Further reading
Published online by Cambridge University Press: 05 June 2012
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- The Cambridge Introduction to Margaret Atwood , pp. 123 - 132Publisher: Cambridge University PressPrint publication year: 2010
References
The Edible Woman. 1969. London: Virago, 1992.
Surfacing. 1972. London: Virago, 1991.
Lady Oracle. 1976. London: Virago, 1992.
Life Before Man. 1979. London: Vintage, 1996.
Bodily Harm. 1981. London: Virago, 1991.
The Handmaid's Tale. 1985. London: Virago, 1992.
Cat's Eye. 1988. London: Virago, 1990.
The Robber Bride. London: Bloomsbury, 1993.
Alias Grace. London: Bloomsbury, 1996.
The Blind Assassin. London: Bloomsbury, 2000.
Oryx and Crake. London: Bloomsbury, 2003.
The Year of the Flood. London: Bloomsbury, 2009.
Short stories and shorter works
Dancing Girls and Other Stories. 1977. London: Vintage, 1996.
Bluebeard's Egg and Other Stories. 1983. London: Vintage, 1996.
Murder in the Dark. 1983. London: Virago, 1994.
Good Bones. London: Virago, 1992.
Wilderness Tips. 1991. London: Bloomsbury, 1995.
The Penelopiad. Edinburgh: Canongate, 2005.
Moral Disorder. London: Bloomsbury, 2006.
The Tent. London: Bloomsbury, 2006.
Double Persephone. Toronto: Hawkshead Press, 1961.
The Circle Game. Toronto: House of Anansi, 1966.
The Animals in That Country. Oxford: Oxford University Press, 1968.
The Journals of Susanna Moodie. Oxford: Oxford University Press, 1970.
Procedures for Underground. Oxford: Oxford University Press, 1970.
Power Politics. Toronto: House of Anansi, 1971.
You Are Happy. Oxford: Oxford University Press, 1974.
Two-Headed Poems. Oxford: Oxford University Press, 1978.
True Stories. Oxford: Oxford University Press, 1981.
Interlunar. Oxford: Oxford University Press, 1984.
Morning in the Burned House. Toronto: McClelland & Stewart, 1995.
Eating Fire: Selected Poetry 1965–1995. London: Virago, 1998.
The Door. London: Virago, 2007.
Survival: A Thematic Guide to Canadian Literature. Toronto: McClelland & Stewart, 1972.
Days of the Rebels 1815–1840. Toronto: Natural Science of Canada, 1977.
Second Words: Selected Critical Prose. Toronto: Anansi, 1982.
Strange Things: The Malevolent North in Canadian Literature. Oxford: Clarendon Press, 1995.
Two Solicitudes: Conversations, with Victor-Lévy Beaulieu. Toronto: McClelland & Stewart, 1998.
Negotiating with the Dead: A Writer on Writing. Cambridge: Cambridge University Press, 2002.
Moving Targets: Writing with Intent. Toronto: Anansi, 2004.
Curious Pursuits: Occasional Writing 1970–2005. London: Virago, 2005.
Payback: Debt as Metaphor and the Shadow Side of Wealth. London: Bloomsbury, 2008.
Children's books
Up in the Tree. Toronto: McClelland & Stewart, 1978.
Anna's Pet, with Joyce Barkhouse. Halifax, NS: Lorimer, 1980.
For the Birds, with Shelly Tanaka. Toronto: Douglas & McIntyre, 1990.
Princess Prunella and the Purple Peanut. New York: Workman Publishing, 1995.
Rude Ramsay and the Roaring Radishes. Toronto: Key Porter Books, 2003.
Bashful Bob and Doleful Dorinda. Toronto: Key Porter Books, 2004.
The Edible Woman. 1969. London: Virago, 1992.
Surfacing. 1972. London: Virago, 1991.
Lady Oracle. 1976. London: Virago, 1992.
Life Before Man. 1979. London: Vintage, 1996.
Bodily Harm. 1981. London: Virago, 1991.
The Handmaid's Tale. 1985. London: Virago, 1992.
Cat's Eye. 1988. London: Virago, 1990.
The Robber Bride. London: Bloomsbury, 1993.
Alias Grace. London: Bloomsbury, 1996.
The Blind Assassin. London: Bloomsbury, 2000.
