Skip to main content Accessibility help
×
Hostname: page-component-7479d7b7d-8zxtt Total loading time: 0 Render date: 2024-07-12T11:31:57.872Z Has data issue: false hasContentIssue false

23 - Destination Nature: Wildlife and the Rise of Domestic Ecotourism in Britain, 1880–2015

from PEOPLE–NATURE INTERACTIONS

Published online by Cambridge University Press:  26 October 2017

Robert A Lambert
Affiliation:
University of Nottingham
Ian Convery
Affiliation:
Professor of Conservation & Forestry, Centre for Wildlife Conservation, University of Cumbria.
Peter Davis
Affiliation:
Emeritus Professor of Museology, University of Newcastle
Get access

Summary

There is a blithe acceptance in Britain that ecotourism is purely a contemporary phenomenon, born from the international sustainable tourism industry and development debates of the 1980s (riding on the back of the rise of environmentalism in the Western world in the 1960s and 1970s); it is also perceived that ecotourism primarily takes place ‘overseas’ (Page and Dowling 2002; Diamantis 2004; Fennell 2008). This chapter maps out stepping stones in the rise of a ‘domestic’ ecotourism industry in Britain from the late ninteenth and across the twentieth century, when people began to consciously take ‘delight’ in nature (Thomas 1984; Smout 2000; Holden 2008). Every year around 300,000 people visit sites in Britain to see ospreys, pumping £3.5m into local economies, often in remote rural areas (McCraight 2005). Much of this rise in mass wildlife watching has been founded not just on physical infrastructure developments and conservation policy initiatives, but on enormous shifts in human attitudes and values. These changes have meant that many bird species, in particular birds of prey (Cairns and Hamblin 2007; Cobham 2014), previously persecuted as ‘vermin’ in predator control endeavours (Lovegrove 2007) and ultimately protected, are now regarded as valuable sustainable ecotourism icons. This change in attitudes has taken less than a century (Lambert 2011).

THE GATHERING OF THE TRIBE

The British Birdwatching Fair takes place every August at Rutland Water Nature Reserve, in England's smallest county. Known as ‘the birder's Glastonbury’, it regularly attracts over 22,000 visitors; in 2014, the ten marquees were filled with 370 exhibitors from 58 countries, around 160 (43%) of whom were listed in the programme as ‘travel and tourism’ operators. The roots of this festival for birds (although now, with increased public interest and connections with other taxa, it should surely be renamed the ‘British Wildlife Fair’) date back to a meeting between warden Tim Appleton (Leicestershire and Rutland Wildlife Trust) and Martin Davies (Royal Society for the Protection of Birds) in the late 1980s, after a successful local event called ‘The Wildfowl Bonanza’ was held at Rutland Water in 1987.

Type
Chapter
Information
Publisher: Boydell & Brewer
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×