twentieth Century. New York: Herder and Herder, 1971.
Rexroth, Kenneth. Assays. Norfolk, Conn.: New Directions, 1961.
Rexroth, Kenneth. Bird in the Bush: Obvious Essays. New York: New Directions, 1959.
Rich, Adrienne. Blood, Bread and Poetry: Selected Prose, 1979–1985. New York: Norton, 1986.
Rich, Adrienne. On Lies, Secrets, and Silence: Selected Prose, 1966–1978. New York: Norton, 1979.
Rich, Adrienne. What Is Found There: Notebooks on Poetry and Politics. New York: Norton, 1993.
Ricoeur, Paul. The Conflict of Interpretations: Essays in Hermeneutics, ed. Ihde, Don. Evanston, Ill.: Northwestern University Press, 1974.
Riffaterre, Michael. Semiotics of Poetry. Bloomington: Indiana University Press, 1978.
Robinson, Lillian. Sex, Class, and Culture. Bloomington: Indiana University Press, 1978.
Roethke, Theodore. On the Poet and His Craft: Selected Prose, ed. Mills, Ralph J. Jr.Seattle: University of Washington Press, 1965.
Rorty, Richard. Consequences of Pragmatism. Minneapolis: University of Minnesota Press, 1982.
Rosenberg, Harold. The Tradition of the New. New York: Horizon Press, 1959.
Rosenthal, M. L., and Gall, Sally M.. The Modern Poetic Sequence: The Genius of Modern Poetry. New York: Oxford University Press, 1983.
Rosenthal, M. L.The New Poets: American and British Poetry since World War II. New York: Oxford University Press, 1967.
Ross, Andrew. No Respect: Intellectuals and Popular Culture. New York: Routledge, 1989.
Rothenberg, Jerome. Pre-Faces and Other Writings. New York: New Directions, 1981.
Sacks, Sheldon. Fiction and the Shape of Belief. Berkeley and Los Angeles: University of California Press, 1964.
Said, Edward W.Orientalism. New York: Pantheon, 1978.
Said, Edward W.The World, the Text, and the Critic. Cambridge, Mass.: Harvard University Press, 1983.
Schwartz, Delmore. Selected Essays, ed. Dike, Donald A. and Zucker, David H.. Chicago: University of Chicago Press, 1970.
Schweik, Susan. A Gulf So Deeply Cut: American Women Poets and the Second World War. Madison: University of Wisconsin Press, 1991.
Sedgwick, Eve Kosofsky. Epistemology of the Closet. Berkeley and Los Angeles: University of California Press, 1990.
Shapiro, Alan. In Praise of the Impure: Poetry and the Ethical Imagination. Evanston, Ill.: Northwestern University Press, 1993.
Shaw, Robert B.American Poetry Since 1960 – Some Critical Perspectives. Cheshire, England: Carcanet, 1973.
Showalter, Elaine, ed. Feminist Criticism: Essays on Women, Literature, and Theory. New York: Pantheon, 1985.
Shumway, David R.Creating American Civilization: A Genealogy of American Literature as An Academic Discipline. Minneapolis: University of Minnesota Press, 1994.
Silliman, Ron. The New Sentence. New York: Roof, 1987.
Simpson, Eileen. Poets in Their Youth: A Memoir. New York: Random House, 1982.
Smith, Barbara Herrnstein. Contingencies of Value: Alternative Perspectives for Critical Theory. Cambridge, Mass.: Harvard University Press, 1988.
Smith, Dave. Local Assays: On Contemporary American Poetry. Urbana: University of Illinois Press, 1985.
Smith, Henry Nash. Virgin Land: The American West as Symbol and Myth. Cambridge, Mass.: Harvard University Press, 1950.
Snodgrass, W. D.In Radical Pursuit: Critical Essays and Lectures. New York: Harper & Row, 1975.