Oryx and Crake. London: Bloomsbury, 2003.
The Year of the Flood. London: Bloomsbury, 2009.
Short stories and shorter works
Dancing Girls and Other Stories. 1977. London: Vintage, 1996.
Bluebeard's Egg and Other Stories. 1983. London: Vintage, 1996.
Murder in the Dark. 1983. London: Virago, 1994.
Good Bones. London: Virago, 1992.
Wilderness Tips. 1991. London: Bloomsbury, 1995.
The Penelopiad. Edinburgh: Canongate, 2005.
Moral Disorder. London: Bloomsbury, 2006.
The Tent. London: Bloomsbury, 2006.
Double Persephone. Toronto: Hawkshead Press, 1961.
The Circle Game. Toronto: House of Anansi, 1966.
The Animals in That Country. Oxford: Oxford University Press, 1968.
The Journals of Susanna Moodie. Oxford: Oxford University Press, 1970.
Procedures for Underground. Oxford: Oxford University Press, 1970.
Power Politics. Toronto: House of Anansi, 1971.
You Are Happy. Oxford: Oxford University Press, 1974.
Two-Headed Poems. Oxford: Oxford University Press, 1978.
True Stories. Oxford: Oxford University Press, 1981.
Interlunar. Oxford: Oxford University Press, 1984.
Morning in the Burned House. Toronto: McClelland & Stewart, 1995.
Eating Fire: Selected Poetry 1965–1995. London: Virago, 1998.
The Door. London: Virago, 2007.
Survival: A Thematic Guide to Canadian Literature. Toronto: McClelland & Stewart, 1972.
Days of the Rebels 1815–1840. Toronto: Natural Science of Canada, 1977.
Second Words: Selected Critical Prose. Toronto: Anansi, 1982.
Strange Things: The Malevolent North in Canadian Literature. Oxford: Clarendon Press, 1995.
Two Solicitudes: Conversations, with Victor-Lévy Beaulieu. Toronto: McClelland & Stewart, 1998.
Negotiating with the Dead: A Writer on Writing. Cambridge: Cambridge University Press, 2002.
Moving Targets: Writing with Intent. Toronto: Anansi, 2004.
Curious Pursuits: Occasional Writing 1970–2005. London: Virago, 2005.
Payback: Debt as Metaphor and the Shadow Side of Wealth. London: Bloomsbury, 2008.
Children's books
Up in the Tree. Toronto: McClelland & Stewart, 1978.
Anna's Pet, with Joyce Barkhouse. Halifax, NS: Lorimer, 1980.
For the Birds, with Shelly Tanaka. Toronto: Douglas & McIntyre, 1990.
Princess Prunella and the Purple Peanut. New York: Workman Publishing, 1995.
Rude Ramsay and the Roaring Radishes. Toronto: Key Porter Books, 2003.
Bashful Bob and Doleful Dorinda. Toronto: Key Porter Books, 2004.
Brutal Choreographies: Oppositional Strategies and Narrative Design in the Novels of Margaret Atwood. Amherst: University of Massachusetts Press, 1993.Google Scholar
‘Atwood's Adult Fairy Tale: Levi-Strauss, Bettelheim, and The Edible Woman’, in McCombs (ed.), Critical Essays, 179–97.
‘On the Border: Margaret Atwood's Novels’, in Nischik (ed.), Margaret Atwood, 73–86.
‘Margaret Atwood: Reflections in a Convex Mirror’, in (ed.), Canadian Women Writing Fiction. Jackson: University Press of Mississippi, 1993, 53–59.Google Scholar
‘Margaret Atwood: Poet as Novelist’, in McCombs (ed.), Critical Essays, 90–104.
‘The Problem of Language in Margaret Atwood's Surfacing’, Queen's Quarterly 83 (1976): 597–612.Google Scholar
Brutal Choreographies: Oppositional Strategies and Narrative Design in the Novels of Margaret Atwood. Amherst: University of Massachusetts Press, 1993.Google Scholar
‘Soul Survivor’, in McCombs (ed.), Critical Essays, 48–52.
