Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-hfldf Total loading time: 0 Render date: 2024-06-07T19:20:58.993Z Has data issue: false hasContentIssue false

6 - The performative contingency of cultural infrastructure

Published online by Cambridge University Press:  23 January 2024

Alison L. Bain
Affiliation:
York University, Toronto
Julie A. Podmore
Affiliation:
Concordia University, Montréal and John Abbott College, Québec
Get access

Summary

On a Munich summer night in 2018, I attended a dance party. The music was all over the place: an Afghan qataghani was followed by German hip-hop, a Syrian dabke tune would play after a Turkish remix of an old recording of a tango track. It had been almost three years since: thousands of migrants had arrived in Munich's central train station; the city had erected refugee camps to receive newcomers; the asylum paperwork, the translation, the German lessons and the mutual aid networks had all been established.

The partygoers had grown up in many different parts of the world, many of them waiting on Germany's immigration apparatus to process their refugee claims, or their appeals after their status had been turned down. People were dancing, drinking, talking or smoking by the club door. Of the 50-plus people there, most had arrived in Munich since the proclamation of a so-called “European refugee crisis” – some by foot, by bus, by train and some, like me, by plane. We shared the same room that night because we knew the music would be diverse. While it can be challenging to dance to unfamiliar musical styles and the shift from one track to the next can be jarring, this was to be part of the night's beauty.

The party, called Plug in Beats, was billed as an “intercultural democratic dance party” (Figure 6.1). Each month, long-established Munich residents and newly arrived people came together in Orangehouse, one of the small clubs housed in Feierwerk, a city-funded cultural centre. Armed with smartphones, attendees would choose music for each other to dance to. The process, which borrowed from karaoke, followed a specific format. Attendees were greeted by Feierwerk staff and volunteers who passed around laminated cards with numbers on them. Translators were on hand, and instructions in six different languages (Arabic, Farsi, French, German, English and Spanish) were laid out around the room explaining that numbers would soon appear on a VJ screen above the stage, indicating the moment to bring one's smartphone to the DJ with a musical selection ready.

Type
Chapter
Information
Publisher: Agenda Publishing
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×