Drei Frauen (THREE WOMEN), the collection of novellas that appeared on 28 February 1924 in the Rowohlt Verlag in Berlin, brings together texts that had earlier appeared separately, namely “Grigia,” “Die Portugiesin” (The Portuguese Woman) and “Tonka.” With its love affairs and, in two of the three stories, its Romantic geographical settings, this book is probably the most immediately engaging of all Musil's works. However, within the three narratives Musil tries to come to terms with issues that are as problematical as those of Die Verwirrungen des Zöglings Törleß. To understand this we need to place Drei Frauen in the context of Musil's life before he began sustained work on Der Mann ohne Eigenschaften.

The Economics of a Literary Existence

In 1924, Franz Blei, who was among the first to support Musil and promote his works, published a little book entitled Das große Bestiarium der modernen Literatur (The Great Bestiary of Modern Literature). In it he pays tribute to 115 authors writing in German or whose works can be read in German; he assigns each of these to a particular animal species, represented by only this single specimen. In this work, between Münchhausen and Nietzsche, one finds the following description: