Skip to main content Accessibility help
×
Hostname: page-component-5c6d5d7d68-wtssw Total loading time: 0 Render date: 2024-08-18T09:31:03.845Z Has data issue: false hasContentIssue false

Select Bibliography

Published online by Cambridge University Press:  16 July 2020

Angela Wright
Affiliation:
University of Sheffield
Dale Townshend
Affiliation:
Manchester Metropolitan University
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
The Cambridge History of the Gothic
Volume 1: Gothic in the Long Eighteenth Century
, pp. 450 - 483
Publisher: Cambridge University Press
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Select Bibliography

Abrams, M. H., Natural Supernaturalism: Tradition and Revolution in Romantic Literature (New York: W.W. Norton & Co., 1971).Google Scholar
Addison, Joseph, Remarks on Several Parts of Italy, &c. in the Years 1701, 1702, 1703 (London, 1726).Google Scholar
Adelman, Janet, Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays, Hamlet to the Tempest (New York and London: Routledge, 1992).Google Scholar
Aikin, J. and Aikin, A. L., Miscellaneous Pieces, in Prose (London, 1773).Google Scholar
Akenside, Mark, The Pleasures of Imagination. A Poem in Three Books (London, 1744).Google Scholar
Reyes, Aldana, Xavier, Spanish Gothic: National Identity, Collaboration and Cultural Adaptation (Basingstoke: Palgrave Macmillan, 2017).CrossRefGoogle Scholar
Alger, John Goldworth, Napoleon’s British Visitors and Captives, 1801–1815 (Westminster: Archibald Constable and Co., 1904).Google Scholar
Allan, Juliet, ‘New light on William Kent at Hampton Court Palace’, Architectural History 27 (1984): 50–8.CrossRefGoogle Scholar
Al-Rawi, Ahmed K., ‘The Arabic ghoul and its Western transformation’, Folklore 120:3 (2009): 291306.CrossRefGoogle Scholar
Amory, Patrick, People and Identity in Ostrogothic Italy, 489–554 (Cambridge: Cambridge University Press, 1997).CrossRefGoogle Scholar
Anderson, Benedict, Imagined Communities: Reflections on the Origin and Spread of Nationalism (London: Verso, 1983).Google Scholar
Anderson, W. B., Sidonius Apollinaris: Poems and Letters, trans. by W. B. Anderson, 2 vols (Cambridge, MA and London: Harvard University Press, 1936).Google Scholar
Anon., , Powis Castle; or, Anecdotes of an Ancient Family, 2 vols (London, 1788).Google Scholar
Aravamudan, Srinivas, Enlightenment Orientalism: Resisting the Rise of the Novel (Chicago and London: University of Chicago Press, 2012).Google Scholar
Armitage, David, The Ideological Origins of the British Empire (Cambridge: Cambridge University Press, 2000).Google Scholar
Armitage, David and Subrahmanyam, Sanjay, ‘Introduction: The Age of Revolutions, c. 1760–1840 – Global Causation, Connection, and Comparison’, in Armitage, David and Subrahmanyam, Sanjay (eds), The Age of Revolutions in Global Context, c. 1760–1840 (Basingstoke and New York: Palgrave Macmillan, 2010), pp. xiixxxii.CrossRefGoogle Scholar
Arnaud, George, A Dissertation on Hermaphrodites (London, 1750).Google Scholar
Arnold, Jonathan J., Shane Bjornlie, M and Sessa, Kristina (eds), A Companion to Ostrogothic Italy (Leiden: Brill, 2016).Google Scholar
Arnold-de, Simine, Silke, ‘“Lost in Translation”? Die englische Übersetzung von Benedikte Nauberts Herrmann von Unna’, in Murnane, Barry and Cusack, Andrew (eds), Populäre Erscheinungen. Der deutsche Schauerroman um 1800 (Munich: Fink, 2011), pp. 121–33.Google Scholar
Astbury, Katherine, ‘Du gothique anglais au gothique français: le roman noir et la Révolution française’, in Seth, Catriona (ed.), Imaginaires gothiques: aux sources du roman noir français (Paris: Desjonquères, 2010), pp. 131–45.Google Scholar
Austen, Jane, Pride and Prejudice, edited by Irvine, Robert P. (Peterborough, Ont.: Broadview 2002).Google Scholar
Austen, Jane. Northanger Abbey, edited by Fraiman, Susan (New York and London: W. W. Norton and Co., 2004).Google Scholar
Ayres, Philip, Classical Culture and the Idea of Rome in Eighteenth-Century England (Cambridge: Cambridge University Press, 1997).Google Scholar
Backscheider, Paula, Spectacular Politics: Theatrical Power and Mass Culture in Early Modern England (Baltimore: Johns Hopkins University Press, 1993).Google Scholar
Baines, Paul and Burns, Edward (eds), Five Romantic Plays, 1768–1821 (Oxford: Oxford University Press, 2000).Google Scholar
Baldwin, Edward [William Godwin], The Pantheon, or, Ancient History of the Gods of Greece and Rome, 2nd edition (London, 1809).Google Scholar
Ballaster, Ros, Fabulous Orients: Fictions of the East in England 1662–1785 (Oxford: Oxford University Press, 2005).Google Scholar
Banks, Joseph, The Endeavour Journal of Joseph Banks, 1768–1771, edited by Beaglehole, J. C., 2 vols (Sydney: Public Library of New South Wales, 1962).Google Scholar
Barbauld, Anna Laetitia, The Works of Anna Laetitia Barbauld, edited by Aikin, Lucy, 2 vols (London, Longman, Hurst, Rees, Orme, Browne, and Green, 1825).Google Scholar
Barkhoff, Jürgen, ‘“The echo of the question, as if it had merely resounded in a tomb”: The Dark Anthropology of the Schauerroman in Schiller’s Der Geisterseher’, in Cusack, Andrew and Murnane, Barry (eds), Popular Revenants: The German Gothic and Its International Reception, 1800–2000 (Rochester, NY: Camden House, 2012), pp. 4459.Google Scholar
Baron-Wilson, Margaret, Life and Correspondence of M. G. Lewis, Author of ‘The Monk,’ ‘Castle Spectre’, &c. With Many Pieces in Prose and Verse, Never Before Published, 2 vols (London: Henry Colburn, 1839).Google Scholar
Barney, Stephen A., Lewis, W. J., Beach, J. A. and Berghof, Oliver (eds), The Etymologies of Isidore of Seville, trans. by Stephen A. Barney, W. J. Lewis, J. A. Beach and Oliver Berghof (Cambridge: Cambridge University Press, 2006).Google Scholar
Barnish, S. J. B., Cassiodorus: Selected Variae (Liverpool: Liverpool University Press, 1992).CrossRefGoogle Scholar
Bataille, Georges, The Accursed Share: An Essay on General Economy, Vol. I: Consumption, trans. by Hurley, Robert (New York: Zone Books, 1991).Google Scholar
Batchelor, Jennie, ‘The claims of literature: women applicants to the Royal Literary Fund, 1790–1810’, Women’s Writing 12 (2005): 505–21.Google Scholar
Bate, Jonathan, ‘Shakespeare and the Rival Muses: Siddons versus Jordan’, in Asleson, Robyn (ed.), Notorious Muse: The Actress in British Art and Culture, 1776–1812 (New Haven: Yale University Press, 2003), pp. 81103.Google Scholar
Bayly, C. A., The Birth of the Modern World, 1780–1914: Global Connections and Comparisons (Oxford and Malden, MA: Basil Blackwell, 2004).Google Scholar
Beattie, James, Dissertations Moral and Critical (London and Edinburgh, 1783).Google Scholar
Beauchamp, Alphonse de, Biographie moderne, ou Dictionnaire biographique, de tous les hommes morts et vivans (Leipzig: Besson, 1806)Google Scholar
Beckert, Sven, Empire of Cotton: A Global History (New York: Vintage, 2014).Google Scholar
Beckford, William, An Arabian Tale, from an Unpublished Manuscript: With Notes Critical and Explanatory, edited and translated by Henley, Samuel (London, 1786).Google Scholar
Beckford, William, Vathek with the Episodes of Vathek, edited by Graham, Kenneth W. (Peterborough, Ont.: Broadview, 2001).Google Scholar
Bentham, Jeremy, A Fragment on Government, edited by Burns, J. H. and Hart, H. L. A. (Cambridge: Cambridge University Press, 1988).Google Scholar
Bentley, Richard (ed.), Q. Horatius Flaccus, ex recensione & cum notis atque emendationibus Richardi Bentleii (Cambridge, 1711).Google Scholar
Berndt, Guido M. and Steinacher, Roland (eds), Arianism: Roman Heresy and Barbarian Creed (Farnham: Ashgate, 2014).Google Scholar
Bettenson, Henry, St Augustine: City of God, intro. by John O’Meara (London: Penguin Books, 1984).Google Scholar
Bewell, Alan, Romanticism and Colonial Disease (Baltimore and London: Johns Hopkins University Press, 1999).Google Scholar
Bienville, M. D. T., Nymphomania; or, A Dissertation Concerning the Furor Uterinus, trans. by Edward Sloane Wilmot (London, 1775).Google Scholar
Billaut, L., Le Château de Saint-Donats, ou Histoire du fils d’un émigré échappé aux massacres en France (Tours: Brillault jeune; Paris: Onfroy, Fuchs, Debray, 1802).Google Scholar
Blackmore, Sir Richard, Alfred. An Epick Poem (London, 1723).Google Scholar
Blackstone, William, Commentaries on the Laws of England, 4 vols (Oxford, 1765–69).Google Scholar
Blair, Hugh, A Critical Dissertation on the Poems of Ossian, the Son of Fingal (London, 1763).Google Scholar
Blair, Hugh, Lectures on Rhetoric and Belles Lettres, 2 vols (London, 1783).Google Scholar
Blair, Robert, The Grave. A Poem, 2nd edition (London, 1743).Google Scholar
Blockley, R. C., The Fragmentary Classicising Historians of the Later Roman Empire, 2 vols (Liverpool: Francis Cairns, 1981–3).Google Scholar
Blood, Harold Christian, Some Versions of Menippea, unpublished PhD dissertation, University of California, Santa Cruz, 2011.Google Scholar
Boaden, James, The Secret Tribunal (London, 1795).Google Scholar
Boaden, James, Aurelio and Miranda (London, 1799).Google Scholar
Boaden, James, Memoirs of Mrs. Siddons, 2 vols (London, 1827).Google Scholar
Boaden, James, ‘Fontainville Forest, A Play’, in Cohan, Steven (ed.), The Plays of James Boaden (New York: Garland, 1980), pp. 170.Google Scholar
Boaden, , ‘The Italian Monk’, in Cohan, Steven (ed.), The Plays of James Boaden (New York: Garland, 1980), pp. 178.Google Scholar
Boucé, Paul-Gabriel, Sexuality in Eighteenth-Century Britain (Manchester: Manchester University Press, 1998).Google Scholar
Bohls, Elizabeth A., Romantic Literature and Postcolonial Studies (Edinburgh: Edinburgh University Press, 2013).Google Scholar
Bond, Donald F. (ed.), The Spectator, 3 vols (Oxford: Clarendon Press, 1965).Google Scholar
Bond, Donald F. (ed.), Critical Essays by Joseph Addison, with Four Essays by Richard Steele (Oxford: Clarendon Press, 1970).Google Scholar
Bord, Gustave, La Fin de deux légendes. L’affaire Léonard. Le baron de Batz (Paris: Henri Daragon, 1909).Google Scholar
Botting, Fred, ‘The Gothic Production of the Unconscious’, in Byron, Glennis and Punter, David (eds), Spectral Readings: Towards a Gothic Geography (Basingstoke: Macmillan, 1999), pp. 1136.Google Scholar
Botting, Fred, Gothic, 2nd edition (Abingdon and New York: Routledge, 2014).Google Scholar
Bour, Isabelle (ed.), Maria, ou le Malheur d’être femme (Saint-Etienne: Publications de l’Université de Saint-Etienne, 2005).Google Scholar
Bret, Patrice and Chappey, Jean-Luc, ‘Pratiques et enjeux scientifiques, intellectuels et politiques de la traduction (vers 1660–vers 1840) – vol. 1 – Les enjeux politiques des traductions entre Lumières et Empire’, La Révolution française 12 (2017): 111.Google Scholar
Bridgwater, Patrick, The German Gothic Novel in Anglo-German Perspective (Amsterdam and New York: Rodopi, 2013).Google Scholar
Briquet, Fortunée, Dictionnaire historique, littéraire et bibliographique des françaises et des étrangères naturalisées en France (Paris: Treuttel et Würtz, 1804).Google Scholar
Bromley, Robert Anthony, A Philosophical and Critical History of the Fine Arts, 2 vols (London: Printed for the Author, 1793–95).Google Scholar
Bronfen, Elisabeth and Neumeier, Beate (eds), Gothic Renaissance: A Reassessment (Manchester: Manchester University Press, 2014).Google Scholar
Brown, Hilary, Benedikte Naubert (1756–1819) and Her Relations to English Culture (Leeds: Maney, 2005).Google Scholar
Brown, Howard G., ‘Mythes et massacres: reconsidérer la “terreur directoriale”’, Annales historiques de la Révolution française, 325 (July–September 2001): 2352.Google Scholar
Browne, Max, The Romantic Art of Theodor von Holst, 1810–1844 (London: Lund Humphries 1994).Google Scholar
Bruhm, Steven, ‘Gothic Sexualities’, in Powell, Anna and Smith, Andrew (eds), Teaching the Gothic (Basingstoke: Palgrave Macmillan, 2006), pp. 93106.Google Scholar
Bryant, Julius, ‘From “Gusto” to “Kentissime”: Kent’s Designs for Country Houses, Villas, and Lodges’, in Weber, Susan (ed.), William Kent: Designing Georgian Britain (New Haven and London: Yale University Press, 2013), pp. 183241.Google Scholar
Bugg, John, ‘The other interesting narrative: Olaudah Equiano’s public book tour’, PMLA 121:5 (2006): 1424–42.Google Scholar
Bundock, Chris and Effinger, Elizabeth (eds), William Blake’s Gothic Imagination: Bodies of Horror (Manchester: Manchester University Press 2018).Google Scholar
Burgess, Miranda, ‘Transporting Frankenstein: Mary Shelley’s mobile figures’, European Romantic Review 25:3 (2014): 247–65.Google Scholar
Burnet, Gilbert, A Collection of Several Tracts and Discourses Written in the Years 1677, to 1704, 3 vols (London, 1704).Google Scholar
Burnet, Gilbert, Some Letters, containing An Account of What Seem’d Most Remarkable in Travelling Through Switzerland, Italy, Some Parts of Germany, &c., 3rd edition ([London?] 1708).Google Scholar
Burke, Edmund, A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful, edited by Phillips, Adam (Oxford: Oxford University Press, 1990).Google Scholar
Burke, Edmund, The Writings and Speeches of William Burke, Vol. V, edited by Marshall, P. J. and Todd, William B. (Oxford: Oxford University Press, 1991).Google Scholar
Burke, Edmund, ‘Speech on Opening of Impeachment’, 15 February 1788, in The Writings and Speeches of Edmund Burke, Vol. VI, edited by Marshall, P. J. and Todd, William B. (Oxford: Oxford University Press, 1991), pp. 269312.Google Scholar
Butler, Marilyn, ‘Orientalism’, in Pirie, David B. (ed.), The Penguin History of Literature: The Romantic Period (London: Penguin, 1994), pp. 395447.Google Scholar
Byron, Glennis and Townshend, Dale (eds), The Gothic World (London and New York: Routledge, 2014).Google Scholar
Calè, Luisa, ‘Blake and the Literary Galleries’, in Haggarty, Sarah and Mee, Jon (eds), Blake and Conflict (Basingstoke: Palgrave Macmillan, 2008), pp. 185209.Google Scholar
Camden, William, Britannia: or A Chorographical Description of Great Britain and Ireland, together with the Adjacent Islands, 2 vols (London, 1722).Google Scholar
Cameron, Alan, Claudian: Poetry and Propaganda at the Court of Honorius (Oxford: Oxford University Press, 1970).Google Scholar