‘ “I am a Place”: Internalised Landscape and Female Subjectivity in Margaret Atwood's Surfacing’, in (ed.), Mapping Canadian Cultural Space: Essays on Canadian Literature. Jerusalem: The Hebrew University Magnes Press, 2000.Google Scholar
‘Somebody's Trying to Kill Me and I Think It's My Husband: The Modern Gothic’, Journal of Popular Culture 4 (1973): 666–91.CrossRefGoogle Scholar
. ‘The Mirror and the Cameo: Margaret Atwood's Comic/Gothic Novel, Lady Oracle’, in (ed.), The Female Gothic. Montreal: Eden Press, 1983, 153–63.Google Scholar
‘Murder and Mayhem: Margaret Atwood Deconstructs’, Contemporary Literature 29.2 (1988): 265–76.CrossRefGoogle Scholar
‘Fiction and (Post) Feminism in Atwood's Bodily Harm’, Novel 19.1 (1985): 5–21.CrossRefGoogle Scholar
‘Worlds Alongside: Contradictory Discourses in the Fiction of Alice Munro and Margaret Atwood’, in and (eds.), Gaining Ground: European Critics on Canadian Literature. Edmonton: NeWest Press, 1985, 121–36.Google Scholar
‘The Here and Now of Bodily Harm’, in Van Spanckeren and Castro (eds.), Margaret Atwood, 85–100.
‘Pandora's Box and Female Survival: Margaret Atwood's Bodily Harm’, in McCombs (ed.), Critical Essays, 259–275.
‘The World as it will be? Satire and Technology of Power in The Handmaid's Tale’, Modern Language Studies 20.2 (1990): 39–49.CrossRefGoogle Scholar
‘ “A Sister Dipped in Blood”: Satiric Inversion of the Formation Techniques of Women Religious in Margaret Atwood's Novel The Handmaid's Tale’, Christianity and Literature 38.2 (1989): 43–63.CrossRefGoogle Scholar
‘Margaret Atwood's The Handmaid's Tale: A Contextual Dystopia’, Science Fiction Studies 16.2 (48) (1989): 209–17.Google Scholar
‘Margaret Atwood and the Future of Prophecy’, Religion and Literature 21.1 (1989): 27–61.Google Scholar
‘The Handmaid's Tale, Cat's Eye, and Interlunar: Margaret Atwood's Feminist (?) Futures (?)’, in and (eds.), Narrative Strategies in Canadian Literature: Feminism and Post-Colonialism. New York: Taylor & Francis, 1991, 93–107.Google Scholar
Women's Movement: Escape as Transgression in North American Feminist Fiction. Amsterdam: Rodopi, 2000.Google Scholar
‘ “Trust Me”: Reading the Romance Plot in Margaret Atwood's The Handmaid's Tale’, Twentieth-Century Literature: A Scholarly and Critical Journal 37.2 (1991): 148–68.CrossRefGoogle Scholar
‘Nature and Nurture in Dystopia: The Handmaid's Tale’, in Van Spanckeren and Castro (eds.), Margaret Atwood, 101–12.
‘Panopticism’, in Alan Sheridan (trans.), Discipline and Punish: The Birth of the Prison, 1975. London: Penguin, 1991, 195–228.Google Scholar
‘Optics and Autobiography in Margaret Atwood's Cat's Eye’, Twentieth Century Literature 41.2 (1995): 135–59.CrossRefGoogle Scholar
Waltzing Again: New and Selected Conversations with Margaret Atwood. Princeton, NJ: Ontario Review Press, 2006.Google Scholar
‘Slipping Sideways into the Dreams of Women: The Female Dream Work of Power Feminism in Margaret Atwood's The Robber Bride’, LIT: Literature Interpretation Theory 6.3–4 (1995): 149–66.Google Scholar
‘Atwood's The Robber Bride: The Vampire as Intersubjective Catalyst’, Mosaic 30.3 (1997): 151–68.Google Scholar
‘ “The Old Maps are Dissolving”: Intertextuality and Identity in Atwood's The Robber Bride’, Tulsa Studies in Women's Literature 18.2 (1999): 281–98.CrossRefGoogle Scholar
‘In Search of Alias Grace: On Writing Canadian Historical Fiction’, Curious Pursuits. London: Virago, 2005, 209–29.Google Scholar
Contemporary Canadian Women's Fiction: Refiguring Identities. Houndmills: Palgrave Macmillan, 2003.CrossRefGoogle Scholar
