Color and Empathy: Essays on Two Aspects of Film

Christine N. Brinckmann

doi:10.1017/9789048523269

Color and Empathy

Essays on Two Aspects of Film

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OKUTAN, Nur 2023. An Analysis of the Movie “Hachiko: A Dog’s Story” in Terms of Empathy and Solidarity with Animals. Psikiyatride Güncel Yaklaşımlar, Vol. 15, Issue. 4, p. 705.

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Brylla, Catalin 2023. Documentary and Stereotypes. p. 53.

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Christine N. Brinckmann

Publisher:: Amsterdam University Press
Online publication date:: June 2021
Print publication year:: 2014
Online ISBN:: 9789048523269
DOI:: https://doi.org/10.1017/9789048523269

Subjects:: Film, Art: General Interest, Art, Film, Media, Mass Communication

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The collection of essays brings together texts from two decades, documenting two of the author's ongoing areas of interest: the poetics of colour in film as well as affective viewer responses. Employing a bottom-up approach as a basis for theoretical exploration, each of the essays concentrates on a particular film or a number of related films to come to terms with a set of issues. These include the differences between black-and-white and color works, the emergence of bold chromatic schemes in the 1950s, experimental aesthetics of color negative stock, idiosyncratic uses of colour, idiosyncratic uses of motor mimicry, genre-specific reactions to the documentary, and empathetic reactions to animals and to architecture in film.

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Color and Empathy

Essays on Two Aspects of Film

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

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Contents

Frontmatter
pp 1-4

Contents
pp 5-6

Preface
pp 7-9

Dedication
pp 10-10

Cinematic Color as Likeness and as Artifact: [2001]
pp 11-32

Chords of Color: [2006]
pp 33-60

The Tension of Colors in Colorized Silent Films: [2001]
pp 61-74

Structural Film, Structuring Color: Jenny Okun's Still Life: [1995]
pp 75-88

Desert Fury: A Film Noir in Color: [2012]
pp 89-108

The Work of the Camera: BEAU TRAVAIL: [2005]
pp 109-124

Empathy with the Animal: [1997]
pp 125-134

Motor Mimicry in Hitchcock: [1999]
pp 135-144

Abstraction and Empathy in the Early German Avant-garde: [1997]
pp 145-172

The Role of Empathy in Documentary Film: A Case Study: [2005]
pp 173-198

Genre Conflict in Tracey Emin’s Top Spot: [2007]
pp 199-220

Viewer Empathy and Mosaic Structure in Frederick Wiseman’s PRIMATE: [2009]
pp 221-240

CASTA DIVA: An Empathetic Reading: [2008]
pp 241-258

Publication Data
pp 259-260

Index of Films
pp 261-262

Index of Subjects
pp 263-264

Film Culture in Transition
pp 265-269

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Color and Empathy

Essays on Two Aspects of Film

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