Book contents
- Frontmatter
- Contents
- A Note on Texts
- Introduction
- 1 Conrad and Nautical Language: Flying Moors and Crimson Barometers
- 2 Navigating the ‘Terroristic Wilderness’: Conrad's Language of Terror
- 3 Conrad, G. E. Moore and Idealism
- 4 Conrad's Language of Passivity: Unmoving towards Late Modernism
- 5 The Powers of Speech in Conrad's Fiction
- 6 ‘Soundless as Shadows’: Language and Disability in the Political Novels
- 7 Conrad and Romanised Print Form: From Tuan Almayer to ‘Prince Roman’
- 8 Languages in Conrad's Malay Fiction
- 9 Gallicisms: The Secret Agent in Conrad's Prose
- 10 ‘The speech of my secret choice’: Language and Authorial Identity in A Personal Record
- 11 The Russian Redemption of The Secret Agent and Under Western Eyes
- Afterword
- Contributors
- Index
Contributors
Published online by Cambridge University Press: 12 September 2017
Book contents
- Frontmatter
- Contents
- A Note on Texts
- Introduction
- 1 Conrad and Nautical Language: Flying Moors and Crimson Barometers
- 2 Navigating the ‘Terroristic Wilderness’: Conrad's Language of Terror
- 3 Conrad, G. E. Moore and Idealism
- 4 Conrad's Language of Passivity: Unmoving towards Late Modernism
- 5 The Powers of Speech in Conrad's Fiction
- 6 ‘Soundless as Shadows’: Language and Disability in the Political Novels
- 7 Conrad and Romanised Print Form: From Tuan Almayer to ‘Prince Roman’
- 8 Languages in Conrad's Malay Fiction
- 9 Gallicisms: The Secret Agent in Conrad's Prose
- 10 ‘The speech of my secret choice’: Language and Authorial Identity in A Personal Record
- 11 The Russian Redemption of The Secret Agent and Under Western Eyes
- Afterword
- Contributors
- Index
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- Information
- Conrad and Language , pp. 213 - 215Publisher: Edinburgh University PressPrint publication year: 2016