Cameron, Ed, The Psychopathology of the Gothic Romance: Perversion, Neuroses and Psychosis in Early Works of the Genre (Jefferson: McFarland, 2000).Google Scholar
Campbell, Jill, ‘“I am no giant”: Horace Walpole, heterosexual incest, and love among men’, Eighteenth Century 39:3 (1998): 238–60.Google Scholar
Caracciolo, Peter L., ‘Introduction: “Such a store house of ingenious fiction and of splendid imagery”’, in Caracciolo, Peter L. (ed.), The Arabian Nights in English Literature: Studies in the Reception of The Thousand and One Nights into British Culture (Basingstoke and London: Macmillan, 1988), pp. 180.Google Scholar
Carey, Brycchan, British Abolitionism and the Rhetoric of Slavery: Writing, Sentiment, and Slavery, 1760–1807 (Basingstoke: Palgrave Macmillan, 2005).Google Scholar
Carlyle, Thomas, ‘The state of German literature’, The Edinburgh Review 46 (1827): 304–51.Google Scholar
Carretta, Vincent, George III and the Satirists (Athens, GA: University of Georgia Press, 1990).Google Scholar
Carter, Michael, Lindfield, Peter N. and Townshend, Dale (eds), Writing Britain’s Ruins (London: The British Library, 2017).Google Scholar
Castle, Terry, Masquerade and Civilization: The Carnivalesque in Eighteenth-Century Culture and Fiction (Stanford, CA: Stanford University Press, 1989).Google Scholar
Castle, Terry, ‘The Spectralization of the Other in The Mysteries of Udolpho’, in Brown, Laura and Nussbaum, Felicity A. (eds), The New Eighteenth Century: Theory, Politics, English Literature (London and New York: Routledge, 1991), pp. 231–53.Google Scholar
Castle, Terry, The Female Thermometer: 18th-Century Culture and the Invention of the Uncanny (Oxford: Oxford University Press, 1995).Google Scholar
Caulfield, James, Memoirs of the Celebrated Persons Composing the Kit-Cat Club: With a Prefatory Account of the Origin of the Association (London, 1821).Google Scholar
Cawelti, John G., Adventure, Mystery, and Romance: Formula Stories as Art and Popular Culture (Chicago: University of Chicago Press, 1976).CrossRefGoogle Scholar
Chaplin, Sue, ‘Gothic Romance, 1760–1830’, in Byron, Glennis and Townshend, Dale (eds), The Gothic World (London and New York: Routledge, 2014), pp. 199209.Google Scholar
Chappell, Julie A. and Kramer, Kaley A (eds), Women During the English Reformations: Renegotiating Gender and Religious Identity (Basingstoke: Palgrave Macmillan, 2014).Google Scholar
Chappey, Jean-Luc, ‘La traduction comme pratique politique chez Antoine-Gilbert Griffet de Labaume (1756–1805)’, in Bertrand, Gilles and Serna, Pierre (eds), La République en voyage 1770–1830 (Rennes: P.U.R., 2013), pp. 225–35.Google Scholar
Charlesworth, Michael (ed.), The Gothic Revival 1720–1870: Literary Sources & Documents, 3 vols (Mountfield, East Sussex: Helm Information, 2002).Google Scholar
Chastenay, Louise-Marie-Victorine de, Mémoires de Madame de Chastenay, 2 vols (Paris: Plon, 1896).Google Scholar
Chatterjee, Ranita, ‘Charlotte Dacre’s Nymphomaniacs and Demon-Lovers: Teaching Female Masculinities’, in Knights, Ben (ed.), Masculinities in Text and Teaching (New York: Palgrave Macmillan, 2008), pp. 7589.Google Scholar
Chatterton, Thomas, Complete Works, edited by Taylor, Donald S. and Hoover, Benjamin B., 2 vols (Oxford: Clarendon Press, 1971).Google Scholar
Chénier, Marie-Joseph de, Tableau historique de l’état et des progrès de la littérature française depuis 1789 (Paris: Maradan, [1816], 1818).Google Scholar
Chiu, Frances A., ‘“Dark and dangerous designs”: tales of oppression, dispossession, and repression, 1770–1800’, Romanticism on the Net 28 (Nov 2002) <www.erudit.org/en/journals/ron/2002-n28-ron560/007205ar/> (last accessed 6 June 2018).+(last+accessed+6+June+2018).>Google Scholar
Chippendale, Thomas, The Gentleman and Cabinet-Maker’s Director: Being a Large Collection of the Most Elegant and Useful Designs of Household Furniture, in the most Fashionable Taste, 3rd edition (London, 1762).Google Scholar
Chow, Jeremy, ‘Go to Hell: William Beckford’s Skewed Heaven and Hell’, in Zigarovich, Jolene (ed.), TransGothic in Literature and Culture (New York: Routledge, 2018), pp. 5376.Google Scholar
Christopher, David, ‘Matthew Lewis’s The Monk and James Boaden’s Aurelio and Miranda – from text to stage’, Theatre Notebook 65 (2011): 152–70.Google Scholar
Clark, Kenneth, The Gothic Revival: An Essay in the History of Taste, 2nd edition (Harmondsworth: Penguin Books, 1962).Google Scholar
Clarke, Stephen, ‘Horace Walpole’s Architectural Taste’, in Peter Sabor (ed.), Horace Walpole: Beyond the Castle of Otranto, special feature in 1650–1850 Ideas, Æsthetics, and Inquiries in the Early Modern Era 16 (2009): 223–44.Google Scholar
Clarke, Stephen, ‘“Lord God! Jesus! What a house!”: describing and visiting Strawberry Hill’, Journal for Eighteenth–Century Studies 33:3 (September 2010): 357–80.Google Scholar
Clarke, Stephen, The Strawberry Hill Press & Its Printing House: An Account and an Iconography (New Haven and London: Yale University Press, 2011).Google Scholar
Clarke, Stephen (ed.), Walpole:, Horace Selected Letters (New York, London and Toronto: Everyman’s Library, 2017).Google Scholar
Clarkson, Thomas, The History of the Rise, Progress, and Accomplishment of the Abolition of the African Slave-Trade by the British Parliament, 2 vols (London, 1808).Google Scholar
Clery, E. J., ‘Ann Radcliffe and D. A. F. de Sade: thoughts on heroinism’, Women’s Writing 1:2 (1994): 203–14.Google Scholar
Clery, E. J., ‘Laying the Ground for Gothic: The Passage of the Supernatural from Truth to Spectacle’, in Tinkler-Villani, Valeria and Davidson, Peter (eds), Exhibited by Candlelight: Sources and Developments in the Gothic Tradition (Amsterdam: Rodopi, 1995), pp. 6574.Google Scholar
Clery, E. J., The Rise of Supernatural Fiction, 1762–1800 (Cambridge: Cambridge University Press, 1995).Google Scholar
Clery, E. J., Women’s Gothic: From Clara Reeve to Mary Shelley (Tavistock: Northcote House, 2000).Google Scholar
Clery, E. J. and Miles, Robert (eds), Gothic Documents, A Sourcebook: 1700–1820 (Manchester and New York: Manchester University Press, 2000).Google Scholar
Clive, Robert, Lord Clive’s Speech in the House of Commons, 30th March 1772 (London,1772).Google Scholar
Cobb, James The Haunted Tower (London, 1796).Google Scholar
Cockburn, John, The History and Examination of Duels (London, 1720).Google Scholar
Cointre, Annie and Rivara, Annie (eds), Recueil de préfaces de traducteurs de romans anglais, 1721–1828 (Saint-Étienne: Publications de l’Université de Saint-Étienne, 2006).Google Scholar
Coleridge, Ernest Hartley (ed.), Letters of Samuel Taylor Coleridge, 2 vols (London: William Heinemann, 1895).Google Scholar
Coleridge, Samuel Taylor, Biographia Literaria, 2 vols, edited by Engell, James and Jackson Bate, W, in Coburn, Kathleen (Gen. ed.), The Collected Works of Samuel Taylor Coleridge, 16 vols (London: Routledge & Kegan Paul, 1971–2001).Google Scholar
Coleridge, Samuel Taylor, ‘Preface to Christabel’, in Duncan, Wu (ed.), Romanticism: An Anthology, 4th edition (Oxford: Wiley-Blackwell, 2012), pp. 659–60.Google Scholar
Colley, Linda, Britons: Forging the Nation, 1707–1837, 2nd edition (New Haven and London: Yale University Press, 2005).Google Scholar
Collins, Roger, Visigothic Spain 409–711 (Oxford: Blackwell Publishing, 2004).Google Scholar
Colman, George the Younger, ‘Blue-Beard; or, Female Curiosity!’, in Cox, Jeffrey N. and Gamer, Michael (eds), The Broadview Anthology of Romantic Drama (Peterborough, Ont.: Broadview, 2003), pp. 7596.Google Scholar
Colvin, H. M., ‘Gothic survival and gothick revival’, The Architectural Review 103 (1948): 91–8.Google Scholar
Colvin, Howard, A Biographical Dictionary of British Architects 1600–1840, 4th edition (New Haven and London: Yale University Press, 2008).Google Scholar
Colvin, Howard, ‘Henry Flitcroft, William Kent and Shobdon Church, Herefordshire’, in Jones, David and McKinstry, Sam (eds), Essays in Scots and English Architectural History: A Festschrift in Honour of John Frew (Donington: Shaun Tyas, 2009), pp. 18.Google Scholar
Conger, Syndy M., Matthew G. Lewis, Charles Robert Maturin and the Germans: An Interpretative Study of the Influence of German literature on Two Gothic Novels (Salzburg: Institut für Englische Sprache und Literatur, Universität Salzburg, 1976).Google Scholar
Conger, Syndy M., ‘Sensibility Restored: Radcliffe’s Answer to Lewis’s The Monk’, in Graham, Kenneth W. (ed.), Gothic Fictions: Prohibition/Transgression (New York: AMS Press, 1989), pp. 113–49.Google Scholar
Connell, Philip, ‘British identities and the politics of ancient poetry in later eighteenth-century England’, The Historical Journal 49:1 (2006): 161–92.Google Scholar
Conway, Stephen, The British Isles and the War of American Independence (Oxford: Oxford University Press, 2000).Google Scholar
Cooper, Anthony Ashely, Earl of Shaftesbury, Characteristicks of Men, Manners, Opinions, Times, 3 vols (London, 1711).Google Scholar
Copeland, Nancy E., ‘“Simple art and simple nature”: Sarah Siddons versus Ann Crawford’, RECTR 2nd series 2:1 (1987): 5461.Google Scholar
Cowper, William, The Poems of William Cowper, edited by Baird, John D. and Ryskamp, Charles (Oxford: Oxford University Press, 1995).Google Scholar
Cox, Jeffrey N., In the Shadows of Romance (Athens, OH: Ohio University Press, 1987).Google Scholar
Cox, Jeffrey N. (ed.), Seven Gothic Dramas, 1789–1825 (Athens, OH: Ohio University Press, 1992).Google Scholar
Cox, Jeffrey N., ‘Gothic Drama’, in Mulvey-Roberts, Marie (ed.), The Handbook of the Gothic (New York: New York University Press, 2009), pp. 131–5.Google Scholar
Coykendall, Abby, ‘Gothic genealogies, the family romance, and Clara Reeve’s The Old English Baron’, Eighteenth-Century Fiction 17:3 (April 2005): 443–80.Google Scholar
Craciun, Adriana, Fatal Women of Romanticism (Cambridge: Cambridge University Press, 2003).Google Scholar
Craciun, Adriana, ‘Introduction’, in Zofloya; or, The Moor, by Dacre, Charlotte, edited by Craciun, Adriana (Peterborough, Ont.: Broadview, 2003), pp. 932.Google Scholar
Crawford, Joseph, Gothic Fiction and the Invention of Terrorism: The Politics and Aesthetics of Fear in the Age of the Reign of Terror (London: Bloomsbury, 2013).Google Scholar
Cugoano, Ottabah, Thoughts and Sentiments on the Evil of Slavery (London, 1787).Google Scholar
Cumberland, Richard, ‘The Carmelite: A Tragedy’, in Borkat, Roberta F. S (ed.), The Plays of Richard Cumberland, 6 vols (New York: Garland, 1982), vol. 3, pp. 172.Google Scholar
Dabhoiwala, Faramerz, The Origins of Sex: A History of the First Sexual Revolution (Oxford: Oxford University Press, 2012).Google Scholar
Dacre, Charlotte, Zofloya; or, The Moor, edited by Michasiw, Kim Ian (Oxford: Oxford University Press, 1997).Google Scholar
Dalrymple, William, ‘The East India Company: The original corporate raiders’, The Guardian (4 March 2015). <www.theguardian.com/world/2015/mar/04/east-india-company-original-corporate-raiders> (last accessed 27 March 2019).+(last+accessed+27+March+2019).>Google Scholar
Davenant, Charles, Essays upon I. The Balance of Power. II. The Right of Making War, Peace, and Alliances. III. Universal Monarchy (London, 1701).Google Scholar
Davison, Carol Margaret, Gothic Literature 1764–1824 (Cardiff: University of Wales Press, 2009).Google Scholar
Davoli, Sylvia, Lost Treasures of Strawberry Hill: Masterpieces from Horace Walpole’s Collection (London: Scala, 2018).Google Scholar
Day, Thomas and Bicknell, John, The Dying Negro, A Poetical Epistle, Supposed to Be Written by a Black (Who lately shot himself on board a vessel in the river Thames;) to His Intended Wife (London, 1773).Google Scholar
De Beer, E. S., ‘Gothic: origin and diffusion of the term; the idea of style in architecture’, Journal of the Warburg and Courtauld Institutes 11 (1948): 143–62.Google Scholar
De Bruyn, Frans, ‘Edmund Burke’s gothic romance: the portrayal of Warren Hastings in Burke’s writings and speeches on India’, Criticism 29:4 (1987): 415–87.Google Scholar
Defoe, Daniel, Jure Divino: A Satyr. In Twelve Books (London, 1706).Google Scholar
Defoe, Daniel, Robinson Crusoe, edited by Keymer, Thomas (Oxford: Oxford University Press, 2007).Google Scholar
Demata, Massimiliano, ‘Discovering Eastern Horrors: Beckford, Maturin, and the Discourse of Travel Literature’, in Smith, Andrew and Hughes, William (eds), Empire and the Gothic: The Politics of Genre (Basingstoke and New York: Palgrave Macmillan, 2010), pp. 1334.Google Scholar
Denham, John, Coopers-Hill. A Poem (London, 1709).Google Scholar
Dennis, John, The Advancement and Reformation of Modern Poetry. A Critical Discourse, in Two Parts (London, 1701).Google Scholar
Dennis, John, Britannia Triumphans; or, The Empire Sav’d, and Europe Deliver’d. By the Success of her Majesty’s Forces under the Wise and Heroick Conduct of his Grace the Duke of Marlborough. A Poem (London, 1704).Google Scholar
Dennis, John, The Critical Works of John Dennis, 2 vols, edited by Hooker, Edward Niles (Baltimore: John Hopkins University Press, 1967).Google Scholar
Dent, Jonathan, Sinister Histories: Gothic Novels and Representations of the Past, from Horace Walpole to Mary Wollstonecraft (Manchester: Manchester University Press, 2016).Google Scholar
De Quincey, Thomas, Confessions of an English Opium-Eater and Other Writings, edited by Lindop, Grevel (Oxford: Oxford University Press, 1985).Google Scholar
Desmet, Christy and Williams, Anne (eds), Shakespearean Gothic (Cardiff: University of Wales Press, 2009).Google Scholar
Dewing, H. B. (ed.), Procopius:, History of the Wars, 5 vols (Cambridge, MA and London: Harvard University Press, 1914–28).Google Scholar
Didier, Béatrice, Écrire la Révolution, 1789–1799 (Paris: P.U.F., 1989).Google Scholar
Dirks, Nicholas B., The Scandal of Empire: India and the Creation of Imperial Britain (Cambridge, MA: Harvard University Press, 2006).Google Scholar
Dobrée, Bonamy and Webb, Geoffrey (eds), The Complete Works of Sir John Vanbrugh, Vol. 4 (London: Nonesuch Press, 1928).Google Scholar
Dobson, Michael, The Making of the National Poet: Shakespeare, Adaptation, and Authorship, 1660–1769 (Oxford: Clarendon Press, 1992).Google Scholar
Dow, Gillian, ‘Northanger Abbey, French fiction, and the affecting history of the Duchess of C***’, Persuasions 32 (2010): 2845.Google Scholar
