Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-84b7d79bbc-rnpqb Total loading time: 0 Render date: 2024-07-27T22:34:49.556Z Has data issue: false hasContentIssue false

Guide to further reading

Published online by Cambridge University Press:  05 June 2012

Adrian Hunter
Adrian Hunter
Affiliation:
University of Stirling
Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
The Cambridge Introduction to the Short Story in English , pp. 188 - 196
Publisher: Cambridge University Press
Print publication year: 2007

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Achebe, Chinua, and Innes, C. L. (eds.). African Short Stories. London: Heinemann, 1985.Google Scholar
Achebe, Chinua and Innes, C. L.The Heinemann Book of Contemporary African Short Stories. Oxford: Heinemann, 1992.Google Scholar
Atwood, Margaret, and Weaver, Robert (eds.). The Oxford Book of Canadian Short Stories in English. Toronto and Oxford: Oxford University Press, 1986.Google Scholar
Bradbury, Malcolm (ed.). The Penguin Book of Modern British Short Stories. Harmondsworth: Penguin, 1988.Google Scholar
Byatt, A. S. (ed.). The Oxford Book of English Short Stories. Oxford: Oxford University Press, 1998.Google Scholar
Dolley, Christopher (ed.). The Penguin Book of English Short Stories. Harmondsworth: Penguin, 1967.Google Scholar
Dunn, Douglas (ed.). The Oxford Book of Scottish Short Stories. Oxford: Oxford University Press, 1995.Google Scholar
Goldsworthy, Kerryn (ed.). Australian Short Stories. Melbourne and London: Dent, 1983.Google Scholar
Hudson, Derek (ed.). Modern English Short Stories. Oxford: Oxford University Press, 1956.Google Scholar
Kravitz, Peter (ed.). The Picador Book of Contemporary Scottish Fiction. London: Picador, 1997.Google Scholar
O'Connor, Frank (ed.). Classic Irish Short Stories. New York and Oxford: Oxford University Press, 1985.Google Scholar
O'Sullivan, Vincent (ed.). The Oxford Book of New Zealand Short Stories. Auckland and Oxford: Oxford University Press, 1992.Google Scholar
Trevor, William (ed.). The Oxford Book of Irish Short Stories. Oxford: Oxford University Press, 1989.Google Scholar
The Sacrificial Egg and Other Short Stories. Omitsha: Etudo, 1962.
Girls at War and Other Stories. London: Heinemann, 1972.
Hopes and Impediments: Selected Essays. London: Heinemann, 1988.
Carroll, David. Chinua Achebe: Novelist, Poet, Critic. Second edition. London: Macmillan, 1990.CrossRefGoogle Scholar
Innes, C. L.Chinua Achebe. Cambridge: Cambridge University Press, 1992.Google Scholar
The Persimmon Tree and Other Stories. Sydney: Clarendon, 1943; London: Virago, 1985.
Bennett, Bruce. Australian Short Fiction: A History. St Lucia, Queensland: University of Queensland Press, 2000.Google Scholar
Modjeska, Drusilla. Exiles at Home: Australian Women Writers 1925–1945. London and Sydney: Sirius, 1984.Google Scholar
More Pricks Than Kicks. London: Chatto and Windus, 1934; London: John Calder, 1970.
The Complete Short Prose, 1929–1989, ed. Gontarski, S. E.. New York: Grove, 1995.Google Scholar
Carey, Phyllis, and Jewinski, Ed (eds.), Re: Joyce'n Beckett. New York: Fordham University Press, 1992.Google Scholar
Cochran, Robert. Samuel Beckett: A Study of the Short Fiction. New York: Twayne, 1991.Google Scholar
Kenner, Hugh. A Reader's Guide to Samuel Beckett. New York: Farrar, Straus and Giroux, 1973.Google Scholar
Pilling, John. Beckett Before Godot. Cambridge: Cambridge University Press, 1997.Google Scholar
Collected Stories. London: Jonathan Cape, 1980.
Collected Impressions. London: Longmans, 1950.
After-Thought: Pieces About Writing. London: Longmans, 1962.
Bennett, Andrew, and Royle, Nicholas. Elizabeth Bowen and the Dissolution of the Novel: Still Lives. Basingstoke: Palgrave Macmillan, 1995.CrossRefGoogle Scholar
Ellmann, Maud. Elizabeth Bowen: The Shadow Across the Page. Edinburgh: Edinburgh University Press, 2003.Google Scholar
Piette, Adam. Imagination at War: British Fiction and Poetry 1939–1945. London: Papermac, 1995.Google Scholar
Burning Your Boats: Stories. London: Chatto and Windus, 1995.
Expletives Deleted: Selected Writings. London: Vintage, 1993.
