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Appendix D - Digital cameras

from Appendices

Published online by Cambridge University Press:  05 March 2016

Daniel Kernell
Affiliation:
Rijksuniversiteit Groningen, The Netherlands
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Summary

Our eyes are often said to be ‘camera-like’ (or, rather, our cameras are ‘eye-like’): using a lens, a picture of the surrounding world is projected onto the reverse side of the eye/camera, where it is somehow recorded and retained for later use. In our eyes, the recording and further processing happens using receptors and nerve cells. In analogue cameras, the recording is done using a light-sensitive film. In digital cameras, the film is replaced by a light-sensitive electronic sensor and the further processing is done using computer techniques. There are many interesting similarities and differences between our visual system (eyes and brain) and the functional properties of modern digital cameras. In this Appendix, I will concentrate on colour-associated aspects.

Sensor and colour analysis

The light sensor of a digital camera contains a huge number of light-sensitive picture elements (pixels), often about 10 million or more. There are three types of elements, each one reacting to a different range of wavelengths: R pixels for red, G pixels for green, B pixels for blue/violet; this wavelength selectivity is typically produced by placing a different optical filter on top of each kind of sensor element. The signals from the R, G and B pixels are analysed using an RGB model (cf. Plate 2.6). With methods similar to those of the CIE system, the RGB-signals may be used to calculate the colour to be produced in different portions of the picture. The RGB-models are directly derived from studies of our visual system, and these digital camera techniques may indeed seem to be very eye-like. However, there are also several evident differences between eyes and the RGB-organization of digital cameras.

Camera sensors often have their RGB-pixels arranged according to a so-called Bayer pattern (Plate D.1) with 25% R, 50% G and 25% B pixels; the name of this pattern comes from Bryce Bayer, who worked at Kodak in the 1970s. This pixel pattern gives the camera sensor a maximal light sensitivity within the green region of the spectrum (cf. eye sensitivity ‘In daylight’, Figure 4.4). However, in the retina the proportions of the various light-sensitive elements are quite different from those of the Bayer pattern (Section 4.3.1); for instance, the eye has only about 5% S cones (cf. 25% B pixels). Furthermore, the spatial distribution of the retinal cones is very heterogeneous and complex (Section 4.3.2).

Type
Chapter
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Colours and Colour Vision
An Introductory Survey
, pp. 220 - 223
Publisher: Cambridge University Press
Print publication year: 2016

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  • Digital cameras
  • Daniel Kernell, Rijksuniversiteit Groningen, The Netherlands
  • Book: Colours and Colour Vision
  • Online publication: 05 March 2016
  • Chapter DOI: https://doi.org/10.1017/CBO9781316014776.012
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  • Digital cameras
  • Daniel Kernell, Rijksuniversiteit Groningen, The Netherlands
  • Book: Colours and Colour Vision
  • Online publication: 05 March 2016
  • Chapter DOI: https://doi.org/10.1017/CBO9781316014776.012
Available formats
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To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Digital cameras
  • Daniel Kernell, Rijksuniversiteit Groningen, The Netherlands
  • Book: Colours and Colour Vision
  • Online publication: 05 March 2016
  • Chapter DOI: https://doi.org/10.1017/CBO9781316014776.012
Available formats
×