Downes, Kerry, Hawksmoor (London: A. Zwemmer, 1959).Google Scholar
Downes, Kerry, Sir Christopher Wren: The Design of St Paul’s Cathedral (London: Trefoil in association with Guildhall Library, 1988).Google Scholar
Doyle, Laura, Freedom’s Empire: Race and the Rise of the Novel in Atlantic Modernity, 1640–1940 (Durham, NC: Duke University Press, 2008).Google Scholar
Drakakis, John and Townshend, Dale (eds), Gothic Shakespeares (Abingdon and New York: Routledge, 2008).Google Scholar
Drake, Nathan, Literary Hours; or, Sketches Critical and Narrative (London, 1798).Google Scholar
Drinkwater, John and Elton, Hugh (eds), Fifth-Century Gaul: A Crisis of Identity? (Cambridge: Cambridge University Press, 1992).Google Scholar
Dryden, John, King Arthur; or, The British Worthy (London, 1691).Google Scholar
Dryden, John (trans.), The Works of Virgil: Containing His Pastorals, Georgics and Æneis, 3 vols, 3rd edition (London, 1709).Google Scholar
Duckett, William, Dictionnaire de la conversation et de la lecture, 16 vols (Paris: Firmin Didot, [1833] 1860).Google Scholar
Duff, William, An Essay on Original Genius; and Its Various Modes of Exertion in Philosophy and the Fine Arts, particularly in Poetry (London, 1767).Google Scholar
Duncombe, John, The Feminiad, a Poem, edited by Harris, Jocelyn (Los Angeles: Williams Andrew Clark Memorial Library, 1981).Google Scholar
Dunlop, John Colin, The History of Fiction: Being a Critical Account of the Most Celebrated Prose Works of Fiction, from the Earliest Greek Romances to the Novels of the Present Age, 3 vols (London, 1814).Google Scholar
Durot-Boucé, Elizabeth, ‘Traducteurs et traductrices d’Ann Radcliffe, ou la fidélité est-elle une question de sexe?’, Palimpsestes 22 (2009): 101–28.Google Scholar
Eastlake, Charles Locke, A History of the Gothic Revival (London: Longmans, Green and Co., 1872).Google Scholar
Eliot, T. S., ‘The Metaphysical Poets’, in Leitch, Vincent B. (ed.), The Norton Anthology of Theory and Criticism, 3rd edition (New York: W. W. Norton & Co., 2018), pp. 891–8.Google Scholar
Ellis, Markman, The History of Gothic Fiction (Edinburgh: Edinburgh University Press, 2003).Google Scholar
Elliston, Robert, The Venetian Outlaw (London, 1805).Google Scholar
Epstein, Julia and Straub, Kristina, Body Guards: The Cultural Politics of Gender Ambiguity (New York: Routledge, 1991).Google Scholar
Equiano, Olaudah, The Interesting Narrative and Other Writings, edited by Carretta, Vincent (London: Penguin, 2003).Google Scholar
Erle, Sibylle, ‘“On the very Verge of legitimate Invention”: Charles Bonnet and William Blake’s Illustrations to Robert Blair’s The Grave (1808)’, in Davison, Carol Margaret (ed.), The Gothic and Death (Manchester: Manchester University Press 2017), pp. 3447.Google Scholar
Evelyn, John, An Account of Architects and Architecture, Together, with an Historical, Etymological Explanation of Certain Terms, Particularly Affected by Architects (London, 1706).Google Scholar
Favret, Mary A., War at a Distance: Romanticism and the Making of Modern Wartime (Princeton, NJ: Princeton University Press, 2010).Google Scholar
Fear, Andrew T., Orosius: Seven Books of History against the Pagans, trans. by Andrew T. Fear (Liverpool: Liverpool University Press, 2010).Google Scholar
Feller, François-Xavier de, Biographie universelle, ou Dictionnaire historique des hommes qui se sont fait un nom par leur génie, 12 vols (Paris: Gauthier frères, 1833).Google Scholar
Felton, D., Haunted Greece and Rome: Ghost Stories from Classical Antiquity (Austin: University of Texas Press, 1999).Google Scholar
Fielding, Henry, The History of Tom Jones, A Foundling, 6 vols (London, 1749).Google Scholar
Fingesten, Peter, ‘Topographical and anatomical aspects of the gothic cathedral’, The Journal of Aesthetics and Art Criticism 20:1 (Autumn, 1961): 323.Google Scholar
Fleenor, Juliann E. (ed.), The Female Gothic (Montreal: Eden Press, 1983).Google Scholar
Fliegelman, Jay, Prodigals and Pilgrims: The American Revolution against Patriarchal Authority (Cambridge: Cambridge University Press, 1982).Google Scholar
Foote, Samuel, The Nabob; A Comedy (London, 1778).Google Scholar
Foucault, Michel, Herculine Barbin: Being the Recently Discovered Memoirs of a Nineteenth-Century French Hermaphrodite, trans. by Richard McDougall (New York: Pantheon Books, 1980).Google Scholar
Foucault, Michel, Power/Knowledge: Selected Interviews and Other Writings, 1972–1977, edited by Gordon, Colin, trans. by Colin Gordon, Leo Marshall, John Mepham and Kate Soper (New York: Pantheon Books, 1980).Google Scholar
Foucault, Michel, The History of Sexuality, Volume I: An Introduction, trans. by Robert Hurley (New York: Vintage, 1990).Google Scholar
Foucault, Michel, Abnormal: Lectures at the Collège de France, 1974–1975, trans. by Graham Burchell (New York: Picador, 2003).Google Scholar
Frank, Frederick S., The First Gothics: A Critical Guide to the English Gothic Novel (New York and London: Garland Publishing, 1987).Google Scholar
Franklin, Michael, J., ‘Accessing India: Orientalism, Anti-“Indianism” and the Rhetoric of Jones and Burke’, in Fulford, Tim and Kitson, Peter J. (eds), Romanticism and Colonialism: Writing and Empire, 1780–1830 (Cambridge: Cambridge University Press, 1998), pp. 4866.Google Scholar
Freeman, Lisa A., Antitheatricality and the Body Public (Philadelphia: University of Pennsylvania Press, 2017).Google Scholar
Freud, Sigmund, ‘A Special Type of Object Choice Made by Men’, in The Standard Edition of the Complete Psychological Works of Sigmund Freud, Vol. XI: Five Lectures on Psycho-Analysis, Leonardo da Vinci and Other Works (London: The Hogarth Press, 1910), pp. 163–76.Google Scholar
Freud, Sigmund, ‘The “Uncanny”’, in Strachey, James (ed. and trans.), The Standard Edition of the Complete Psychological Works of Sigmund Freud, Vol. XVII: An Infantile Neurosis and Other Works (London: The Hogarth Press, 1955), pp. 219–52.Google Scholar
Friedman, Terry, ‘The transformation of York Minster, 1726–42’, Architectural History 38 (1995): 6990.Google Scholar
Fry, Paul H., ‘Classical Standards in the Period’, in Brown, Marshall (ed.), The Cambridge History of Literary Criticism, Vol. 5: Romanticism (Cambridge: Cambridge University Press, 2000), pp. 728.Google Scholar
Fuller, Anne, Alan Fitz-Osborne: A Historical Tale, 2 vols (Dublin, 1787).Google Scholar
Galli Mastrodonato, Paola, ‘Romans gothiques anglais et traductions françaises: L’année 1797 et la migration de récits’, Neohelicon 13:1 (1986): 287320.Google Scholar
Gamer, Michael, ‘Authors in effect: Lewis, Scott, and the gothic drama’, ELH 66 (1999): 831–61.Google Scholar
Gamer, Michael, ‘Genres for the prosecution: pornography and the gothic’, PMLA 114:5 (October 1999): 1043–54.Google Scholar
Gamer, Michael, Romanticism and the Gothic: Genre, Reception, and Canon Formation (Cambridge: Cambridge University Press, 2000).Google Scholar
Genlis, Stéphanie Félicité de, Adelaide and Theodore; or Letters on Education, 3 vols (London, [1783]).Google Scholar
Garte, Hansjörg, Kunstform Schauerroman (Leipzig: Carl Garte, 1935).Google Scholar
Geraghty, Anthony, The Architectural Drawings of Sir Christopher Wren at All Souls College, Oxford: A Complete Catalogue (Aldershot: Ashgate, 2007).Google Scholar
Gerrard, Christine, The Patriot Opposition to Walpole: Politics, Poetry, and National Myth, 1725–1742 (Oxford: Clarendon Press, 1994).Google Scholar
Gifford, William, The Satires of Decimus Junius Juvenalis (London, 1802).Google Scholar
Gilbert, Ruth, Early Modern Hermaphrodites: Sex and Other Stories (New York: Palgrave Macmillan, 2002).Google Scholar
Gillespie, Stuart, English Translation and Classical Reception: Towards a New Literary History (Malden: Wiley-Blackwell, 2011).Google Scholar
Goddu, Teresa A., ‘The African American Slave Narrative and the Gothic’, in Crow, Charles L. (ed.), A Companion to American Gothic (Malden: John Wiley, 2014), pp. 7183.Google Scholar
Godwin, William, ‘Of History and Romance’ <www.english.upenn.edu/~mgamer/Etexts/godwin.history.html> (last accessed 17 June 2019).+(last+accessed+17+June+2019).>Google Scholar
Goffart, Walter, The Narrators of Barbarian History (A.D. 550–800): Jordanes, Gregory of Tours, Bede, and Paul the Deacon (Princeton, NJ: Princeton University Press, 1988).Google Scholar
Goffart, Walter, Barbarian Tides: The Migration Age and the Later Roman Empire (Philadelphia: University of Pennsylvania Press, 2006).Google Scholar
Goldsmith, Oliver, ‘The Monthly Review (May 1757)’, in Friedman, Arthur (ed.), The Collected Works of Oliver Goldsmith, 5 vols (Oxford: Clarendon, 1966), vol. 1, pp. 1213.Google Scholar
Gonda, Caroline, Reading Daughters’ Fictions 1709–1834: Novels and Society from Manley to Edgeworth (Cambridge: Cambridge University Press, 1996).Google Scholar
Gottlieb, Evan, Romantic Globalism: British Literature and Modern World Order, 1750–1830 (Columbus, OH: Ohio State University Press, 2014).Google Scholar
Gould, Eliga H., The Persistence of Empire: British Political Culture in the Age of the American Revolution (Chapel Hill: University of North Carolina Press, 2000).Google Scholar
Greenblatt, Stephen, Will in the World: How Shakespeare Became Shakespeare (New York: W. W. Norton, 2004).Google Scholar
Greene, Jack P., Evaluating Empire and Confronting Colonialism in Eighteenth-Century Britain (Cambridge: Cambridge University Press, 2013).Google Scholar
Griffin, Robert J., Wordsworth’s Pope: A Study in Literary Historiography (Cambridge: Cambridge University Press, 2005).Google Scholar
Groom, Nick, The Gothic: A Very Short Introduction (Oxford: Oxford University Press, 2012).Google Scholar
Groom, Nick, ‘Eighteenth-Century Gothic before The Castle of Otranto’, in Parker, Joanne (ed.), The Harp and the Constitution: Myths of Celtic and Gothic Origin in Modern Europe (Leiden and Boston: Brill, 2016), pp. 2646.Google Scholar
Groom, Nick, ‘Romanticism before 1789’, in Duff, David (ed.), The Oxford Handbook of British Romanticism (Oxford: Oxford University Press, 2018), pp. 1329.Google Scholar
Grosrichard, Alain, The Sultan’s Court: European Fantasies of the East, trans. by Liz Heron (London and New York: Verso, 1998).Google Scholar
Grosse, Carl, Der Genius (Halle/Saale, 1790–4).Google Scholar
Grosse, Carl, Der Dolch (Berlin, 1794).Google Scholar
Grosse, Carl, The Genius; or, The Mysterious Adventures of Don Carlos de Grandez, trans. by Joseph Trapp (London, 1796).Google Scholar
Grosse, Carl, Horrid Mysteries: A Story, trans. by Peter Will (London, 1796).Google Scholar
Grunenberg, Christoph (ed.), Gothic: Transmutations of Horror in Late Twentieth Century Art (Boston: Institute of Contemporary Art, 1997).Google Scholar
Guillery, Peter and Snodin, Michael, ‘Strawberry Hill: building and site’, Architectural History 38 (1995): 102–28.Google Scholar
Guthke, Karl S., Englische Vorromantik und deutscher Sturm und Drang: M.G. Lewis’ Stellung in der Geschichte der deutsch-englischen Literaturbeziehungen (Göttingen: Mayer und Müller, 1958).Google Scholar
Gwynn, David M., The Goths: Lost Civilizations (London: Reaktion Books, 2017).Google Scholar
Haan, Estelle, Thomas Gray’s Latin Poetry (Brussels: Latomus, 2000).Google Scholar
Hadley, Michael, The Undiscovered Genre: A Search for the German Gothic Novel (Berne: Peter Lang, 1978).Google Scholar
Haggerty, George E., Unnatural Affections: Women and Fiction in the Later 18th Century (Bloomington: Indiana University Press, 1998).Google Scholar
Haggerty, George E., Men in Love: Masculinity and Sexuality in the Eighteenth Century (New York: Columbia University Press, 1999).Google Scholar
Haggerty, George E., ‘Walpoliana’, Eighteenth-Century Studies 34:2 (Winter 2001): 227–49.Google Scholar
Haggerty, George E., Queer Gothic (Urbana and Chicago: University of Illinois Press, 2006).Google Scholar
Haggerty, George E., ‘Queering Horace Walpole’, Studies in English Literature 1500–1900 46:3 (2006): 543–61.Google Scholar
Haggerty, George E., ‘The Failure of Heteronormativity in the Gothic Novel’, in Boe, Ana de Freitas and Coykendall, Abby (eds), Heteronormativity in Eighteenth-Century Literature and Culture (New York: Ashgate, 2014), pp. 131–49.Google Scholar
Halberstam, Jack, Female Masculinity (Durham, NC: Duke University Press, 1998).Google Scholar
Hall, Daniel, ‘Rewriting the Revolution: Direct and Indirect Responses in the French Gothic Novel and Dramas’, in McCann, Benn and Hall, Daniel (eds), Rewriting the Political (Exeter: Elm Bank publications, 2000).Google Scholar
Hall, Daniel, French and German Gothic Fiction in the Late Eighteenth Century (Bern: Peter Lang, 2005).Google Scholar
Halsall, Guy, Barbarian Migrations and the Roman West, 376–568 (Cambridge: Cambridge University Press, 2007).Google Scholar
Hamilton, Walter, Ammianus Marcellinus: The Later Roman Empire (A.D. 354–378), trans. by Walter Hamilton, intro. and notes by Andrew Wallace-Hadrill (London: Penguin Books, 1986).Google Scholar
Hamm, , Jr Robert, B., ‘Hamlet and Walpole’s The Castle of Otranto’, Studies in English Literature 1500–1900 49:3 (Summer, 2009): 667–92.Google Scholar
Harley, Martha, St Bernard’s Priory: An Old English Tale (London, 1786).Google Scholar
Harley, Martha, The Castle of Mowbray, an English Romance (London, 1788).Google Scholar
Harney, Marion, Place-Making for the Imagination: Horace Walpole and Strawberry Hill (Farnham: Ashgate, 2013).Google Scholar
Harries, Jill, Sidonius Apollinaris and the Fall of Rome, A.D. 407–485 (Oxford: Oxford University Press, 1994).Google Scholar
Harris, Eileen, ‘Batty Langley: a tutor to freemasons (1696–1751)’, Burlington Magazine 119: 890 (1977): 327–35.Google Scholar
Harris, John, ‘A William Kent discovery: designs for Esher Place, Surrey’, Country Life (14 May 1959): 1076–8.Google Scholar
Harris, John, ‘Esher Place, Surrey’, Country Life (2 April 1987): 94–7.Google Scholar
Hart, Vaughan, Nicholas Hawksmoor: Rebuilding Ancient Wonders (New Haven and London: Yale University Press, 2002).Google Scholar
Hart, Vaughan, Sir John Vanbrugh: Storyteller in Stone (New Haven and London: Yale University Press, 2008).Google Scholar
Hayley, William, An Essay on Epic Poetry; in Five Epistles to the Revd. Mr. Mason, with Notes (London, 1782).Google Scholar