Bristow, Joseph, and Broughton, Trev Lynn (eds.). The Infernal Desires of Angela Carter: Fiction, Femininity, Feminism. London and New York: Longman, 1997.Google Scholar
Roemer, Danielle M., and Bacchilega, Christina. Angela Carter and the Fairy Tale, Detroit, MI: Wayne State University Press, 2001.Google Scholar
Sage, Lorna. Angela Carter. Plymouth: Northcote House, 1994.Google Scholar
Sage, Lorna(ed.). Flesh and Mirror: Essays on the Art of Angela Carter. London: Virago, 1994.Google Scholar
Wreckage: Seven Studies. London: William Heinemann, 1893.
Sentimental Studies and A Set of Village Tales. London: William Heinemann, 1895.
Last Studies. London: William Heinemann, 1897. (This edition includes an essay on Crackanthorpe by Henry James.)
Beckson, Karl. London in the 1890s: A Cultural History. New York and London: W. W. Norton, 1992.Google Scholar
Crackanthorpe, David. Hubert Crackanthorpe and English Realism in the 1890s. Columbia and London: University of Missouri Press, 1977.Google Scholar
The Complete Short Fiction of Joseph Conrad, ed. Samuel, Hynes. 2 vols. London: William Pickering, 1992.Google Scholar
Carabine, Keith. ‘Introduction’, in Joseph, Conrad, Selected Short Stories. Hertfordshire: Wordsworth Edition, 1997, pp. ⅶ–ⅹⅹⅵ.Google Scholar
Erdinast-Vulcan, Daphna. The Strange Short Fiction of Joseph Conrad. Oxford: Oxford University Press, 1999.CrossRefGoogle Scholar
Fraser, Gail. ‘The Short Fiction’, in Stape, J. H (ed.), The Cambridge Companion to Joseph Conrad. Cambridge: Cambridge University Press, 1996, pp. 25–44.CrossRefGoogle Scholar
Selected Short Fiction, ed. Deborah, A. Thomas. Harmondsworth: Penguin, 1976.Google Scholar
Orel, Harold. The Victorian Short Story: Development and Triumph of a Literary Genre. Cambridge: Cambridge University Press, 1986.Google Scholar
Smith, Grahame. Charles Dickens: A Literary Life. Basingstoke: Macmillan, 1996.CrossRefGoogle Scholar
Thomas, Deborah A.Dickens and the Short Story. London: Batsford, 1982.CrossRefGoogle Scholar
Keynotes and Discords. London: Virago, 1983. (First published London: Matthews and Lane, 1893 and Boston: Roberts Bros., 1894.)
A Leaf from The Yellow Book: The Correspondence of George Egerton, ed. Terence, Vere White. London: The Richards Press, 1958.Google Scholar
Chrisman, Laura. ‘Empire, “Race” and Feminism at the Fin de Siècle: The Work of George Egerton and Olive Schreiner’, in Sally Ledger and Scott McCracken (eds.), Cultural Politics at the Fin de Siècle. Cambridge: Cambridge University Press, 1995, pp. 45–65.
Cunningham, Gail. ‘“He-Notes”: Reconstructing Masculinity’, in Angelique Richardson and Chris Willis (eds.), The New Woman in Fiction and in Fact: Fin de Siècle Feminisms. Basingstoke and London: Palgrave, 2001, pp. 94–106.
Wessex Tales. London and New York: Macmillan, 1888.
Life's Little Ironies. London and New York: Macmillan, 1894.
Selected Stories of Thomas Hardy, ed. John, Wain. London: Papermac, 1966.Google Scholar
Brady, Kristin. The Short Stories of Thomas Hardy. Basingstoke and London: Palgrave Macmillan, 1982.Google Scholar
Orel, Harold. The Victorian Short Story: Development and Triumph of a Literary Genre. Cambridge: Cambridge University Press, 1986.Google Scholar
Dubliners. London: Grant Richards, 1914; London: Jonathan Cape, 1967.