Snyder, Gary. The Real Work: Interviews and Talks, 1964–1979, ed. McLean, William Scott. New York: New Directions, 1980.
Spacks, Patricia Myer. The Female Imagination. New York: Knopf, 1975.
Spiegelman, Willard. The Didactic Muse: Scenes of Instruction in Contemporary American Poetry. Princeton, N.J.: Princeton University Press, 1989.
Spiller, Robert, et al., eds. Literary History of the United States. New York: Macmillan, 1948.
Spivak, Gayatri Chakravorty. In Other Worlds: Essays in Cultural Politics. New York: Methuen, 1987.
Spivak, Gayatri Chakravorty. The Post-Colonial Critic: Interviews, Strategies, Dialogues, ed. Harasym, Sarah. New York: Routledge, 1990.
Stafford, William. Writing the Australian Crawl: Views on the Writer’s Vocation. Ann Arbor: University of Michigan Press, 1978.
Steele, Timothy. Missing Measures: Modern Poetry and the Revolt against Meter. Fayetteville: University of Arkansas Press, 1990.
Stepanchev, Stephen. American Poetry since 1945: A Critical Survey. New York: Harper & Row, 1965.
Stitt, Peter. The World’s Hieroglyphic Beauty: Five American Poets. Athens: University of Georgia Press, 1985.
Thurley, Geoffrey. The American Moment: American Poetry in the Mid-Century. New York: St. Martin’s Press, 1977.
Tompkins, Jane. Sensational Designs: The Cultural Work of American Fiction, 1970–1860. New York: Oxford University Press, 1985.
Tompkins, Jane. ed. Reader Response Criticism: From Formalism to Post-Structuralism. Baltimore: Johns Hopkins University Press, 1981.
Trilling, Lionel. Beyond Culture: Essays on Literature and Learning. New York: Viking Press, 1968.
Trilling, Lionel. The Liberal Imagination: Essays on Literature and Society. Garden City, New York: Doubleday, 1953.
Turner, Frederick. Natural Supernaturalism: Essays on Literature and Science. New York: Paragon House, 1985.
Veeser, H. Aram, ed. The New Historicism. New York: Routledge, 1989.
Vendler, Helen. Part of Nature, Part of Us: Modern American Poets. Cambridge, Mass.: Harvard University Press, 1980.
Vendler, Helen. Soul Says: Recent Poetry. Cambridge, Mass.: Belknap Press, 1995.
Vendler, Helen. The Music of What Happens: Poems, Poetics, Critics. Cambridge, Mass.: Harvard University Press, 1988.
von Hallberg, Robert. American Poetry and Culture, 1945–1980. Cambridge, Mass.: Harvard University Press, 1985.
Waldman, Anne, and Webb, Marilyn, eds. Talking Poetics from Naropa Institute: Annals of the Jack Kerouac School of Disembodied Poetics. Two volumes. Boulder, Colo.: Shambhala, 1978.
Warren, Austin, and Wellek, Rene. Theory of Literature. New York: Harcourt & Brace, 1949.
Warren, Robert Penn. Democracy and Poetry. Cambridge, Mass.: Harvard University Press, 1975.
Wilbur, Richard. Responses: Prose Pieces, 1953–1976. New York: Harcourt Brace Jovanovich, 1976.
Williams, Raymond. Culture and Society, 1780–1950. New York: Doubleday, 1960.
Williams, Raymond. The Long Revolution. New York: Columbia University Press, 1961.
Williamson, Alan. Introspection and Contemporary Poetry. Cambridge, Mass.: Harvard University Press, 1984.
Wilson, Edmund. Axel’s Castle: A Study in the Imaginative Literature of 1870–1930. New York: Charles Scribner’s Sons, 1931.
Winters, Yvor. In Defense of Reason. New York: Swallow Press & W. Morrow, 1947.
Yorke, Liz. Impertinent Voices: Subversive Strategies in Contemporary Women’s Poetry. London: Routledge, 1991.