‘The Book Reads Well: Atwood's Alias Grace and the Middle Voice’, Pacific Coast Philology 38 (2003): 40–59.Google Scholar
‘Can We Believe what theNewspapers tell us? Missing Links in Alias Grace’, University of Toronto Quarterly: A Canadian Journal of the Humanities 68.2 (1999): 677–86.CrossRefGoogle Scholar
Courting Failure: Women and the Law in Twentieth-Century Literature. Akron: University of Akron Press, 2007.Google Scholar
Women's Movement: Escape as Transgression in North American Feminist Fiction. Amsterdam: Rodopi, 2000.Google Scholar
‘Crimson Silks and New Potatoes: The Heteroglossic Power of the Object in Atwood's Alias Grace’, Studies in Canadian Literature 22.2 (1997): 66–82.Google Scholar
‘Historical Figures and Paradoxical Patterns: The Quilting Motif in Margaret Atwood's Alias Grace’, Studies in Canadian Literature 26.1 (2001): 65–83.Google Scholar
‘The Eroticism of Class and the Enigma of Margaret Atwood's Alias Grace’, Tulsa Studies in Women's Literature 22.2 (2003): 371–86.CrossRefGoogle Scholar
Margaret Atwood's Textual Assassinations: Recent Poetry and Fiction. Columbus: Ohio State University Press, 2003.Google Scholar
‘ “A Commemoration of Wounds Endured and Resented”: Margaret Atwood's The Blind Assassin as Feminist Memoir’, Critique 44.3 (2003): 251–69.Google Scholar
‘Narrative Anchors and the Processes of Story Construction: The Case of Margaret Atwood's The Blind Assassin’, Style 41.2 (2007): 133–52.Google Scholar
‘Waiting for the End: Closure in Margaret Atwood's The Blind Assassin’, Studies in the Novel 35.4 (2003): 543–58.Google Scholar
‘Atwood's Specular Narrative: The Blind Assassin’, English Studies 2 (2004): 147–60.CrossRefGoogle Scholar
‘Writing Oryx and Crake’, Curious Pursuits, 321–3.
“Tell My Story”: Remembrance and Revenge in Atwood's Oryx and Crake and Shakespeare's Hamlet', Critique 50.1 (2008): 87–110.Google Scholar
‘ “It's Game Over Forever”: Atwood's Satiric Vision of a Bioengineered Posthuman Future in Oryx and Crake’, The Journal of Commonwealth Literature 39 (2004): 139–56.CrossRefGoogle Scholar
‘In Retrospect: Writing and Reading Oryx and Crake’, Philament: An Online Journal of the Arts and Culture 6 (July 2005): www.arts.usyd.edu.au/publications/philament/issue6_contents.htm, accessed 15 August 2009.Google Scholar
‘Paradice Lost, Paradise Regained: homo faber and the Makings of a New Beginning in Oryx and Crake’, Papers on Language and Literature 41 (2005): 170–95.Google Scholar
‘Awaiting the Perfect Storm’, in Ingersoll (ed.), Waltzing Again, 251–64.
‘The Conversation: Margaret Atwood’, The Times [London], Review Section, 3, 15 August 2009.Google Scholar
Brutal Choreographies: Oppositional Strategies and Narrative Design in the Novels of Margaret Atwood. Amherst: University of Massachusetts Press, 1993.Google Scholar
‘Atwood's Adult Fairy Tale: Levi-Strauss, Bettelheim, and The Edible Woman’, in McCombs (ed.), Critical Essays, 179–97.
‘On the Border: Margaret Atwood's Novels’, in Nischik (ed.), Margaret Atwood, 73–86.
‘Margaret Atwood: Reflections in a Convex Mirror’, in (ed.), Canadian Women Writing Fiction. Jackson: University Press of Mississippi, 1993, 53–59.Google Scholar
‘Margaret Atwood: Poet as Novelist’, in McCombs (ed.), Critical Essays, 90–104.
‘The Problem of Language in Margaret Atwood's Surfacing’, Queen's Quarterly 83 (1976): 597–612.Google Scholar
Brutal Choreographies: Oppositional Strategies and Narrative Design in the Novels of Margaret Atwood. Amherst: University of Massachusetts Press, 1993.Google Scholar
‘Soul Survivor’, in McCombs (ed.), Critical Essays, 48–52.