Bloom, Harold (ed.). James Joyce's Dubliners: Modern Critical Interpretations. New York: Chelsea House, 1988.Google Scholar
Bollettieri, Bosinelli, Rosa, M., and Mosher, Harold F. Jr (eds.). ReJoycing: New Readings of Dubliners. Lexington, KY: University Press of Kentucky, 1998, pp. 13–40.Google Scholar
Gottfried, Roy. ‘“Scrupulous Meanness” Reconsidered: Dubliners as Stylistic Parody’, in Vincent, J. Cheng (ed.), Joyce in Context. Cambridge: Cambridge University Press, 1992, pp. 153–69.Google Scholar
Head, Dominic. The Modernist Short Story: A Study in Theory and Practice. Cambridge: Cambridge University Press, 1992.CrossRefGoogle Scholar
Leonard, Garry. Reading Dubliners Again: A Lacanian Perspective. Syracuse, NY: Syracuse University Press, 1993.Google Scholar
McCabe, Colin. James Joyce and the Revolution of the Word. Basingstoke: Macmillan, 1979.CrossRefGoogle Scholar
Mullin, Katherine. ‘Don't Cry for Me, Argentina: “Eveline” and the Seductions of Emigration Propaganda’, in Derek, Attridge and Marjorie, Howes (eds.), Semicolonial Joyce. Cambridge: Cambridge University Press, 2000, pp. 172–200.Google Scholar
Not Not While the Giro and Other Stories. London: Polygon, 1983.
Greyhound for Breakfast. London: Secker and Warburg, 1987.
The Burn. London: Secker and Warburg, 1991.
The Good Times and Other Stories. London: Secker and Warburg, 1998.
Some Recent Attacks: Essays Cultural and Political. Stirling: A. K. Press, 1992.
‘And the Judges Said–’: Essays. London: Secker and Warburg, 2002.
Craig, Cairns. The Modern Scottish Novel. Edinburgh: Edinburgh University Press, 1999.Google Scholar
Klaus, H. Gustav. James Kelman. Tavistock: Northcote, 2004.Google Scholar
Collected Stories, ed. Robert, Gottlieb. London: D. Campbell, 1994.Google Scholar
Something of Myself and Other Autobiographical Writings, ed. Thomas, Pinney. Cambridge: Cambridge University Press, 1990.Google Scholar
Kemp, Sandra. Kipling's Hidden Narratives. Oxford: Basil Blackwell, 1988.
Mallett, Phillip. Rudyard Kipling: A Literary Life. Basingstoke: Palgrave Macmillan, 2003.CrossRefGoogle Scholar
Sullivan, Zohreh. Narratives of Empire: The Fictions of Rudyard Kipling. Cambridge: Cambridge University Press, 1993.CrossRefGoogle Scholar
First Love, Last Rites. London: Jonathan Cape, 1975.
In Between the Sheets. London: Jonathan Cape, 1978.
Childs, Peter (ed.). The Fiction of Ian McEwan. Basingstoke: Palgrave Macmillan, 2006.CrossRefGoogle Scholar
Malcolm, David. Understanding Ian McEwan. Columbia: University of South Carolina Press, 2002.Google Scholar
Ryan, Kiernan. Ian McEwan. Plymouth: Northcote House, 1994.Google Scholar
Slay, Jack. Ian McEwan. New York: Twayne; London: Prentice Hall, 1996.Google Scholar
The Collected Stories of Katherine Mansfield. London: Constable, 1945; Harmondsworth: Penguin, 1981.
Dunbar, Pamela. Radical Mansfield: Double Discourse in Katherine Mansfield's Short Stories. Basingstoke: Macmillan, 1997.CrossRefGoogle Scholar
Kaplan, Sydney Janet. Katherine Mansfield and the Origins of Modernist Fiction. Ithaca and London: Cornell University Press, 1991.Google Scholar
Smith, Angela. Katherine Mansfield and Virginia Woolf: A Public of Two. Oxford: Clarendon Press, 1999.CrossRefGoogle Scholar
Smith, AngelaKatherine Mansfield: A Literary Life. Basingstoke: Palgrave, 2000.Google Scholar
Tales of Mean Streets. London: Methuen, 1894.
‘What is a Realist?’, New Review (March 1897): 326–36.
Greenfield, John. ‘Arthur Morrison's Sherlock Clone: Martin Hewitt, Victorian Values, and London Magazine Culture, 1894–1903’, Victorian Periodicals Review 35, 1 (2002): 18–36.Google Scholar
Keating, P. J.The Working Classes in Victorian Fiction. London: Routledge and Kegan Paul, 1971.Google Scholar
Dance of the Happy Shades. Toronto: Ryerson Press, 1968.
The Moons of Jupiter. London: Allen Lane, 1982.
The Progress of Love. Toronto: McClelland and Stewart, 1986.
Friend of My Youth. London: Chatto and Windus, 1990.
Open Secrets. London: Chatto and Windus, 1994.
The Love of a Good Woman. London: Chatto and Windus, 1998.
Hateship, Friendship, Courtship, Loveship, Marriage. London: Chatto and Windus, 2001.
Runaway. London: Chatto and Windus, 2005.
