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“Arzt und Dichter”: Döblin's Medical, Psychiatric, and Psychoanalytical Work

from Works of the Weimar Period

Published online by Cambridge University Press:  27 April 2017

Veronika Fuechtner
Affiliation:
Assistant Professor of German at Dartmouth College
Christoph Bartscherer
Affiliation:
Uni. Munchen
David Dollenmayer
Affiliation:
Professor in the Humanities and Arts Department at Worcester Polytechnic Institute, Worcester, Massachusetts
Roland Dollinger
Affiliation:
Roland Dollinger is Associate Professor of German Language and Literature at Sarah Lawrence College.
Neil H. Donahue
Affiliation:
Neil Donahue is Associate Professor of German and Comparative Literature, Hofstra University, Hempstead, NY.
Veronika Fuechtner
Affiliation:
Professor in the Department of German Studies at Dartmouth
Helmuth Kiesel
Affiliation:
Universität Heidelberg
Erich Kleinschmidt
Affiliation:
Institut für deutsche Sprache und Literatur, Universität zu Köln
Klaus Mueller-Salget
Affiliation:
Institut für Germanistik der Universität Innsbruck, Austria
Helmut F. Pfanner
Affiliation:
Professor in the Department of Germanic and Slavic Languages, at Vanderbilt University in Nashville, Tennessee
Roland Dollenmayer
Affiliation:
Roland Dollinger is Associate Professor of German Language and Literature at Sarah Lawrence College.
Wulf Koepke
Affiliation:
Recently retired as Distinguished Professor of German, Texas A and M University.
Heidi Thomann Tewarson
Affiliation:
Heidi Thomann Tewarson is Professor of German and Chair of the Department of German Language and Literature at Oberlin College.
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Summary

The physician and the writer Döblin cannot be isolated from each other, although they are all too often studied as separate entities. Ironically, Döblin himself contributed to the perception that Döblin the doctor and Döblin the writer were two completely separate personae. In the newspaper article “Zwei Seelen in einer Brust” (Two Souls in one Body, 1928; SLW 103–6) the physician and the writer meet and comment on each other. Without even having met his counterpart, the physician complains that the writer's political opinions are unreliable, his books too difficult to read, and his imagination overly exuberant. The writer, on the other hand, seems more curious about the doctor, and visits him in his office in Berlin-Lichtenberg, “das merkwürdigste Milieu, das man sich denken kann” (105). But the meeting reveals that they are the exact counter parts of each other, and the writer cannot shake his increasing anxiety in the face of the doctor's “psychotherapeutischen Blick” (105). After all, he might be catching on to his psychological defects — unpleasant memories are slowly emerging. In the end the writer would prefer not to meet this “Anonymus” (106) again, to whom he was but a mere human being and ultimately just another patient. And the doctor assumes that the writer will probably make fun of him in his writing (which, of course, will not faze him, as he is quick to infer).

The intention behind this artificial separation is obviously satirical. Döblin contrasts the lone “grauer Soldat” of the working class with the narcissistic “Primadonna” (105) of the intellectual circles to depict the very different worlds he moves about in. More important, he describes two different modes of processing and representing reality, both of which are intrinsic to his writing: self-effacing analysis, psychological intuition, and shorthand descriptions on the one hand and lively fantasy, quick-witted irony, and an abundance of metaphors on the other. A closer look reveals how much these two modes have in common. The doctor and the writer find common ground in their research: the doctor loves reading the travel books that the writer uses in preparation for his works, while the writer researches the east of Berlin and writes about the people who are treated by the doctor.

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Publisher: Boydell & Brewer
Print publication year: 2003

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