Haywood, Ian, Matthews, Susan and Shannon, Mary L. (eds), Romanticism and Illustration (Cambridge: Cambridge University Press 2019).Google Scholar
Hazen, Allen T., A Bibliography of the Strawberry Hill Press (New Haven: Yale University Press, 1942).Google Scholar
Hazlitt, William, Lectures on the English Comic Writers (London, 1819).Google Scholar
Hazlitt, William, Lectures Chiefly on the Dramatic Literature of the Age of Elizabeth. Delivered at the Surrey Institution (London, 1820).Google Scholar
Headley, Gwyn, Follies, Grottoes & Garden Buildings (London: Aurum, 1999).Google Scholar
Heather, Peter, Goths and Romans, AD 332–489 (Oxford: Clarendon Press, 1991).Google Scholar
Heather, Peter, The Goths (Oxford: Blackwell Publishing, 1996).Google Scholar
Heather, Peter (ed.), The Visigoths from the Migration Period to the Seventh Century: An Ethnographic Perspective (Woodbridge: The Boydell Press, 1999).Google Scholar
Heather, Peter, The Fall of the Roman Empire: A New History (London: Macmillan, 2005).Google Scholar
Heather, Peter, Empires and Barbarians: Migration, Development and the Birth of Europe (London: Macmillan, 2009).Google Scholar
Heather, Peter and Matthews, John, The Goths in the Fourth Century (Liverpool: Liverpool University Press, 1991).Google Scholar
Heiland, Donna, Gothic and Gender: An Introduction (Oxford: Blackwell, 2004).Google Scholar
Heilman, Robert Bechtold, America in English Fiction: The Influences of the American Revolution (Baton Rouge: Louisiana University Press, 1937).Google Scholar
Heinzmann, Johann Georg, Über die Pest der deutschen Literatur. Appel an meine Nation über Aufklärung und Aufklärer; über Gelehrsamkeit und Schriftsteller; über Büchermanufakturen, Rezensenten, Buchhändler; über moderne Philosophen und Menschenerzieher; auch über mancherley anderes, was Menschenfreyheit und Menschenrechte betrifft (Bern, 1795).Google Scholar
Henry, Robert, The History of Great Britain, from the First Invasion of It by the Romans under Julius Cæsar, 6 vols (London, 1771–93).Google Scholar
Hepburn, Robert, A Discourse concerning Fews and Superiorities, Shewing That the Rigid Observance of Them Is Inconsistent with the Nature of the British Constitution (Edinburgh, 1716).Google Scholar
Heppner, Christopher, Reading Blake’s Designs (Cambridge: Cambridge University Press, 1995).Google Scholar
Hermanson, Anne, The Horror Plays of the English Restoration (Farnham: Ashgate Publishing, 2014).Google Scholar
Hesse, Carla, The Other Enlightenment: How French Women Became Modern, Appendix A, ‘Bibliography of French Women, 1789–1800’ (Princeton, NJ: Princeton University Press, 2003).Google Scholar
Highfill, Philip, A., Burmin, Kalman A. and Langhans, Edward A. (eds), A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and Other Stage Personnel in London, 1660–1800 (Carbondale: Southern Illinois University Press, 1973–93).Google Scholar
Hillgarth, J. N., The Visigoths in History and Legend (Toronto: Pontifical Institute of Mediaeval Studies, 2009).Google Scholar
Hodson, Jane, ‘Gothic and the Language of Terror’, in Wright, Angela and Townshend, Dale (eds), Romantic Gothic: An Edinburgh Companion (Edinburgh: Edinburgh University Press, 2016), pp. 289305.Google Scholar
Hoeveler, Diane Long, ‘Charlotte Dacre’s Zofloya: a case study in miscegenation as sexual and racial nausea’, European Romantic Review 8:2 (1997): 185–99.Google Scholar
Hoeveler, Diane Long, Gothic Feminism: The Professionalization of Gender from Charlotte Smith to the Brontës (University Park: The Pennsylvania State University Press, 1998).Google Scholar
Hoeveler, Diane Long, ‘Introduction’, The Castle of Wolfenbach by Eliza Parsons, edited by Hoeveler, Diane Long (Kansas City: Valancourt Books, 2007), pp. viixiv.Google Scholar
Hoeveler, Diane Long, Gothic Riffs: Secularizing the Uncanny in the European Imaginary, 1780–1820 (Columbus, OH: Ohio State University Press, 2010).Google Scholar
Hoeveler, Diane Long, ‘Gothic Adaptation, 1764–1830’, in Byron, Glennis and Townshend, Dale (eds), The Gothic World (London and New York: Routledge, 2014), pp. 185–98.Google Scholar
Hoeveler, Diane Long, The Gothic Ideology: Religious Hysteria and Anti-Catholicism in British Popular Fiction, 1780–1880 (Cardiff: University of Wales Press, 2014).Google Scholar
Hogan, Charles B., The London Stage: Part 5, 1776–1800: A Critical Introduction (Carbondale: Southern Illinois University Press, 1968).Google Scholar
Hogle, Jerrold E., ‘The Ghost of the Counterfeit in the Genesis of the Gothic’, in Smith, Allan Lloyd and Sage, Victor (eds), Gothick Origins and Innovations (Amsterdam: Rodopi, 1994), pp. 2333.Google Scholar
Hogle, Jerrold E., ‘Recovering the Walpolean Gothic: The Italian; or, The Confessional of the Black Penitents (1796–97)’, in Townshend, Dale and Wright, Angela (eds), Ann Radcliffe, Romanticism and the Gothic (Cambridge: Cambridge University Press, 2014), pp. 151–67.Google Scholar
Home, Henry Kames, Lord, Elements of Criticism, 3rd edition, 2 vols (Edinburgh, 1765).Google Scholar
Home, John, ‘Douglas: A Tragedy’, in Malek, James S. (ed.), in The Plays of John Home (New York: Garland, 1980), pp. 775.Google Scholar
Hudson, Hannah Doherty, ‘The Myth of Minerva: Publishing, Popular Fiction, and the Rise of the Novel’, unpublished PhD thesis, Stanford University, 2013.Google Scholar
Hudson, Hannah Doherty, ‘Sentiment and the Gothic: Failures of Emotion in the Novels of Mrs. Radcliffe and the Minerva Press’, in Rivero, Albert J. (ed.), The Sentimental Novel in the Eighteenth Century (Cambridge: Cambridge University Press, 2019), pp. 155–72.Google Scholar
Hughes, Ian, Stilicho: The Vandal Who Saved Rome (Barnsley: Pen & Sword Military, 2010).Google Scholar
Hughes, William and Smith, Andrew (eds), Queering the Gothic (Manchester: Manchester University Press, 2009).Google Scholar
Hughes, William and Heholt, Ruth (eds), Gothic Britain: Dark Places in the Provinces and Margins of the British Isles (Cardiff: University of Wales Press, 2018).Google Scholar
Hurd, Richard, Letters on Chivalry and Romance (London, 1762).Google Scholar
Hurd, Richard, The Works of Richard Hurd, 8 vols (London, 1811).Google Scholar
Hume, David, ‘Letter XLII’, in Letters of David Hume to William Strahan, edited by Birkbeck Hill, G (Oxford: Clarendon Press, 1888), pp. 155–7.Google Scholar
Hume, David, A Treatise of Human Nature, edited by Selby-Bigge, L. A. (Oxford: Clarendon Press, 1888).Google Scholar
Hume, Robert D., ‘Gothic versus romantic: a revaluation of the gothic novel’, PMLA 84:2 (March 1969): 282–90.Google Scholar
Innes, Thomas, A Critical Essay on the Ancient Inhabitants of the Northern Parts of Britain, or Scotland, 2 vols (London, 1729).Google Scholar
Irwin, Robert, The Arabian Nights: A Companion (London and New York: I. B. Tauris, 2005).Google Scholar
Jacobs, Edward H., Accidental Migrations: An Archaeology of Gothic Discourse (Lewisburg: Bucknell University Press, 2000).Google Scholar
Jacobs, Edward H., ‘Ann Radcliffe and Romantic Print Culture’, in Townshend, Dale and Wright, Angela (eds), Ann Radcliffe, Romanticism and the Gothic (Cambridge: Cambridge University Press, 2014), pp. 4966.Google Scholar
Jager, Colin, ‘This Detail, This History: Charles Taylor’s Romanticism’, in Warner, Michael, VanAntwerpen, Jonathan and Calhoun, Craig (eds), Varieties of Secularism in a Secular Age (Cambridge, MA: Harvard University Press, 2013), pp. 166–92.Google Scholar
Jager, Colin, ‘Language Within Language: Reform and Literature in A Secular Age’, in Zemmin, Florian, Jager, Colin and Vanheeswijk, Guido (eds), Working with A Secular Age: Interdisciplinary Perspectives on Charles Taylor’s Master Narrative (Berlin & Boston: Walter de Gruyter, 2017), pp. 207–28.Google Scholar
Jauss, Hans Robert, ‘Modernity and literary tradition’, trans. by Christian Thorne, Critical Inquiry 31 (2005): 329–64.Google Scholar
Jenkins, Bethan M., Between Wales and England: Anglophone Welsh Writing of the Eighteenth Century (Cardiff: University of Wales Press, 2017).Google Scholar
Jephson, Robert, ‘The Count of Narbonne’, in Maynard, Temple James (ed.), The Plays of Robert Jephson (New York: Garland, 1980), pp. 161.Google Scholar
Jestin, Loftus, The Answer to the Lyre: Richard Bentley’s Illustrations for Thomas Gray’s Poems (Philadelphia: University of Pennsylvania Press, 1990).Google Scholar
Johannesson, Kurt, The Renaissance of the Goths in Sixteenth-Century Sweden, trans. by James Larson (Berkeley and Los Angeles: University of California Press, 1991).Google Scholar
Johnson, Paul, The Birth of the Modern: World Society, 1815–1830 (London: Phoenix Giant, 1996).Google Scholar
Johnson, Samuel, A Dictionary of the English Language, 2 vols (London, 1755–6).Google Scholar
Johnson, Samuel, Mr Johnson’s Preface to His Edition of Shakespear’s [sic] Plays (London, 1765).Google Scholar
Johnson, Samuel, Dr Johnson: Poetry and Prose, edited by Wilson, Mona (Cambridge, MA: Harvard University Press, 1967).Google Scholar
Johnson, Samuel, ‘Life of Dryden’, in Middendorf, John H. (ed.), Lives of the Poets, The Yale Edition of the Works of Samuel Johnson, vols 21–3 (New Haven: Yale University Press, 2010).Google Scholar
[Kahlert, K. F.], Der Geisterbanner. Eine Wundergeschichte aus mündlichen und schriftlichen Traditionen (Vienna, 1792).Google Scholar
Kahlert, K. F., The Necromancer; or, The Tale of the Black Forest (London: Skoob books, 1989).Google Scholar
Kalter, Barrett, ‘DIY gothic: Thomas Gray and the medieval revival’, ELH 70:4 (2003): 9891019.Google Scholar
Kant, Immanuel, The Critique of Pure Reason, trans. and edited by Guyer, Paul and Wood, Allan W. (Cambridge: Cambridge University Press, 2000).Google Scholar
Kelly, Christopher, Attila the Hun: Barbarian Terror and the Fall of the Roman Empire (London: Vintage Books, 2008).Google Scholar
Kelly, Gary, ‘Clara Reeve’, Oxford Dictionary of National Biography <https://doi-org.ezproxy.mmu.ac.uk/10.1093/ref:odnb/23292> (last accessed 6 June 2018).+(last+accessed+6+June+2018).>Google Scholar
Kelly, Gary, ‘Clara Reeve, Provincial Bluestocking: From the Old Whigs to the Modern Liberal State’, in Pohl, Nicole and Schellenberg, Betty A. (eds), Reconsidering the Bluestockings (San Merino: Huntington Library, 2002), pp. 105–25.Google Scholar
Kelly, Isabella, Eva. A Novel, 3 vols (London, 1799).Google Scholar
Kelly, Isabella’, in Brown, Susan, Clements, Patricia, and Grundy, Isobel (eds), Orlando: Women’s Writing in the British Isles from the Beginnings to the Present (Cambridge: Cambridge University Press Online, 2006) <http://orlando.cambridge.org> (last accessed 12 April 2018).Google Scholar
Kelly, James, ‘The Politics of Ruin’, in Michael Carter, Peter N. Lindfield and Dale Townshend (eds), Writing Britain’s Ruins (London: The British Library, 2017), pp. 243–69.Google Scholar
Ketton-Cremer, R. W., Horace Walpole: A Biography, 3rd edition (London: Methuen & Co., 1964).Google Scholar
Kilgour, Maggie, The Rise of the Gothic Novel (London: Routledge, 1995).Google Scholar
Killeen, Jarlath, The Emergence of Irish Gothic Fiction: History, Origins, Theories (Edinburgh: Edinburgh University Press, 2014).Google Scholar
Killen, Alice M., Le Roman terrifiant ou roman noir: de Walpole à Anne Radcliffe, et son influence sur la littérature française jusqu’en 1840 (Paris: Librairie ancienne Edouard Champion, 1924).Google Scholar
King, Thomas, The Gendering of Men, 1600–1750: The English Phallus (Madison: University of Wisconsin Press, 2004).Google Scholar
King, William, ‘Animadversions on the Pretended Account of Danmark’, in Miscellanies in Prose and Verse (London, [1709]), pp. 51–2.Google Scholar
Klancher, Jon, Transfiguring the Arts and Sciences: Knowledge and Cultural Institutions in the Romantic Age (Cambridge and New York: Cambridge University Press, 2013).Google Scholar
Kliger, Samuel, ‘Whig aesthetics: a phase of eighteenth-century taste’, ELH 16:2 (June 1949): 135–50.Google Scholar
Kliger, Samuel, The Goths in England: A Study in Seventeenth- and Eighteenth-Century Thought (Cambridge, MA: Harvard University Press, 1952).Google Scholar
Komarek, Johann Nepomuk, Ida oder Das Vehmgericht (Pilsen und Leipzig, 1792).Google Scholar
Krämer, Felix (ed.), Dark Romanticism: From Goya to Max Ernst (London: Gestalten UK Ltd, 2012).Google Scholar
Kramer, Kaley A.Haunting History: Women, Catholicism, and the Writing of National History in Sophia Lee’s The Recess’, in Chappell, Julie A. and Kramer, Kaley A. (eds), Women During the English Reformations: Renegotiating Gender and Religious Identity (Basingstoke: Palgrave Macmillan, 2014), pp. 129–44.Google Scholar
Kramnick, Jonathan Brody, Making the English Canon: Print-Capitalism and the Cultural Past, 1700–1770 (Cambridge: Cambridge University Press, 1999).Google Scholar
Kulikowski, Michael, Rome’s Gothic Wars: From the Third Century to Alaric (Cambridge: Cambridge University Press, 2007).Google Scholar
Langhorne, John and Langhorne, William, Plutarch’s Lives, translated from the original Greek, 3rd edition, 6 vols (London, 1778).Google Scholar
Langley, Batty and Langley, T, Ancient Architecture: Restored, and Improved, by a Great Variety of Grand and Useful Designs, Entirely New in the Gothick Mode for the Ornamenting of Buildings and Gardens Exceeding Every Thing That’s Extant (London, 1741–2).Google Scholar
Langley, Philippa and Jones, Michael, The King’s Grave: The Search for Richard III (New York: St. Martin’s Press, 2013).Google Scholar
Lanser, Susan S., ‘Of Closed Doors and Open Hatches: Heteronormative Plots in Eighteenth-Century (Women’s) Studies’, in Ana de Boe, Freitas and Coykendall, Abby (eds), Heteronormativity in Eighteenth-Century Literature and Culture (New York: Routledge, 2015), pp. 2340.Google Scholar
Laqueur, Thomas, Making Sex: Body and Gender from the Greeks to Freud (Cambridge, MA and London: Harvard University Press, 1990).Google Scholar
Lathom, Francis, The Midnight Bell, A German Story, Founded on Incidents in Real Life, 3 vols (London, 1798).Google Scholar
Lee, Sophia, The Recess; or, A Tale of Other Times, edited by Alliston, April (Lexington: The University Press of Kentucky, 2000).Google Scholar