Heble, Ajay. The Tumble of Reason: Alice Munro's Discourse of Absence. Toronto, Buffalo and London: University of Toronto Press, 1994.CrossRefGoogle Scholar
Howells, Coral Ann. Alice Munro. Manchester and New York: Manchester University Press, 1998.Google Scholar
Thacker, Robert (ed.). The Rest of the Story: Critical Essays on Alice Munro. Toronto: ECW Press, 1999.Google Scholar
The Stories of Frank O'Connor. New York: Knopf, 1952.
My Oedipus Complex and Other Stories, ed. Julian, Barnes. Harmondsworth: Penguin, 2005.Google Scholar
An Only Child. London: Macmillan, 1961.
The Lonely Voice: A Study of the Short Story. London: Macmillan, 1963.
My Father's Son. London: Macmillan, 1968.
Lennon, Hilary (ed.). Frank O'Connor: New Critical Essays. Dublin: Four Courts Press, 2007.Google Scholar
Stories of Sean O'Faolain. Harmondsworth: Penguin, 1970.
Selected Stories of Sean O'Faolain. London: Constable, 1978.
The Short Story. London: Collins, 1948; revised, 1972.
Harmon, Maurice. Sean O'Faolain: A Life. London: Constable, 1994.Google Scholar
Storey, Michael. ‘“Not To Be Written Afterwards”: The Irish Revolution on the Irish Short Story’, Eire-Ireland: Journal of Irish Studies 28, 1 (1998): 32–47.Google Scholar
Collected Stories. London: Chatto and Windus, 1982.
The Complete Essays. London: Chatto and Windus, 1991.
Treglown, Jeremy. V. S. Pritchett: A Working Life. London: Chatto and Windus, 2004.Google Scholar
Wood, James. ‘V. S. Pritchett and English Comedy’, in Zachary, Leader (ed.), On Modern British Fiction. Oxford: Oxford University Press, 2002, pp. 8–19.Google Scholar
The Stories of Frank Sargeson. Auckland: Longman Paul, 1974.
Conversation in a Train and Other Critical Writing, ed. Kevin, Cunningham. Auckland: Auckland University Press; Oxford: Oxford University Press, 1983.Google Scholar
King, Michael. Frank Sargeson: A Life. London: Viking/Allen Lane, 1995.Google Scholar
Lay, Graeme, and Stratford, Stephen (eds.). An Affair of the Heart: A Celebration of Frank Sargeson's Centenary. Auckland: Cape Catley, 2003.Google Scholar
Murray, Stuart. Never a Soul at Home: New Zealand Literary Nationalism and the 1930s. Wellington: Victoria University Press, 1998.Google Scholar
The Complete Shorter Fiction of Virginia Woolf, ed. Susan, Dick. London: Hogarth Press, 1985; revised and expanded, 1989.Google Scholar
Beer, Gillian. Virginia Woolf: The Common Ground. Edinburgh: Edinburgh University Press, 1996.Google Scholar
Hanson, Clare. Virginia Woolf. Basingstoke: Macmillan, 1994.CrossRefGoogle Scholar
Roe, Sue, and Sellers, Susan (eds.). The Cambridge Companion to Virginia Woolf. Cambridge: Cambridge University Press, 2000.CrossRefGoogle Scholar
Smith, Angela. Katherine Mansfield and Virginia Woolf: A Public of Two. Oxford: Clarendon Press, 1999.CrossRefGoogle Scholar
Snaith, Anna. Virginia Woolf: Public and Private Negotiations. Basingstoke: Palgrave Macmillan, 2000.Google Scholar
Allen, Walter. The Short Story in English. Oxford: Clarendon Press, 1981.Google Scholar
Aycock, Wendell M.The Teller and the Tale: Aspects of the Short Story. Lubbock: Texas Tech Press, 1982.Google Scholar
Bates, H. E.The Modern Short Story: A Critical Survey. London: Thomas Nelson, 1941.Google Scholar
Bayley, John. The Short Story: Henry James to Elizabeth Bowen. Brighton: Harvester, 1988.Google Scholar
Burke, Daniel. Beyond Interpretation: Studies in the Modern Short Story. New York: Whitston, 1991.Google Scholar
Flora, Joseph M. (ed.). The English Short Story 1880–1945: A Critical History. Boston: G. K. Hall, 1985.Google Scholar
Hanson, Clare. Short Stories and Short Fictions: 1880–1980. Basingstoke: Macmillan, 1985.CrossRefGoogle Scholar
Hanson, Clareed. Re-Reading the Short Story. London and Basingstoke: Macmillan, 1989.CrossRefGoogle Scholar
Head, Dominic. The Modernist Short Story: A Study in Theory and Practice. Cambridge: Cambridge University Press, 1992.CrossRefGoogle Scholar
Lohafer, Susan. Coming to Terms with the Short Story. Baton Rouge and London: Louisiana State University Press, 1983.Google Scholar
Lohafer, Susanand Clary, Jo Ellen, eds. Short Story Theory at a Crossroads. Baton Rouge and London: Louisiana State University Press, 1989.Google Scholar
May, Charles. The Short Story: The Reality of Artifice. New York: Twayne, 1995.Google Scholar
May, Charlesed. The New Short Story Theories. Athens, OH: Ohio University Press, 1994.Google Scholar
O'Connor, Frank. The Lonely Voice: A Study of the Short Story. London: Macmillan, 1963.Google Scholar
O'Faolain, Sean. The Short Story. London: Collins, 1948.Google Scholar
Reid, Ian. The Short Story. London and New York: Routledge, 1977.Google Scholar
Shaw, Valerie. The Short Story: A Critical Introduction. London and New York: Longman, 1983.Google Scholar
The Sacrificial Egg and Other Short Stories. Omitsha: Etudo, 1962.