‘ “I am a Place”: Internalised Landscape and Female Subjectivity in Margaret Atwood's Surfacing’, in (ed.), Mapping Canadian Cultural Space: Essays on Canadian Literature. Jerusalem: The Hebrew University Magnes Press, 2000.Google Scholar
‘Somebody's Trying to Kill Me and I Think It's My Husband: The Modern Gothic’, Journal of Popular Culture 4 (1973): 666–91.CrossRefGoogle Scholar
. ‘The Mirror and the Cameo: Margaret Atwood's Comic/Gothic Novel, Lady Oracle’, in (ed.), The Female Gothic. Montreal: Eden Press, 1983, 153–63.Google Scholar
‘Murder and Mayhem: Margaret Atwood Deconstructs’, Contemporary Literature 29.2 (1988): 265–76.CrossRefGoogle Scholar
‘Fiction and (Post) Feminism in Atwood's Bodily Harm’, Novel 19.1 (1985): 5–21.CrossRefGoogle Scholar
‘Worlds Alongside: Contradictory Discourses in the Fiction of Alice Munro and Margaret Atwood’, in and (eds.), Gaining Ground: European Critics on Canadian Literature. Edmonton: NeWest Press, 1985, 121–36.Google Scholar
‘The Here and Now of Bodily Harm’, in Van Spanckeren and Castro (eds.), Margaret Atwood, 85–100.
‘Pandora's Box and Female Survival: Margaret Atwood's Bodily Harm’, in McCombs (ed.), Critical Essays, 259–275.
‘The World as it will be? Satire and Technology of Power in The Handmaid's Tale’, Modern Language Studies 20.2 (1990): 39–49.CrossRefGoogle Scholar
‘ “A Sister Dipped in Blood”: Satiric Inversion of the Formation Techniques of Women Religious in Margaret Atwood's Novel The Handmaid's Tale’, Christianity and Literature 38.2 (1989): 43–63.CrossRefGoogle Scholar
‘Margaret Atwood's The Handmaid's Tale: A Contextual Dystopia’, Science Fiction Studies 16.2 (48) (1989): 209–17.Google Scholar
‘Margaret Atwood and the Future of Prophecy’, Religion and Literature 21.1 (1989): 27–61.Google Scholar
‘The Handmaid's Tale, Cat's Eye, and Interlunar: Margaret Atwood's Feminist (?) Futures (?)’, in and (eds.), Narrative Strategies in Canadian Literature: Feminism and Post-Colonialism. New York: Taylor & Francis, 1991, 93–107.Google Scholar
Women's Movement: Escape as Transgression in North American Feminist Fiction. Amsterdam: Rodopi, 2000.Google Scholar
‘ “Trust Me”: Reading the Romance Plot in Margaret Atwood's The Handmaid's Tale’, Twentieth-Century Literature: A Scholarly and Critical Journal 37.2 (1991): 148–68.CrossRefGoogle Scholar
‘Nature and Nurture in Dystopia: The Handmaid's Tale’, in Van Spanckeren and Castro (eds.), Margaret Atwood, 101–12.
