Skip to main content Accessibility help
×
Hostname: page-component-84b7d79bbc-lrf7s Total loading time: 0 Render date: 2024-07-25T13:58:03.111Z Has data issue: false hasContentIssue false

24 - The Search for the Numinous in Wordsworth and Colendge: Some Hints from The Catalpa Bow

Published online by Cambridge University Press:  04 May 2022

Get access

Summary

THE CATALRA BOW, Dr Carmen Blacker's magnum opus the definitive study of shamanistic practices in Japan, begins with a vivid account of a staking scene in the Noh play Am no Ue. There the Pnncess Aoi is dying, possessed by the avenging spmt of the Lady Rokujō. A medium is trying to speak to the evil spmt by beating on a drum, twanging her catalpa bow and reciting the spell summoning the spmt. To banish the appantion an ascetic, a hermit from a cave in the nearby mountain, is called m. The ‘bridge’ or passageway on the Noh stage, over which the appantion comes and goes, intervenes between this and the other world. Complementing one another's role, both the medium and the ascetic have the uncommon power to transcend the barrier between the two worlds.

This power, according to Dr Blacker in The Catalpa Bow, bears ‘no relation to physical strength or mental agility’ but is ‘acquired by means, which often weaken a man's bodily health and strength, and which appears from time to time in boys who are virtual halfwits’. She uses the word ‘shaman’ ‘to indicate those people, who have acquired this power; who in a state of dissociated trance are capable of communicating directly with spiritual beings’ (Ibid.). They are exemplified, as in the Noh play Aoi no Ue, by the medium as a transmitter or a vessel for communication with the other world and by the ascetic as a healer.

To acquire this uncommon transcending power the ascetic is required to undergo austerities for his initiation and to ‘accomplish a severe regime of ascetic practice’ such as fasting and ‘a journey to the other world’ (Ibid.). As the medium summons the spiritual beings from the otherworld, so the ascetic leaves this world to make an outward journey to the other world. He may make his journey in ‘ecstatic, visionary form’ (Ibid.) ‘in a state of suspended animation’ (Ibid.) or only in soul in an ‘out of the body’ trance. Alternatively, in both body and soul he may make his mimetic journey to the other world projected symbolically into the geography of this world.

Type
Chapter
Information
Carmen Blacker
Scholar of Japanese Religion, Myth and Folklore: Writings and Reflections
, pp. 443 - 458
Publisher: Amsterdam University Press
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×