Girls at War and Other Stories. London: Heinemann, 1972.
Hopes and Impediments: Selected Essays. London: Heinemann, 1988.
Carroll, David. Chinua Achebe: Novelist, Poet, Critic. Second edition. London: Macmillan, 1990.CrossRefGoogle Scholar
Innes, C. L.Chinua Achebe. Cambridge: Cambridge University Press, 1992.Google Scholar
The Persimmon Tree and Other Stories. Sydney: Clarendon, 1943; London: Virago, 1985.
Bennett, Bruce. Australian Short Fiction: A History. St Lucia, Queensland: University of Queensland Press, 2000.Google Scholar
Modjeska, Drusilla. Exiles at Home: Australian Women Writers 1925–1945. London and Sydney: Sirius, 1984.Google Scholar
More Pricks Than Kicks. London: Chatto and Windus, 1934; London: John Calder, 1970.
The Complete Short Prose, 1929–1989, ed. Gontarski, S. E.. New York: Grove, 1995.Google Scholar
Carey, Phyllis, and Jewinski, Ed (eds.), Re: Joyce'n Beckett. New York: Fordham University Press, 1992.Google Scholar
Cochran, Robert. Samuel Beckett: A Study of the Short Fiction. New York: Twayne, 1991.Google Scholar
Kenner, Hugh. A Reader's Guide to Samuel Beckett. New York: Farrar, Straus and Giroux, 1973.Google Scholar
Pilling, John. Beckett Before Godot. Cambridge: Cambridge University Press, 1997.Google Scholar
Collected Stories. London: Jonathan Cape, 1980.
Collected Impressions. London: Longmans, 1950.
After-Thought: Pieces About Writing. London: Longmans, 1962.
Bennett, Andrew, and Royle, Nicholas. Elizabeth Bowen and the Dissolution of the Novel: Still Lives. Basingstoke: Palgrave Macmillan, 1995.CrossRefGoogle Scholar
Ellmann, Maud. Elizabeth Bowen: The Shadow Across the Page. Edinburgh: Edinburgh University Press, 2003.Google Scholar
Piette, Adam. Imagination at War: British Fiction and Poetry 1939–1945. London: Papermac, 1995.Google Scholar
Burning Your Boats: Stories. London: Chatto and Windus, 1995.
Expletives Deleted: Selected Writings. London: Vintage, 1993.
Bristow, Joseph, and Broughton, Trev Lynn (eds.). The Infernal Desires of Angela Carter: Fiction, Femininity, Feminism. London and New York: Longman, 1997.Google Scholar
Roemer, Danielle M., and Bacchilega, Christina. Angela Carter and the Fairy Tale, Detroit, MI: Wayne State University Press, 2001.Google Scholar
Sage, Lorna. Angela Carter. Plymouth: Northcote House, 1994.Google Scholar
Sage, Lorna(ed.). Flesh and Mirror: Essays on the Art of Angela Carter. London: Virago, 1994.Google Scholar
Wreckage: Seven Studies. London: William Heinemann, 1893.
Sentimental Studies and A Set of Village Tales. London: William Heinemann, 1895.
Last Studies. London: William Heinemann, 1897. (This edition includes an essay on Crackanthorpe by Henry James.)
