Book contents
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- Introduction
- 1 Flesh, Cinema and the Baroque: The Aesthetics of Reversibility
- 2 Knots of Sensation: Co-Extensive Space and a Cinema of the Passions
- 3 Baroque Skin/Semiotics
- 4 One Hand Films the Other: Baroque Haptics
- Conclusion: Or the Baroque ‘Beauty of the Act’
- Notes
- Bibliography
- Filmography
- Index
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- Introduction
- 1 Flesh, Cinema and the Baroque: The Aesthetics of Reversibility
- 2 Knots of Sensation: Co-Extensive Space and a Cinema of the Passions
- 3 Baroque Skin/Semiotics
- 4 One Hand Films the Other: Baroque Haptics
- Conclusion: Or the Baroque ‘Beauty of the Act’
- Notes
- Bibliography
- Filmography
- Index
Summary
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- Type
- Chapter
- Information
- Cinema's Baroque FleshFilm, Phenomenology and the Art of Entanglement, pp. 273 - 278Publisher: Amsterdam University PressPrint publication year: 2016