‘Panopticism’, in Alan Sheridan (trans.), Discipline and Punish: The Birth of the Prison, 1975. London: Penguin, 1991, 195–228.Google Scholar
‘Optics and Autobiography in Margaret Atwood's Cat's Eye’, Twentieth Century Literature 41.2 (1995): 135–59.CrossRefGoogle Scholar
Waltzing Again: New and Selected Conversations with Margaret Atwood. Princeton, NJ: Ontario Review Press, 2006.Google Scholar
‘Slipping Sideways into the Dreams of Women: The Female Dream Work of Power Feminism in Margaret Atwood's The Robber Bride’, LIT: Literature Interpretation Theory 6.3–4 (1995): 149–66.Google Scholar
‘Atwood's The Robber Bride: The Vampire as Intersubjective Catalyst’, Mosaic 30.3 (1997): 151–68.Google Scholar
‘ “The Old Maps are Dissolving”: Intertextuality and Identity in Atwood's The Robber Bride’, Tulsa Studies in Women's Literature 18.2 (1999): 281–98.CrossRefGoogle Scholar
‘In Search of Alias Grace: On Writing Canadian Historical Fiction’, Curious Pursuits. London: Virago, 2005, 209–29.Google Scholar
Contemporary Canadian Women's Fiction: Refiguring Identities. Houndmills: Palgrave Macmillan, 2003.CrossRefGoogle Scholar
‘The Book Reads Well: Atwood's Alias Grace and the Middle Voice’, Pacific Coast Philology 38 (2003): 40–59.Google Scholar
‘Can We Believe what theNewspapers tell us? Missing Links in Alias Grace’, University of Toronto Quarterly: A Canadian Journal of the Humanities 68.2 (1999): 677–86.CrossRefGoogle Scholar
Courting Failure: Women and the Law in Twentieth-Century Literature. Akron: University of Akron Press, 2007.Google Scholar
Women's Movement: Escape as Transgression in North American Feminist Fiction. Amsterdam: Rodopi, 2000.Google Scholar
‘Crimson Silks and New Potatoes: The Heteroglossic Power of the Object in Atwood's Alias Grace’, Studies in Canadian Literature 22.2 (1997): 66–82.Google Scholar
‘Historical Figures and Paradoxical Patterns: The Quilting Motif in Margaret Atwood's Alias Grace’, Studies in Canadian Literature 26.1 (2001): 65–83.Google Scholar
‘The Eroticism of Class and the Enigma of Margaret Atwood's Alias Grace’, Tulsa Studies in Women's Literature 22.2 (2003): 371–86.CrossRefGoogle Scholar
Margaret Atwood's Textual Assassinations: Recent Poetry and Fiction. Columbus: Ohio State University Press, 2003.Google Scholar
‘ “A Commemoration of Wounds Endured and Resented”: Margaret Atwood's The Blind Assassin as Feminist Memoir’, Critique 44.3 (2003): 251–69.Google Scholar
‘Narrative Anchors and the Processes of Story Construction: The Case of Margaret Atwood's The Blind Assassin’, Style 41.2 (2007): 133–52.Google Scholar
‘Waiting for the End: Closure in Margaret Atwood's The Blind Assassin’, Studies in the Novel 35.4 (2003): 543–58.Google Scholar
‘Atwood's Specular Narrative: The Blind Assassin’, English Studies 2 (2004): 147–60.CrossRefGoogle Scholar
‘Writing Oryx and Crake’, Curious Pursuits, 321–3.
“Tell My Story”: Remembrance and Revenge in Atwood's Oryx and Crake and Shakespeare's Hamlet', Critique 50.1 (2008): 87–110.Google Scholar
‘ “It's Game Over Forever”: Atwood's Satiric Vision of a Bioengineered Posthuman Future in Oryx and Crake’, The Journal of Commonwealth Literature 39 (2004): 139–56.CrossRefGoogle Scholar
‘In Retrospect: Writing and Reading Oryx and Crake’, Philament: An Online Journal of the Arts and Culture 6 (July 2005): www.arts.usyd.edu.au/publications/philament/issue6_contents.htm, accessed 15 August 2009.Google Scholar
‘Paradice Lost, Paradise Regained: homo faber and the Makings of a New Beginning in Oryx and Crake’, Papers on Language and Literature 41 (2005): 170–95.Google Scholar
‘Awaiting the Perfect Storm’, in Ingersoll (ed.), Waltzing Again, 251–64.
‘The Conversation: Margaret Atwood’, The Times [London], Review Section, 3, 15 August 2009.Google Scholar
. ‘Alternate Stories: The Short Fiction of Audrey Thomas and Margaret Atwood’, Canadian Literature 109 (1986): 5–14.Google Scholar
‘Tales within Tales: Margaret Atwood's Folk Narratives’, Canadian Literature 109 (1986): 57–84.Google Scholar
‘Margaret Atwood's Short Stories and Shorter Fictions’, in Howells (ed.), The Cambridge Companion,145–60.
‘Margaret Atwood's Short Fiction’, in Nischik (ed.), Margaret Atwood, 87–96.
‘Feminist Revisionist Mythology and Female Identity in Margaret Atwood's Recent Poetry’, Literature and Theology 14.3 (2000): 276–98.CrossRefGoogle Scholar
‘Margaret Atwood's Poetry 1966–95’, in Nischik (ed.), Margaret Atwood, 97–119.