Beckson, Karl. London in the 1890s: A Cultural History. New York and London: W. W. Norton, 1992.Google Scholar
Crackanthorpe, David. Hubert Crackanthorpe and English Realism in the 1890s. Columbia and London: University of Missouri Press, 1977.Google Scholar
The Complete Short Fiction of Joseph Conrad, ed. Samuel, Hynes. 2 vols. London: William Pickering, 1992.Google Scholar
Carabine, Keith. ‘Introduction’, in Joseph, Conrad, Selected Short Stories. Hertfordshire: Wordsworth Edition, 1997, pp. ⅶ–ⅹⅹⅵ.Google Scholar
Erdinast-Vulcan, Daphna. The Strange Short Fiction of Joseph Conrad. Oxford: Oxford University Press, 1999.CrossRefGoogle Scholar
Fraser, Gail. ‘The Short Fiction’, in Stape, J. H (ed.), The Cambridge Companion to Joseph Conrad. Cambridge: Cambridge University Press, 1996, pp. 25–44.CrossRefGoogle Scholar
Selected Short Fiction, ed. Deborah, A. Thomas. Harmondsworth: Penguin, 1976.Google Scholar
Orel, Harold. The Victorian Short Story: Development and Triumph of a Literary Genre. Cambridge: Cambridge University Press, 1986.Google Scholar
Smith, Grahame. Charles Dickens: A Literary Life. Basingstoke: Macmillan, 1996.CrossRefGoogle Scholar
Thomas, Deborah A.Dickens and the Short Story. London: Batsford, 1982.CrossRefGoogle Scholar
Keynotes and Discords. London: Virago, 1983. (First published London: Matthews and Lane, 1893 and Boston: Roberts Bros., 1894.)
A Leaf from The Yellow Book: The Correspondence of George Egerton, ed. Terence, Vere White. London: The Richards Press, 1958.Google Scholar
Chrisman, Laura. ‘Empire, “Race” and Feminism at the Fin de Siècle: The Work of George Egerton and Olive Schreiner’, in Sally Ledger and Scott McCracken (eds.), Cultural Politics at the Fin de Siècle. Cambridge: Cambridge University Press, 1995, pp. 45–65.
Cunningham, Gail. ‘“He-Notes”: Reconstructing Masculinity’, in Angelique Richardson and Chris Willis (eds.), The New Woman in Fiction and in Fact: Fin de Siècle Feminisms. Basingstoke and London: Palgrave, 2001, pp. 94–106.
Wessex Tales. London and New York: Macmillan, 1888.
Life's Little Ironies. London and New York: Macmillan, 1894.
Selected Stories of Thomas Hardy, ed. John, Wain. London: Papermac, 1966.Google Scholar
Brady, Kristin. The Short Stories of Thomas Hardy. Basingstoke and London: Palgrave Macmillan, 1982.Google Scholar
Orel, Harold. The Victorian Short Story: Development and Triumph of a Literary Genre. Cambridge: Cambridge University Press, 1986.Google Scholar
Dubliners. London: Grant Richards, 1914; London: Jonathan Cape, 1967.
Bloom, Harold (ed.). James Joyce's Dubliners: Modern Critical Interpretations. New York: Chelsea House, 1988.Google Scholar
Bollettieri, Bosinelli, Rosa, M., and Mosher, Harold F. Jr (eds.). ReJoycing: New Readings of Dubliners. Lexington, KY: University Press of Kentucky, 1998, pp. 13–40.Google Scholar
Gottfried, Roy. ‘“Scrupulous Meanness” Reconsidered: Dubliners as Stylistic Parody’, in Vincent, J. Cheng (ed.), Joyce in Context. Cambridge: Cambridge University Press, 1992, pp. 153–69.Google Scholar
Head, Dominic. The Modernist Short Story: A Study in Theory and Practice. Cambridge: Cambridge University Press, 1992.CrossRefGoogle Scholar
Leonard, Garry. Reading Dubliners Again: A Lacanian Perspective. Syracuse, NY: Syracuse University Press, 1993.Google Scholar
McCabe, Colin. James Joyce and the Revolution of the Word. Basingstoke: Macmillan, 1979.CrossRefGoogle Scholar
Mullin, Katherine. ‘Don't Cry for Me, Argentina: “Eveline” and the Seductions of Emigration Propaganda’, in Derek, Attridge and Marjorie, Howes (eds.), Semicolonial Joyce. Cambridge: Cambridge University Press, 2000, pp. 172–200.Google Scholar
Not Not While the Giro and Other Stories. London: Polygon, 1983.
Greyhound for Breakfast. London: Secker and Warburg, 1987.
The Burn. London: Secker and Warburg, 1991.
The Good Times and Other Stories. London: Secker and Warburg, 1998.
Some Recent Attacks: Essays Cultural and Political. Stirling: A. K. Press, 1992.
‘And the Judges Said–’: Essays. London: Secker and Warburg, 2002.
Craig, Cairns. The Modern Scottish Novel. Edinburgh: Edinburgh University Press, 1999.Google Scholar
Klaus, H. Gustav. James Kelman. Tavistock: Northcote, 2004.Google Scholar
Collected Stories, ed. Robert, Gottlieb. London: D. Campbell, 1994.Google Scholar
Something of Myself and Other Autobiographical Writings, ed. Thomas, Pinney. Cambridge: Cambridge University Press, 1990.Google Scholar
Kemp, Sandra. Kipling's Hidden Narratives. Oxford: Basil Blackwell, 1988.