Lenski, Noel, Failure of Empire: Valens and the Roman State (Berkeley and London: University of California Press, 2002).Google Scholar
Leslie, Charles, Masonry: A Poem (Edinburgh, 1739).Google Scholar
Lévy, Maurice, Le Roman ‘gothique’ anglais, 1764–1824, 2nd edition (Paris: Albin Michel, 1995).Google Scholar
Lévy, Maurice, ‘Du roman gothique au roman noir’, in Seth, Catriona (ed.), Imaginaires gothiques: aux sources du roman noir français (Paris: Desjonquères, L’Esprit des lettres, 2010).Google Scholar
Lew, Joseph W., ‘The deceptive other: Mary Shelley’s critique of orientalism in Frankenstein’, Studies in Romanticism 30 (1991): 255–83.Google Scholar
Lew, Joseph W., ‘The Plague of Imperial Desire: Montesquieu, Gibbon, Brougham, and Mary Shelley’s The Last Man’, in Fulford, Tim and Kitson, Peter J. (eds), Romanticism and Colonialism: Writing and Empire, 1780–1830 (Cambridge: Cambridge University Press, 1998), pp. 261–78.Google Scholar
Lewis, Isabella, Terrific Tales (Chicago: Valancourt Books, 2006).Google Scholar
Lewis, Jane Elizabeth, Mary Queen of Scots: Romance and Nation (London: Routledge,1998).Google Scholar
Lewis, Matthew Gregory, The Castle Spectre, 2nd edition (London, 1798).Google Scholar
Lewis, Matthew Gregory, The Love of Gain (London, 1799).Google Scholar
Lewis, Matthew Gregory, The Bravo of Venice. A Romance (London, 1805).Google Scholar
Lewis, Matthew Gregory, Rugantino; or, The Bravo of Venice (London, 1806).Google Scholar
Lewis, Matthew Gregory, ‘The Anaconda’, in Haining, Peter (ed.), Great British Tales of Terror: Gothic Stories of Horror and Romance 1765–1840 (Harmondsworth, Penguin, 1973), pp. 82132.Google Scholar
Lewis, Matthew Gregory, The Monk, edited by Macdonald, D. L. and Scherf, Kathleen (Peterborough, Ont.: Broadview, 2004).Google Scholar
Lewis, Wilmarth Sheldon, Collector’s Progress (New York: Knopf, 1951).Google Scholar
Lewis, W. S., ‘The genesis of Strawberry Hill’, Metropolitan Museum Studies 5:1 (June 1934): 5792.Google Scholar
Lewis, W. S. (ed.), The Yale Edition of Horace Walpole’s Correspondence, 48 vols (New Haven and London: Yale University Press, 1937–83).Google Scholar
Lewis, W. S., ‘Horace Walpole, Antiquary’, in Pares, Richard and Taylor, A. J. P. (eds), Essays Presented to Sir Lewis Namier (London: Macmillan & Co., 1956), pp. 178203.Google Scholar
Lewis, W. S. (ed.), Notes by Horace Walpole on Several Characters of Shakespeare (Farmington: privately printed, 1940).Google Scholar
Lindfield, Peter N., ‘The Countess of Pomfret’s gothic revival furniture’, The Georgian Group Journal xxii (2014): 7794.Google Scholar
Lindfield, Peter N., ‘“Serious gothic” and “doing the ancient buildings”: Batty Langley’s Ancient Architecture and Principal Geometric Elevations’, Architectural History 57 (2014): 141–73.Google Scholar
Lindfield, Peter N., Georgian Gothic: Medievalist Architecture, Furniture and Interiors, 1730–1840 (Woodbridge: Boydell and Brewer, 2016).Google Scholar
Lindfield, Peter N., ‘Heraldry and the architectural imagination: John Carter’s visualisation of The Castle of Otranto’, The Antiquaries Journal 96 (2016): 291313.Google Scholar
Lindfield, Peter N., ‘“Hung Round with the Helmets, Breast-Plates, and Swords of Our Ancestors”: Allusions to Chivalry in Eighteenth-Century Gothicism?’, in Gribling, Barbara and Stevenson, Katie (eds), Chivalry and the Vision of the Medieval Past (Woodbridge: Boydell and Brewer, 2016), pp. 6198.Google Scholar
Lindfield, Peter N. and Townshend, Dale, ‘Reading Vathek and Fonthill Abbey: William Beckford’s Architectural Imagination’, in Dakers, Caroline (ed.), Fonthill Recovered: A Cultural History (London: UCL Press, 2018), pp. 284301.Google Scholar
Link, Frederick, ‘Introduction’, in Link, Frederick M. (ed.), The Plays of John O’Keeffe, 4 vols (New York: Garland, 1981), vol. 1, pp. viilxxii.Google Scholar
Little, David M., and Kahrl, George M. (eds), The Letters of David Garrick, 3 vols (Cambridge, MA: Harvard University Press, 1963).Google Scholar
Lloyd Smith, Allan, American Gothic Fiction: An Introduction (New York and London: Continuum 2004).Google Scholar
Lonsdale, Roger (ed.), The Poems of Thomas Gray, William Collins and Oliver Goldsmith (London and New York: Longman, 1969).Google Scholar
Lonsdale, Roger (ed.), The New Oxford Book of Eighteenth-Century Verse (Oxford: Oxford University Press, 1984).Google Scholar
Loos, Philippe Werner (ed.), Journal général de la littérature de France (Paris: Treuttel; Strasbourg: Würtz, 1800).Google Scholar
Lucas, Charles, The Infernal Quixote, edited by Grenby, M. O. (Peterborough, Ont.: Broadview, 2004).Google Scholar
Maas, Michael (ed.), The Cambridge Companion to the Age of Justinian (Cambridge: Cambridge University Press, 2005).Google Scholar
Maas, Michael (ed.), The Cambridge Companion to the Age of Attila (Cambridge: Cambridge University Press, 2015).Google Scholar
MacIntyre, Alasdair, After Virtue, 3rd edition (Notre Dame: University of Notre Dame Press, 2007).Google Scholar
Mack, Robert L., ‘Introduction’, in Mack, Robert L. (ed.), Oriental Tales (Oxford: Oxford University Press, 1992), pp. vii–xlix.Google Scholar
Mack, Robert L. (ed.), Arabian Nights’ Entertainments (Oxford: Oxford University Press, 1995).Google Scholar
Maenchen-Helfen, Otto J., The World of the Huns: Studies in Their History and Culture (Berkeley and London: University of California Press, 1973).Google Scholar
Makdisi, Saree, ‘Introduction: worldly romanticism’, Nineteenth-Century Literature 65:4(2011): 429–32.Google Scholar
Malchow, H. L., Gothic Images of Race in Nineteenth-Century Britain (Stanford: Stanford University Press, 1996).Google Scholar
Malek, James S., ‘Introduction’, in The Plays of John Home, edited by Malek, James S. (New York: Garland, 1980), pp. vii–xliii.Google Scholar
Mandal, Anthony, ‘Gothic and the Publishing World, 1780–1820’, in Byron, Glennis and Townshend, Dale (eds), The Gothic World (London and New York: Routledge, 2014), pp. 159–71.Google Scholar
Mandal, Anthony, ‘Mrs. Meeke and Minerva: the mystery of the marketplace’, Eighteenth-Century Life 42:2 (2018): 131–51.Google Scholar
Marchand, Leslie A. (ed.), Byron’s Letters and Journals, 13 vols (London: John Murray, 1973–94).Google Scholar
Marcus, Steven, The Other Victorians: A Study of Sexuality and Pornography in Mid-Nineteenth-Century England (New Brunswick and London: Transaction, 2009).Google Scholar
Marquand, Louis-Antoine, Le Proscrit, 4 vols (Paris: Le Normant, an XI–1803).Google Scholar
Marshall, Nowell, ‘Beyond Queer Gothic: Charting the Gothic History of the Trans Subject in Beckford, Lewis, Byron’, in Zigarovich, Jolene (ed.), TransGothic in Literature and Culture (New York: Routledge, 2018), pp. 2552.Google Scholar
Martin, Angus, Mylne, Vivienne and Frautschi, Robert, Bibliographie du genre romanesque français, 1751–1800 (London: Mansell; Paris: France expansion, 1977).Google Scholar
Mascov, Johann Jakob, The History of the Ancient Germans; Including that of the Cimbri, Celtæ, Teutones, Alemanni, Saxons, and Other Ancient Northern Nations, 2 vols (London and Westminster, 1737 [1738]).Google Scholar
Mathias, T. J., The Pursuits of Literature. A Satirical Poem in Four Dialogues. With Notes, 7th edition (London, 1798).Google Scholar
Mathias, T. J., The Shade of Alexander Pope on the Bank of the Thames. A Satirical Poem (London, 1799).Google Scholar
Mathisen, Ralph W. and Shanzer, Danuta (eds), Society and Culture in Late Antique Gaul: Revisiting the Sources (Aldershot: Ashgate, 2001).Google Scholar
Maturin, Charles Robert, Melmoth the Wanderer, edited by Grant, Douglas, intro. by Chris Baldick (Oxford: Oxford University Press, 1989).Google Scholar
Maynard, Temple, ‘Introduction’, in The Plays of Robert Jephson, edited by Maynard, Temple (New York: Garland, 1980), pp. vii–xxvii.Google Scholar
McCarthy, Michael, The Origins of the Gothic Revival (New Haven and London: Yale University Press, 1987).Google Scholar
McCarthy, William, Anna Letitia Barbauld: Voice of the Enlightenment (Baltimore: Johns Hopkins University Press, 2008).Google Scholar
McConnell Stott, Andrew, What Blest Genius? The Jubilee that Made Shakespeare, 2nd edition (New York: W. W. Norton, 2019).Google Scholar
McCormick, Ian, Sexual Outcasts, 1750–1850, 4 vols (London: Routledge, 2000).Google Scholar
McDaniel, Iain, Adam Ferguson in the Scottish Enlightenment: The Roman Past and Europe’s Future (Cambridge, MA and London: Harvard University Press, 2013).Google Scholar
McDouall [MacDowall], Andrew, Bankton, Lord, An Essay upon Feudal Holdings, Superiorities, and Hereditary Jurisdictions, in Scotland (London, 1747).Google Scholar
McGann, Jerome J., The Beauty of Inflections: Literary Investigations in Historical Method and Theory (Oxford: Oxford University Press, 1988).Google Scholar
McMahon, Darrin M., Happiness: A History (New York: Grove Press, 2006).Google Scholar
Menhennet, Alan, ‘Schiller and the Germanico-terrific romance’, Publications of the English Goethe Society, 51 (1980–81): 2257.Google Scholar
Meziere, Harriet, Moreton Abbey; or, The Fatal Mystery, 2 vols (Southampton, [1785]).Google Scholar
Michasiw, Kim Ian, ‘Introduction’, in Zofloya; or, The Moor, by Dacre, Charlotte, edited by Michasiw, Kim Ian (Oxford: Oxford University Press, 1997), pp. viixxxvii.Google Scholar
Michasiw, Kim Ian, ‘Charlotte Dacre’s Postcolonial Moor’, in Smith, Andrew and Hughes, William (eds), Empire and the Gothic: The Politics of Genre (Basingstoke and New York: Palgrave Macmillan, 2010), pp. 3555.Google Scholar
Michaud, Louis-Gabriel, Biographie des hommes vivants (Paris: Michaud, October 1816–February 1817).Google Scholar
Michaud, Louis-Gabriel, Biographie universelle ancienne et moderne, 52 vols (Paris: C. Desplaces, Michaud, [1811–28] 1857).Google Scholar
Mierow, Charles C., Jordanes: The Origin and Deeds of the Goths (Cambridge: Speculum Historiale; New York: Barnes & Noble, 1960).Google Scholar
Milbank, Alison, ‘Bleeding Nuns: A Genealogy of the Female Gothic Grotesque’, in Wallace, Diana and Smith, Andrew (eds), Female Gothic: New Directions (Basingstoke: Palgrave Macmillan, 2009), pp. 7697.Google Scholar
Milbank, Alison, God and the Gothic: Religion, Romance, and Reality in the English Literary Tradition (Oxford: Oxford University Press, 2018).Google Scholar
Miles, Robert, Ann Radcliffe: The Great Enchantress (Manchester: Manchester University Press, 1995).Google Scholar
Miles, Robert, Gothic Writing, 1750–1820: A Genealogy (Manchester: Manchester University Press, 2002).Google Scholar
Miles, Robert, ‘The 1790s: The Effulgence of Gothic’, in Hogle, Jerrold E. (ed.), The Cambridge Companion to Gothic Fiction (Cambridge: Cambridge University Press, 2002), pp. 4162.Google Scholar
Miles, Robert, ‘Ann Radcliffe and Matthew Lewis’, in Punter, David (ed.), A New Companion to the Gothic (Oxford: Wiley-Blackwell, 2012), pp. 93109.Google Scholar
Miles, Robert, ‘The surprising Mrs Radcliffe: Udolpho’s artful mysteries’, Women’s Writing 22:3 (2015): 300–16.Google Scholar
Miles, Robert, ‘History/Genealogy/Gothic: Godwin, Scott and Their Progeny’, in Hogle, Jerrold E. and Miles, Robert (eds), The Gothic and Theory: An Edinburgh Companion (Edinburgh: Edinburgh University Press, 2019), pp. 3352.Google Scholar
Minma, Shinobu, ‘General Tilney and tyranny: Northanger Abbey’, Eighteenth-Century Fiction 8:4 (July 1996): 503–18.Google Scholar
Miscellaneous Poems and Translations. By Several Hands, edited by Savage, Richard (London, 1726).Google Scholar
Moers, Ellen, Literary Women: The Great Writers (London: The Women’s Press, 1978).Google Scholar
Moore, John, Zeluco, edited by Perkins, Pamela Ann (Kansas City: Valancourt Books, 2008).Google Scholar
Moorhead, John, Theoderic in Italy (Oxford: Oxford University Press, 1992).Google Scholar
Mordaunt Crook, J., John Carter and the Mind of the Gothic Revival (London: The Society of Antiquaries of London, 1995).Google Scholar
More, Hannah, Strictures on the Modern System of Female Education, 2 vols (London, 1799).Google Scholar
Morellet, André, Les Enfans de l’abbaye, 6 vols (Paris: Maradan, 1797).Google Scholar
Morellet, André, Mémoires de l’abbé Morellet, de l’Académie française, sur le dix-huitième siècle et sur la Révolution, 2 vols (Paris: Ladvocat, 1821).Google Scholar
Moreno, Beatriz González, ‘Gothic excess and aesthetic ambiguity in Charlotte Dacre’s Zofloya’, Women’s Writing 14:3 (2007): 419–34.Google Scholar
Morin, Christina, The Gothic Novel in Ireland, c. 1760–1829 (Manchester: Manchester University Press, 2018).Google Scholar
Morton, Karen, A Life Marketed as Fiction: An Analysis of the Works of Eliza Parsons (Kansas City: Valancourt Books, 2011).Google Scholar
Mowl, Timothy, Horace Walpole: The Great Outsider (London: Faber & Faber, 2010).Google Scholar
Mowl, Timothy and Earnshaw, Brian, An Insular Rococo: Architecture, Politics and Society in Ireland and England, 1710–1770 (London: Reaktion, 1999).Google Scholar
Mulligan, Hugh, ‘The Lovers, an African Eclogue’, in Poems Chiefly on Slavery and Oppression (London, 1788), pp. 2331.Google Scholar
Mulvey-Roberts, Marie, ‘From Bluebeard’s Bloody Chamber to Demonic Stigmatic’, in Wallace, Diana and Smith, Andrew (eds), The Female Gothic: New Directions (Basingstoke: Palgrave Macmillan, 2009), pp. 98114.Google Scholar
Murnane, Barry, ‘Importing home-grown horrors? The English reception of the Schauerroman and Schiller’s Der Geisterseher’, Angermion 1 (2008): 5183.Google Scholar
Murnane, Barry, ‘Haunting (Literary) History: An Introduction to German Gothic’, in Cusack, Andrew and Murnane, Barry (eds), Popular Revenants: German Gothic and Its International Reception, 1800–2000 (Rochester, NY: Camden House, 2012), pp. 1043.Google Scholar
Murnane, Barry, ‘Radical Translations. Dubious Anglo-German Cultural Transfer in the 1790s’, in Oergel, Maike (ed.), (Re)-Writing the Radical (Berlin: De Gruyter, 2012), pp. 4460.Google Scholar
Murphy, Arthur, The Literary Magazine: or Universal Review, April 1757 (March 15–April 15, 1757), 3 vols (London 1757).Google Scholar
Musäus, Johann August, Karl, Volksmärchen der Deutschen, 5 vols (Gotha, 1787).Google Scholar
Mydla, Jacek, ‘The gothic as a mimetic challenge in two post-Otranto narratives’, Image & Narrative 18: 3 (2017): 8093.Google Scholar