. ‘ “The Ruthless Story and the Future Tense” in Margaret Atwood's Circe/Mud Poems’, Studies in Canadian Literature 5 (1980): 167–76.Google Scholar
‘I Want, I Don't Want: The Poetry of Margaret Atwood’, Gettysburg Review 3.1 (1990): 217–30.Google Scholar
‘Gender and Language in Margaret Atwood's Poetry’, Commonwealth Essays and Studies 20.1 (1997): 10–16.Google Scholar
‘My Mother Would Rather Skate Than Scrub Floors’, Ingersoll (ed.), Waltzing Again, 37–42.
‘An Interview with Margaret Atwood’, in Van Spanckeren and Castro (eds.), Margaret Atwood, 215–32.
Nationalism and Literature: The Politics of Culture in Canada and the United States. Cambridge: Cambridge University Press, 1997.Google Scholar
‘Conclusion’, in . (ed.), Literary History of Canada: Canadian Literature in English. Totonto: University of Toronto Press, 1965, 821–49.Google Scholar
. Violent Duality: A Study of Margaret Atwood. Montreal: Vehicule Press, 1980.
The White Goddess: A Historical Grammar of Poetic Myth. London: Faber & Faber, 1948.
‘Tightrope-Walking over Niagara Falls’, in Ingersoll (ed.), Waltzing Again, 90–118.
. ‘A Psychological Journey: Mothers and Daughters in English Canadian Fiction’, in and (eds.), The Lost Tradition: Mothers and Daughters in Literature. New York: Frederick Ungar, 1980.Google Scholar
Worrying the Nation: Imagining a National Literature in English-Canada. Toronto: University of Toronto Press, 1998.CrossRefGoogle Scholar
The Lovely Treachery of Words: Essays Selected and New. Toronto: Oxford University Press, 1989.Google Scholar
‘The Question of the Corpus: Ethnicity and Canadian Literature’, in (ed.), Future Indicative. Literary Theory and Canadian Literature. Ottawa: University of Ottawa Press, 1987, 53–68.Google Scholar
‘ “A Certain Frivolity”: Margaret Atwood's Literary Criticism’, in (ed.), Margaret Atwood, 120–35.
‘Canonizing Atwood: Her Impact on Teaching in the US, Canada, and Europe’, in Nischik (ed.), Margaret Atwood, 41–56.
‘A Question of Metamorphosis’, in Ingersoll (ed.), Waltzing Again, 18–36.
‘Margaret Atwood in her Canadian Context’, in Howells (ed.), The Cambridge Companion, 12–27.
‘Tyler's Literary Reputation’, in (ed.), Anne Tyler as Novelist. Iowa City: University of Iowa Press, 1994, 175–96.Google Scholar
, and (eds.). Margaret Atwood: Vision and Forms. Carbondale: Southern Illinois University Press, 1988.
Margaret Atwood's Fairy-Tale Sexual Politics. Jackson: University of Mississippi Press, 1993.Google Scholar
‘Margaret Atwood: The Surfacing of Women's Spiritual Quest and Vision’, Signs 2.2 (1976): 316–30.CrossRefGoogle Scholar
‘Conceptions Literary and Otherwise: Women Writers and the Modern Imagination’, Novel: A Forum on Fiction 9.2 (1976): 141–50.CrossRefGoogle Scholar
‘Some Notes on Defining a “Feminist Literary Criticism” ’, Critical Inquiry 2.1 (1975): 75–92.CrossRefGoogle Scholar
‘A Well Spring of Magna: Modern Canadian Writing’, Twentieth Century Literature 14.3 (1968): 123–32.CrossRefGoogle Scholar
(ed.). Adventures of the Spirit: The Older Woman in the Works of Doris Lessing, Margaret Atwood, and Other Contemporary Women Writers. Columbus: Ohio State University Press, 2007.
Madness and Sexual Politics in the Feminist Novel: Studies in Brontë, Woolf, Lessing and Atwood. Madison: University of Wisconsin Press, 1978.Google Scholar
(ed.). Margaret Atwood: A Symposium, The Malahat Review, 41 January 1977.
Brutal Choreographies: Oppositional Strategies and Narrative Design in the Novels of Margaret Atwood. Amherst: University of Massachusetts Press, 1993.Google Scholar
(ed.). The Female Gothic. Montreal: Eden Press, 1983.