Mallett, Phillip. Rudyard Kipling: A Literary Life. Basingstoke: Palgrave Macmillan, 2003.CrossRefGoogle Scholar
Sullivan, Zohreh. Narratives of Empire: The Fictions of Rudyard Kipling. Cambridge: Cambridge University Press, 1993.CrossRefGoogle Scholar
First Love, Last Rites. London: Jonathan Cape, 1975.
In Between the Sheets. London: Jonathan Cape, 1978.
Childs, Peter (ed.). The Fiction of Ian McEwan. Basingstoke: Palgrave Macmillan, 2006.CrossRefGoogle Scholar
Malcolm, David. Understanding Ian McEwan. Columbia: University of South Carolina Press, 2002.Google Scholar
Ryan, Kiernan. Ian McEwan. Plymouth: Northcote House, 1994.Google Scholar
Slay, Jack. Ian McEwan. New York: Twayne; London: Prentice Hall, 1996.Google Scholar
The Collected Stories of Katherine Mansfield. London: Constable, 1945; Harmondsworth: Penguin, 1981.
Dunbar, Pamela. Radical Mansfield: Double Discourse in Katherine Mansfield's Short Stories. Basingstoke: Macmillan, 1997.CrossRefGoogle Scholar
Kaplan, Sydney Janet. Katherine Mansfield and the Origins of Modernist Fiction. Ithaca and London: Cornell University Press, 1991.Google Scholar
Smith, Angela. Katherine Mansfield and Virginia Woolf: A Public of Two. Oxford: Clarendon Press, 1999.CrossRefGoogle Scholar
Smith, AngelaKatherine Mansfield: A Literary Life. Basingstoke: Palgrave, 2000.Google Scholar
Tales of Mean Streets. London: Methuen, 1894.
‘What is a Realist?’, New Review (March 1897): 326–36.
Greenfield, John. ‘Arthur Morrison's Sherlock Clone: Martin Hewitt, Victorian Values, and London Magazine Culture, 1894–1903’, Victorian Periodicals Review 35, 1 (2002): 18–36.Google Scholar
Keating, P. J.The Working Classes in Victorian Fiction. London: Routledge and Kegan Paul, 1971.Google Scholar
Dance of the Happy Shades. Toronto: Ryerson Press, 1968.
The Moons of Jupiter. London: Allen Lane, 1982.
The Progress of Love. Toronto: McClelland and Stewart, 1986.
Friend of My Youth. London: Chatto and Windus, 1990.
Open Secrets. London: Chatto and Windus, 1994.
The Love of a Good Woman. London: Chatto and Windus, 1998.
Hateship, Friendship, Courtship, Loveship, Marriage. London: Chatto and Windus, 2001.
Runaway. London: Chatto and Windus, 2005.
Heble, Ajay. The Tumble of Reason: Alice Munro's Discourse of Absence. Toronto, Buffalo and London: University of Toronto Press, 1994.CrossRefGoogle Scholar
Howells, Coral Ann. Alice Munro. Manchester and New York: Manchester University Press, 1998.Google Scholar
Thacker, Robert (ed.). The Rest of the Story: Critical Essays on Alice Munro. Toronto: ECW Press, 1999.Google Scholar
The Stories of Frank O'Connor. New York: Knopf, 1952.
My Oedipus Complex and Other Stories, ed. Julian, Barnes. Harmondsworth: Penguin, 2005.Google Scholar
An Only Child. London: Macmillan, 1961.
The Lonely Voice: A Study of the Short Story. London: Macmillan, 1963.
My Father's Son. London: Macmillan, 1968.
Lennon, Hilary (ed.). Frank O'Connor: New Critical Essays. Dublin: Four Courts Press, 2007.Google Scholar
Stories of Sean O'Faolain. Harmondsworth: Penguin, 1970.
Selected Stories of Sean O'Faolain. London: Constable, 1978.
The Short Story. London: Collins, 1948; revised, 1972.
Harmon, Maurice. Sean O'Faolain: A Life. London: Constable, 1994.Google Scholar
Storey, Michael. ‘“Not To Be Written Afterwards”: The Irish Revolution on the Irish Short Story’, Eire-Ireland: Journal of Irish Studies 28, 1 (1998): 32–47.Google Scholar
Collected Stories. London: Chatto and Windus, 1982.
The Complete Essays. London: Chatto and Windus, 1991.