Myrone, Martin (ed.), Gothic Nightmares: Fuseli, Blake and the Romantic Imagination (London: Tate Publishing, 2006).Google Scholar
[Naubert, Benedikte], Herrmann von Unna. Eine Geschichte aus den Zeiten der Vehmgerichte (Leipzig, 1788).Google Scholar
[Naubert, Benedikte], Herman d’Unna, ou Aventures arrivées au commencement du quinzieme siècle [Texte imprimé], dans le temps où le tribunal secret avoit sa plus grande influence, trans. by Baron de Bock (Paris, 1791).Google Scholar
[Naubert, Benedikte], Hermann of Unna. A Series of Adventures of the Fifteenth Century, in which the Proceedings of the Secret Tribunal under the Emperors Winceslaus and Sigismond are Delineated. In Three Volumes. Written in German by Professor Kramer (London, 1794).Google Scholar
Nechtman, Tillman W., Nabobs: Empire and Identity in Eighteenth-Century Britain (Cambridge: Cambridge University Press, 2010).Google Scholar
Neiman, Elizabeth A., ‘A new perspective on the Minerva Press’s “derivative” novels: authorizing borrowed material’, European Romantic Review 26:5 (2015): 633–58.Google Scholar
Newman, Gerald, The Rise of English Nationalism: A Cultural History, 1740–1830, revised edition (New York: St. Martin’s Press, 1997).Google Scholar
Newman, John, ‘The Architectural Setting’, in Tyacke, Nicholas (ed.), The History of the University of Oxford, Vol. 4 (Oxford: Clarendon, 1997), pp. 135–78.Google Scholar
Nicholson, , The Solitary Castle: A Romance of the Eighteenth Century, 2 vols (London, 1789).Google Scholar
Nisbet, Alexander, An Essay on the Ancient and Modern Use of Armories (London, 1718).Google Scholar
Nixon, Cheryl L. (ed.), Novel Definitions: An Anthology of Commentary on the Novel, 1688–1815 (Peterborough, Ont.: Broadview, 2009).Google Scholar
Noguès, Boris, ‘Répertoire des professeurs et principaux de la faculté des arts de Paris aux XVIIe et XVIIIe siècles’, November 2008 <http://rhe.ish-lyon.cnrs.fr/?q=pfap-record/6094> (last accessed 10 April 2016).+(last+accessed+10+April+2016).>Google Scholar
Norman, Larry F., The Shock of the Ancient: Literature and History in Early Modern France (Chicago: University of Chicago Press, 2011).Google Scholar
Norton, Rictor, ‘Aesthetic gothic horror’, Yearbook of Comparative and General Literature 2 (1972): 3140.Google Scholar
Norton, Rictor, Mistress of Udolpho: The Life of Ann Radcliffe (London: Leicester University Press, 1999).Google Scholar
Norton, Rictor (ed.), Gothic Readings: The First Wave, 1764–1840 (London: Leicester University Press, 2000).Google Scholar
Norton, Rictor, Mother Clap’s Molly House: The Gay Subculture in England, 1700–1830 (London: Chalford Press, 2006).Google Scholar
O’Brien, Karen, Narratives of Enlightenment: Cosmopolitan History from Voltaire to Gibbon (Cambridge: Cambridge University Press, 1997).Google Scholar
O’Keeffe, John, A Short Account of the New Pantomime called Omai; or, A Trip Round the World (London, 1785).Google Scholar
O’ Keeffe, John, ‘The Castle of Andalusia’, in Link, Frederick M. (ed.), The Plays of John O’Keeffe, 4 vols (New York: Garland, 1981), vol. 1, pp. 182.Google Scholar
O’Quinn, Daniel, Staging Governance: Theatrical Imperialism in London, 1770–1800 (Baltimore: The Johns Hopkins University Press, 2005).Google Scholar
O’Quinn, Daniel, Entertaining Crisis in the Atlantic Imperium, 1770–1790 (Baltimore: Johns Hopkins University Press, 2011).Google Scholar
Ovenden, Graham, ‘Gothic Art’, in Mulvey-Roberts, Marie (ed.), The Handbook of the Gothic (Basingstoke: Palgrave Macmillan, 2009), pp. 127–8.Google Scholar
Owen, Jeremy, The Goodness and Severity of God, in his Dispensations, with respect unto the Ancient Britains (London, 1717).Google Scholar
Parry, Graham, Trophies of Time: English Antiquarians of the Seventeenth Century (Oxford and New York: Oxford University Press, 1995).Google Scholar
Parsons, Eliza, The History of Miss Meredith; A Novel, 2 vols (London, 1790).Google Scholar
Paulson, Michael, ‘Out of time: temporal conflict in Ann Radcliffe’s The Mysteries of Udolpho’, European Romantic Review 30:5 (2019), forthcoming.Google Scholar
Paulson, Ronald, ‘Gothic fiction and the French Revolution’, ELH 48:3 (Autumn, 1981): 532–54.Google Scholar
Paulson, Ronald, Representations of Revolution, 1789–1820 (New Haven and London: Yale University Press, 1983).Google Scholar
Pearce, Edward, The Great Man: Sir Robert Walpole: Scoundrel, Genius and Britain’s First Prime Minister (London: Jonathan Cape, 2007).Google Scholar
Pearson, Jacqueline, Women’s Reading in Britain 1750–1835: A Dangerous Recreation (Cambridge: Cambridge University Press, 1999).Google Scholar
Pecora, Vincent P., Secularization and Cultural Criticism: Religion, Nation, and Modernity (Chicago: University of Chicago Press, 2006).Google Scholar
Pelles, Geraldine, ‘The image of the artist’, The Journal of Aesthetics and Art Criticism 21:2 (Winter 1962): 119–37.Google Scholar
Pennington, Montagu (ed.), Letters from Mrs. Elizabeth Carter, to Mrs. Montagu, Between the Years 1755 and 1800, 3 vols (London, 1817).Google Scholar
Percy, Thomas, Reliques of Ancient English Poetry: Consisting of Old Heroic Ballads, Songs, and Other Pieces of Our Earlier Poets, (Chiefly of the Lyric Kind). Together with Some Few of Later Date, 3 vols (London, 1765).Google Scholar
Peterson, Martin S., Robert Jephson (1736–1803): A Study of His Life and Works (Lincoln, NE: University of Nebraska Press, 1930).Google Scholar
Philips, Ambrose, The Free-Thinker: or, Essays of Wit and Humour, 3rd edition, 3 vols (London, 1739).Google Scholar
Phillips, Mark Salber, Society and Sentiment: Genres of Historical Writing in Britain, 1740–1820 (Princeton, NJ: Princeton University Press, 2000).Google Scholar
Pigoreau, Nicolas-Alexandre, ‘Tableau des romans noirs’, in Petite Bibliographie biographico-romancière ou dictionnaire des romanciers (Paris: Pigoreau, 1821).Google Scholar
Pinkerton, John (ed.), Walpoliana, 2 vols (London, 1799).Google Scholar
Piozzi, Hester Lynch, Retrospective; or, A Review of the Most Striking and Important Events, Characters, Situations, and Their Consequences, Which the Last Eighteen Hundred Years Have Presented to the View of Mankind, 2 vols (London, 1801).Google Scholar
Pixérécourt, René Charles, L’homme a trois visages (Paris, 1801).Google Scholar
Poe, Edgar Allan, ‘Preface for Tales of the Grotesque and Arabesque’, in Collected Works of Edgar Allan Poe, Vol. 2: Tales and Sketches, 1831–1842, edited by Mabbott, Thomas Ollive (Cambridge, MA: Belknap Press of Harvard University Press, 1978), p. 473.Google Scholar
Pointon, Marcia, ‘Dealer in magic: James Cox’s jewelry museum and the economics of luxurious spectacle in late-eighteenth-century London’, History of Political Economy 31 (1999): 423–51.Google Scholar
Polidori, John, The Vampyre and Ernestus Berchtold; or, the Modern Oedipus, edited by Macdonald, D. L. and Scherf, Kathleen (Peterborough, Ont: Broadview, 2008).Google Scholar
Pop, Andrei, ‘Sympathetic spectators: Henry Fuseli’s Nightmare and Emma Hamilton’s Attitudes’, Art History 34 (2011): 934–57.Google Scholar
Pope, Alexander, An Essay on Criticism (London, 1713 [1712]).Google Scholar
Pope, Alexander (ed.), The Works of Shakespear, 6 vols (London, 1725).Google Scholar
Pope, Alexander, Minor Poems, edited by Ault, Norman and Butt, John (London: Methuen, 1964).Google Scholar
Porter, James I., ‘What Is “Classical” about Classical Antiquity?’, in Porter, James I. (ed.), Classical Pasts: The Classical Traditions of Greece and Rome (Princeton, NJ: Princeton University Press, 2006), pp. 168.Google Scholar
Porter, Roy, ‘Mixed Feelings: The Enlightenment and Sexuality in Eighteenth-Century Britain’, in Boucé, Paul-Gabriel (ed.), Sexuality in Eighteenth-Century Britain (Manchester: Manchester University Press, 1982), pp. 127.Google Scholar
Postle, Martin, ‘1782: Sir Joshua Buys a Gainsborough’, The Royal Academy of Arts Summer Exhibition: A Chronicle, 1769–2018, edited by Hallett, Mark, Turner, Sarah Victoria and Feather, Jessica (London: Paul Mellon Centre for Studies in British Art, 2018) <https://chronicle250.com/> (last accessed 2 July 2019).Google Scholar
Potter, Franz J., The History of Gothic Publishing, 1800–1835: Exhuming the Trade (Basingstoke: Palgrave Macmillan, 2005).Google Scholar
Powell, Nicolas, Fuseli – ‘The Nightmare’ (London: Allen Lane, 1973).Google Scholar
Pratt, Samuel Jackson, Humanity; or, the Rights of Nature, A Poem (London, 1788).Google Scholar
Price, Fiona, Reinventing Liberty: Nation, Commerce, and the Historical Novel from Walpole to Scott (Edinburgh: Edinburgh University Press, 2016).Google Scholar
Price, Joseph, Five Letters, from a Free Merchant in Bengal, to Warren Hastings, Esq (London, 1778).Google Scholar
Prior, James, Memoir of the Life and Character of the Right Hon. Edmund Burke, 2nd edition, 2 vols (London: Baldwin, Cradock and Joy, 1826).Google Scholar
Prior, James, Life of Edmond Malone, Editor of Shakespeare, 2 vols (London: Smith, Elder and Co., 1860).Google Scholar
Prungnaud, Joëlle, ‘La traduction du roman gothique en France au tournant du XVIIIe siècle’, TTR: traduction, terminologie, redaction 7:1 (1994): 1146.Google Scholar
Punter, David, The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day, revised edition, 2 vols (London: Pearson Longman, 1996).Google Scholar
Punter, David, Gothic Pathologies: The Text, The Body and The Law (Basingstoke: Macmillan, 1998).Google Scholar
Punter, David (ed.), A New Companion to the Gothic (Chichester: Wiley-Blackwell, 2012).Google Scholar
Punter, David and Byron, Glennis, The Gothic (Oxford: Blackwell, 2004).Google Scholar
Quinn, Vincent, ‘Graveyard Writing and the Rise of the Gothic’, in Wright, Angela and Townshend, Dale (eds), Romantic Gothic: An Edinburgh Companion (Edinburgh: Edinburgh University Press, 2016), pp. 3754.Google Scholar
Rabbe, Alphonse, Claude-Augustin Vieilh de Boisjolin and Charles-Augustin Sainte Beuve, Biographie universelle et portative des contemporains, 4 vols (Paris: Levrault, 1834).Google Scholar
Radcliffe, Ann, Gaston De Blondeville; or, The Court of Henry III. Keeping Festival in Ardenne, a Romance. St Alban’s Abbey, a Metrical Tale; With Some Poetical Pieces, 4 vols (London, 1826).Google Scholar
Radcliffe, Ann, ‘On the supernatural in poetry. By the late Mrs. Radcliffe’, New Monthly Magazine and Literary Journal 16:61 (1826): 145–52.Google Scholar
Radcliffe, Ann, The Romance of the Forest, edited by Chard, Chloe (Oxford: Oxford University Press, 1986).Google Scholar
Radcliffe, Ann, The Castles of Athlin and Dunbayne, edited by Milbank, Alison (Oxford: Oxford University Press, 1995).Google Scholar
Radcliffe, Ann, The Mysteries of Udolpho, edited by Bonamy Dobrée with notes and intro. by Terry Castle (Oxford: Oxford University Press, 1998).Google Scholar
Radcliffe, Ann, A Sicilian Romance, edited by Milbank, Alison (Oxford: Oxford University Press, 1998).Google Scholar
Radcliffe, Ann, The Italian, edited by Miles, Robert (London: Penguin Books, 2000).Google Scholar
Ranger, Paul, Gothic Drama in the London Patent Theatres (London: Society for Theatre Research, 1991).Google Scholar
Raven, James, ‘Production’, in Garside, Peter and Karen O’Brien (eds), The Oxford History of the Novel in English, Vol. II: English and British Fiction 1750–1820 (Oxford: Oxford University Press, 2015), pp. 328.Google Scholar
Reeve, Clara, Original Poems on Several Occasions (London, 1769).Google Scholar
Reeve, Clara, The Progress of Romance, through Times, Countries, and Manners, 2 vols (Colchester, 1785).Google Scholar
Reeve, Clara, Plans of Education with Remarks on the System of Other Writers (London, 1792).Google Scholar
Reeve, Clara, Memoirs of Sir Roger de Clarendon, The Natural Son of Edward Prince of Wales, Commonly Called the Black Prince; with Anecdotes of Many Other Eminent Persons of the Fourteenth Century, 3 vols (London, 1793).Google Scholar
Reeve, Clara, The Old English Baron, edited by Trainer, James, intro. by James Watt (Oxford: Oxford University Press, 2003).Google Scholar
Reeve, Matthew M., ‘Dickie Bateman and the gothicization of Old Windsor: architecture and sexuality in the circle of Horace Walpole’, Architectural History 56 (2013): 97131.Google Scholar
Reeve, Matthew M., ‘Gothic architecture, sexuality and license at Horace Walpole’s Strawberry Hill’, Art Bulletin 95:3 (September 2013): 411–39.Google Scholar
Reeve, Matthew M., ‘“A Gothic Vatican of Greece and Rome”: Horace Walpole, Strawberry Hill, and the Narratives of Gothic’, in Reeve, Matthew M. (ed.), Tributes to Pierre du Prey: Architecture and the Classic Tradition from Pliny to Posterity (London: Harvey Miller Publishers, 2014), pp. 185209.Google Scholar
Richardson, Alan, ‘Introduction’, in Slavery, Abolition, and Emancipation: Writings in the British Romantic Period, edited by Lee, Debbie and Kitson, Peter J., 8 vols (London: Pickering and Chatto, 1999), vol. 4, pp. ixxxvi.Google Scholar
Richardson, Alan, ‘Introduction’, in Three Oriental Tales: Complete Texts with Introduction, Historical Contexts, Critical Essays, edited by Richardson, Alan (Boston: Houghton Mifflin, 2002), pp. 114.Google Scholar
Rigney, Ann, The Afterlives of Walter Scott: Memory on the Move (Oxford: Oxford University Press, 2012).Google Scholar
Rix, Robert W., The Barbarian North in Medieval Imagination: Ethnicity, Legend, and Literature (New York and London: Routledge, 2015).Google Scholar
Robins, George and Costello, Dudley, A Catalogue of the Classic Contents of Strawberry Hill Collected by Horace Walpole (London, 1842).Google Scholar
Robinson, Charles E. (ed.), Mary Shelley: Collected Tales and Stories (Baltimore: Johns Hopkins University Press, 1992).Google Scholar
Rogers, Brett M. and Eldon Stevens, Benjamin (eds), Classical Traditions in Modern Fantasy (New York: Oxford University Press, 2017).Google Scholar
Rolfe, J. C., Ammianus Marcellinus, Vol. III: Latter Part: The History of King Theoderic (Cambridge, MA and London, Harvard University Press, 1939).Google Scholar
Roman, Cynthia, ‘The Art of Lady Diana Beauclerk: Horace Walpole and Female Genius’, in Snodin, Michael, with Roman, Cynthia (eds), Horace Walpole’s Strawberry Hill (New Haven and London: Yale University Press, 2009), pp. 155–69.Google Scholar
