from Part VI - Twentieth and Twenty-First Centuries: Intellectual and Artistic Currents
Published online by Cambridge University Press: 25 September 2021
‘I don’t believe in God, but I miss Him’, observes the novelist and critic Julian Barnes in Nothing to be Frightened Of, a rather melancholy memoir that explores the ways in which theism seems to be both impossible and persistent in late modernity (2009, 1). Literature in English has a long and complicated relationship with non-belief. Barnes’ oxymoronic longing for a deity in whom belief is no longer sustainable is symptomatic of a very long-standing tradition of sorrowful scepticism. Indeed, J. Hillis Miller famously argues that ‘[p]ost-medieval literature records, among other things, the gradual withdrawal of God from the world’ (1975, 1).
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