Treglown, Jeremy. V. S. Pritchett: A Working Life. London: Chatto and Windus, 2004.Google Scholar
Wood, James. ‘V. S. Pritchett and English Comedy’, in Zachary, Leader (ed.), On Modern British Fiction. Oxford: Oxford University Press, 2002, pp. 8–19.Google Scholar
The Stories of Frank Sargeson. Auckland: Longman Paul, 1974.
Conversation in a Train and Other Critical Writing, ed. Kevin, Cunningham. Auckland: Auckland University Press; Oxford: Oxford University Press, 1983.Google Scholar
King, Michael. Frank Sargeson: A Life. London: Viking/Allen Lane, 1995.Google Scholar
Lay, Graeme, and Stratford, Stephen (eds.). An Affair of the Heart: A Celebration of Frank Sargeson's Centenary. Auckland: Cape Catley, 2003.Google Scholar
Murray, Stuart. Never a Soul at Home: New Zealand Literary Nationalism and the 1930s. Wellington: Victoria University Press, 1998.Google Scholar
The Complete Shorter Fiction of Virginia Woolf, ed. Susan, Dick. London: Hogarth Press, 1985; revised and expanded, 1989.Google Scholar
Beer, Gillian. Virginia Woolf: The Common Ground. Edinburgh: Edinburgh University Press, 1996.Google Scholar
Hanson, Clare. Virginia Woolf. Basingstoke: Macmillan, 1994.CrossRefGoogle Scholar
Roe, Sue, and Sellers, Susan (eds.). The Cambridge Companion to Virginia Woolf. Cambridge: Cambridge University Press, 2000.CrossRefGoogle Scholar
Smith, Angela. Katherine Mansfield and Virginia Woolf: A Public of Two. Oxford: Clarendon Press, 1999.CrossRefGoogle Scholar
Snaith, Anna. Virginia Woolf: Public and Private Negotiations. Basingstoke: Palgrave Macmillan, 2000.Google Scholar
Allen, Walter. The Short Story in English. Oxford: Clarendon Press, 1981.Google Scholar
Aycock, Wendell M.The Teller and the Tale: Aspects of the Short Story. Lubbock: Texas Tech Press, 1982.Google Scholar
Bates, H. E.The Modern Short Story: A Critical Survey. London: Thomas Nelson, 1941.Google Scholar
Bayley, John. The Short Story: Henry James to Elizabeth Bowen. Brighton: Harvester, 1988.Google Scholar
Burke, Daniel. Beyond Interpretation: Studies in the Modern Short Story. New York: Whitston, 1991.Google Scholar
Flora, Joseph M. (ed.). The English Short Story 1880–1945: A Critical History. Boston: G. K. Hall, 1985.Google Scholar
Hanson, Clare. Short Stories and Short Fictions: 1880–1980. Basingstoke: Macmillan, 1985.CrossRefGoogle Scholar
Hanson, Clareed. Re-Reading the Short Story. London and Basingstoke: Macmillan, 1989.CrossRefGoogle Scholar
Head, Dominic. The Modernist Short Story: A Study in Theory and Practice. Cambridge: Cambridge University Press, 1992.CrossRefGoogle Scholar
Lohafer, Susan. Coming to Terms with the Short Story. Baton Rouge and London: Louisiana State University Press, 1983.Google Scholar
Lohafer, Susanand Clary, Jo Ellen, eds. Short Story Theory at a Crossroads. Baton Rouge and London: Louisiana State University Press, 1989.Google Scholar
May, Charles. The Short Story: The Reality of Artifice. New York: Twayne, 1995.Google Scholar
May, Charlesed. The New Short Story Theories. Athens, OH: Ohio University Press, 1994.Google Scholar
O'Connor, Frank. The Lonely Voice: A Study of the Short Story. London: Macmillan, 1963.Google Scholar
O'Faolain, Sean. The Short Story. London: Collins, 1948.Google Scholar
Reid, Ian. The Short Story. London and New York: Routledge, 1977.Google Scholar
Shaw, Valerie. The Short Story: A Critical Introduction. London and New York: Longman, 1983.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Guide to further reading
  • Adrian Hunter, University of Stirling
  • Book: The Cambridge Introduction to the Short Story in English
  • Online publication: 05 June 2012
  • Chapter DOI: https://doi.org/10.1017/CBO9780511611360.020
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Guide to further reading
  • Adrian Hunter, University of Stirling
  • Book: The Cambridge Introduction to the Short Story in English
  • Online publication: 05 June 2012
  • Chapter DOI: https://doi.org/10.1017/CBO9780511611360.020
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Guide to further reading
  • Adrian Hunter, University of Stirling
  • Book: The Cambridge Introduction to the Short Story in English
  • Online publication: 05 June 2012
  • Chapter DOI: https://doi.org/10.1017/CBO9780511611360.020
Available formats
×