Rosenfeld, Sybil, Georgian Scene Painters and Scene Painting (Cambridge: Cambridge University Press, 1981).Google Scholar
Rowan, Alistair John, ‘Batty Langley’s Gothic’, in Robertson, Giles and Henderson, George (eds), Studies in Memory of David Talbot Rice (Edinburgh: Edinburgh University Press, 1975), pp. 197215.Google Scholar
Rudé, George, The Crowd in History: A Study of Popular Disturbances in France and England, 1730–1848 (New York: John Wiley, 1964).Google Scholar
Rushton, Edward, West-Indian Eclogues (London, 1787).Google Scholar
Ruskin, John, Modern Painters <www.ourcivilisation.com/smartboard/shop/ruskinj/> (last accessed 10 February 2019).+(last+accessed+10+February+2019).>Google Scholar
Sabor, Peter (ed.), Horace Walpole: The Critical Heritage (London and New York: Routledge & Kegan Paul, 1987).Google Scholar
Sabor, Peter, ‘Medieval Revival and the Gothic’, in Nisbet, H. S. and Rawson, Claude (eds), The Cambridge History of Literary Criticism, Volume IV: The Eighteenth Century (Cambridge: Cambridge University Press, 1997), pp. 470–88.Google Scholar
Sabor, Peter (ed.), The Court Journals and Letters of Frances Burney, Volume I (Oxford: Clarendon Press, 2011).Google Scholar
Sachs, Jonathan, Romantic Antiquity: Rome in the British Imagination, 1789–1832 (Oxford: Oxford University Press, 2010).Google Scholar
Sage, Victor (ed.), The Gothick Novel: A Casebook (Basingstoke: Macmillan, 1990).Google Scholar
Saggini, Francesca, The Gothic Novel and the Stage (London: Pickering & Chatto, 2015).Google Scholar
Saglia, Diego, ‘Gothic Theatre’, in Byron, Glennis and Townshend, Dale (eds), The Gothic World (London and New York: Routledge, 2014), pp. 354–65.Google Scholar
Saglia, Diego, ‘“A portion of the name”: Stage Adaptation of Radcliffe’s Fiction, 1794–1806’, in Townshend, Dale and Wright, Angela (eds), Ann Radcliffe, Romanticism and the Gothic (Cambridge: Cambridge University Press, 2014), pp. 219–36.Google Scholar
Saglia, Diego, ‘Staging Gothic Flesh: Material and Spectral Bodies in Romantic-Period Theatre’, in Crisafulli, Lilla Maria and Liberto, Fabio (eds), The Romantic Stage: A Many-Sided Mirror (Amsterdam: Rodopi, 2014), pp. 161–84.Google Scholar
Saglia, Diego, ‘The Gothic Stage: Visions of Instability, Performances of Anxiety’, in Wright, Angela and Townshend, Dale (eds), Romantic Gothic: An Edinburgh Companion (Edinburgh: Edinburgh University Press, 2016), pp. 7394.Google Scholar
Said, Edward W., Orientalism: Western Conceptions of the Orient (London: Penguin, 1991).Google Scholar
Savage, Nicholas, ‘Kent as Book Illustrator’, in Weber, Susan (ed.), William Kent: Designing Georgian Britain (New Haven and London: Yale University Press, 2013), pp. 412–47.Google Scholar
Scarborough, Dorothy, The Supernatural in Modern English Fiction (New York and London: G. P. Putnam’s Sons, 1917).Google Scholar
Schaff, Philip (ed.), The Principal Works of St. Jerome, trans. by W. H. Freemantle (Grand Rapids: Wm. B. Eerdmans Publishing, 1892).Google Scholar
Schiller, Friedrich, On the Naïve and Sentimental in Literature, trans. Helen Watanabe-O’Kelly (Manchester: Carcanet Press, 1981).Google Scholar
Schmidgen, Wolfram, Eighteenth-Century Fiction and the Law of Property (Cambridge: Cambridge University Press, 2002).Google Scholar
Schönert, Jörg, ‘Schauriges Behagen und distanzierter Schrecken: Zur Situation von Schauerroman und Schauererzählung im literarischen Leben der Biedermeierzeit’, in Martino, Alberto (ed.), Literatur in der sozialen Bewegung (Tübingen: Niemeyer, 1977), pp. 2792.Google Scholar
Scott, Walter, ‘Prefatory Memoir to Mrs. Ann Radcliffe’, in The Novels of Mrs. Ann Radcliffe … to Which Is Prefixed, a Memoir of the Life of the Author (London: Hurst, Robinson & Co., 1824), pp. ixxxix.Google Scholar
Scott, Walter, ‘Clara Reeve’, in Williams, Ioan (ed.), Sir Walter Scott on Novelists and Fiction (London: Routledge & Kegan Paul, 1968), pp. 94101.Google Scholar
Scott, Walter, Chronicles of the Canongate, edited by Lamont, Claire (London: Penguin, 2003).Google Scholar
Scott, Walter, An Apology for Tales of Terror <www.walterscott.lib.ed.ac.uk/works/poetry/apology/introduction.html> (last accessed 10 February 2019).+(last+accessed+10+February+2019).>Google Scholar
Scott, Walter, Lives of the Novelists (London: Oxford University Press, n.d.).Google Scholar
Séché, Léon, Hortense Allart de Méritens dans ses rapports avec Chateaubriand, Béranger Lamenannais, Sainte-Beuve, G. Sand, Mme d’Angoult (Paris: Société du Mercure de France, 1908).Google Scholar
Sedgwick, Eve Kosofsky, The Coherence of Gothic Conventions (New York: Arno Press, 1980).Google Scholar
Selden, John, The Duello, or, Single Combat: From Antiquity Derived into This Kingdom of England (London [1711?]).Google Scholar
Shakespeare, William, The Plays of William Shakespeare, edited by Johnson, Samuel, 8 vols (London, 1765).Google Scholar
Shakespeare, William, 1. Henry IV, edited by Humphreys, A. R. (London: Arden Shakespeare, 2000).Google Scholar
Shakespeare, William, A Midsummer Night’s Dream, edited by Brooks, Harold (London: Arden Shakespeare, 2004).Google Scholar
Shakespeare, William, Hamlet: The Texts of 1603 and 1623, The Arden Shakespeare, edited by Thompson, Ann and Taylor, Neil (London: Bloomsbury, 2006).Google Scholar
Shapira, Yael, Inventing the Gothic Corpse: The Thrill of Human Remains in the Eighteenth-Century Novel (Basingstoke: Palgrave Macmillan, 2018).Google Scholar
Shaw, Philip, The Sublime (London and New York: Routledge, 2006).Google Scholar
Shelley, Mary, ‘Roger Dodsworth: The Reanimated Englishman’, in Bennett, Betty T. and Robinson, Charles E. (eds), The Mary Shelley Reader (New York and Oxford: Oxford University Press, 1990), pp. 274–82.Google Scholar
Shelley, Mary, Frankenstein: The 1818 Text, edited by Butler, Marilyn (Oxford: Oxford University Press, 1993).Google Scholar
Shelley, Mary, The Last Man, edited by Paley, Morton D. (Oxford: Oxford University Press, 1994).Google Scholar
Shelley, Mary, Valperga: or, The Life and Adventures of Castruccio, Prince of Lucca, edited by Rajan, Tilottama (Peterborough, Ont.: Broadview Press, 1998).Google Scholar
Shiner, Larry, The Invention of Art: A Cultural History (Chicago: University of Chicago Press, 2001).Google Scholar
Simpson, David. ‘Toward a theory of terror’, boundary 2 41:3 (2014): 125.Google Scholar
Sivan, Hagith, Galla Placidia: The Last Roman Empress (Oxford: Oxford University Press, 2011).Google Scholar
Smith, Andrew, ‘Hauntings’, in Spooner, Catherine and McEvoy, Emma (eds), The Routledge Companion to Gothic (Abingdon: Routledge, 2007), pp. 147–54.Google Scholar
Smith, Andrew, Gothic Death 1740–1914: A Literary History (Manchester, Manchester University Press, 2016).Google Scholar
Smith, Andrew and Hughes, William (eds), Empire and the Gothic: The Politics of Genre (Basingstoke: Palgrave Macmillan, 2003).Google Scholar
Smith, Andrew and Hughes, William, ‘Introduction: The Enlightenment Gothic and Postcolonialism’, in Smith, Andrew and Hughes, William (eds), Empire and the Gothic: The Politics of Genre (Basingstoke and New York: Palgrave Macmillan, 2010), pp. 112.Google Scholar
Smith, Charlotte, Emmeline, the Orphan of the Castle, edited by Stanton, Judith, vol. 2 of The Works of Charlotte Smith, 5 vols, general editor Stuart Curran (London: Pickering and Chatto, 2005).Google Scholar
Smith, R. J., The Gothic Bequest: Medieval Institutions in British Thought, 1688–1863 (Cambridge: Cambridge University Press, 1987).Google Scholar
Smollett, Tobias. The Adventures of Ferdinand Count Fathom, edited by Grant, Damian (Oxford: Oxford University Press, 1978).Google Scholar
Snodin, Michael, with Roman, Cynthia (eds), Horace Walpole’s Strawberry Hill (New Haven and London: Yale University Press, 2009).Google Scholar
Soame, Henry Robert, Francis, Epistle in Rhyme, to M. G. Lewis, Esq. M.P. Author of The Monk, Castle Spectre, &c. With Other Verses. By the Same Hand (London, 1798).Google Scholar
Soane, John, Plans, Elevations and Sections of Buildings (London, 1788).Google Scholar
Sontag, Susan, ‘Notes on Camp’, in A Susan Sontag Reader (New York: Farrar/Giroux, 1982), pp. 105–20.Google Scholar
Southey, Robert, ‘The Curse of Kehama, edited by Roberts’, Daniel Sanjiv, in Robert Southey: Poetical Works 1793–1810, general editor Pratt, Lynda, 5 vols (London: Pickering and Chatto, 2004), vol. 4, pp. 1191.Google Scholar
The Spectator, 8 vols (London, [1712–13] [1713]).Google Scholar
Spelman, Henry, Reliquiæ Spelmannianæ, 2 vols (London, 1723).Google Scholar
Spenser, Edmund, Works, edited by Hughes, John, 6 vols (London, 1715).Google Scholar
Staves, Susan, ‘Douglas’s Mother’, in Smith, John. H. (ed.), Brandeis Essays in Literature (Waltham, MA: Brandeis University Press, 1983), pp. 5167.Google Scholar
Steele, Richard, The Lucubrations of Isaac Bickerstaff Esq; in Five Volumes, 5 vols (London, 1720).Google Scholar
Stein, Mark, ‘Who’s Afraid of Cannibals? Some Uses of the Cannibal Trope in Olaudah Equiano’s Interesting Narrative’, in Carey, Brycchan, Ellis, Markman and Salih, Sara (eds), Discourses of Slavery and Abolition: Britain and its Colonies, 1760–1838 (Basingstoke: Palgrave Macmillan, 2004), pp. 96107.Google Scholar
Stevens, Anne H., British Historical Fiction Before Scott (Basingstoke: Palgrave Macmillan, 2010).Google Scholar
Stevenson, Jane, Women Latin Poets: Language, Gender, and Authority from Antiquity to the Eighteenth Century (Oxford: Oxford University Press, 2005).Google Scholar
Stevenson, William, Remarks on the Very Inferior Utility of Classical Learning (Manchester, 1796).Google Scholar
Stocking, Rachel L., Bishops, Councils, and Consensus in the Visigothic Kingdom, 589–633 (Ann Arbor: University of Michigan Press, 2000).Google Scholar
Strahan, Alexander, The Æneid of Virgil. Translated into Blank Verse, 2 vols (London, 1767).Google Scholar
Stramaglia, Antonio, Res inauditae, incredulae: Storie di fantasmi nel mondo greco-latino (Bari: Levante editori, 1999).Google Scholar
Straub, Kristina, Anderson, Misty G. and O’Quinn, Daniel (eds), The Routledge Anthology of Restoration and Eighteenth-Century Drama (New York and London: Routledge, 2017).Google Scholar
Strawberry Hill.—by Lady Morgan’, New Monthly Magazine 17 (August 1826): 121–8, and September 1826, pp. 256–67.Google Scholar
Stuart, Gilbert, The History of Scotland: From the Establishment of the Reformation till the Death of Queen Mary, 2 vols (London, 1782).Google Scholar
Summers, Montague (ed.), The Castle of Otranto and The Mysterious Mother (London: Constable, 1924).Google Scholar
Summers, Montague, The Gothic Quest (London: The Fortune Press, 1938).Google Scholar
Talfourd, Thomas Noon, ‘Memoir of the Life and Writings of Mrs Radcliffe’, in Radcliffe, Ann, Gaston de Blondeville, or, The Court of Henry III Keeping Festival in Ardenne, A Romance and St Alban’s Abbey: A Metrical Tale; With Some Poetical Pieces, 4 vols (London: Henry Colburn, 1826), vol.1, pp. 1130.Google Scholar
Taylor, Charles, Sources of the Self: The Making of the Modern Identity (Cambridge, MA: Harvard University Press, 1989).Google Scholar
Taylor, Charles, Modern Social Imaginaries (Durham, NC: Duke University Press, 2004).Google Scholar
Taylor, Charles, A Secular Age (Cambridge, MA: Belknap Press of Harvard University Press, 2007).Google Scholar
Taylor, David Francis, Theatres of Opposition: Empire, Revolution, and Richard Brinsley Sheridan (Oxford: Oxford University Press, 2012).Google Scholar
Taylor, Gary, Reinventing Shakespeare: A Cultural History from the Restoration to the Present (Oxford: Oxford University Press, 1989).Google Scholar
Taylor, William, ‘Lenora’, in Thomson, Douglass H. (ed.), Tales of Wonder, by Matthew Gregory Lewis (Peterborough, Ont.: Broadview, 2010), pp. 222–31.Google Scholar
Temple, William, An Introduction to the History of England (London, 1695).Google Scholar
Temple, William, Miscellanea: The Second Part. In Four Essays, 2nd edition (London, 1690).Google Scholar
Thomas, David (ed.), Restoration and Georgian England 1660–1778 (Cambridge: Cambridge University Press, 1989).Google Scholar
Thomas, Helen, Romanticism and Slave Narratives: Transatlantic Testimonies (Cambridge: Cambridge University Press, 2004).Google Scholar
Thompson, E. A., revised by Heather, Peter, The Huns (Oxford: Blackwell Publishing, 1996).Google Scholar
Thomson, Douglass H. (ed.), ‘Introduction’, Tales of Wonder, by Matthew Lewis (Peterborough, Ont.: Broadview, 2010), pp. 1336.Google Scholar
Thomson, James, Alfred: A Masque (London, 1740).Google Scholar
Thorpe, Lewis, Gregory of Tours: The History of the Franks (Harmondsworth: Penguin Books, 1974).Google Scholar
Tompkins, J. M. S., The Popular Novel in England: 1770–1800 (London: Methuen & Co., 1932).Google Scholar
Townshend, Dale, The Orders of Gothic: Foucault, Lacan, and the Subject of Gothic Writing, 1764–1820 (New York: AMS Press, 2007).Google Scholar
Townshend, Dale, ‘Gothic and the Ghost of Hamlet’, in Drakakis, John and Townshend, Dale (eds), Gothic Shakespeares (Abingdon and New York: Routledge, 2008), pp. 6097.Google Scholar
Townshend, Dale, ‘“Love in a convent”: or, Gothic and the Perverse Father of Queer Enjoyment’, in Hughes, William and Smith, Andrew (eds), Queering the Gothic (Manchester: Manchester University Press, 2011), pp. 1135.Google Scholar
Townshend, , Dale, ‘T. I. Horsley Curties, romance, and the gift of death’, European Romantic Review 24:1 (2013): 2342.Google Scholar
Townshend, Dale, ‘Gothic and the Cultural Sources of Horror, 1740–1820’, in Reyes, Xavier Aldana (ed.), Horror: A Literary History (London: The British Library, 2016), pp. 1951.Google Scholar
Townshend, Dale, Gothic Antiquity: History, Romance, and the Architectural Imagination, 1760–1840 (Oxford: Oxford University Press, 2019).Google Scholar
Townshend, Dale and Wright, Angela (eds), Ann Radcliffe, Romanticism and the Gothic (Cambridge: Cambridge University Press, 2014).Google Scholar
Townshend, Dale and Wright, Angela, ‘Gothic and Romantic Engagements: The Critical Reception of Ann Radcliffe, 1789–1850’, in Townshend, Dale and Wright, Angela (eds), Ann Radcliffe, Romanticism and the Gothic (Cambridge: Cambridge University Press, 2014), pp. 332.Google Scholar