Margaret Atwood's Power: Mirrors, Reflections and Images in Select Fiction and Poetry. Toronto: Second Story, 1993.Google Scholar
(ed.). The Cambridge Companion to Margaret Atwood. Cambridge: Cambridge University Press, 2006.CrossRefGoogle Scholar
Contemporary Canadian Women's Fiction: Refiguring Identities. Houndmills: Palgrave, 2003.CrossRefGoogle Scholar
, , and (eds.). Narrative Strategies in Canadian Literature: Feminism and Post-Colonialism. New York: Taylor & Francis, 1991.Google Scholar
Waltzing Again: New and Selected Conversations with Margaret Atwood. Princeton, NJ: Ontario Review Press, 2006.Google Scholar
, and (eds.). Gaining Ground: European Critics on Canadian Literature. Edmonton: NeWest Press, 1985.
Courting Failure: Women and the Law in Twentieth-Century Literature. Akron: University of Akron Press, 2007.Google Scholar
Women's Movement: Escape as Transgression in North American Feminist Fiction. Amsterdam: Rodopi, 2000.Google Scholar
(ed.). Critical Essays on Margaret Atwood. Boston: Hall, 1988.
In Search of the Split Subject: Psychoanalysis, Phenomenology, and the Novels of Margaret Atwood. Toronto: ECW Press, 1996.Google Scholar
(ed.). Margaret Atwood: Works and Impact. Rochester, NY: Camden House, 2000.
, and (eds.). Margaret Atwood: Vision and Forms. Carbondale: Southern Illinois University Press, 1988.
Margaret Atwood's Fairy-Tale Sexual Politics. Jackson: University of Mississippi Press, 1993.Google Scholar
, , and . Approaches to Teaching Atwood's The Handmaid's Tale and Other Works. New York: Modern Language Association, 1996.Google Scholar
Various Atwoods: Essays on the Later Poems, Short Fictions and Novels. Toronto: Anansi, 1995.Google Scholar
Brutal Choreographies: Oppositional Strategies and Narrative Design in the Novels of Margaret Atwood. Amherst: University of Massachusetts Press, 1993.Google Scholar
(ed.). The Female Gothic. Montreal: Eden Press, 1983.
Margaret Atwood's Power: Mirrors, Reflections and Images in Select Fiction and Poetry. Toronto: Second Story, 1993.Google Scholar
(ed.). The Cambridge Companion to Margaret Atwood. Cambridge: Cambridge University Press, 2006.CrossRefGoogle Scholar
Contemporary Canadian Women's Fiction: Refiguring Identities. Houndmills: Palgrave, 2003.CrossRefGoogle Scholar
, , and (eds.). Narrative Strategies in Canadian Literature: Feminism and Post-Colonialism. New York: Taylor & Francis, 1991.Google Scholar
Waltzing Again: New and Selected Conversations with Margaret Atwood. Princeton, NJ: Ontario Review Press, 2006.Google Scholar
, and (eds.). Gaining Ground: European Critics on Canadian Literature. Edmonton: NeWest Press, 1985.
Courting Failure: Women and the Law in Twentieth-Century Literature. Akron: University of Akron Press, 2007.Google Scholar
Women's Movement: Escape as Transgression in North American Feminist Fiction. Amsterdam: Rodopi, 2000.Google Scholar
(ed.). Critical Essays on Margaret Atwood. Boston: Hall, 1988.
In Search of the Split Subject: Psychoanalysis, Phenomenology, and the Novels of Margaret Atwood. Toronto: ECW Press, 1996.Google Scholar
(ed.). Margaret Atwood: Works and Impact. Rochester, NY: Camden House, 2000.
, and (eds.). Margaret Atwood: Vision and Forms. Carbondale: Southern Illinois University Press, 1988.
Margaret Atwood's Fairy-Tale Sexual Politics. Jackson: University of Mississippi Press, 1993.Google Scholar
, , and . Approaches to Teaching Atwood's The Handmaid's Tale and Other Works. New York: Modern Language Association, 1996.Google Scholar
Various Atwoods: Essays on the Later Poems, Short Fictions and Novels. Toronto: Anansi, 1995.Google Scholar