Skip to main content Accessibility help
×
Hostname: page-component-7479d7b7d-fwgfc Total loading time: 0 Render date: 2024-07-11T21:23:41.202Z Has data issue: false hasContentIssue false

11 - Seeing Like a Crocodile Bird Mia Couto’s The Last Flight of the Flamingo

Published online by Cambridge University Press:  22 May 2021

Get access

Summary

The Last Flight of the Flamingo (2004) begins with an untruth. In his preface, the narrator, the unnamed ‘translator of Tizangara’, writes:

It all began with them, the blue helmets. They exploded. Yes, that's what happened to those soldiers. They quite simply started to explode […] Now, let me ask you this: did they really and truly explode? That's what they call it for lack of a verb. For an exploded man will always leave some residue of his substance. But in this case, there was nothing left at all. (Couto 2004b)

The ‘it’ that all began with the residue-less explosions of the UN peacekeeping soldiers is the arrival of a delegation headed by the Italian Massimo Risi, who comes to the Mozambican village of Tizangara to investigate these mysterious explosions. And, in this sense, The Last Flight of the Flamingo is a detective novel, even if a frustrated one. If the genre demands that a detective search for the residues of a crime, then the translator's prefatory claim – that an ‘exploded man will always leave some residue of his substance’ – is striking. First, because it establishes the translator as someone who knows something about exploded men. But the translator's claim is also striking because it's not entirely true: although the exploded men leave no blood or guts or fragments of bone, their penises remain, the only residue of their existence.

It does not take long for this untruth to be revealed. The translator begins the first chapter of his tale, ‘To put it rudely and crudely, here's what happened: a severed penis was found right there on the trunk road just outside of Tizangara. A large organ on the loose’ (2004b, 1). Very quickly, someone in the gathering crowd solves the mysterious origin of the organ, seeing the emblematic blue helmet hanging on a tree branch above. When the UN delegation arrives, they call in – as the UN is wont to do – a local expert, in this case a woman who ‘exhibited too much flesh and not enough dress’, the town's prostitute, Anna Godwilling (2004b, 14). She identifies the dismembered member as definitively foreign, and so the UN minister assigns Risi the task of investigating how the soldiers have exploded with (almost) no residual remains.

Type
Chapter
Information
Publisher: Boydell & Brewer
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×