Townshend, Dale and Wright, Angela, ‘Gothic and Romantic: An Historical Overview’, in Wright, Angela and Townshend, Dale (eds), Romantic Gothic: An Edinburgh Companion (Edinburgh: Edinburgh University Press, 2016), pp. 134.Google Scholar
Toynbee, Paget and Whibley, Leonard (eds), Correspondence of Thomas Gray, 3 vols (Oxford: Clarendon Press, 1935).Google Scholar
Toynbee, Paget Jackson, ‘Horace Walpole’s journals of visits to country seats &c.’, Walpole Society 16 (1927–28): 880.Google Scholar
Toynbee, Paget Jackson, Strawberry Hill Accounts: A Record of Expenditure in Building Furnishing, &c Kept by Mr Horace Walpole from 1747 to 1795 (Oxford: Clarendon Press, 1927).Google Scholar
Tracy, Ann B., The Gothic Novel, 1790–1830: Plot Summaries and an Index to Motifs (Lexington: University Press of Kentucky, 1981).Google Scholar
Troide, Lars E. (ed.), Horace Walpole’s Miscellany, 1786–1795 (New Haven: Yale University Press, 1978).Google Scholar
Trousson, Raymond, Une mémorialiste oubliée: Victorine de Chastenay (Bruxelles: Académie royale de langue et de littérature françaises de Belgique, 2007).Google Scholar
Trusler, John, A Descriptive Account of the Islands Lately Discovered in the South-Seas (London, 1778).Google Scholar
Tuite, Clara, ‘Cloistered closets: enlightenment pornography, the confessional state, homosexual persecution and The Monk’, Romanticism on the Net 8 (1997) <www.erudit.org/en/journals/ron/1997-n8-ron420/005766ar/> (last accessed 5 January 2019).Google Scholar
Turnbull, Paul, ‘The Chief Mourner’s Costume: Religion and Political Change in the Society Islands, 1768–73’, in Hetherington, Michelle and Morley, Paul (eds), Discovering Cook’s Collections (Canberra: National Museum of Australia, 2009), pp. 4157.Google Scholar
Uden, James, ‘Gothic Fiction, the Grand Tour, and the Seductions of Antiquity: John Polidori’s The Vampyre (1819)’, in Micallef, Roberta (ed.), Illusions and Disillusionment: Travel Writing in the Modern Age (Boston: Ilex Foundation, 2018), pp. 5877.Google Scholar
Uden, James, Horace Walpole, gothic classicism, and the aesthetics of collection’, Gothic Studies 20:1 (2018): 4458.Google Scholar
Uden, James, Spectres of Antiquity: Classical Literature and the Gothic (New York: Oxford University Press, forthcoming).Google Scholar
Upcott, William (ed.), The Miscellaneous Writings of John Evelyn, Esq. F.R.S (London, 1825).Google Scholar
Vardy, John, Some Designs of Mr. Inigo Jones and Mr. Wm. Kent (London, 1744).Google Scholar
Varma, Devendra P., The Gothic Flame: Being a History of the Gothic Novel in England (London: Arthur Baker Ltd, 1957).Google Scholar
Vaughan, William, ‘Magic in the Studio’, in Bermingham, Ann (ed.), Sensation & Sensibility: Viewing Gainsborough’s Cottage Door (New Haven and London: Yale University Press, 2005), pp. 165–79.Google Scholar
Verstegan, Richard, A Restitution of Decayed Intelligence: In Antiquities Concerning the Most Noble and Renowned English Nation (Antwerp, 1605).Google Scholar
Virolle, Raymond, ‘Vie et survie du roman noir’, in Barbéris, P and Duchet, C (eds), Manuel d’Histoire littéraire de la France (Paris: Editions Sociales, 1972), pp. 138–47.Google Scholar
Voller, Jack G. (ed.), The Graveyard School: An Anthology (Richmond, VA: Valancourt, 2016).Google Scholar
Voltaire, [Arouet, François-Marie] Letters Concerning the English Nation (London, 1778).Google Scholar
Wahrman, Dror, The Making of the Modern Self: Identity and Culture in Eighteenth-Century England (New Haven: Yale University Press, 2004).Google Scholar
Wainwright, Clive, The Romantic Interior: The British Collector at Home, 1750–1850 (New Haven and London: Yale University Press, 1989).Google Scholar
Wallace, Diana, Female Gothic Histories: Gender, History and the Gothic (Cardiff: University of Wales Press, 2013).Google Scholar
Wallace, Diana and Smith, Andrew (eds), The Female Gothic: New Directions (Basingstoke: Palgrave Macmillan, 2009).Google Scholar
Wallace, Tara Ghoshal, , ‘The elephant’s foot and the British mouth: Walter Scott on imperial rhetoric’, European Romantic Review 13 (2002): 311–24.Google Scholar
Walpole, Horace, Anecdotes of Painting in England; with Some Account of the Principal Artists; and Notes on Other Arts; Collected by G. Vertue, and Now Digested from His MSS, 4 vols (Strawberry Hill: Printed by Thomas Farmer, 1762–71 [1780]).Google Scholar
Walpole, Horace, Hieroglyphic Tales (Twickenham, 1785).Google Scholar
Walpole, Horace, The Works of Horatio Walpole, Earl of Orford, 5 vols (London: Printed for G. G. and J. Robinson and J. Edwards, 1798).Google Scholar
Walpole, Horace, The Yale Edition of Horace Walpole’s Correspondence, 48 vols, edited by Lewis, W. S. (New Haven: Yale University Press, 1937–83).Google Scholar
Walpole, Horace, ‘Notes by Horace Walpole on Several Characters of Shakespeare’, in Lewis, Wilmarth Sheldon (ed.), Miscellaneous Antiquities (Windham, CT: Hawthorne House, 1940), pp. 57.Google Scholar
Walpole, Horace, Historic Doubts on the Life and Reign of Richard the Third, edited by Hammond, P. W. (Gloucester: Alain Sutton, 1987).Google Scholar
Ward-Perkins, Bryan, The Fall of Rome and the End of Civilization (Oxford: Oxford University Press, 2005).Google Scholar
Ward-Perkins, Bryan, ‘Where Is the Archaeology and Iconography of Germanic Arianism?’, in Gwynn, David M. and Bangert, Susanne (eds), Late Antique Archaeology 6: Religious Diversity in Late Antiquity (Leiden: Brill, 2010), pp. 265–89.Google Scholar
Walpole, Horace, The Castle of Otranto, edited by Groom, Nick (Oxford: Oxford University Press, 2014).Google Scholar
Warton, Thomas, Observations on The Fairy Queen of Spenser, 2nd edition, 2 vols (London, 1762).Google Scholar
Watt, James, Contesting the Gothic: Fiction, Genre and Cultural Conflict, 1764–1832 (Cambridge: Cambridge University Press, 1999).Google Scholar
Watt, James, ‘Orientalism and Empire’, in Maxwell, Richard and Trumpener, Katie (eds), The Cambridge Companion to Fiction in the Romantic Period (Cambridge: Cambridge University Press, 2008), pp. 129–42.Google Scholar
Watt, James, ‘Ann Radcliffe and Politics’, in Townshend, Dale and Wright, Angela (eds), Ann Radcliffe, Romanticism and the Gothic (Cambridge: Cambridge University Press, 2014), pp. 6782.Google Scholar
Webb, John, A Vindication of Stone-Heng Restored: in which the Orders and Rules of Architecture Observed by the Ancient Romans, are Discussed, 2nd edition (London, 1725).Google Scholar
Webb, Timothy, ‘Haunted City: The Shelleys, Byron, and Ancient Rome’, in Saunders, Timothy, Martindale, Charles, Pite, Ralph and Skoie, Mathile (eds), Romans and Romantics (Oxford: Oxford University Press, 2012), pp. 203–24.Google Scholar
Weber, Susan (ed.), William Kent: Designing Georgian Britain (New Haven and London: Yale University Press, 2013).Google Scholar
Wein, Toni, British Identities, Heroic Nationalisms, and the Gothic Novel, 1764–1824 (Basingstoke: Palgrave Macmillan, 2002).Google Scholar
Weiner, Jesse, Stevens, Benjamin Eldon and Rogers, Brett M. (eds), Frankenstein and its Classics: The Modern Prometheus from Antiquity to Science Fiction (London: Bloomsbury, 2018).Google Scholar
Weinglass, David H. (ed.), The Collected English Letters of Henry Fuseli (Millwood: Kraus International NY, 1982).Google Scholar
West, Shearer, ‘Roles and Role Models: Montagu, Siddons, Lady Macbeth’, in Eger, Elizabeth (ed.), Bluestockings Displayed: Portraiture, Performance and Patronage, 1730–1830 (Cambridge: Cambridge University Press), pp. 164–86.Google Scholar
[Whalley, Thomas Sedgwick], Edwy and Edilda: A Tale, in Five Parts (London, 1779).Google Scholar
[Whalley, Thomas Sedgwick], Edwy and Edilda: A Gothic Tale, in Five Parts. By the Author of the Old English Baron (Dublin, 1783).Google Scholar
Whately, Thomas, Observations on Modern Gardening, Illustrated by Descriptions (London, 1770).Google Scholar
White, James, Earl Strongbow: The History of Richard de Clare and the Beautiful Geralda, 2 vols (London, 1789).Google Scholar
White, Roger, ‘The Influence of Batty Langley’, in Mordaunt Crooke, J (ed.), A Gothick Symposium at the Victoria and Albert Museum (London: Victoria and Albert Museum, 1984), no. pag.Google Scholar
White, Roger, ‘William Kent and the Gothic Revival’, in Weber, Susan (ed.), William Kent: Designing Georgian Britain (New Haven and London: Yale University Press, 2013), pp. 247–69.Google Scholar
Whitley, W. T., Artists and Their Friends in England, 1700–1799, 2 vols (London: Medici Society, 1928).Google Scholar
Wilberforce, William, A Letter on the Abolition of the Slave Trade (London, 1807).Google Scholar
Williams, Abigail, Poetry and the Creation of a Whig Literary Culture, 1681–1714 (Oxford: Oxford University Press, 2005).Google Scholar
Williams, Anne, Art of Darkness: A Poetics of Gothic (Chicago: Chicago University Press, 1995).Google Scholar
Williams, Gilda (ed.), The Gothic (London: Whitechapel, 2007).Google Scholar
Williams, Gilda, ‘Defining a Gothic Aesthetic in Modern and Contemporary Visual Art’, in Byron, Glennis and Townshend, Dale (eds), The Gothic World (London and New York: Routledge 2014), pp. 412–25.Google Scholar
Williams, Helen Maria, A Poem on the Bill Lately Passed for Regulating the Slave Trade (London, 1788).Google Scholar
Wilson, Jon, India Conquered: Britain’s Raj and the Chaos of Empire (London: Simon & Schuster, 2016).Google Scholar
Wilson, Kathleen, The Sense of the People: Politics, Culture and Imperialism in England, 1715–1785 (Cambridge: Cambridge University Press, 1995).Google Scholar
Wilson, Kathleen, The Island Race: Englishness, Empire and Gender in the Eighteenth Century (London: Routledge, 2003).Google Scholar
Wilson, Penny, ‘Classical Poetry and the Eighteenth-Century Reader’, in Rivers, Isobel (ed.), Books and their Readers in Eighteenth-Century England (New York: St. Martin’s Press, 1982), pp. 6996.Google Scholar
Wilt, Judith, Ghosts of the Gothic: Austen, Eliot and Lawrence (Princeton, NJ: Princeton University Press, 1980).Google Scholar
Wolf, Kenneth Baxter, Conquerors and Chroniclers of Early Medieval Spain, 2nd edition (Liverpool: Liverpool University Press, 1999).Google Scholar
Wollstonecraft, Mary, Maria; or, the Wrongs of Woman, edited by Kelly, Gary (Oxford: Oxford University Press, 1976).Google Scholar
Womersley, David (ed.), Augustan Critical Writing (London: Penguin Books, 1997).Google Scholar
Wood, Jamie P., The Politics of Identity in Visigothic Spain: Religion and Power in the Histories of Isidore of Seville (Leiden: Brill, 2012).Google Scholar
Wood, Marcus, ‘Introduction’, in The Poetry of Slavery: An Anglo-American Anthology 1764–1865, edited by Wood, Marcus (Oxford: Oxford University Press, 2003), pp. xixxxiv.Google Scholar
Worrall, David, Theatric Revolution: Drama, Censorship and Romantic Period Subcultures 1773–1832 (Oxford: Oxford University Press, 2006).Google Scholar
Worrall, David, ‘The Political Culture of Gothic Drama’, in Punter, David (ed.), A New Companion to the Gothic (Chichester: Wiley-Blackwell, 2012), pp. 148–60.Google Scholar
Worsley, Giles, ‘The origins of the gothic revival: a reappraisal: the Alexander Prize essay’, Transactions of the Royal Historical Society 3 (1993): 105–50.Google Scholar
Worsley, Giles, Classical Architecture in Britain: The Heroic Age (New Haven and London: Yale University Press, 1995).Google Scholar
Wren, Christopher, Parentalia: Or, Memoirs of the Family of the Wrens: Viz., of Matthew, Bishop of Ely, Christopher, Dean of Windsor, Etc. But Chiefly of Sir Christopher Wren in Which Is Contained, Besides His Works, a Great Number of Original Papers and Records (London, 1750).Google Scholar
Wren, Christopher, ‘Tom Tower, Christ Church, Oxford (1681–2)’, The Wren Society 5 (1928): 1723.Google Scholar
Wright, Angela, Gothic Fiction: A Reader’s Guide (Basingstoke: Palgrave Macmillan, 2007).Google Scholar
Wright, Angela, ‘Disturbing the Female Gothic: An Excavation of the Northanger Novels’, in Wallace, Diana and Smith, Andrew (eds), The Female Gothic: New Directions (Basingstoke: Palgrave Macmillan, 2009), pp. 6075.Google Scholar
Wright, Angela, Britain, France and the Gothic, 1764–1820: The Import of Terror (Cambridge: Cambridge University Press, 2013).Google Scholar
Wright, Angela and Townshend, Dale (eds), Romantic Gothic: An Edinburgh Companion (Edinburgh: Edinburgh University Press, 2016).Google Scholar
Wright, Julia, ‘Lewis’s “Anaconda”: Gothic homonyms and sympathetic distinction’, Gothic Studies 3:3 (2001): 262–78.Google Scholar
Young, Edward, The Complaint (London, 1743).Google Scholar
Young, Edward, Conjectures on Original Composition (London, 1759).Google Scholar
Zigarovich, Jolene, ‘Introduction’, in Zigarovich, Jolene (ed.), Sex and Death in Eighteenth-Century Literature (New York: Routledge, 2013), pp. 128.Google Scholar
Zigarovich, Jolene, ‘Transing the Gothic’, in Zigarovich, Jolene (ed.), TransGothic in Literature and Culture (New York: Routledge, 2018), pp. 122.Google Scholar
[Zschokke, Johann Heinrich Daniel], Abaellino der große Bandit (Frankfurt und Leipzig, 1794).Google Scholar
Zschokke, J. H. D., Abällino der große Bandit. Ein Trauerspiel in fünf Aufzügen, nach der Geschichte dieses Namens von demselben Autor (Leipzig, Frankfurt a. d. Oder, 1795).Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Select Bibliography
  • Edited by Angela Wright, University of Sheffield, Dale Townshend, Manchester Metropolitan University
  • Book: The Cambridge History of the Gothic
  • Online publication: 16 July 2020
  • Chapter DOI: https://doi.org/10.1017/9781108561044.022
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Select Bibliography
  • Edited by Angela Wright, University of Sheffield, Dale Townshend, Manchester Metropolitan University
  • Book: The Cambridge History of the Gothic
  • Online publication: 16 July 2020
  • Chapter DOI: https://doi.org/10.1017/9781108561044.022
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Select Bibliography
  • Edited by Angela Wright, University of Sheffield, Dale Townshend, Manchester Metropolitan University
  • Book: The Cambridge History of the Gothic
  • Online publication: 16 July 2020
  • Chapter DOI: https://doi.org/10.1017/9781108561044.022
Available formats
×