Skip to main content Accessibility help
×
Hostname: page-component-7479d7b7d-m9pkr Total loading time: 0 Render date: 2024-07-16T00:41:33.424Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

6 - Josephine Herbst in Realengo 18 (1935)

Peter Hulme
Affiliation:
University of Essex
Get access

Summary

On the earthen floor of the house of the poet of Realengo 18, one of the Realengo men draws with a stick a map of Cuba. The hardbaked earth swept clean with a broom makes a good blackboard. He shapes the island and we stare at its smallness that is now being related to the world.

(Josephine Herbst)

If 1898 and 1959 are the obvious turning points in modern Cuban history, 1935 is not far behind in significance. he republic established in 1902 had always lacked credibility. The economy saw spectacular boom and boost; political life was marked by rampant corruption; racial tensions frequently erupted; and always, behind the scenes, was the USA, ready to invoke the Platt Amendment and retake direct control of the island, as it did in 1906–09 and 1917–22. Oriente in particular was scarred by the violence of the so-called ‘race war’ [la guerra de razas]—one small incident of which saw the destruction of the property of the Spanish-American Iron Company at Daiquirí and the deployment of US marines from the Guantánamo Bay Naval Station. Then, between 1924 and 1933 Gerardo Machado ruled with an iron fist: especially after his unconstitutional re-election in 1928 police brutality and torture became commonplace. Opposition to Machado brought many sectors of society together and provided a political education for a new generation. The overthrow of Machado in 1933, quickly followed by the so-called ‘Sergeants’ Revolt', led to the short window of Ramón Grau San Martín's ‘government of 100 days’, which enacted a wide range of social, economic, and political reforms, quickly cut short by Fulgencio Batista's seizure of power in January 1934, first behind the scenes and then as President.

Type
Chapter
Information
Cuba's Wild East
A Literary Geography of Oriente
, pp. 280 - 312
Publisher: Liverpool University Press
Print publication year: 2011

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×