Book contents
- Copyright’s Excess
- Copyright’s Excess
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- 1 Introduction
- 2 The (Surprisingly Weak) Economic Case for Copyright
- 3 Copyright and Revenue in the Recording Industry
- 4 Measuring Music Output
- 5 The Search for a Correlation
- 6 More Money Meant Less Music
- 7 Rationalizing Copyright
- Appendices
- Appendix A Taylor Swift’s Hot 100 Singles from Studio Albums1
- Appendix B Explaining Turnover on the Hot 100 Chart
- Appendix C Spotify Intervention Model: OLS Regression Fit, 1960–1999
- Appendix D Productivity of the RIAA’s Top 250 Artists: Number of Studio Albums Released in First Ten Years of Their Career
- Index
Appendix C - Spotify Intervention Model: OLS Regression Fit, 1960–1999
Published online by Cambridge University Press: 29 March 2018
- Copyright’s Excess
- Copyright’s Excess
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- 1 Introduction
- 2 The (Surprisingly Weak) Economic Case for Copyright
- 3 Copyright and Revenue in the Recording Industry
- 4 Measuring Music Output
- 5 The Search for a Correlation
- 6 More Money Meant Less Music
- 7 Rationalizing Copyright
- Appendices
- Appendix A Taylor Swift’s Hot 100 Singles from Studio Albums1
- Appendix B Explaining Turnover on the Hot 100 Chart
- Appendix C Spotify Intervention Model: OLS Regression Fit, 1960–1999
- Appendix D Productivity of the RIAA’s Top 250 Artists: Number of Studio Albums Released in First Ten Years of Their Career
- Index
Summary
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- Information
- Copyright's ExcessMoney and Music in the US Recording Industry, pp. 225 - 226Publisher: Cambridge University PressPrint publication year: 2018